MAGIX Entertainment Audio Master Suite Mac 3 - Audio Editing Software Bundle (Educational, 5-99 Tier Site License, Download)

MAGIX Entertainment Audio Master Suite Mac 3 - Audio Editing Software Bundle (Educational, 5-99 Tier Site License, Download)

MAGIX Entertainment Audio Master Suite Mac 3 - Audio Editing Software Bundle (Educational, 5-99 Tier Site License, Download)

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Product Highlights

  • Price per License
  • SOUND FORGE PRO Mac 3
  • SpectraLayers Pro 4
  • iZotope RX Elements
  • iZotope Ozone 7 Elements
  • Audio Restoration and Mastering
  • Sound Design and Effects
  • Audio-for-Video
  • Spectral Editing
  • Mac OS X
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This item is noncancelable and nonreturnable.

NOTE: This product is an educational discounted version available to qualified students, faculty/staff, and accredited academic institutions only. Proof of current educational status is required. If you are unsure of your eligibility, please contact us prior to purchasing.

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MAGIX Entertainment Audio Master Suite Mac 3 overview

  • 1Description

Designed for use with Mac computers, MAGIX Entertainment Audio Master Suite Mac 3 includes the SOUND FORGE PRO Mac 3 audio waveform editor software, SpectraLayers Pro 4 advanced audio spectrum editor software, iZotope RX Elements audio restoration and enhancement software, and iZotope Ozone 7 Elements mastering software for beginners. Working seamlessly together, these four applications provide audio professionals with a powerful set of tools for mixing, mastering, repair and restoration, sound design, forensics, analysis, and more.


SOUND FORGE PRO Mac 3 offers multichannel recording and editing, intuitive workflows, advanced signal processing, and a variety of effects to render master files with ease. SpectraLayers Pro 4 is a spectral editing platform that allows you to visually work with audio. The software arranges the frequency spectrum of your audio files in layers, making it easy to extract, transpose, and optimize their individual sound components.

iZotope RX Elements offers comprehensive editing options, spectral editing, and also contains four essential plug-ins for real-time audio editing. iZotope Ozone 7 Elements provides you with simple tools to effortlessly get your mixes radio- and streaming-ready.

Note: This product is an educational discounted version available to qualified students, faculty/staff, and accredited academic institutions only. Proof of current educational status is required.

  • SOUND FORGE PRO Mac 3 Audio Waveform Editor (Educational, Download)

    SOUND FORGE PRO Mac 3 from MAGIX Entertainment is an advanced audio waveform editor optimized for the Mac OS X environment. It provides audio engineers with an extensive suite of restoration, repair, editing, and mastering tools, to record and produce broadcast- and streaming-ready audio master files, for music, dialog, video, and more.

    SOUND FORGE PRO 3 features a flexible interface that can be easily configured to optimize your workflow for the task at hand. The software is equipped with a powerful audio engine that lets you simultaneously record up to 32 channels of high-resolution audio at 24-bit / 192 kHz. Precise control over the editing process is achieved with the ability to edit at the sample-waveform level, using the included SpectraLayers Pro 4 spectral editor. Distorted audio files can be restored with the iZotope De-Clip plug-in, which detects and repairs clipping artifacts, while the iZotope Voice De-Noise plug-in works to enhance vocals and dialog clarity by reducing background noise.

    To help deliver a full and loud final master, SOUND FORGE PRO 3 comes with mastering plug-ins that include the Wave Hammer compressor/limiter and iZotope Ozone Elements. In addition, the automatic loudness leveling combined with the loudness meters simplify the process of finalizing AES/EBU-compliant, broadcast-ready audio-master files, and ensure compliance with broadcast loudness regulations such as the CALM Act.

     

    Note: This product is an educational discounted version available to qualified students, faculty/staff, and accredited academic institutions only. Proof of current educational status is required.

