Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

Atomos Shogun Inferno Producer Kit with Sumo 19" Monitor Recorder

Atomos Shogun Inferno Producer Kit with Sumo 19" Monitor Recorder

B&H # ATSUMOPRK (B&H Kit)
Atomos Shogun Inferno Producer Kit with Sumo 19" Monitor Recorder

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Atomos Shogun Inferno Producer Kit with Sumo 19" Monitor Recorder Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor Atomos Sumo 19" HDR/High Brightness Monitor Recorder

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Product Highlights

  • Shogun Inferno Recorder
  • 4K HDMI and 12G-SDI Inputs/Outputs
  • Supports Raw Video Over SDI
  • Supports 4K up to 60 fps
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Records to 2.5" SSD/HDD Media
  • Sumo 19" HDR Monitor Recorder
  • 4K HDMI and 12G-SDI Inputs/Outputs
  • HDR Video Rendering
  • Records to and Plays from 2.5" SSD Media
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Version: Monitor/Recorder

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Monitor/Recorder

Price: $3,790.00

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Atomos SUMO19 overview

  • 1Description

The Atomos Shogun Inferno Producer Kit with Sumo 19" Monitor Recorder provides a full workflow for HDR production. Both the Shogun Inferno and Sumo accept 4K HDR and raw video, and they record to production-ready Apple ProRes and Avid DNx files. On set, the small form factor of the Shogun Inferno lends to camera mounting, while the Sumo can be left with the DIT for image examination and LUT creation, or for viewing dailies, as it can play back from the same recording media as the Shogun Inferno. Back in the edit suite is where the Sumo shines. Its 19" screen can display a wide dynamic range, perfect for HDR content viewing and grading. Check out the descriptions and features of the Shogun Inferno and Sumo below for more product information.

  • Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

    The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

    The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in pre-sets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

    In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.

    Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-Series battery plates that support battery hot-swapping, enabling longer run times. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross-conversion, and a variety of onscreen exposure analysis, framing, and focus assist tools.

    Monitor
    • 1920 x 1200 resolution
    • 10-bit FRC monitoring processing
    • 1500 cd/m² brightness
    • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
    • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
    • High Bright mode for Rec. 709 viewing
    • Supports custom 3D LUTs (.cube format)
    • Anamorphic De-Squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • 4K UHD downscale for HD monitoring
    Input/Output
    • 4K HDMI and 12G-SDI inputs/outputs
    • 4x 3G-SDI inputs (or single 12G-SDI)
    • SDI/HDMI cross-conversion
    • Genlock/LTC input
    • Audio breakout cable for XLR audio input
    Recording
    • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
    • 1080p recording up to 240 fps
    • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
    • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
    • Pre-roll record (HD 8 seconds, 4K 2 seconds)
    • Custom time-lapse mode
    • 10 metadata fields
    Additional Features
    • Dual Sony L-Series battery slots support hot-swappable for continuous power
    • Built-in armor with silicone-covered corners
    • Audio level meters and mic level adjustment
    UPC: 814164020718
  • Atomos Sumo 19" HDR/High Brightness Monitor Recorder

    With its large, bright color-accurate 19" LCD screen and 4K recording capabilities, the Atomos Sumo can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats. All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, 12-bit raw recording over SDI is also possible, for more flexibility in post-production.

    Back in the studio, the HDR capabilities of the Sumo are again beneficial; enabling editors and colorists to see deeper into the captured image information. The 10-bit image processing, combined with the 10-bit FRC capable LCD panel, shows subtle gradations in recorded footage whether playing back directly from recording media or from a connected computer. The display itself can be calibrated to maintain color accuracy over the Sumo's lifetime.

