Nikon D7500 DSLR Camera (Body Only)

Nikon D7500 DSLR Camera with 11-20mm f/2.8 and 17-70mm f/2.8-4 Lenses Landscape Kit

Nikon D7500 DSLR Camera with 11-20mm f/2.8 and 17-70mm f/2.8-4 Lenses Landscape Kit

B&H # NID7500LSK (B&H Kit)
Nikon D7500 DSLR Camera with 11-20mm f/2.8 and 17-70mm f/2.8-4 Lenses Landscape Kit

Kit includes:


Nikon D7500 DSLR Camera with 11-20mm f/2.8 and 17-70mm f/2.8-4 Lenses Landscape Kit Nikon D7500 DSLR Camera (Body Only) Tokina AT-X 11-20mm f/2.8 PRO DX Lens for Nikon F Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Nikon Manfrotto Befree Advanced Travel Aluminum Tripod with 494 Ball Head (Twist Locks, Black) Ruggard Outrigger 45 Backpack (Black) Vello ShutterBoss II Timer Remote Switch for Nikon with DC2 Connection Gepe Pro 3-Way Accessory Shoe Mount Bubble Level Hoya 72mm Digital Filter Kit II

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Product Highlights

  • Tokina AT-X 11-20mm f/2.8 PRO DX Lens
  • Sigma 17-70mm f/2.8-4 Macro OS HSM Lens
  • Tripod Legs and Ball Head
  • Backpack
  • Remote Shutter Release
  • Shoe Mount Bubble Level
  • 72mm Filter Kit
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Price: $2,549.00

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Nikon D7500 overview

  • 1Description

Configured for the aspiring landscape photographer, the Nikon D7500 DSLR Camera with 11-20mm f/2.8 and 17-70mm f/2.8-4 Lenses Landscape Kit from B&H bundles the versatile DX-format camera body with a Tokina AT-X 11-20mm f/2.8 PRO DX lens and a Sigma 17-70mm f/2.8-4 DC Macro OS HSM lens. Additionally, this kit also includes a tripod and ball head, a backpack, a remote shutter release, a shoe mount bubble level, and a 72mm filter kit.

  • Nikon D7500 DSLR Camera (Body Only)

    Designed as a true all-arounder, the Nikon D7500 is a DX-format DSLR offering a versatile feature-set to appeal to photographers and videographers alike. Based on a 20.9MP CMOS sensor and EXPEED 5 image processor, this multimedia maven avails an 8 fps continuous shooting rate for up to 100 consecutive JPEGS, a native sensitivity range to ISO 51,200 that can be expanded up to ISO 1,640,000, and 4K UHD video and time-lapse recording capabilities. Complementing the imaging capabilities is a 51-point Multi-CAM 3500FX II autofocus system, which features 15 cross-type points for fast performance and accurate subject tracking capabilities in a variety of lighting conditions.

    Balancing the performance attributes, the D7500 is also characterized by its sleek profile and monocoque construction that is comfortable and easy to handle. This physical design is also fully weather-sealed to permit working in harsh environmental conditions. In addition to the pentaprism optical viewfinder, a rear 3.2" 922k-dot touchscreen is also featured, and has a tilting design to benefit working from high and low shooting angles. Additionally, SnapBridge Bluetooth and Wi-Fi permit wireless transferring of photos and movies and remote control over the camera from linked mobile devices.

    20.9MP DX-Format CMOS Sensor and EXPEED 5 Image Processor
    The DX-format 20.9MP CMOS sensor is paired with the EXPEED 5 image processor to provide an esteemed mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity range from ISO 100-51200 permits working in a broad array of lighting conditions, and can be further expanded to ISO 50-1640000 (Lo 1 to Hi 5) to handle the most challenging of situations. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.