    What's New in Version 3

    Highlights
    • Full support for VST, AU, RTAS, and AAX plug-ins
    • Over 75 professionally designed presets
    Expanded Signal and Effect Processes
    • New signal and effect processes added include noise gate, reverb, simple delay, chorus, flanger
    Automatic Loudness-Leveling Capabilities
    • Precisely calibrated AES/EBU loudness meters help you make use of the entire dynamic range for broadcast audio files
    • Loudness meter ensures compliance with broadcast loudness regulations such as the CALM (Commercial Advertisement Loudness Mitigation) Act
    • Flexible meter positioning puts you in control of the location and the orientation of the meters
    Audio Repair Improvements
    • Automatic clip detection quickly scans for and detects clipping
    • The Detect Clipping command automatically places markers at each instance of an audio clip to help you quickly locate and repair audio clippings
    Dynamic Rendering of Project Files
    • No need to render intermediary pre-masters any more
    • Pass multiple audio pre-masters through unique plug-in chains as they are being burned Disc-At-Once to a Red Book standard CD
    • A single click saves every project file, along with information about the plug-in chain and its associated audio asset
    Mastered for iTunes Auditioning
    • Hear exactly what your mastered-for-iTunes audio sounds like before rendering
    • Continue to adjust, edit, and enhance while auditioning the results in real-time without rendering
    Load Audio Portions of Popular Video File Formats
    • Open and edit the audio stream from a variety of popular video file formats including XAVC, XDCAM, AVCHD, and more
    iZotope RX Elements
    • De-Clip: Restores distorted audio by detecting and repairing clipping artifacts
    • Voice De-Noise: Specifically designed to fine-tune vocals and dialog by reducing background noise
    • De-Hum: Easily remove line noise and ground-loop hum
    • De-Click: Use the low-latency de-click algorithm to remove clicks and crackle from vinyl recordings, or attenuate the “clicky” performance of a bass-guitar track
    iZotope Ozone Elements
    • Based on the algorithms of legendary iZotope Maximizer
    • Enables you to achieve a full, rich, and loud final master — radio- and streaming-ready

    Key Features

    Processing Power
    • Optimized for Mac OS X environment
    • Designed to work flawlessly with native and third-party plug-ins
    High-Resolution Recording
    • Record high-resolution audio at 24-bit / 192 kHz
    • Up to 32 channels of simultaneous recording
    • Customizable window layouts give you access to flexible hardware routing and adjustable metering utilities
    Precise Editing
    • Edit at the sample level
    • Configure viewing panels to toggle between multiple open files, and configure open projects for easy access to editing features
    • Easily switch between time-based or event-based editing modes
    Interoperability with Spectralayers Pro 4
    • Complete round-trip workflow with SpectraLayers Pro 4
    • Experience the best of both waveform editing and spectral editing
    • Menu commands enable you to easily move files between the two applications and utilize the unique strengths of these powerful audio tools
    Mastering for Music and Dialog
    • Combine native mastering tools such as the Wave Hammer Compressor/Limiter with included iZotope plug-ins to perfect the audio
    Disc-At-Once CD Burning
    • Burn all open files directly to a Red Book compliant, replication-ready master CD
    • Add track markers to a single-file recording of a live set and burn a gapless, Disc-At-Once, Red Book standard audio CD
    File Conversion Automation
    • Standalone batch processing application automates multiple-file processing in a single operation
    • Convert to a new file format, add processing and effects, add metadata including artwork, to multiple files in a single batch process
    Flexible and Customizable Workspace
    • Easily optimize the interface for the task at hand
    • Click the show-/hide-pane buttons to quickly readjust the interface layout
    • Drag tools from one pane to another to customize tool location to suit your workflow
    Multiple Edit Mode
    Time Mode

    • For general purpose editing — enables you to select a range of time within the waveform, and manipulate just that audio

    Event Mode

    • For editing non-destructively
    • Event-based editing allows you to divide a sound file into any number of independent sections (events) that can be arranged and rearranged on the timeline
    • Event Mode allows you to convert regions to events, lock event markers, region markers, and envelope points to events, and automatically ripple successive events forward in time while editing
    Normalize
    • Use the normalize feature to accomplish standard peak-level normalization, or modify an audio file dynamics directly using average RMS-level normalization
    • Great for matching the apparent loudness of different recordings
    Channel Converter
    • Use the Channel Converter to change the number of channels in an audio file, reverse the channels of a stereo file or intermix the channels of a multichannel file to create panning scenarios
    Native Processor
    • Built-in native-audio processors provide powerful sound-shaping possibilities
    • Apply processes such as Auto Trim, Fade In/Out, Invert/Flip, Mute, Reverse, and Volume to a specific time selection within an audio file or to the entire file
    Post-Processing
    Bit-Depth Conversion

