Sigma 14-24mm f/2.8 DG HSM Art Lens for Canon EF

Sigma 14-24mm and 24-70mm f/2.8 Art Lens Kit for Canon EF

Sigma 14-24mm and 24-70mm f/2.8 Art Lens Kit for Canon EF

B&H # SI14242470CK (B&H Kit)
Sigma 14-24mm and 24-70mm f/2.8 Art Lens Kit for Canon EF

Kit includes:


Sigma 14-24mm and 24-70mm f/2.8 Art Lens Kit for Canon EF Sigma 14-24mm f/2.8 DG HSM Art Lens for Canon EF Sigma 24-70mm f/2.8 DG OS HSM Art Lens for Canon EF Sigma 82mm Protector Filter Sigma USB Dock for Canon EF-Mount Lenses Sigma MC-11 Mount Converter/Lens Adapter (Sigma EF-Mount Lenses to Sony E)

Show MoreLess

Close

Now Viewing:

More on the Way
Expected availability: 2-3 business days

Product Highlights

  • 14-24mm f/2.8 DG HSM Art Lens
  • 24-70mm f/2.8 DG OS HSM Art Lens
  • 82mm Protector Filter
  • 2 x USB Docks for Canon EF
  • MC-11 Mount Converter to Sony E
Show moreShow less

Price: $2,918.95

Instant Savings: $419.00

Offer ends: Jun 18 '18 at 11:59 pm ET

$0.00 Tax Collected Outside NY and NJ

You Pay:  $2,499.95

OR
Add to Wish List Item in Wish List

Sigma Art overview

  • 1Description

Spanning ultra wide-angle to portrait-length, this Sigma 14-24mm and 24-70mm f/2.8 Art Lens Kit from B&H includes two flexible and fast zooms for Canon EF-mount cameras: the 14-24mm f/2.8 DG HSM Art lens and the 24-70mm f/2.8 DG OS HSM Art lens. Additionally, also included is an MC-11 Mount Converter/Lens Adapter for using the lenses on a Sony E mirrorless cameras; two USB docks for updating lens settings; and an 82mm protector filter.

  • Sigma 14-24mm f/2.8 DG HSM Art Lens for Canon EF

    An ultra-wide zoom lens with a constant f/2.8 aperture, the 14-24mm f/2.8 DG HSM Art Lens from Sigma is an outstanding option for architectural and landscape shooters with full-frame Canon EF cameras. A part of the esteemed Art-series of lenses, a sophisticated optical design is used that incorporates three FLD, three SLD, and three aspherical elements to help reduce chromatic aberrations and keep distortion under control. A Super Multi-Layer coating has also been applied to suppress lens flare and ghosting for accurate color fidelity and high contrast.

    Complementing the imaging capabilities, the lens sports a Hyper Sonic Motor to produce quick, smooth, and quiet autofocus performance with full-time manual focus override. The lens features a rounded 9-blade diaphragm that gives a smooth look to out-of-focus areas, which stops down to f/22, and offers a minimum focus distance of 10.2". Finally, a weather-sealed brass bayonet mount helps keep water and dust away from your equipment when shooting in rugged conditions.

    • Ultra-wide zoom lens for Canon EF-mount cameras, provides a 14-24mm focal length with full-frame sensors.
    • Constant f/2.8 maximum aperture for working in low-light conditions, stops down to f/22.
    • Three Fluorite Low Dispersion (FLD), three Special Low Dispersion (SLD), and three aspherical elements in the design help reduce color fringing and chromatic aberrations for improved clarity.
    • A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
    • Front lens element has been treated with a water- and oil-repellent coating to benefit working in harsh environmental conditions.
    • Nine-blade rounded diaphragm contributes to a smooth and pleasing bokeh quality.
    • The integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.
    • Focuses as close as 10.2" for getting close and personal to your subjects.
    • Bayonet mount constructed from brass for improved durability, sealed to help keep water and dust out of your camera and lens
    UPC: 085126212544
  • Sigma 24-70mm f/2.8 DG OS HSM Art Lens for Canon EF

