Canon EOS C200 Cinema Camera and Triple Lens Kit

Canon EOS C200 Cinema Camera and Triple Lens Kit

Canon EOS C200 Cinema Camera and Triple Lens Kit

B&H # CAC200TLK MFR # 2215C012
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Camera Body Mount: C200EF Camera

C200PL Camera

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C200EF Camera
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Canon C200 Overview

  • 1Description

This Canon EOS C200 Cinema Camera and Triple Lens Kit includes the Canon C200 camera body and three Canon EF USM lenses, to create a versatile digital cinema production kit. The three lenses included are the EF 16-35mm f/2.8L III, EF 24-70mm f/2.8L II, and EF 70-200mm f/2.8L IS III.

  • EOS C200 Cinema Camera (EF-Mount)

    Canon's EOS C200 EF Cinema Camera features a built-in EVF, 4" LCD screen, top handle, Super 35mm CMOS sensor, and Dual Pixel Autofocus. The EF lens mount on the EOS C200 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with Canon's Dual DIGIC DV 6 image processor, allowing it to capture and record up to DCI 4K resolution.


    The C200 can also record Canon's Cinema RAW Light internally via its single CFast card slot. The camera also incorporates two SD card slots for recording UHD 4K/HD MP4 video. A built-in EVF enables the camera to maintain a small footprint when you shoot. However, the included removable 4" LCD screen as well as the included top handle and camera grip make this camera versatile for larger shoots. You can output video via the camera's SDI output, and the built-in XLR connectors provide two channels of audio at line, mic, and mic+48V level. A built-in Ethernet connector provides input/output control.

    Main Features

    Canon Super 35mm CMOS Sensor
    Modeled on the Super 35mm motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080).
    Dual Pixel CMOS AF Technology
    Provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

    Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
    Dynamic Range, ISO Range
    The C200 features a dynamic range of approximately 13 stops, and an ISO range of 160 to 25,600. You can also select an expanded ISO range of 100 to 102,400. It supports Wide DR Gamma, Canon Log and Canon Log 3.
    Dual Canon DIGIC DV 6 Image Processor
    The camera features Dual DIGIC DV 6 processors to handle the internal data processing.
    Ultra High-Resolution EVF
    The EOS C200 features a built-in 0.46", 1.23MP color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort.
    4" LCD Touchscreen Camera Grip and Top Handle
    Included with the C200 is a removable 4" Touchscreen LCD viewfinder. Also included with the C200 is a camera control handgrip as well as a removable top handle.
    Rich Audio Controls
    Built directly into the C200 are two XLR audio inputs with +48V phantom power, and a 3.5mm microphone terminal is also built into the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs as well as the mic terminal have the option for automatic as well as manual gain control.
    Canon Cinema RAW Light
    This codec allows you to record raw data internally to a CFast 2.0 card via the camera's single CFast card slot. The CFast card slot enables capturing DCI 4K in Canon's Cinema RAW Light format.
    MP4 Recording
    • UHD 4K and Full HD recording onto SD cards is available via the two SD card slots.
    • Slow-motion recording, pre-recording, frame recording, interval recording
    Recording Functions
    Relay recording, double slot recording
    High-Speed Shooting
    You can choose to record at 120/100p when recording in Full HD.
    White Balance
    AWB
    Kelvin setting (setting range: 2000K to 15000K/-20CC to +20CC)
    Daylight
    Tungsten
    Set A
    Set B
    Other Recording Functions
    Custom picture setting
    Black balance adjustments
    Color bars
    Peaking display
    Zebra display
    My Menu setting
    Waveform monitor display
    Assignable buttons (1-17)
    Key lock
    Marker display
    Enlarged display
    Custom display
    Peripheral illumination correction
    GPS support (GP-E2)
    Monaural microphone
    Playback Operations
    Normal playback, fast forward (at speeds of ×5, ×15, ×60), fast reverse (at speeds of ×5, ×15, ×60), frame forward, frame reverse, rec review
    Clip Display
    3 x 4 (clip) index screen (raw/MP4/Photo)
    UPC: 013803290035
  • EF 16-35mm f/2.8L III USM Lens

    Characterized by a revamped optical design, the EF 16-35mm f/2.8L III USM from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. Featuring a series of specialized elements, this lens utilizes a trio of aspherical elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity. Both SWC and ASC coatings have also been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy.