    • Convert sound files to different bit depths while applying dithering using the included iZotope MBIT+Dither plug-in
    • Achieve optimum bit-depth conversion with detailed control over parameters such as bit-depth selection, dither mode, noise shaping, minimize peaks, and silence harmonics

    Sample-Rate Conversion

    • Convert the sample rate of an existing sound file accurately using the included iZotope 64-bit SRC (sample rate converter) plug-in
    • Achieve optimum sample rate conversion with detailed control over parameters such as sample rate selection, quality, steepness, filter length, cutoff scaling, alias suppression, and pre-ring
    Time Stretch
    • Use zplane élastique time-stretch plug-in to achieve optimal pitch-shifting and audio file length adjustments, without artifacts
    • State-of-the-art psychoacoustic models and signal-processing theory provide stable timing, inter-channel phase coherence, and sample-accurate stretching
    • Achieve formant-preserving pitch shifting
    • Choose from various stretching methods tailored to your source audio, including Pro, Soloist, and Efficient modes
    • Monitor and adjust settings while previewing in real time
    Synthesis
    • Use the simple synthesis plug-in to generate basic waveforms and noise
    • Perfect for creating pitch-accurate tuning notes and pink and white noise for room tuning
    Wave Hammer
    • Audio mastering tool which combines a classic compressor and a volume maximizer
    • Use the Compressor to add punch to your audio or crank it up to create analog-like distortion
    • Use the Volume Maximizer to boost the overall level of a signal without clipping or distortion or to limit the signal's peak amplitude
    Audio Effects
    • Improve the quality of your audio or create unique sounds using the included processes and effects
    • Apply effects individually or use a plug-in chain to add multiple plug-ins to process your audio
    • Adjust parameters and preview the results in real-time prior to rendering
  • SpectraLayers Pro 4 - Advanced Audio Spectrum Editor (Educational, Download)

    SpectraLayers Pro 4 from MAGIX Entertainment is an advanced spectrum editor that allows for working with the individual sounds in an audio file as if they were objects in a photograph. Using graphic representation, users can make detailed repairs with precise tools, move sounds around, reduce noise, increase clarity, or get totally creative and transform a sound file into something new and different.

    The software provides audio mastering engineers with the tools for making small fixes or radical, project-wide transformations to their audio. Sound designers and remix artists are able to isolate individual sounds in an audio file, selecting material by frequency, and constructing new music directly on the spectral graph. Audio archivists can make old recordings sound their best.

    Audio-for-video producers have the options to remove isolated sonic events and eliminate unwanted noise with extreme precision, by applying bandwidth-limited noiseprints across entire audio files. Forensic specialists can pull out target sounds for analysis, while music and dialog extraction can be performed for replacement or rights management purposes.

    Other features include pitch correction as well as Spectral Casting/Spectral Molding, a process that uses the frequency spectrum of one layer as a cast or mold for carving an impression directly into the spectrum of a second layer. Furthermore, SpectraLayers Pro 4 works seamlessly with Avid Pro Tools and Sound Forge Pro, among other DAWs.

    Note: This product is an educational discounted version available to qualified students, faculty/staff, and accredited academic institutions only. Proof of current educational status is required.

    What's New

    • Works seamlessly with Avid Pro Tools – Launch Spectralayers from Pro Tools, work with spectral editing, and export edited audio back to the Pro Tools timeline with sample-accurate precision
    • Multi-Project Management: Work on multiple projects simultaneously in new tabs, and easily switch between them
    • Improved performance as a standalone
    • Add various levels to virtual groups in the mix – Separate these by color from the rest and subdivide even more
    • Faster Lock to Frequency selection – Lets you edit only the preselected frequencies in the full spectrum
    • Offers innovative editing options such as spectral compositing, with reinterpreted image and video production technology
    • Edit frequency spectrum in real time for increased speed – All changes can be previewed and visualized immediately
    • Switch to 3D spectral view with more ease