    In addition to benefitting image quality, the EXPEED 5 processor also affords a wealth of speed throughout the camera system, including a top continuous shooting rate of 8 fps with full-time autofocus and exposure metering. Up to 100 JPEGs or 50 14-bit lossless compressed NEF files can be recorded in a single burst.
    4K UHD Video Recording
    Capable of recording more than just stills, the D7500 supports 4K UHD video recording at 30, 25, and 24 fps frame rates and Full HD/HD recording at up to 60 fps, along with the ability to save movie files to the in-camera memory cards or as an uncompressed file, with 4:2:2 sampling, to an optional external recorder via HDMI out. For maintained quality and versatility in how your movies look, three image area options are available:
    • 4K UHD movie image format is an area that provides a 1.5x increase in the effective focal length of the lens in use and is reserved for 4K 3840 x 2160 recording.
    • 1.3x-based movie image area provides a 1.3x crop of the DX sensor, and is used for recording Full HD and HD video.
    • DX-based movie image format utilizes the full width of the DX-format sensor, and is used to record Full HD 1920 x 1080 and HD 1280 x 720 video. This setting is well-suited for shallow depth of field effects and provides the widest field of view.


    As with still shooting, the wide range of sensitivities is available for recording in low- and bright-light conditions, ranging from expanded ISO 100-1640000, and sensitivity values are manually adjustable via the dedicated movie-shooting menu. Also, a video-optimized Flat Picture Control mode can be used during recording to flatten the overall contrast curve for more control during post-production and color grading.

    Benefitting handheld shooting, an Electronic Vibration Reduction feature can be used during Full HD and HD recording, which minimizes the appearance of camera shake across three axes to control horizontal, vertical, and rotational movements. Additionally, Active D-Lighting can also be employed during Full HD/HD shooting to preserve highlight and shadow detail when working in high-contrast situations.

    In regard to handling, a dedicated power aperture button (Pv) makes it possible to achieve smooth, continuous exposure transitions when switching from light to dark areas and Auto ISO can also be used to maintain consistent brightness when working in changing light situations. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality. Regardless if using the in-camera mic or an external mic, audio levels can be adjusted in 20 increments and live monitoring is possible via the headphone jack.

    In addition to straight movie recording, time-lapse recording, for up to 9999 consecutive frames shot over the course of up to one week, is also possible with up to 4K UHD/30p output from the camera.
    51-Point Multi-CAM 3500FX II Autofocus System
    Supporting the imaging capabilities of the D7500 is an apt autofocus system that employs up to 51 distinct points, with options available to use 9, 21, or all 51 points depending on the situation, with AF detection sensitivity down to -3 EV. 15 cross-type points are also integrated within this array to provide even greater accuracy to centrally-located subjects. Benefitting the use of telephoto lenses and teleconverters, the center-most point is also sensitive down to an aperture value of f/8. 3D Tracking, a part of the intelligent Scene Recognition System, also works to benefit maintained focusing on moving subjects for greater accuracy when shooting at high continuous shooting speeds. Furthermore, Single-point AF, Dynamic-area AF (with 9, 21, or 51 points selectable), 3D-tracking (using all 51 points), and Auto-area AF modes are also available, as well as Group-Area AF that treats smaller groups of AF points as a single point for a wider field of recognition, and is well-suited to tracking faces or other detailed subjects.

