Audio-Technica AT2020 Cardioid Condenser Microphone

Audio-Technica AT2020 Personal Studio Vocal Recording Kit

Audio-Technica AT2020 Personal Studio Vocal Recording Kit

B&H # AUAT2020AIVP (B&H Kit)

Kit includes:


Audio-Technica AT2020 Personal Studio Vocal Recording Kit Audio-Technica AT2020 Cardioid Condenser Microphone ALVA Nanoface 12-Channel USB Audio/MIDI Interface Samson SR 450 On-Ear Studio Headphones Auray MS-5230F Tripod Microphone Stand with Fixed Boom Auray PFNY-6 Nylon Pop Filter with Gooseneck Pearstone PM Series XLR M to XLR F Professional Microphone Cable - 10' (3.0 m)

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Product Highlights

  • Includes AT2020 Condenser Microphone
  • Includes 12-Channel Audio/MIDI Interface
  • Includes Closed-Back, On-Ear Headphones
  • Includes Tripod Mic Stand with Boom
  • Includes Nylon Pop Filter
  • Includes XLR Microphone Cable
  • Cardioid Polar Pattern
  • Wide Frequency Response
  • XLR, RCA, S/PDIF, and 1/4" Inputs
  • macOS, Windows
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Audio-Technica AT2020 overview

  • 1Description

The B&H AT2020 Personal Studio Vocal Recording Kit is a microphone, interface, headphones, and accessories kit optimized for recording vocals and solo instruments in home, project, and mobile studios. It includes the Audio-Technica AT2020 cardioid condenser microphone, an ALVA Nanoface 12-channel USB audio/MIDI interface, a tripod mic stand with a fixed boom, a nylon pop filter, an XLR 3-pin microphone cable, and closed-back, on-ear headphones. Connect a variety of sources to the XLR, RCA, S/PDIF, and 1/4" inputs on the interface and record and monitor with a wide frequency response to your macOS or Windows system.

  • Audio-Technica AT2020 Cardioid Condenser Microphone

    The AT2020 Cardioid Condenser Microphone from Audio-Technica is designed for vocal and general instrument capturing in project and professional studio environments. The capsule features a low-mass, side-address diaphragm with a cardioid polar pattern for rejecting ambiance and noise at the off-axis sections of the microphone capsule. A linear frequency response of 20 Hz to 20 kHz enables the flexibility to accurately reproduce signals from a wide variety of sources. High SPL handling and wide dynamic range allow the AT2020 to capture loud signals with minimal noise and distortion. The microphone includes a pivoting, threaded stand mount for accurate positioning.

    Suitable for project/home-studio applications
    High SPL handling and wide dynamic range provide maximum versatility
    Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
    Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
    Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone
    UPC: 042005134953
  • ALVA Nanoface 12-Channel USB Audio/MIDI Interface

    The bus-powered and breakout cable equipped Alva Nanoface 12-Channel USB Audio/MIDI Interface affords an ideal combination of analog/digital connectivity, features, flexibility and mobility. It's the perfect tool for working musicians with a home or mobile studio. It also integrates seamlessly into a DJ setup or your home theater surround sound system. The Nanoface is equipped with a total of six audio inputs and six audio outputs. Plus, it's ultra-portable, weighs next-to-nothing, and is easy to operate. It even features a large multicontroller that facilitates simple adjustments and control over I/O features including management, monitoring and phantom power for microphones.

    The Nanoface was designed to work seamlessly with both Windows and Mac operating systems. Plus, it supports real analog hardware monitoring, as well as low latency drivers. The Nanoface really lives up to its name by hosting a variety of analog and digital interfaces. It supports dual RCA L/R audio analog inputs and dual RCA L/R analog outputs. It also features dual XLR analog mic inputs, which both come equipped with their own mic preamps, as well as phantom power. There's even a 1/4" Hi-Z instrument input and a 1/4" stereo headphones output. In fact, the stereo RCA outputs can even be routed through the stereo headphones output.