    Audio Editing

    Layers Panel
    • Keep your project in view at all times with the Layers panel
    • Color Coded Layers: Every layer’s spectral graph is tagged with its own unique color, which can be changed instantly at any time 
    • Group Layers: Create mixed down virtual groups from different layers – groups can be separated by color, muted or played back solo
    • Drag to Re-Order: Layers can now be dragged into any order you like
    • Floating Panels: Layers, Channels, and History panels can be anchored in the SpectraLayers Pro workspace, or they can float over the workspace or on a secondary monitor
    • Waveform Display: Waveform Display shows selections, color-coded project layer content, relative amplitudes, and more
    • Overview Bar: Overview Bar provides graphic, color-coded information about selection range, layer program length and location, layer phase status, mute state, and marker/region positions
    3D Displace
    • Provides visualizations of spectral audio data
    • Shows amplitude envelopes of any sound in isolation, and relative amplitude power relationships in projects with multiple audio channels or tracks
    • Use joystick control on Displacement Pad for changing the 3D view with continuous access, for smooth 3D workflow
    • Time and Pitch Manipulation: Sound can be freely transposed by using the Select, Move, and Scale tools
    • Frequency Range Display Options: Toggle your view to display audio frequency ranges plotted on your choice of logarithmic scales. Options include the popular mel scale, Bark scale, ERB (Equivalent Rectangular Bandwidth), and MIDI-logarithmic
    • Sketch Out Noise: Frequencies and noise can be drawn directly into the spectral display

    Sound Design & Mixing

    Spectral Casting / Spectral Molding
    • Use the frequency spectrum of one layer as a cast or a mold for carving an impression directly into the spectrum of a second layer, for creative mixing techniques and sophisticated sound design
    • Spectral molding uses frequencies to materialize crosses between recordings. For example, imagine a guitar recording with an acoustic texture of vocals
    Noise Reduction Process
    • Open the audio file, extract the elements you need, and leave the noise behind
    • Perform noise reduction using customized noiseprints containing multiple frequency bands of any width
    Precise Repairs
    • Remove unwanted noises and artifacts with ease, while leaving surrounding audio data completely intact
    Isolate Events
    • Separate music and dialogue into individual component layers
    Pitch Correction
    • Perform pitch correction on user-selected components of an audio file

    Tools

    Selection Tools
    • Offers four options – Rectangular, Elliptical, Time Range, Frequency Range
    Harmonics Selection Tool
    • Hallmark SpectraLayers feature – for making clean, complete selections of rich, complex material
    Brush Selection Tool
    • Allows you to paint selections directly in the spectral graph
    Frequency Selection Tool
    • Intelligently sense and trace any contiguous frequency band that runs through the spectral graph, even as frequency changes over time
    Magic Wand Selection Tool
    • Intelligently selects defined shapes on the spectral graph
    Lasso Tool
    • Allows you to draw freehand shapes in the spectral graph
    Retouch Tools
    • Amplify, Clone, and Erase tools can be used to edit audio on any layer at any time – assist with critical repair and restore operations, creative sound design work, and fun experimentation
  • iZotope RX Elements Audio Restoration and Enhancement Software (Academic Edition, Download)

    Designed to introduce users to the powerful possibilities of editing audio within the RX platform, iZotope’s RX Elements comprises four of the real-time modules inside of RX 6 alongside their standalone audio editor. This provides the ability to use spectral editing to visualize audio and make precision adjustments to the frequency spectrum. The software is available for download and can operate either as a standalone application or as a plug-in for Mac- and Windows-based DAWs and NLEs. Thus, it is suitable for editing audio and audio-for-video.

    The four modules, which double as plug-ins, are De-click, De-clip, De-hum, and Voice De-noise. De-click allows you to eliminate troublesome clicks or pops that can arise from any number of errant issues. De-clip can significantly improve the quality of audio that has been pushed past the digital ceiling into the realms of unpleasant distortion. De-hum is useful in eliminating unwanted droning elements from recordings (such as refrigerator hums). The zero-latency Voice De-noise has been designed to focus on dialogue and vocals, giving you an optional Adaptive mode that can adjust to a changing noise floor in real time. There are also optimization modes for dialogue and music. When optimized for music, Voice De-noise can attenuate unwanted background noise from air conditioners, or street noise from vocals in apartment-recording scenarios.

    Offline editing is also possible with RX Elements. In the standalone audio editor, you can use the module chain to quicken your flow, normalize audio, address its polarity, change its gain, and more. Additionally, you can use the spectral-editing capabilities to select specific parts of the frequency band and process only your selections—a useful tool for taming an unwanted frequency bloom, for example.