    When working in live view, for either still or movie shooting, a contrast-based AF system is employed to acquire focus precisely and can function in continuous, full-time servo mode to better-suit working with moving subjects.
    Body Design
    • A large 3.2" 922k-dot touchscreen is available for intuitive live view shooting and playback control, and it features a tilting design to benefit working from high and low shooting angles.
    • A bright pentaprism optical viewfinder offers 100% frame coverage and a 0.94x magnification for clear, realistic viewing in any lighting condition.
    • The monocoque-type carbon-fiber construction is lightweight, durable, and incorporates a deep right hand grip for comfortable and stable handling, making it especially suitable for all-day shooting with longer zooms or telephoto lenses.
    • Weather-sealed design benefits working in trying environmental conditions.
    • Shutter unit has been tested for up to 150,000 cycles for long-lasting use and an integrated shutter monitor automatically calculates the duration between front and rear curtain movements with each exposure to automatically correct for any variances.
    • Built-in pop-up flash is available for additional illumination when working in low-light conditions. A hot shoe can also be used in conjunction with an optional external Speedlight, and, if used with the optional WR-R10 Wireless Remote Controller, the camera can control up to three groups of SB-5000 Speedlights via radio.
    • The included EN-EL15a rechargeable lithium-ion battery is CIPA-rated to last for approximately 950 shots per charge.
    SnapBridge Bluetooth and Wi-Fi
    Supporting a wealth of sharing and tagging possibilities, the D7500 features built-in SnapBridge connectivity to enable seamless transfer of imagery as well as remote shooting capabilities. BLE (Bluetooth Low Energy) and Wi-Fi enables communication between the camera and a smart device. Additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance.
    Scene Recognition System and Exposure Metering
    The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 180k-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.
    Other Camera Features
    • RAW (NEF) files can be recorded as lossless compressed or compressed at either 12 or 14-bit depth.
    • Automated exposure bracketing is possible for up to 9 frames with 1/3 or 1/2 EV steps between each frame.
    • Active D-Lighting helps to preserve both highlight and shadow details when working in contrast-rich scenarios, such as backlit lighting. Utilizing the EXPEED 5's processing power, a more controlled image will be produced with brightness values closer to how they are naturally seen.
    • Auto ISO sensitivity control allows you to select a minimum shutter speed at which camera shake can be controlled from and then will automatically set the ISO value in order to best render the scene. A maximum sensitivity level can also be set in order to maintain overall noise levels.
    • Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white.
    • MC-DC2 port enables the connection of optional accessories, such as remote shutter releases.
    • Multiple Exposure mode lets you combine up to 10 different exposures into a single image, with the ability to save all 10 separate shots or just the composite image.
    • In-camera raw file batch processing is possible to apply a consistent set of adjustments to several files at once.
    • Picture Control: Auto, Flat, Landscape, Monochrome, Neutral, Portrait, Standard, and Vivid.
    • Scene Modes: Portrait, Landscape, Child, Sports, Close Up, Night Portrait, Night Landscape, Party/Indoor, Beach/Snow, Sunset, Dusk/Dawn, Pet Portrait, Candlelight, Blossom, Autumn Colors, and Food.
    • Special Effects Modes: Night Vision; Super Vivid, Pop, Photo Illustration, Toy Camera Effect, Miniature Effect, Selective Color, Silhouette, High Key, and Low Key
    • Language Support: Arabic, Bengali, Brazilian Portuguese, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian, Persian, Polish, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, and Vietnamese.
    UPC: 018208015818
  • Tokina AT-X 11-20mm f/2.8 PRO DX Lens for Nikon F

    A versatile wide-angle zoom for Nikon DX-format DSLRs, the AT-X 11-20mm f/2.8 PRO DX Lens from Tokina offers a 16.5-30mm equivalent focal length and features a constant f/2.8 maximum aperture for maintained brightness throughout the zoom range. One P-MO hybrid aspherical element and two glass-molded aspherical element work in tandem to minimize distortions and control various aberrations while three SD ultra-low dispersion elements reduce chromatic aberrations for increased clarity. A multi-layer lens coating has also been applied to further enhance overall light transmission and color accuracy by suppressing lens flare and ghosting. Well-suited to working in a wide variety of situations, this ultra-wide zoom covers an array of wide-angle perspectives while maintaining consistent illumination for working in challenging lighting.

    Benefitting the usability, a one-touch focusing clutch permits quick switching between autofocus and manual focus modes, and an internal focusing design maintains the overall length of the lens during use. The medium-torque focusing ring further benefits precise handling by allowing for refined control when manually focusing. Additionally, this lens sees the incorporation of a nine-blade diaphragm, which contributes to a pleasing out-of-focus quality when employing shallow depth of field shooting techniques.

    Compatible with Nikon DX-format DSLRs, this wide-angle zoom provides a 16.5-30mm equivalent focal length and features a constant f/2.8 maximum aperture for consistent low-light performance throughout the zoom range.
    One P-MO hybrid aspherical element in the front group pairs with two glass-molded aspherical elements in the rear group to minimize distortions and correct aberrations. Additionally, three SD ultra-low dispersion elements are also incorporated within the lens design to further reduce chromatic aberrations for greater color accuracy and clarity.
    Multi-layer lens coatings reduce lens flare and ghosting for greater contrast and maintained color fidelity.
    A one-touch focus clutch mechanism permits seamless switching between autofocus and manual focusing positions, and the focusing ring features a moderate amount of torque for more fine-tuned control over the focusing position.
    An internal focusing mechanism maintains the overall lens form factor during operation.
    A nine-blade diaphragm contributes to a smooth out-of-focus quality, which benefits the use of shallow depth of field techniques.
  • Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Nikon

    The Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Nikon is a standard zoom lens designed especially for DSLRs with APS-C-sized image sensors. This lens has a 35mm-equivalent focal length range of 25.5-105mm, providing wide-angle to portrait-length angles of view for use in everyday shooting situations.