    The Nanoface affords a wide variety of digital connection points as well. These include a single MIDI input and dual MIDI outputs. There's also a digital optical S/PDIF input and a digital optical S/PDIF output. For any musicians or DJs that want to record directly onto their music production software of choice, the Nanoface features a USB 3.0/2.0 interface. This lets you use the Nanoface as a link between your analog or digital recordings and your computer. You'll easily be able to transfer any audio or MIDI data in and out of your Mac or windows computer - no matter if you're sitting at your desk or in the back of a tour bus. The Nanoface is designed to handle all situations.

    The USB 3.0/2.0 interface also doubles as the Nanoface's bus-power source, which means you won't need to drag around an external power supply. The Nanoface is free from any extraneous mixers or software option dialogs as well. This means it functions as a high-speed driver with most modern digital audio workstations (DAWs). All modern audio programs promote a low latency engine and an integrated mixer with plug-in support. Plus, they're also equipped with monitoring features. This allows the Nanoface to be as streamlined as possible. Plus, all device features are controlled by a single multicontroller called, the Encoder. With a wide variety of digital/analog inputs and outputs, a streamlined design and a single Encoder controller - the Nanoface promotes a simple learning curve and flexible usability for home musicians, road musicians, DJs and home theater aficionados with hi-fi surround systems.

    Portable & Functional
    Sound quality, extraordinary features and ease of use with real analog hardware monitoring and low latency drivers for both Windows and Mac OS X - all together in a lightweight and portable housing
    Supports Six Audio Inputs & Six Audio Outputs
    The Nanoface provides six audio inputs and six audio outputs - enough for a small home studio, a DJ setup or even a home theater surround sound setup. There's a MIDI input and two MIDI outputs, which forms a perfect combination to connect a keyboard and external synthesizers/samplers
    Analog Inputs x 4
    The two analog XLR inputs are equipped with two high-quality mic preamps, which allow the simultaneous recording of different sources at the same time - like a microphone, electric guitar and synthesizer. Plus, there are stereo analog RCA Left and Right audio inputs as well
    Analog Outputs x 4
    With stereo analog RCA Left and Right audio outputs, as well as a stereo two-channel headphone output jack, the four analog outputs provide a flexible setup for monitoring two stereo signals at the same time like main speakers and headphones. Plus, the RCA output signal can be routed to the stereo headphone output and individually adjusted
    Hi-Z Instrument Input Jack
    There's even a 1/4" Hi-Z instrument input jack, which can be used alternatively instead of the RCA analog input second channel. When Hi-Z input is great for electrical instruments like guitar or bass. Plus, it features characteristics for direct recording and is routable to any of the four analog inputs. It's ideal for spontaneous jam sessions with a laptop or as a mobile recording input without the need for more equipment - live or with band rehearsals
    Digital Optical S/PDIF Input & Output
    The digital input and output works in standard S/PDIF format, which makes the Nanoface a perfect partner for a digital signal from a CD player or an effect unit as a source for a surround sound receiver
    Analog Sound Quality
    Alva has put years of experience into their development team in order to make sure they've integrated a very sophisticated circuit design that will result in excellent specification numbers and an extraordinary audiophile sound
    Mic Preamps
    The Nanoface provides two mic preamps with very low noise specifications, low distortion specifications and switchable 48V phantom power for use with condenser mics
    Pocket Studio
    The Nanoface lives up to its name; it measures only a quarter of the size of most bigger interfaces, while affording more inputs and outputs as well. This yields one of the lightest audio interfaces around
    USB 3.0/2.0 Interface
    The Nanoface is the perfect solution for musicians and DJs that require a full recording studio not only at home, but also on the road for composing and mixing in high-quality no matter where they happen to be. The USB 3.0/2.0 interface allows you to listen with the best possible headphone quality as well. Most importantly, it affords transfer of all audio and MIDI data in and out of your Mac or Windows computer
    Bus-Powered via USB Connection
    The Nanoface requires only the power from the USB connection to operate. This means no annoying power supply and the freedom to work in a park, cafe, train, bus, airport or even an airplane
    Partner to Modern Digital Audio Workstations (DAWs)
    The Nanoface takes advantage of Alva's sensible downsizing without sacrificing total functionality. It's designed as a partner to modern DAWs. There are no software option dialogs or integrated mixers - just a high-speed driver. ASIO/WDM for Windows and Core Audio for Mac OS X. Plus, since all modern audio programs provide a low latency engine, integrated mixer with plug-in support, and monitoring features - they already emulate a complete studio workflow, which means the Nanoface can do more with less
    Simple Learning Curve & Easy Operation
    All Nanoface features like management, monitoring and phantom power for the microphones is operated by a single multi-controller or "Encoder" located directly on the unit. The "Encoder" and an audio sequencer is all most musicians need. This results in a simple learning curve and extraordinary usability that's ideal for live situations
    Encoder Operation
    The Encoder controls all four analog output gain; route RCA output to headphone output; output RCA on headphones output (gain); RCA input gain for microphone/instrument preamps; XLR input gain; 48V phantom power for both XLR inputs; switching an RCA input to Hi-Z input; hardware monitoring for RCA inputs; reset to default values
  • Samson SR 450 On-Ear Studio Headphones