    Note: This product is an educational discounted version available to qualified students, faculty/staff, and accredited academic institutions only. Proof of current educational status is required. If you are unsure of your eligibility, please contact us prior to purchasing.

  • Ozone 7 Elements - Mastering Software for Beginners (Educational, Download)

    Available for download, Ozone Elements by iZotope has been designed to give beginners a simple and effective tool to use when mastering audio in their productions. It utilizes the same technology of the well-regarded Ozone bundle, but compacts all the variable controls of Ozone into a variety of presets—over 70 in all, divvied into genre-specific, artist-signature, and all-purpose categories.

    Choosing a preset will instantiate a suitable EQ curve and compression setting. These will stay under the hood, so to speak, but after selecting a preset, you can tweak the EQ and Dynamics sliders to dial in the amount of EQ or compression you'd like to bring to the track. Once these settings have been calibrated to your satisfaction, you can bring the song up to a competitive volume with the maximizer, which utilizes one of the IRC algorithms present in Ozone 7's oft-utilized plug-in suite. This plug-in works in VST, AU, RTAS, and AAX formats, and is compatible with Mac and Windows machines.

    Note: This product is an educational discounted version available to qualified students, faculty/staff, and accredited academic institutions only. Proof of current educational status is required.

  • SOUND FORGE PRO Mac 3 Audio Waveform Editor (Educational, Download)
    System Requirements Mac OS X 10.9 (Mavericks) or later
    Processor: Intel Core 2 Duo, Core i3, Core i5, Core i7, Xeon-Processor
    RAM: 2 GB
    Hard Drive Space: 200 MB
    Plug-In Compatibility Full support for VST, AU, RTAS, AAX
    Supported File Formats Read
    3G2, 3GP, AAC, AIF, CAF, MP4, SND, W64, WAV (multi-channel support)
    AMR, FLAC, M4A, MP3, SDII

    Write
    FLAC, M4A, MP3
    G2, 3GP, AAC, AIF, CAF, MP4, SND, W64, WAV (multi-channel support)
  • SpectraLayers Pro 4 - Advanced Audio Spectrum Editor (Educational, Download)
    Mac System Requirements Intel Dual Core processor (quad core recommended)
    OS X 10.9, 10.10, 10.11, 10.12
    4 GB RAM
    2 GB of free hard-drive space
    Core Audio compatible audio hardware
    OpenGL 3.0 compatible graphics card
    1280 x 720 minimum display resolution
    Windows System Requirements Dual Core processor (quad core processor recommended)
    Windows 7, 8, 10
    4 GB RAM
    2 GB of free hard-drive space
    Windows compatible audio hardware
    OpenGL 3.0 compatible graphics card
    1280 x 720 display resolution
    Internet Explorer 8 or later, Firefox 10 or later, or Google Chrome 13 or later
    Supported File Formats Read

    • AAC
    • AIFF
    • Apple Core Audio Format (.caf)
    • FLAC
    • MP3
    • RAW/PCM
    • Real Media (.rm)
    • Sun (.au, .snd)
    • Video (AVI, MXF, MP1, MP2, MP4, MKV, QuickTime, .vob, .wmv)
    • Ogg Vorbis
    • Wave
    • WMA


    Write

    • AAC
    • AIFF
    • Apple Core Audio Format (.caf)
    • FLAC
    • MP3
    • Wave
    • RAW/PCM
    • Ogg Vorbis
    • WMA
  • iZotope RX Elements Audio Restoration and Enhancement Software (Academic Edition, Download)
    System Requirements OS X 10.8.5 to 10.12
    Host software that supports AAX Native (64-bit), Audio Units (32- / 64-bit), AudioSuite DPM, RTAS (32-bit), or VST2 (32- / 64-bit) plug-in formats

    Windows 7, 8, 10
    Host software that supports AAX Native (64-bit), AudioSuite DPM, RTAS (32-bit), or VST2 (32- / 64-bit) plug-in formats
  • Ozone 7 Elements - Mastering Software for Beginners (Educational, Download)
    Mac System Requirements OS X 10.9 to 10.12 (Intel only)
    Windows System Requirements Windows: 7, 8, and 10
    Plug-In Formats Pro Tools 10 to 12 (RTAS, AudioSuite, 64-bit AAX), VST 2, VST 3, Audio Units

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