    Complementing its optical prowess, a ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus performance, which is further benefitted by full-time manual focus operation and an internal focusing design. The lens is both water and dust-resistant, and fluorine coatings have also been applied to the front and rear elements to protect against fingerprints and smudges from affecting image quality.

    Wide-angle zoom 16-35mm lens is compatible with full-frame Canon EF-mount DSLRs, as well as APS-C-sized models where it will provide a 25.6-56mm equivalent focal length range.
    Constant f/2.8 maximum aperture offers consistent performance and excellent light transmission throughout the zoom range.
    Two large-diameter glass-molded dual-surface aspherical elements and one ground aspherical element help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
    Two ultra-low dispersion elements are used to minimize chromatic aberrations as well as eliminate color blurring around the edges of subjects.
    Both a Subwavelength Coating (SWC) and an Air Sphere Coating (ASC) have been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
    A ring-type Ultrasonic Motor (USM), along with an internal focusing system, high-speed CPU, and optimized AF algorithms, are employed to deliver fast, precise, and near-silent autofocus performance as well as full-time manual focus override.
    As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
    Protective fluorine coating has been applied to the front bulbous element to resist fingerprints and smudges and to make cleaning significantly easier.
    Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
    UPC: 013803256901
  • EF 24-70mm f/2.8L II USM Lens

    Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.

    Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.

    Standard zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 38.4-112mm equivalent focal length range.
    Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom range and also affords greater control over depth of field for working with selective focus techniques.
    One Super Ultra-Low Dispersion element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
    Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
    Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
    A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
    Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
    Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
    As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
    Zoom lock lever secures the zoom position at the wide end to maintain a compact form factor and protect the lens when not in use.
  • EF 70-200mm f/2.8L IS III USM Lens

    One of the most versatile lenses available, the EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. An Air Sphere Coating is also featured, and works to reduce flare and ghosting for greater color fidelity and contrast in all conditions.

    Complementing the speed and optics is an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake to better enable working handheld and in low-light situations. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.

    Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range.
    Bright constant f/2.8 maximum aperture affords consistent performance throughout the zoom range and offers notable control over depth of field for working with selective focus techniques.
    One fluorite element and five ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
    An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
    An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to 3.5 shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. In addition to the single-shot standard IS mode, a second mode is also available that it optimized for panning.
    A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
    Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9'-infinity or 8.2'-infinity.
    Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
    A weather-resistant design protects the lens from dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
    Removable rotating tripod collar is included and benefits working with the lens atop a tripod or monopod.
    Compatible with optional EF 1.4X and EF 2X teleconverters.
    UPC: 013803306019
In the Box
Bundle Items
  • LM-V1 4" LCD Monitor for Canon C200 & C300 Mk II
  • LA-V1 LCD Attachment Unit for EOS C200
  • HDU-2 Handle Unit for EOS C200/C200B
  • GR-V1 Camera Grip for EOS C200
  • Shoulder Strap
  • CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
  • Single Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
  • Compact Power Adapter
  • UN-5 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (20"')
  • Eyecup
  • BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
  • Shoulder Strap
  • Tape Measure Hook
  • Thumb Rest
  • Body Cap
  • Limited 1-Year Warranty
  • E-82 II 82mm Lens Cap
  • Lens Dust Cap E (Rear)
  • EW-88D Lens Hood
  • LP1222 Lens Pouch
  • Limited 1-Year Warranty
  • E-82 II 82mm Lens Cap
  • Lens Dust Cap E (Rear)
  • EW-88C Tulip Lens Hood for EF 24-70mm f/2.8L II USM Lens
  • LP1219 Soft Lens Case
  • Limited 1-Year Warranty
  • E-77 II 77mm Lens Cap
  • Lens Dust Cap E (Rear)
  • ET-87 Lens Hood
  • LZ1326 Lens Case
  • Tripod Collar
  • Limited 1-Year Warranty
Table of Contents
  • 1Description
  • EOS C200 Cinema Camera (EF-Mount)
    Image Sensor
    Image Sensor Size 24.6 x 13.8 mm (Super35)
    Sensor Type CMOS
    Sensor Resolution 4206 x 2340 (9.84 MP)
    Effective Sensor Resolution 4096 x 2160 (8.85 MP)
    Pixel Pitch 6.4 µm
    Color Filter Bayer
    ISO 160 to 25,600 (Native)
    100 to 102,400 (Expanded)
    Gain -2 to 42 dB (Native)
    -6 to 54 dB (Expanded)
    Camera
    Lens Mount Canon EF
    Lens Communication Yes, with Autofocus Support
    Built-In ND Filter Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
    Built-In Microphone Type Mono
    Recording Media 1 x CFast 2.0 Card Slots
    2 x SDXC Card Slots
    Internal Recording
    Raw Recording Cinema RAW Light 12-Bit:
    4096 x 2160 at 24/30 fps (1 Gb/s) 
    4096 x 2160 at 60 fps (1 Gb/s) 
    Recording Modes MP4 4:2:0 8-Bit:
    3840 x 2160p at 24/30/60 fps (150 MB/s) 
    1920 x 1080p at 30/60/120 fps (35 MB/s) 
    Audio Recording 4-Channel 16-Bit 48 kHz
    Interfacesvxxevveywyft
    Video Connectors 1 x BNC (SDI) Output
    1 x HDMI (HDMI 2.0) Output
    Audio Connectors 2 x 3-Pin XLR Mic Level (+48 V Phantom Power) Input
    1 x 1/8" / 3.5 mm Stereo Mic Level Input
    1 x 1/8" / 3.5 mm Stereo Headphone Output
    Other I/O 1 x 2.5 mm LANC Control Input
    1 x RJ45 LAN 
    Display
    Display Type LCD
    Screen Size 4"
    Touchscreen Yes
    Screen Resolution 1,230,000 Dots
    EVF
    Screen Size .46"
    EVF Resolution 1,770,000 Dots
    Power
    Battery Type Canon BP-A Series
    Power Connectors 1 x 4-Pin LEMO Input
    General
    Accessory Mount 1 x 1/4"-20 Female
    1 x Cold Shoe Mount
    Dimensions 5.7 x 6 x 7" / 14.48 x 15.24 x 17.78 cm (Without Grip)
    7 x 6 x 8" / 17.78 x 15.24 x 20.32 cm (With Grip)
    Weight 3.2 lb / 1.5 kg
    Packaging Info
    Box Dimensions (LxWxH) 18.4 x 14.4 x 12.8"
  • EF 16-35mm f/2.8L III USM Lens
    Focal Length 16 to 35mm
    Maximum Aperture f/2.8
    Minimum Aperture f/22
    Lens Mount Canon EF
    Format Compatibility Full-Frame
    Angle of View 108 10' to 63
    Maximum Magnification 0.222x
    Minimum Focus Distance 11.02" / 28 cm
    Optical Design 16 Elements in 11 Groups
    Diaphragm Blades 9, Rounded
    Focus Type Autofocus
    Image Stabilization None
    Filter Size 82 mm (Front)
    Dimensions ( x L) 3.5 x 5.0" / 88.5 x 127.5 mm
    Weight 27.9 oz / 790 g
    Packaging Infovxxevveywyft
    Box Dimensions (LxWxH) 9.4 x 5.4 x 5.4"
  • EF 24-70mm f/2.8L II USM Lens
    Focal Length 24 to 70mm
    Maximum Aperture f/2.8
    Minimum Aperture f/22
    Lens Mount Canon EF
    Format Compatibility Full-Frame
    Angle of View 84 to 34
    Maximum Magnification 0.21x
    Minimum Focus Distance 1.25' / 38 cm
    Optical Design 18 Elements in 13 Groups
    Diaphragm Blades 9, Rounded
    Focus Type Autofocus
    Image Stabilization None
    Filter Size 82 mm (Front)
    Dimensions ( x L) 3.48 x 4.45" / 88.5 x 113 mm
    Weight 1.8 lb / 805 g
    Packaging Info
    Box Dimensions (LxWxH) 9.1 x 6.1 x 6.0"
  • EF 70-200mm f/2.8L IS III USM Lens
    Focal Length 70 to 200mm
    Maximum Aperture f/2.8
    Minimum Aperture f/32
    Lens Mount Canon EF
    Format Compatibility Full-Frame
    Angle of View 34 to 12
    Maximum Magnification 0.213x
    Minimum Focus Distance 3.94' / 1.2 m
    Optical Design 23 Elements in 19 Groups
    Diaphragm Blades 8, Rounded
    Focus Type Autofocus
    Image Stabilization Yes
    Tripod Collar Removable and Rotating
    Filter Size 77 mm (Front)
    Dimensions ( x L) 3.50 x 7.835" / 88.8 x 199 mm
    Weight 3.3 lb / 1480 g
    Packaging Infovxxevveywyft
    Box Dimensions (LxWxH) 12.6 x 7.4 x 7.2"