    A versatile zoom for everyday shooting, the Canon EF-mount 24-70mm f/2.8 DG OS HSM Lens from Sigma covers a useful wide-angle to portrait-length range of focal lengths to suit shooting in a variety of environments. As part of the esteemed Art series of lenses, a sophisticated optical design is used that incorporates three SLD elements and four aspherical elements to reduce chromatic and spherical aberrations, as well as color fringing, distortions, and other anomalies for greater clarity and sharpness. A Super Multi-Layer Coating has also been applied to suppress lens flare and ghosting for accurate color fidelity and high contrast, and a protective coating has been applied to the front element, too, to benefit working in harsh climates. Additionally, extending its versatility, a constant f/2.8 maximum aperture affords consistent performance throughout the zoom range as well as greater control over depth of field.

    Complementing the imaging capabilities, the lens sports a Hyper Sonic Motor to produce quick, smooth, and quiet autofocus performance with full-time manual focus override. An Optical Stabilizer also benefits handheld shooting by minimizing the appearance of camera shake for sharper imagery. The physical design utilizes Thermally Stable Composite material for durability in a wide range of environments, and a brass bayonet mount also offers rigidity and mounting precision.

    As part of the Art line within Sigma's Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
    Standard zoom lens is designed for full-frame-format Canon EF-mount DSLRs, however it can also be used with APS-C models where it will provide a 38.4-112mm equivalent focal length range.
    Constant f/2.8 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques.
    Three Special Low Dispersion (SLD) elements and four aspherical elements are featured in the optical design and help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy, as well as spherical aberrations for reduced distortion and improved sharpness throughout the zoom range.
    A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
    Front lens element has been treated with a water- and oil-repellent coating to benefit working in harsh environmental conditions.
    Nine-blade rounded diaphragm contributes to a smooth and pleasing bokeh quality.
    The integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocusing, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.
    Optical Stabilizer system minimizes the appearance of camera shake to benefit making sharper imagery when shooting handheld.
    The lens is constructed using a Thermally Stable Composite (TSC) material, along with traditional metals, for greater precision and use in wide temperature variations.
    The bayonet mount is constructed from brass for ensured accuracy and durability. Additionally, rubber sealing is incorporated in the mount design to render it dust- and splash-resistant.
    This lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.
    UPC: 085126576547
  • Sigma 82mm Protector Filter

    The Sigma 82mm Protector Filter is a simple, clear filter with a 1x filter factor and is designed to provide general protection for your lens. This optically clear filter does not affect overall image quality while helping to prevent dust, scratches, moisture, and other elements from reaching or damaging your lens. This filter is multi-coated which helps to eliminate internal ghosting and reflections.

    Sigma Protector filters are constructed from optical glass with a black rim. Set within an aluminum-alloy filter ring that is durable while remaining lightweight, the glass provides increased clarity as well as color fidelity while the black rim further ensures that reflections do not occur along the filter's edge.

    Clear filter offers general protection for your lens against the elements.
    Does not require adjustments to exposure while in use.
    Multi-coated to help eliminate internal ghosting and reflections.
    Creates no additional coloration or contrast.
    Constructed from clear, optical glass with a black rim which further ensures that reflections do not occur along the filter's edge.
    Slim, aluminum-alloy filter ring helps to prevent vignetting and is durable while remaining lightweight.
    Knurled front edges provide a more textured grip when mounting or removing it from a lens.
    82mm front filter threads allow for use with other filters.
    Plastic case included for storage and transport.
    UPC: 085126931100
  • 2 x Sigma USB Dock for Canon EF-Mount Lenses

    The Sigma USB Dock allows you to connect your Sigma Global Vision lenses to your computer in order to update firmware and adjust focus setting parameters using the Sigma Optimization Pro software.

