Sony PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder

Sony PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder

Sony PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder

B&H # SOPXWZ280 MFR # PXW-Z280
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Product Highlights

  • Three 1/2" Exmor R CMOS Sensors
  • 4K 60p Recording
  • Integrated 17x Optical Zoom Lens
  • Electronic Variable ND Filter
  • Supports XAVC Intra/Long, MPEG HD, DVCAM
  • Supports S-Log 3
  • Supports HLG for an HDR Workflow
  • Simultaneous 4K/HD Recording
  • 12G-SDI Output Supports 4K 60p
  • Built-In 2.4/5 GHz Wi-Fi
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Sony PXW-Z280 overview

  • 1Description

Sony's PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video.

The camera supports S-Log 3 for improved performance, and HLG (Hybrid Log Gamma) which allows you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. You can record in both 4K and HD simultaneously, or output 4K 60p via the built-in 12G-SDI output. The camera features built-in 2.4 and 5 GHz Wi-Fi.

UPC: 027242913783
In the Box
Sony PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder
  • Lens Hood (Pre-Installed)
  • EVF Eyecup
  • BP-U30 Lithium-Ion Battery zwruwqedxvexvfavaqaasucwcwzctefa
  • BC-U1A Battery Charger / AC Adapter for BP-U90, U60, U60T, U30
  • Power Cord
  • USB Cable
  • Shoulder Strap
  • Limited 1-Year Warranty Parts
  • Limited 90-Day Warranty Labor
  • Table of Contents
    • 1Description

    Sony PXW-Z280 specs

    Image Sensor 3-Chip 1/2" CMOS Sensor
    Sensor Resolution Not Specified by Manufacturer
    Effective Sensor Resolution 3840 x 2160
    Signal-to-Noise Ratio 63 dB
    Minimum Illumination 0.0013 lux
    Focal Length 5.6 to 95.2mm
    35mm Equivalent Focal Length 30.3 to 515mm
    Optical Zoom Ratio 17x
    Maximum Aperture f/1.9
    Minimum Aperture f/16
    Minimum Focusing Distance Wide: 2.0" / 5.1 cm
    Telephoto: 31.5" / 80.0 cm

    Macro On

    Filter Size 77 mm
    Control Rings Focus Ring
    Zoom Ring
    Iris Ring
    Image Stabilization Optical Image Stabilization
    Focus Control Autofocus
    Manual Focus
    Shutter Speed 1/24 to 1/8000 sec
    Built-In ND Filter Mechanical Filter Wheel with Clear, 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters and a 2 to 7 Stop Electronic ND Filter
    Built-In Microphone Type Stereo
    Recording Media 2 x SxS Card Slots
    Broadcast System Compatibility NTSC, PAL
    Recording Modes XAVC-I:
    3840 x 2160p at 23.98/25/29.97/50/59.94 fps (600 Mb/s) 
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (222 Mb/s) 
    1920 x 1080i at 50/59.94 fps (222 Mb/s) 
    1280 x 720p at 50/59.94 fps (222 Mb/s) 
    3840 x 2160p at 23.98/25/29.97/50/59.94 fps (150 Mb/s) 
    1920 x 2160p at 23.98/25/29.97/59.94 fps (50 Mb/s) 
    1920 x 1080i at 50/59.94 fps (50 Mb/s) 
    1280 x 720p at 50/59.94 fps (50 Mb/s) 
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (35 Mb/s) 
    1920 x 1080i at 50/59.94 fps (35 Mb/s) 
    1920 x 1080i at 50/59.94 fps (25 Mb/s) 
    MPEG2 4:2:2:
    1920 x 1080p at 23.98/25/29.97 fps (50 Mb/s) 
    1920 x 1080i at 50/59.94 fps (50 Mb/s) 
    1280 x 720p at 23.98/25/29.97/50/59.94 fps (50 Mb/s) 
    MPEG2 4:2:0:
    1920 x 1080p at 23.98/25/29.97 fps (35 Mb/s) 
    1920 x 1080i at 50/59.94 fps (35 Mb/s) 
    1440 x 1080p at 23.98/25/29.97 fps (35 Mb/s) 
    1440 x 1080i at 50/59.94 fps (35 Mb/s) 
    1280 x 1080p at 50/59.94 fps (35 Mb/s) 
    DV 4:2:0 8-Bit:
    720 x 576i at 50 fps (25 Mb/s) 
    720 x 576PsF at 50 fps (25 Mb/s) 
    720 x 480i at 59.94 fps (25 Mb/s) 
    720 x 480PsF at 59.94 fps (25 Mb/s) 
    Variable Frame Rates 1 to 60 fps
    Audio Recording XAVC: 4-Channel 24-Bit 48 kHz LPCM Audio
    Video Connectors 1 x BNC (Component) Output
    1 x BNC (12G-SDI) Output
    1 x HDMI Output
    Audio Connectors 2 x 3-Pin XLR Mic Level Input
    1 x 1/8" (3.5 mm) Stereo Headphone Output
    Other I/O 1 x BNC Timecode Input
    1 x BNC Timecode Output
    1 x BNC Genlock Input
    1 x 2.5 mm LANC Control 
    1 x USB Micro-B Data 
    1 x USB Type-A 
    1 x USB Type-C 
    1 x RJ45 LAN Data 
    Wireless Interfaces 2.4 GHz, 5 GHz Wi-Fi, NFC
    Global Positioning GPS
    Display Type LCD
    Screen Size 3.5"
    Screen Resolution 1,560,000 Dots
    Screen Size .5"
    EVF Resolution 2,360,000 Dots
    Battery Type Sony BP-U Series
    Accessory Mount 1 x Multi-Interface Shoe
    Dimensions 7.02 x 7.95 x 16.78" / 178.4 x 202 x 426.3 mm (With Protrusions)
    Weight 6.6 lb / 3.0 kg
    Packaging Info
    Package Weight 11.5 lb
    Box Dimensions (LxWxH) 20.5 x 11.0 x 10.0"