    Use Cases

    On the DIT Cart
    Get HDR on set in real time with on-the-fly log to HDR and PQ (Perceptual Quantizer)/HLG (Hybrid Log-Gamma) playback, complete with mission-critical monitoring tools such as waveform, focus peaking, false color, and vectorscope on the calibrated screen. Beyond monitoring, with DCI 4K, UHD, 2K, and 1080p recording, you can generate instant dailies to readily available SSD media.
    1st AC Monitor
    The large 19" panel gives focus pullers access to a high-quality HD image with focus assist tools such as peaking and 2:1/1:1 zoom. The robust aluminum-alloy chassis ensures that this monitor can be moved and reset for every shot during the production.
    Client/Director's Monitor
    Remap incoming flat-looking log footage to HDR for a more exciting and true-to-life preview of the footage. Full playback controls and XML file tagging means that a director can review footage and create an instant lightweight ProRes LT copy, with baked-in LUTs and audio, to the onboard SSD. You can choose to view both log and standard gamma images with or without looks applied, with quick toggling between them for ease of comparison.
    Studio Monitor
    In the studio, you can leverage the HDR capabilities of the Sumo for accurate monitoring. With a 10-stop dynamic range and 10-bit processing combined with X-Rite calibration, you can be sure that your color-corrected images will translate through the post-production pipeline.

    Features

    Production-Grade Build Quality
    The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.
    Versatile I/O Options
    Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI (Quad 3G/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G-SDI outputs without the need for converters. HDMI 2.0 supports up to DCI 4K and UHD input and output, along with the very latest Atomos open protocol that supports HDR automation, including importing of camera settings. There is also support for Genlock and LTC timecode.
    High-Quality Recording
    Capture the raw data stream output from Sony's FS5, FS7, or FS700, Canon's C300 Mark II or C500, or Panasonic's VariCam LT over SDI up to 12-bit DCI 4K as Cinema DNG, 10-bit Apple ProRes, or 10-bit Avid DNxHR. The processing power of Sumo preserves pristine quality direct from the camera, with data rates up to 3.2 Gbps.
    Versatile Functionality
    Using multiple inputs, you can record and play back up to four HD video channels, live. Leveraging the Sumo's XML capabilities, you can switch and mix a live recording, and stream or record four HD ISO recordings. Switch between feeds on-screen with cueing, crossfade, and hard cuts from the locked sources, or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired result infinitely editable.
    Built-In XLR Audio
    Eliminate the need for a separate audio recorder by using the full-size XLR connections to connect and power external microphones, for balanced analog audio with dedicated meters and adjustments for frame delay and gain. Phantom powered (48V) mics and line-level audio are all seamlessly synchronized, so there's no need to match in post. There are also a 3.5mm stereo headphone jack and built-in speakers, for on set instant or playback review with clients or the production team.
    HDR Processing
    The Sumo's 19" 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/Rec 709 displays for on set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio.
    Daylight-Viewable LCD Screen
    The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.
    X-Rite Calibration
    Like many high-end video and computer monitors, the Sumo can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use X-Rite's separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.
    Continuous Power
    Dual 4-pin XLR inputs for power means that the Sumo can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the Sumo with power from V-Mount or Gold Mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.
    UPC: 814164020817
In the Box
Table of Contents
  • 1Description
  • Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor
    Displayxfufuezcyvczzdwxuzruvfcdtv
    Type 7.1" (18 cm) IPS capacitive touchscreen
    Resolution 1920 x 1200
    325 ppi
    Bit Depth 10-bit (8-bit plus FRC)
    Video Aspect Ratio Native: 16:9
    Brightness 1500 cd/m²
    LUT Support 3D LUT (.cube file format)
    Interface
    Inputs 1 x HDMI (2.0)
    4 x 3G-SDI Quad/Single 12G-SDI (BNC) -
    1 x Genlock / LTC (BNC)
    1 x 2.5 mm LANC
    2 x XLR (included LEMO breakout cable required)
    Outputs 1 x HDMI (2.0)
    1 x 12G-SDI (BNC)
    2 x XLR Out (included LEMO breakout cable required)
    1 x 3.5 mm headphone jack
    Supported Video Format
    Supported Signal Input: 10- / 8-bit 4:2:2 (dependent on video source)
    Output: 10- / 8-bit 4:2:2 (dependent on video source)
    Input/Output Resolutions HDMI:
    2160p 24/25/30/50/60
    1080p 24/25/30/50/60/120/240
    1080i 50/60
    720p 50/60