    This dock is only compatible with the Sigma Art, Contemporary, and Sports line lenses featuring a Canon EF lens mount.

    Sigma Optimization Pro
    Once a Sigma Art, Contemporary, or Sports line lens is connected, you can use the Sigma Optimization Pro software to configure focus settings and update lens firmware.
    Focus Settings
    For all lines of lenses, there are four categories for prime lenses and 16 categories (four options for focal length, four options for shooting distance) for zoom lenses available. These categories allow you to set certain focusing settings to better suit your personal shooting style.
    Sports Line-Specific Settings
    If using a Sports line lens, additional lens configurations are available: three different AF speed modes to modify how quickly the lens changes focus; the ability to constrain focus distances within a specific range to suit your personal shooting habits; and three Optical Stabilizer modes to suit the manner in which you are shooting.
    UPC: 085126878542
  • Sigma MC-11 Mount Converter/Lens Adapter (Sigma EF-Mount Lenses to Sony E)

    The MC-11 Mount Converter enables the use of Sigma EF-mount lenses on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilization. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.

    Per Sigma, this Mount Converter/Lens Adapter is compatible with a select number of Sigma's own EF-mount lenses, and may or may not be suitable for use with other manufacturers' EF-mount lenses.

    Compatibility
    Sony Cameras
    a9 series
    a7 series
    a6000 series
    a5000 series
    NEX series

    Lenses
    12-24mm f/4 DG HSM Art
    24-35mm f/2 DG HSM Art
    24-70mm f/2.8 DG OS HSM Art
    24-105mm f/4 DG OS HSM Art
    100-400mm f/5-6.3 DG OS HSM Contemporary
    120-300mm f/2.8 DG OS HSM Sports
    150-600mm f/5-6.3 DG OS HSM Sports
    150-600mm f/5-6.3 DG OS HSM Contemporary
    14mm f/1.8 DG HSM Art
    20mm f/1.4 DG HSM Art
    24mm f/1.4 DG HSM Art
    35mm f/1.4 DG HSM Art
    50mm f/1.4 DG HSM Art
    85mm f/1.4 DG HSM Art
    135mm f/1.8 DG HSM Art
    500mm f/4 DG OS HSM Sports
    17-70mm f/2.8-4 DC Macro OS HSM Contemporary
    18-35mm f/1.8 DC HSM Art
    18-200mm f/3.5-6.3 DC Macro OS HSM Contemporary
    18-300mm f/3.5-6.3 DC Macro OS HSM Contemporary
    50-100mm f/1.8 DC HSM Art
    19mm f/2.8 DN Art
    30mm f/1.4 DC HSM Art
    60mm f/2.8 DN Art
    30mm f/1.4 DC DN Contemporary
    UPC: 085126932503
  • Sigma 14-24mm f/2.8 DG HSM Art Lens for Canon EF
    Performance
    Focal Length 14 - 24mm
    Aperture Maximum: f/2.8
    Minimum: f/22
    Camera Mount Type Canon EF
    Format Compatibility 35mm Film / Full-Frame Digital Sensor
    Angle of View 114.2° - 84.1°
    Minimum Focus Distance 10.24" (26 cm)
    Magnification 0.19x
    Maximum Reproduction Ratio 1:5.4
    Optical Design 17 Elements in 11 Groups
    Diaphragm Blades 9, Rounded
    Features
    Autofocus Yes
    Physical
    Filter Thread Not Specified by Manufacturer
    Dimensions (DxL) Approx. 3.80 x 5.32" (96.4 x 135.1 mm)
    Weight 40.57 oz (1150 g)
    Packaging Info
    Box Dimensions (LxWxH) 7.5 x 7.13 x 6.0"
  • Sigma 24-70mm f/2.8 DG OS HSM Art Lens for Canon EF
    Performance
    Focal Length 24 - 70mm
    Aperture Maximum: f/2.8
    Minimum: f/22
    Camera Mount Type Canon EF
    Format Compatibility 35mm Film / Full-Frame Digital Sensor
    Angle of View 84.1° - 34.3°
    Minimum Focus Distance 1.21' (37 cm)
    Maximum Reproduction Ratio 1:4.8
    Optical Design 19 Elements in 14 Groups
    Diaphragm Blades 9, Rounded
    Features
    Image Stabilization Yes
    Autofocus Yes
    Physical
    Filter Thread Front: 82 mm
    Dimensions (DxL) Approx. 3.46 x 4.24" (88 x 107.6 mm)
    Weight 2.24 lb (1020 g)
    Packaging Info
    Box Dimensions (LxWxH) 7.0 x 4.9 x 4.8"
  • Sigma 82mm Protector Filter
    Filter Type Clear
    Filter Factor 1 (0 Stop)
    Shape Circle
    Circular Size 82 mm
    Front Accessory Thread / Bayonet 82 mm
    Physical Feature Slim
    Filter Material Glass
    Ring Material Aluminum
    Knurling Top
    Coatings Multi-Coating
    Packaging Info
    Box Dimensions (LxWxH) 4.8 x 4.2 x 0.8"
  • 2 x Sigma USB Dock for Canon EF-Mount Lenses
    Compatibility Sigma Global Vision lens with Canon EF lens mount
    Windows System Requirements Core2Duo or faster processor
    Windows 7 or 8
    1 GB of available hard drive space or more
    24-bit graphics card (approx. 16.7 million colors)
    1024 x 768 or higher screen resolution
    USB 1.1 as standard
    Mac System Requirements Intel processor with either Mac OS X 10.7 or 10.8
    1 GB of RAM or more
    1 GB of available hard drive space or more
    24-bit graphics card (approx. 16.7 million colors)
    1024 x 768 or higher screen resolution
    USB 1.1 as standard
    Packaging Info
    Box Dimensions (LxWxH) 4.7 x 3.8 x 2.3"
  • Sigma MC-11 Mount Converter/Lens Adapter (Sigma EF-Mount Lenses to Sony E)
    Adapter
    Camera Mount Sony E
    Lens Mount Canon EF
    Physical
    Material Not Specified by Manufacturer
    Dimensions Not Specified by Manufacturer
    Weight Not Specified by Manufacturer
    Packaging Info
    Box Dimensions (LxWxH) 4.8 x 4.2 x 2.7"

