This Canon EOS C200 Cinema Camera and Triple Lens Kit includes the Canon C200 camera body and three Canon EF USM lenses, providing you with a versatile digital cinema production kit. The three included lenses are the EF 16 to 35mm f/2.8L III, EF 24 to 70mm f/2.8L II, and EF 70 to 200mm f/2.8L IS III. The camera features a Super35-sized sensor with 13 stops of dynamic range and a native resolution of 4069 x 2160 (DCI 4K) and it supports UHD as well as Full HD. It supports Dual Pixel CMOS AF, which can be used to autofocus the included lenses.
The lenses cover a wide focal length range from 16 to 200mm, and since they each cover a full-frame sensor, there will be no vignetting on the C200's Super35 sensor at any focal length or f-stop. The wide-angle lens at 16 to 35mm overlaps with the mid-focal length range of 24 to 70mm, while the long lens has a focal length of 70 to 200mm. The lenses have matched f-stops, so intercutting between them should not cause the image to change due to exposure variations. This allows you to shoot faster without adjusting the lighting for a slow lens.
Canon's EOS C200 EF Cinema Camera features a built-in EVF, 4" LCD screen, top handle, Super35 CMOS sensor and Dual Pixel autofocus. The EF lens mount on the EOS C200 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super35 sensor is paired with Canon's Dual DIGIC DV 6 image processor, allowing it to capture and record up to DCI 4K resolution.
The C200 can also record Canon's Cinema RAW Light internally via its single CFast card slot. The camera also incorporates two SD card slots for recording UHD 4K/HD MP4 video. A built-in EVF enables the camera to maintain a small footprint when you shoot. However, the included removable 4" LCD screen as well as the included top handle and camera grip make this camera versatile for larger shoots. You can output video via the camera's SDI output, and the built-in XLR connectors provide two channels of audio at line, mic, and mic+48V level. A built-in Ethernet connector provides input/output control.
Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
- UHD 4K and Full HD recording onto SD cards is available via the two SD card slots.
- Slow-motion recording, pre-recording, frame recording, interval recording
Kelvin setting (setting range: 2000K to 15000K/-20CC to +20CC)
Daylight
Tungsten
Set A
Set B
Black balance adjustments
Color bars
Peaking display
Zebra display
My Menu setting
Waveform monitor display
Assignable buttons (1-17)
Key lock
Marker display
Enlarged display
Custom display
Peripheral illumination correction
GPS support (GP-E2)
Monaural microphone
Characterized by a revamped optical design, the EF 16-35mm f/2.8L III USM from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. Featuring a series of specialized elements, this lens utilizes a trio of aspherical elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity. Both SWC and ASC coatings have also been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy.
Complementing its optical prowess, a ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus performance, which is further benefitted by full-time manual focus operation and an internal focusing design. The lens is both water and dust-resistant, and fluorine coatings have also been applied to the front and rear elements to protect against fingerprints and smudges from affecting image quality.
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.
Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
One of the most versatile lenses available, the EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. An Air Sphere Coating is also featured, and works to reduce flare and ghosting for greater color fidelity and contrast in all conditions.
Complementing the speed and optics is an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake to better enable working handheld and in low-light situations. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.