    The Samson SR 450 On-Ear Studio Headphones utilizes a 40mm rare earth magnet driver with a closed-ear design to deliver a wide full-range reference frequency response for tracking, mixing, and mastering. Intended for extended listening sessions, the headphones feature memory foam cushioned earcups and an adjustable headband for a secure comfortable fit. An 1/8" to 1/4" adapter is included.

    UPC: 809164017660
  • Auray MS-5230F Tripod Microphone Stand with Fixed Boom

    The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.

    UPC: 847628015586
  • Auray PFNY-6 Nylon Pop Filter with Gooseneck

    Designed for use with microphones, the Auray PFNY-6 is a pop filter that minimizes vocal plosives and reduces errant breath noise. It's suitable for home and pro studios alike, and lends itself to all sorts of recording applications, including sung vocals, voice-overs, broadcasts, and podcasts.

    The PFNY-6 utilizes a double-layered nylon screen, affording a clear view of the capsule; thus, the PFNY-6 won't impede a vocalist from giving a robust-sounding performance, captured on-axis. Additionally, this screen protects your microphone capsule from corrosive moisture.

    Its 13" flexible gooseneck will give you plenty of room to maneuver, allowing you to place the screen as close to the capsule as you'd like. A sturdy C-clamp with a thumbscrew fastener protects against slippage, while a rubber grommet and padding protect your mic stand's finish.

    General Features

    Prevents Vocal Plosives
    Anyone who has recorded vocal tracks knows what the sound of p and b can do to the take when a microphone is left unprotected. This double-layered nylon screen dissipates the rush of air caused by vocal plosives, thus minimizing the popping sounds that can compromise your recording.
    Robust Vocal Tracks
    By minimizing vocal plosives, vocalists can move closer to the microphone and train their voice directly on the mic capsule for a more rich, centered, warm, and robust track.
    Protects Against Corrosive Moisture
    In addition to protecting your take from vocal plosives, the PFNY-6 protects your mic capsule from corrosive moisture.
    Easy to Attach
    The PFNY-6 is outfitted with a sturdy C-clamp that attaches easily to a mic stand or mic boom. Its thumbscrew fastener adjusts to most sizes, and the rubber grommet won't scratch your mic stand's finish.
    UPC: 847628000858
  • Pearstone PM Series XLR M to XLR F Professional Microphone Cable - 10' (3.0 m)

    The Pearstone PM Series XLR M to XLR F Professional Microphone Cable (10') features 24-gauge oxygen-free copper conductors, spiral shielding to protect against EMI and RFI noise, and professional grade cast-zinc Rean connectors with silver-plated contacts. The twin conductive PVC shield reduces electrostatic noise, and distinguishes the PM series from the rest of its class.