    This lens features a fast f/2.8-4 maximum aperture to help better control your focus plane and to aid in low-light shooting. A built-in Optical Stabilizer also helps in low-light situations by providing a four-stop reduction in the appearance of camera shake, which is ideally suited for macro and telephoto shooting as well. The Hyper Sonic AF Motor delivers fast, smooth, and quiet auto focusing that greatly benefits video applications. The integration of two FLD, one SLD, and three aspherical lenses in the construction helps to reduce the effects of chromatic and chromatic axial aberrations, and Super Multi-Layer coated elements help to increase contrast for sharp, clear imagery.

    As part of Sigma's new Contemporary line of lenses, this lens is designed using Thermally Stable Composite (TSC) materials to help reduce the overall weight and size of the lens barrel by about 30% without compromising on optical integrity, rigidity, or overall durability.

    For updating lens firmware and fine-tuning its nuances to best-suit your personal shooting, this lens is compatible with the Sigma USB Dock. The dock allows you to specify certain parameters and other settings through the Sigma Optimization Pro software, such as AF speed and focusing limitations.

    Contemporary Lens Line
    This lens is the first lens produced as part of Sigma's Contemporary line; deeming it lightweight and compact while still exhibiting high optical performance. This lens' wide range of focal lengths makes is suitable for a variety of shooting applications. Utilizing a smaller OS unit and an optimized distribution of optical and electronic elements, the size of the lens barrel is able to be reduced in size by approximately 30%. This reduction in weight is also afforded in part through the use of TSC materials in the barrel construction. This material offers high durability and rigidity but with less bulk than metal components.
    Macro Shooting Capabilities
    This lens features a maximum magnification of 1:2.8 and a minimum focus distance of 8.7" / 22cm, giving a working distance of just 2.2" / 5.5cm when shooting at the 70mm focal length.
    Optimized Lens Construction
    Two FLD (F Low Dispersion) glass elements, one SLD (Super Low Dispersion) glass element, and three aspherical glass elements, including a double-sided aspherical lens, are integrated into the lens' construction to help improve overall image quality. The combination of these elements provides a reduction in both chromatic and axial chromatic aberrations throughout the focusing and zoom ranges. A Super Multi-Layer Coating is also applied to lens surfaces to reduce the appearance of lens flare and ghosting, which helps to maintain image contrast and color fidelity when working in strong lighting conditions.
    Hyper Sonic AF Motor
    The HSM (Hyper Sonic Motor) provides fast, quiet, and smooth auto focusing that is well-suited for use with video applications.
    Optical Stabilizer
    The OS (Optical Stabilizer) system is incorporated into the lens to provide a four-stop-equivalent reduction in the appearance of camera shake. This enables greater handheld shooting possibilities when working in low-lit situations, at longer focal lengths, and when working with macro subjects.
    USB Dock
    Compatible with Sigma's USB Dock and Sigma Optimization Pro software for fine-tuning your lens' performance, updating its firmware, and better suiting it to your needs.
    Other Features
    • A large maximum aperture of f/2.8-4 helps with low-light photography and also offers greater control over your focus plane for selective focus shooting.
    • A brass bayonet mount provides reinforced durability at the connection point between the lens and your camera.
    UPC: 085126884550
  • Manfrotto Befree Advanced Travel Aluminum Tripod with 494 Ball Head (Twist Locks, Black)

    Sporting a 17.6 lb load capacity at a weight of only 3.4 lb, this black Befree Advanced Travel Tripod from Manfrotto is a robust support option that can serve as a convenient travel companion for professional photographers and passionate hobbyists alike. It is made of aluminum alloy and reaches a maximum height of 59.1" with its column extended, folding down to 15.7" in length for simplified transport in its included carrying case.