    Sony PXW-Z280 reviews

    PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder is rated 4.5 out of 5 by 4.
    Rated 5 out of 5 by from Lens 1.9 throughout I just received my Z280. My main concern was about the lens. I am relieved to find out that it is 1.9 throughout the range, like EX1/EX3. Because Sony does not list it clearly on it's website and B&H does not have the full specs (as of August 3, 2018) here, there has been some confusion. Rest assured it's 1.9. Beautiful! I am looking forward to selling my EX1 and EX3 and buying one more of this baby :)
    Date published: 2018-08-03
    Rated 5 out of 5 by from Auto Electronic ND, and Facial Recognition Focus Just starting to get comfortable with the menus and buttons of my new Z280, practicing a bit every day so that I can changes settings "by feel" in a darker theater or reception venue, places where I film frequently. It was a short learning curve for me having come from the EX1 to the EX1R to the PXW X200, and now to the Z280. The overall menu layout and the user buttons on the left side of the camera felt very familiar to me. The three features of the camera that I enjoy most, and the primary reasons why I purchased this camera are the AUTO ELECTRONIC ND filter, the f1.9 low-light capability, DIGITAL EXTENDER and FACIAL RECOGNITION AUTO FOCUS. AUTO ELECTRONIC ND FILTER: It's pretty amazing to be able to manually vary the ND filter density while holding constant an f1.9 wide-open aperature, or having the camera automatically vary it for me. Be aware that for the auto electronic ND Filter to work, you must set the ND filter switch to one of the 3 available positions. This function will not work in the "clear" position. By setting the ND filter switch to position 1, 2, or 3, flipping the ND variable/preset switch to variable and setting the ND menu setting to manual, rotating the ND filter wheel changes the density of the ND filter in a range of 1/4 to 1/128 without changing the f-stop. As expected, depth of field can be manually increased and decreased by varying the density of the ND filter, particularly with a wide open aperature. (f1.9) By selecting the "auto" ND menu setting the Z280 adjusts the ND filter density automatically, depending on the amount of light that is entering the lens. Your manually set f-stop still remains constant. Moving the camera, for example, from a darker image on my patio to the bright sky, the camera will adjust the ND filter appropriately from 1/4 to 1/128 automatically. If the sky is still too bright at 1/128, you can further alter the exposure by rotating the iris ring until the image looks good to you. Because I use the electronic ND frequently, changing back and forth from manual to auto, I found it convenient to assign it to a user preset button. FACIAL RECOGNITION: I took my Z280 out for its debut performance to a kids show at a theater to try out the facial recognition focus feature. I have a user preset button assigned to change the settings of this feature quickly. Available settings are AF off, face priority AF and face only AF. According to the user manual the face priority AF, when it finds a face, focuses on that face. When the face is no longer detectable, auto focus mode is engaged. I filmed the entire show using this feature and it worked flawlessly. Not a single scene was out of focus. In "face only AF" the accuracy of focusing is equally accurate, but when the face is no longer detected, focus is lost; it doesn't automatically switch to auto focus, exactly as explained in the manual. This varies from person to person but in my case I found that other useful user presets to assign to the 10 available buttons are facial recognition focus, last clip playback, digital extender (which looks beautiful, BTW), and last clip delete. You can assign any of the user-assignable functions to any button you wish. These are the ones I use most often in my work flow. I'm very happy with the Z280. Looking forward to using it in special event and corporate video settings very soon.
    Date published: 2018-09-02
    Rated 4 out of 5 by from Good camera with one issue and Sony repair dept is HORRIBLE I have had several cameras in this Sony line including the two predecessors such as the PXW-x200. Though the optics and specs are similar my initial observation is that is camera is better in low light. This says a lot because the x200 was also great--and this one is even better. The thing I hate about this camera is the zoom. I film a lot of professional dance. I need very slow and smooth zooming. Generally I set the handle zoom's control to a very slow speed. It ramps up and down nicely and looks very smooth. With the z280 the slowest setting for handle zoom is far too fast for me to use. It is almost as if the engineers designing this camera have never watched a television show. I spoke to Sony about this and they know about the issue but do not even seem to care. If you film sports you might have the same problem. The rocker zoom does have the ability to do very slow speed zooms however it is easy to accidentally put too much pressure on that and cause the zoom to be way to fast--or not enough pressure and have it jerk on and off. A few other positives about the camera. The monitor is amazing! I think they may have gone with an OLED screen. The camera also has a waveform monitor built in which I prefer over the histogram used on previous models. You can still set the camera to histogram if you prefer that. You can now manually set the white balance without going through the profile settings. One generally note about Sony Professional. Their repair department is horrible--let me repeat HORRIBLE. They make you pay $100 just to get a call back within 24 hours. Otherwise it may take you days just to get the authorization to send a unit in for repair. You can no longer speak to a service department tech simply by calling them. If you need a quick repair you can consider that $100 a shake down fee. You will not be treated as person, but rather a number by some uncaring phone gatekeeper. If you need your camera fixed quickly it simple will not happen because of this bureaucratic change Sony has made. Sony professional customer service is some of the worst I have ever seen. Even cell phone and cable companies are nicer and faster.
    Date published: 2018-09-12
    Rated 4 out of 5 by from Not so fast, 1.9 :) Somebody in the Q&A sections says the Z280 ramps down to 2.4 at the tele end (even though the display remains at 1.9). Used in a live situation I felt it might. Further testing needed before assuming anything.
    Date published: 2018-08-15
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