    Professional quality, field-serviceable, cast-zinc Rean connectors with silver-plated contacts
    Twin conductive PVC shield reduces electrostatic noise
    24-gauge oxygen-free copper conductors
    Spiral shielding to protect against EMI and RFI noise
    UPC: 847628557710
  • Audio-Technica AT2020 Cardioid Condenser Microphone
    Analog Performance
    Transducer Condenser
    Polar Pattern Cardioid
    Frequency Range 20 Hz to 20 kHz
    Signal to Noise Ratio 74 dB 
    Equivalent Noise Level 20 dB 
    Maximum SPL 144 dB SPL
    THD 1%
    Impedance 100 Ohms
    Sensitivity 14.1 mV/Pa
    Dynamic Range 124 dB
    General
    Output Connectors 1 x 3-Pin XLR
    Operating Current Consumption 2.0 µA
    Operating Voltage 48 V
    Length 6.38" / 162.0 mm
    Diameter 2.05" / 52.0 mm
    Weight 12.17 oz / 345 g
    Packaging Info
    Box Dimensions (LxWxH) 9.7 x 9.6 x 2.8"
  • ALVA Nanoface 12-Channel USB Audio/MIDI Interface
    Converter 24-bit
    Sample Rate Up to 96 kHz
    Number of Channels 12
    Mic Preamps 2
    Preamp Overall Gain 50.5 dB
    Microphone Inputs 2 x XLR (on breakout cable)
    RCA Connector 2 x RCA phono analog in (on breakout cable)
    2 x RCA phono analog out (on breakout cable)
    Digital Connectivity 1 x TOSLink S/PDIF optical in
    1 x TOSLink S/PDIF optical out
    Instrument Support 1 x 1/4" TS Hi-Z instrument in
    Headphone Connector 1 x 1/4" TRS
    MIDI Connectors 1 x 5-pin DIN MIDI in (on breakout cable)
    2 x 5-pin DIN MIDI out (on breakout cable)
    Phantom Power Yes (48 V)
    USB Port USB 3.0/2.0 port
    Bus-Power Yes (USB)
    Controller "Encoder" multi-controller
    Compatibility Windows OS
    Mac OS X
    Dimensions Compact desktop enclosure
    Packaging Info
    Box Dimensions (LxWxH) 11.2 x 8.8 x 2.3"
  • Samson SR 450 On-Ear Studio Headphones
    Headphone
    Driver Size 1.6" / 40 mm
    Driver Type Dynamic
    Design On-Ear (Supra-aural)
    Earcup Style Closed-Back
    General
    Connectivity
    Audio Connector 1/8" (3.5 mm)
    Adapter (Included) 1/4" (6.3 mm)
    Cable
    Physical
    Material of Construction Foam
    Packaging Info
    Box Dimensions (LxWxH) 9.0 x 6.7 x 2.9"
  • Auray MS-5230F Tripod Microphone Stand with Fixed Boom
    Stand
    Height 36.2 to 63" / 91.9 to 160 cm
    Base Type Tripod
    Base Dimensions 25.6 x 25.6" / 65 x 65 cm
    Boom
    Length 31.5" / 80 cm
    Generalruswuzsrcb
    Material Steel
    Weight 4.5 lb / 2 kg
    Packaging Info
    Box Dimensions (LxWxH) 33.5 x 4.0 x 4.0"
  • Auray PFNY-6 Nylon Pop Filter with Gooseneck
    Diameter Screen: 6" / 15.2 cm
    Gooseneck Length 13" / 33 cm
    Total Length 22" / 55.9 cm
    Weight 0.45 lb / 204.1 g
    Packaging Info
    Box Dimensions (LxWxH) 14.4 x 6.4 x 0.4"
  • Pearstone PM Series XLR M to XLR F Professional Microphone Cable - 10' (3.0 m)
    Connector 1 3-Pin XLR Male
    Connector 2 3-Pin XLR Female
    Cable Length 10' / 3 m
    Shielding Copper Spiral
    Conductor Material Oxygen-Free Copper (OFC)
    Wire Gauge 24 AWG
    Contact Plating Silver
    Jacket Type Polyvinyl Chloride (PVC)
    Packaging Info
    Box Dimensions (LxWxH) 6.5 x 5.7 x 0.6"

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