    Each leg of the Befree Advanced is composed of four sections, which can be adjusted and secured in seconds thanks to the M-lock twist locks that operate with a simple 90° turn. A side-pull selector allows you to set up the tripod at three different angle configurations, enabling low angle shooting with the simple push of a button. Complementing the legs is an equally sturdy center ball head, which offers a dedicated knob for panoramic movement as well as a friction control knob for precise control over the tension during use. The final element is a quick release plate, which offers dual compatibility for RC2 and Arca-type compatible systems, except for the Manfrotto 804-3W and MH804-3W tripod heads.

    An Easy Link attachment is available at the top portion of the leg section, and allows you to connect compatible accessories such as flashes or reflectors. This enables you to use the tripod as a support system and reduce the amount of gear you need to carry while travelling. Rubberized feet are used to avoid skidding and help keep the Befree Advanced stable in most types of terrain. Finally, an integrated hook found at the bottom can be used to add a weight and increase the stability of your tripod when shooting in more difficult conditions.

    • Weighs 3.4 lb, can hold up to 17.6 lb of gear
    • Four leg sections which extend and fasten via its twist locks
    • Maximum height of 59.1", folds down to 15.7" in length for storage
    • Aluminum-alloy construction
    • Side button allows you to select between three different leg angles
    • Ball head with separate pan lock and friction control knobs
    • Quick release plate compatible with both RC2 and Arca-type systems, excluding the 804-3W and MH804-3W tripod heads
    • Rubberized feet provide increased stability on most surfaces
    • Easy Link attachment for use with optional accessories
    • Integrated hook for weighing down and stabilizing tripod during use
    UPC: 719821419303
  • Ruggard Outrigger 45 Backpack (Black)

    The black Outrigger 45 Backpack from Ruggard holds a standard DSLR system and an iPad. The front pocket measures 8.0 x 7.25" and contains five small, pen-sized slip-in slots as well as a mesh stash pocket. The second compartment is dedicated for your iPad. The third compartment measures 14.5 x 8.5" and contains three memory card pockets, two slash stretch pockets and a key ring. The spacious main compartment for your camera gear includes seven removable dividers that can be configured to accommodate whatever gear you carry.

    For carrying comfort, the back of the backpack is made from a breathable, small-mesh, padded material and features a padded shoulder harness. You can also carry the backpack using the nylon grip handle at the top. The backpack has a sternum strap and a hideaway waist strap. An attached rain cover for inclement weather can be hidden away at the base of the backpack.

    Pockets

    Small, exterior, front, zippered pouch has interior mesh slip pocket and an organizer that includes two slip pockets and three pen slots
    Large, exterior, front, zippered pouch has two slip pockets, three touch-fastened memory card pockets, and a key leash
    Two, exterior, expandable side pockets with a touch-fastened closure
    Two, interior, large, zippered mesh pockets on front flap

    Construction

    Two, large, rigid, padded interior dividers and five small ones can create up to eight sections inside the main compartment
    Elastic touch-fastened band inside main compartment secures larger lenses
    Tough 600D polyester exterior and 200D polyester interior lining
    Front, zippered flap opens all the way down for full access to main compartment
    UPC: 847628561557
  • Vello ShutterBoss II Timer Remote Switch for Nikon with DC2 Connection

    The ShutterBoss II Timer Remote Switch for Nikon with DC2 Connection from Vello is a remote shutter release that provides photographers with enhanced levels of exposure control. Featuring specialized functionality such as continuous shooting, self-timer, long time exposures, and interval shooting, the ShutterBoss II is a huge asset to keep in your camera bag. This particular ShutterBoss is compatible with cameras that have a DC2 connection, for example: Nikon D750, D610, D5300, D5500, and D7200 DSLRs.

    With the ShutterBoss you can set timer delays, exposure times and intervals up to 99 hours, 59 minutes, 59 seconds in one-second increments. You can also select from 1 to 399 continuous shots or set the device to take an unlimited number of photos. Since you can set exposures without touching the camera you will capture clear, blur-free images. This remote has a 4-line backlit LCD status display for easy viewing of timer and exposure settings. The backlight can be locked to remain on when shooting in low light conditions.