Sigma Art reviews

14-24mm f/2.8 DG HSM Art Lens for Canon EF is rated 4.6 out of 5 by 14.
Rated 5 out of 5 by from Impressed! Had this lens for a week now. First shot astro with it: sharp, only the slightest coma in the far corners, and minimal vignette. For interiors this lens has very little distortion...I couldn't detect any on the tests I did. For general landscape photography it is a very nice range and sharp. Build quality is great. The whole ART line is solid, smooth action. Huge bulbous front element is a bit of a worry for my rough lifestyle, and you'll need filter holders of course.
Date published: 2018-03-26
Rated 5 out of 5 by from Fantastic I had been looking for something wider for a full frame lens, and got the opportunity to obtain this lens. I love it! 14-24mm on a full frame body! And distortion is minimal even at such a wide angle. The lens also appears to be sharp throughout the frame at all focal lengths. The negatives for this lens are the price, the weight, and the protruding front glass element (can't use traditional filters with this lens). After a while of holding the camera with this lens, you notice the weight.
Date published: 2018-03-26
Rated 5 out of 5 by from Exceeds my expectations For a long time look for an ultra wide-angle comparable to the Canon L series but accessible. This Sigma Art exceeds my expectations, is very well built, solid, precise and soft focus. Its rings (zoom and focus) feel good to the touch. Without perceptible aberration or dispersion. Excellent in color Its weight is typical of a very good built lens. Its f2.8 is excellent in low light conditions. I have achieved good photos at f2.8 and 1/60 seconds by free hand. I hope to continue enjoying this excellent lens
Date published: 2018-04-05
Rated 5 out of 5 by from Great wide angle lens! I bought this lens for astro photography and landscape but have yet to use it for that. I have however tried it out to shoot a concert in a cave it really was amazed at how sharp this lens can be. I am using it currently on a SONY AR7II with the MC-11 adapter. Pleased so far. Will be using it on a trip to Zion National Park soon.
Date published: 2018-03-27
Rated 5 out of 5 by from Rock-solid Shorter and heavier than my 16-35 type III, I love to carry this lens for wide shots on my 5D Mark IV, along with my 24-105 on my 5D sr.� The shorter length of this lens works well with my Cotton Carrier for boulder-hopping hikes.� I am very pleased with the optical quality and price.
Date published: 2018-03-28
Rated 5 out of 5 by from Finally a great 14-24 F2.8 for Canon users Let me say this outright: as a Canon user I have been envying Nikon users for their superb 14-24 F2.8 for a decade! So when this Sigma 14-24 F2.8 Art lens was announced, I didn't hesitate for a second to get it. In March I happened to transit through Tokyo when getting back to the States, so I ended up getting one in�Shinjuku on March 23, the day it was made available in Japan. Since then I have mostly used this lens for hotel and airline reviews (right, I am kinda travel blogger). I must say I am deeply impressed. This is the go-to lens if you are shooting in a close-quarter + low light environment. The pros: 1. The ONLY 14-24 F2.8 made available to Canon users. 2 mm wider than the 16-35 F2.8. Isn't that enough?! 2. Crystal sharp center even at F2.8. This makes a huge difference because the reason I prefer 14-24 F2.8 over 12-24 F4 Art and Canon's native�11-24 F4 (other than the price) is the extra F stops. 3. Very well built. The rings are smooth and damped. 4. Works well with 5D4 thanks to the latest Sigma firmware embedded within. I heard some S35A and S50A having troubles focusing in LiveView, but this lens isn't (and I hope Sigma have solved that problem w/ the latest firmware update). 