    SDI:
    2160p 24/25/30/50/60
    1080p 24/25/30/50/60/120
    1080psf 24/25/30
    1080i 50/60
    720p 50/60
    Video Signal Conversion HDMI to SDI:
    2160p 24/25/30/50/60

    1080p 24/25/30/50/60/100/120/
    1080i 50/60
    720p 50/60

    SDI to HDMI:
    2160p 24/25/30/50/60
    1080p 24/25/30/50/60/100/120
    1080i 50/60
    720p 50/60
    Encoding Formats DCI RAW 4096x2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MKII, Canon C500):
    Apple ProRes HQ, 422, LT
    DNxHR HQX, HQ, SQ, LB

    UHD 4K (3840 x 2160):
    Apple ProRes HQ, 422, LT
    DNxHR HQX, HQ, SQ, LB

    1920 x 1080
    Apple ProRes HQ, 422, LT
    DNxHD 220x, 220, 145, 36
    Pulldown Conversion 24/25/30psf to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown)
    Supported Codecs Raw to ProRes/DNxHR
    Apple ProRes: HQ, 422, LT
    AVID DNxHR: HQX. HQ, SQ, LB
    Frame Rates
    4K DCI / 4K UHD: 24/25/30/50/60p
    SF: 30/50/60/100/120/200/240p

    Video to ProRes/DNxHR
    Apple ProRes HQ, 422, LT
    AVID DNxHR HQX. HQ, SQ, LB
    Frame Rates
    4K DCI / 4K UHD: 24/25/30/50/60p
    SF: 30/50/60/100/120/200/240p
    Supported Audio Formats
    HDMI 2- or 8-channel, up to 24-bit (camera dependent)
    SDI Up to 12-channel, 48 kHz, up to 24-bit (camera dependent)
    Dynamic Range >90 dB
    Signal Level Maximum: +24 dBu
    Gain Maximum Analog Gain: +52 dB
    Phantom Power +48 V phantom power for XLR inputs
    Remote Operation
    HDMI Auto HDMI trigger
    Supported Protocols: Canon, Sony, Atomos Open Standard
    SDI SDI trigger camera selectable
    LANC Supports slave configuration
    Recording Media
    Supported Media 4K
    2.5" SSD

    HD High Frame Rate (50/60/120p):
    2.5" SSD
    2.5" HDD (7,200 rpm and up) for 1080p 50/60

    HD (30p and less):
    2.5" SSD
    2.5" HDD (5,400 rpm and up)

    Note: Only use media that has been approved by Atomos
    Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
    Supported Applications Final Cut Pro X/7+
    Avid Media Composer 5.0+
    Adobe Premiere 5.5+
    Grass Valley EDIUS 6.0+
    Sony Vegas Pro 10+
    Lightworks
    Autodesk Smoke 2015
    XML Support FCPX XML native, FCP7 supported with conversion (Adobe compatible)
    General
    Power Requirements 6.2 to 16.8 VDC (battery or DC power input)
    Power Consumption 10 to 24 W
    Supported Battery Types 2 x Sony L-series
    Battery Life 5200 mAh: up to 1.5 hours (monitor and record 4K)
    7800 mAh: up to 2.2 hours (monitor and record 4K)
    Construction ABS polycarbonate
    Dimensions 8.4 x 5 x 1.8" (21.4 x 12.7 x 4.5 cm)
    Weight Without Batteries & Media: 1.4 lb (0.65 kg)
    With Batteries & Media: 2.4 lb (1.09 kg)
    Packaging Info
    Box Dimensions (LxWxH) 10.0 x 6.6 x 4.0"
  • Atomos Sumo 19" HDR/High Brightness Monitor Recorder
    Display
    Type 19" / 48 cm IPS capacitive touchscreen
    Resolution 1920 x 1080
    Bit Depth 10-bit (8-bit plus FRC)
    Color Gamut REC. 709
    Video Aspect Ratio Native: 16:9
    Brightness 1200 cd/m²
    LUT Support 3D LUT (.cube file format)
    Interface
    Inputs 1 x HDMI Type A, v2.0
    3 x BNC, HD/3G-SDI
    1 x BNC, HD/3G/6G/12G-SDI
    2 x XLR, balanced analog audio with 48 V phantom power
    Outputs 1 x HDMI Type A, v2.0
    1 x BNC, HD/3G/6G/12G-SDI
    1 x 3.5 mm, stereo headphone
    Supported Video Format
    Supported Signals Video:
    Input: 8/10-bit 4:2:2 (dependent on video source)
    Output: 8/10-bit 4:2:2 (dependent on video source)
    Encoding Formats Apple ProRes: HQ, 422, LT
    AVID DNxHR: HQX, HQ, SQ, LB
    4096 x 2160 24/25/30/50/60
    3840 x 2160 24/25/30/50/60
    1080p 24/25/30/50/60/100/120/200/240
    1080i 50/60
    720p 50/60