Canon C200 Reviews

EOS C200 Cinema Camera and Triple Lens Kit is rated 4.0 out of 5 by 44.
Rated 5 out of 5 by from Don't listen to the haters. :) I always see a ton of people complaining about the lack of 10-bit... but it HAS 10-bit and even 12-bit if you want to record to C-fast cards (which are cheap compared to RED media). ?However, we use the 4K 24P and 60P settings in 8-bit all day, every day. ?Straight to SD cards, which are cheap. ?I notice about a 1-stop loss in dynamic range compared to recording in RAW, so for 95% of the stuff we do, it's fantastic (corporate, brand, social, tons of interviews + b-roll). ?And if we need an extra punch, we switch it to RAW for a few shots. ?Built-in ND's, touch screen autofocus is amazing, easy to go handheld, and reliable. ?Incredibly reliable. ?We have 4 of them.
Date published: 2018-05-30
Rated 3 out of 5 by from Lacks Standard Processional Codecs After own this a week and shooting various projects from commercials to documentaries I feel what others are saying. When a 5DIV and 1DXII have better codec options for much cheaper really makes you wonder why they crippled this camera. Either you can shoot Raw light or basically an equivalent to Avchd with there MP4 options. The Engineers, Marketing and Management at Canon need to wake up, respectfully. They have a chance to truly crush the competition by adding 1-2 basic 10-bit 422 codecs. Overall I feel this camera in terms or design and build quality beats the other cameras in its price range hands down! However with its light everything codecs, I would only recommend this camera to a very few.
Date published: 2018-03-17
Rated 2 out of 5 by from Great Possibilities, depends on the firmware update So much about this camera is right. The color science, the auto focus and Canon build quality. However, what we need is a 4.2..2 10 bit codec and the ability to output both this codec and the 4k 60 raw output to an external recorder. A single cFast slot is not a practical or affordable workflow. If the firmware gives us a 4.2.2 10bit and the ability to output 4k 60p raw to an external recorder, I believe this will be one the great selling cameras of all time. Without these it is just another example of why so many loyal canon shooters have had to go with other companies cameras.
Date published: 2017-12-03
Rated 3 out of 5 by from Needs a 10 bit codec This could be a great camera.? But no 10 bit recording option is a big deal.? what's equally troubling is that Canon is not listening to the people who actually buy and use their cameras.? Panasonic and Blackmagic both have cameras in this price range with the proper codecs, and histories of providing firmware updates to empower their users.? on the other hand it seems Canon is withholding crucial functionality as some kind of marketing ploy.? As a camera manufacturer in today's competitive market this is a very dangerous way to think.
Date published: 2018-04-07
Rated 3 out of 5 by from A near perfect camera... After seeing the early reviews of the C200 and its beautiful raw image, I decided to sell my C300 Mark II. Unfortunately things didn't go as planned.? While the C200 has nice ergonomics, amazing autofocus and a great raw image, its 8 bit 4:2:0 codec is unacceptable for a modern $7500 cinema camera. In my experience the 8 bit image was surprisingly soft and produced heavy aliasing on numerous occasions.?I didn't think it would be an issue but it was. With the Raw workflow being very cumbersome, it's just not feasible for a lot of the paid work I do.? After trying the Panasonic EVA1 and C200 side by side it became apparent just how inferior Canon's 8 bit image is. The EVA1 blew it away and also held its own against the Canon Raw image. While I much prefer the ergonomics, menu system and autofocus of the C200, the image quality was ultimately what won.? Sadly I am one of many who has decided to move on from Canon for the time being. They make some great products but their ethics and self crippling of their own line finally became too frustrating to support. I'm sure the C300 MKIII/C400 will fulfill the potential this camera had but at at least double the price.
Date published: 2018-02-12
Rated 4 out of 5 by from CANON, ARE YOU LISTENING TO YOUR CUSTOMERS? DEAR CANON,? 10 BIT 4:22 IS A MUST HAVE.? SINCERELY,? EVERY ONE WHO WANTS TO LIKE THIS CAMERA
Date published: 2018-03-29
Rated 3 out of 5 by from I might have gotten a dud. I have a lot of reddish noise no matter what I do. I perform the ABB, adjust the exposure, change log - nothing seems to really help. It's always there, sometimes worse. I called Canon and we are sending it in for service. I hope they find that the sensor is bad. The footage people are putting up on YT is amazing, even the low light stuff. ISO 800 for me is way too much noise; people are using it at 3200-6400 and getting good results. I will update once I get it back from Canon.
Date published: 2017-12-10
Rated 4 out of 5 by from Is it perfect? No, but no camera is I own this camera along with a 1DC and a 1DXMKII, i use them all for different things, and I love all of them. I do hate that cfast is so expensive but EgoDisk, ProGrade and AngelBird all make great and more affordable media. I use FCPX so I dont have to worry about transcoding or any of that, which is what many people complain about. 4k60 is epic on this thing, its sharp and actually at times I feel this camera can be to crisp. I love the color, I love the autofocus, the only thing i wish it had was 4k120. Battery life is amazing the view finder is great, I really enjoy this camera, i chose this over a red scarlet. The reds are great but this thing is so easy and it will last all day on canons bigger battery.
Date published: 2018-09-11
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question