5. Unbelievable distortion control. Sigma claims it "zero-distortion". Well, I must disagree. There is a tiny amount of barrel distortion at 14 mm end. But to be honest, if 100-distortion is the worst and zero- the best, then this is probably 1-distortion. Check the images I attach here. The cons (with some caveats): 1. No filter system currently available. This *could* be the nail in the coffin for ditching this lens, if you ask me. Personally I don't use filter that much, so I wouldn't bother, but I know other people do. So it's up to you to decide if you need a filter system or not. 2. The weight. With this and my 5D Mark IV I could probably skip gym every other day and do�dumbbell at home. Also the center of weight will shift accordingly, so if you take this lens for travel then be aware. 3. Soft corners at F2.8.�But hey, who isn't?�Optically speaking when down to F4.0 or 5.6 the corner becomes sharp. Yet there is a big question you should ask yourself: do you really need that much of a corner details at F2.8? - If you shoot landscape or nature, you will probably do fine with F4.0 or above for proper depth of field. - If you shoot tight quarters indoor (like me) the corners will probably be out-of-focus. - Perhaps one valid criticism is for astro purposes. I haven't tried that but based on what I see, 14/1.8 Art would be a better choice if you are *only* shooting Astro. Otherwise, I think I can trade some image quality for convenience and versatility. All in all I am very happy and grateful that Sigma introduced this lens for Canon. For Canon users who want to go wider than 16 mm without sacrificing a few F stops, this 14-24 F2.8 is your top choice. Perhaps its current status of being "Back-Ordered"�on B&H speaks for itself.
Date published: 2018-04-12
Rated 5 out of 5 by from My new favorite Ultra Wide Angle! I’ve been shooting with this lens for a couple weeks now and have absolutely fallen in love with it. I shot both architecture and landscape with this lens and have had no geometric distortion what so ever, the build quality is stellar. It is heavy in weight but that is what I had already expected from Sigma Art Lenses. It out performs all of the wide angles in this similar price range by far!
Date published: 2018-03-30
Rated 5 out of 5 by from How to a lens should be made This is a very good lens. As any lens they are compromises but I think this is the one for me. -�The lens itself looks and feel like a precision instrument, like a lens should be made. The rubber rings are very precise, I like it. It feels well balanced on my Canon 6D Mark II despite its weight. - Autofocus. I like to have autofocus on wide angles too. I understand Sigma did some firmware fixes about this, and for me it works great. - Optically this is very good. There may sharper out there (on published curves) but I like what I see especially for its flat field at infinity and near zero rectilinear distortion. Good colors and contrast, little a bit of flare (seen much worse). - Ironically this lens has support for aberration corrections but this is a lens that really don't need it overall (but read next comment). - The only minor flaw I found is image circle clipping at 14mm making vignette correction at extreme edges difficult between f5.6 to f11. This issue just goes away from 15mm upward, luckily! - Coma. It is there but can be controlled somewhat by focusing manually. Personally I think the amount of coma is acceptable. - Lens is compatible with EOS M5 with aberrations corrections. Tested on a 60Da you do not have corrections. So in conclusion, I give 5 star to thank Sigma for releasing such a great lens. I was a bit unsure about the new Canon 16-35mm III huge vignette at 16mm. I thought about the Tamron too but having no firmware updates and older design was a worry. I owned 14mm primes from Rokinon (f2.8 and f2.4) and was very disappointed by bad centering and lack of versatility. Finally, I'm a bit intrigued by the option to shave the lens hood and also wonder if the gel holder option will be proposed.
Date published: 2018-03-25
  • y_2018, m_6, d_17, h_19
  • bvseo_bulk, prod_bvrr, vn_bulk_2.0.8
  • cp_1, bvpage1
  • co_hasreviews, tv_0, tr_14
  • loc_en_US, sid_1390808, prod, sort_[SortEntry(order=RELEVANCE, direction=DESCENDING)]
  • clientName_bhphotovideo
Be the first to review this item