    Canon (C300 mk2, C500) Cinema-DNG Raw:
    4096 x 2160 24/25/30
    3840 x 2160 24/25/30

    Raw to ProRes/DNx:
    4096 x 2160 24/25/30
    3840 x 2160 24/25/30

    Panasonic (VariCam LT, VariCam35) Cinema-DNG Raw:
    4096 x 2160 24/25/30
    3840 x 2160 24/25/30

    Raw to ProRes/DNx:
    4096 x 2160 24/25/30
    3840 x 2160 24/25/30

    Sony (FS5, FS7 with XDCA-FS7, FS700) Cinema-DNG Raw:
    4096 x 2160 24/25/30
    2048 x 1080 24/25/30/50/60/100/120

    Raw to ProRes/DNx:
    4096 x 2160 24/25/30/50/60
    2048 x 1080 24/25/30/50/60/100/120/240
    Video Signal Conversion HDMI to SDI:
    4096 x 2160 24/25/30/50/60
    3840 x 2160 24/25/30/50/60
    1080p 24/25/30/50/60/100/120
    1080i 50/60
    720p 50/60

    SDI to HDMI:
    4096 x 2160 24/25/30/50/60
    3840 x 2160 24/25/30/50/60
    1080p 24/25/30/50/60/100/120
    1080i 50/60
    720p 50/60
    Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
    60i to 24p (3:2 pulldown)
    Supported Audio Formats
    HDMI 2/8-channel, 24-bit (camera dependent)
    SDI Up to 12-channel, 24-bit, 48 kHz
    Dynamic Range > 90 dB
    Signal Level Maximum: +24 dBu
    Gain Maximum Analog Gain: +52 dB
    Remote Operation
    HDMI Auto HDMI trigger
    Supported Protocols: Canon, Sony, Atomos Open Standard
    SDI SDI trigger camera selectable
    LANC Supports slave configuration
    Recording Media
    Supported Media 4K:
    2.5" SSD

    HD High Frame Rate (50/60/120p):
    2.5" SSD
    2.5" HDD (7200 rpm and up) for 1080p 50/60

    HD (30p and Less):
    2.5" SSD
    2.5" HDD (5400 rpm and up)

    Note: Only use media that has been approved by Atomos
    Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
    Supported Applications Final Cut Pro X/7+
    Avid Media Composer 5.0+
    Adobe Premiere 5.5+
    Grass Valley EDIUS 6.0+
    Sony Vegas Pro 10+
    Lightworks
    Autodesk Smoke 2015
    XML Support FCPX XML native, FCP7/Adobe supported with conversion
    General
    Voltage 14.4 VDC
    Power Consumption 75 W
    Supported Battery Types V-Mount, Gold Mount (requires optional mounting plate)
    Mount Types 1/4"-20: 4 x top, 4 x bottom, 2 x side
    3/8"-16: 2 x top, 2 x bottom, 1 x side
    VESA mount on rear
    Dimensions 19.8 x 12.2 x 2.5" / 50.4 x 31 x 6.3 cm (without stand)
    19.8 x 13 x 7.1" / 50.4 x 33 x 18 cm (with stand)
    Weight 12.3 lb / 5.6 kg (without stand)
    13.7 lb / 6.2 kg (with stand)
    Packaging Info
    Box Dimensions (LxWxH) 23.0 x 15.1 x 7.0"

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