Are the pl sigma high speed lenses compatible with this camera?
Asked by: victor manuel c.
Yes, Sigma PL Mount Lenses will work with the C200.
Answered by: Joseph
Date published: 2018-11-02

question

Is it possible to easily use the screen of the C200 fixed on a Ronin M like any second monitor ? (without the handle ofc)
Asked by: Denis K.
YES. the Cable is Long enough too. you just need a magic arm or clamp of some sort.
Answered by: Charles J.
Date published: 2018-08-27

question

Can you record 4k mp4 and HD mp4 to different SD cards at the same time?
Asked by: Kenny
I'm afraid not. You will not be able to record a 4K MP4 on one SDXC Card and an HD MP4 on the other. However, you can record 4K Cinema RAW Light to the CFast 2.0 card slot and a Proxy 2K File on to SDXC.
Answered by: Joseph P.
Date published: 2018-08-27

question

Will the top handle from the C300 Mkii work on the C200b?
Asked by: Ismail A.
Canon improved the C200 top handle and it is our understanding that the C300 handle is incompatible.
Answered by: Dennis A L.
Date published: 2018-08-27

question

Will the C200B fit on a Ronin M?
Asked by: Chris L.
I have the Regular C200 and It fits on the Ronin M but you will need the Counterbalance accessory kit from DJI its Like 200 bucks.
Answered by: Charles J.
Date published: 2018-08-27

question

Can I shoot UHD or FHD in Raw Lite?
Asked by: Jordan B.
The C200 when recording RAW Light is 4K only.
Answered by: Dennis A L.
Date published: 2018-08-27

question

Will you be able to sync timecode through the sdi on the back with other cameras?
Asked by: Robert B.
Sorry the C200 while it has timecode you can set manually, it does not have a Genlock.
Answered by: Dennis A L.
Date published: 2018-08-27

question

Is the camera weather sealed ?
Asked by: Florent
The C200 has a weather-resistant design. When shooting in inclement conditions you really will want to protect the camera. We have great options from Porta Brace and camRade for rain slickers.https://bhpho.to/2GmW4Uahttps://bhpho.to/2uvawb8
Answered by: Joseph P.
Date published: 2018-08-27
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