Sigma Art Q&A

Sigma Art accessories

Designed for use with:

  • Blackmagic Design Production 4K
  • Blackmagic Design URSA Mini 4.6K
  • Blackmagic Design URSA Mini 4K
  • Blackmagic Design URSA Mini Pro
  • Blackmagic Design URSA Mini Pro 4.6K
  • Canon EOS 1D C
  • Canon EOS 1D X
  • Canon EOS 1D X Mark II
  • Canon EOS 5D Mark III
  • Canon EOS 5D Mark IV
  • Canon EOS 5DS
  • Canon EOS 5DS R
  • Canon EOS 6D
  • Canon EOS 6D Mark II
  • Canon EOS 70D
  • Canon EOS 77D
  • Canon EOS 7D Mark II
  • Canon EOS 80D
  • Canon EOS C100
  • Canon EOS C100 Cinema
  • Canon EOS C100 Mark II Cinema
  • Canon EOS C200 Cinema
  • Canon EOS C200B Cinema
  • Canon EOS C300 Cinema
  • Canon EOS C300 Mark II Cinema
  • Canon EOS C500 4K Cinema
  • Canon EOS C700
  • Canon EOS C700 FF
  • Canon EOS Rebel SL1
  • Canon EOS Rebel SL2
  • Canon EOS Rebel T5
  • Canon EOS Rebel T5i
  • Canon EOS Rebel T6
  • Canon EOS Rebel T6i
  • Canon EOS Rebel T6s
  • Canon EOS Rebel T7i
  • Panasonic AU-EVA1
  • Panasonic VariCam LT
  • RED DIGITAL CINEMA EPIC-W
  • RED DIGITAL CINEMA RAVEN
  • RED DIGITAL CINEMA SCARLET-W
See any errors on this page? Let us know. uwfqxqwebcdyrxsxftvzwftbe