    The ShutterBoss is great for time lapse series of blooming flowers, sunsets or the night sky. It can also function without batteries as a simple manual remote shutter release. Simply establish the camera's settings and push the remote's shutter button halfway to focus and fully to shoot. In bulb mode, slide the shutter release button forward to lock and the shutter will stay open until you release it. 

    The ShutterBoss II has added two features that will offer easier control over the remote's settings. First is a Power Off option which gives you the ability to power down the remote to conserve battery life and also a Reset option allows the ShutterBoss' settings to be completely reset to default settings with just the hold of two buttons. A default reset is a time-saver to avoid changing each setting individually. 

    Whether it's for simple shutter release, extended self-timer options, continuous shooting, long exposures, or time-lapse shooting, the ShutterBoss II Remote puts creative camera control in the palm of your hand.

    Compatible Cameras
    Nikon: D750, D610, D600, Df
    D7500, D7200, D7100, D7000, D90, D5600, D5500, D5300, D5200, D5100, D5000, D3300, D3200, D3100, Coolpix P7800
    Timer Functions
    You can set the timer delays, exposure times, and intervals up to 99 hours, 59 minutes, 59 seconds in one second increments.
    Exposure Functions
    The ShutterBoss enables you to select anywhere from one to 399 continuous shots, or you can set the device to take an unlimited number of photos.
    LCD Display
    The four-line backlit LCD display panel gives you a visual reference so you can enable the following functions: self-timer, exposure, interval, and number of shots. It also is a status indicator for battery life, timer functions, lock indicator, number of shots, and more.
    Audible Beep
    The ShutterBoss will give you an audible beep for the last three seconds of a countdown delay or interval. It will also beep to confirm your settings. The beep can be turned off if necessary.
    Power Off and Reset Options
    The ShutterBoss II has been updated with two new features, the Power Off option which gives the ability to power the device off to conserve battery life and the Reset option which allows the ShutterBoss to be reset to the default settings, so that each setting does not need to be reset individually.
    Long Battery Life
    Powered by two AAA batteries, it can last for about 60 days of continuous shooting with intervals of five minutes and exposures of 4 minutes, 56 seconds. When left on standby, it can last for up to 2 years.
    UPC: 847628547254
  • Gepe Pro 3-Way Accessory Shoe Mount Bubble Level

    The Gepe Pro 3-Way Accessory Shoe Mount Bubble Level features acrylic construction and fits a standard photo accessory shoe. Three individual spirit/bubble levels are encased in clear acrylic, and the unit incorporates a molded accessory shoe mount. The design ensures that at least two of the three levels will read no matter how you orient your camera, so you don't have to remove the bubble level and flip it as you may with some other bubble levels. Each level is filled with bright yellow neon colored fluid, with black markings to help you level your equipment.

    Fits standard accessory shoe mounts.
    Design allows for use no matter the camera's orientation.
    Neon yellow fluid and black markings provide strong contrast for easy viewing.
  • Hoya 72mm Digital Filter Kit II

    The Hoya 72mm Digital Filter Kit II includes a UV (C) HMC filter, a circular polarizer filter, and a 3-stop neutral density filter in a convenient filter pouch. This kit provides everything necessary to get started with filtration for your digital camera.

    The UV (C) filter is a multi-coated filter with a slim mounting ring. This makes it useful for wide-angle lenses to avoid potential vignetting. Also, the UV filter itself is a general use, clear filter that helps to absorb ultraviolet light. No additional coloration or contrast is provided, allowing you to pair this filter with others. It is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.

    Hoya HMC filters are multi-coated for reducing flare, ghosting, and reflections on the filter surface. As a result, over 97% light transmission is possible, providing you with additional contrast and high color fidelity.

    A circular polarizer filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.

    A circular polarizer only differs from a linear polarizer in that it contains a quarter wave plane in addition to the linear polarizing filter. The addition of this quarter wave plane is to circularly polarize the linearly polarized light for the use of auto focus and exposure functions. Due to how the light is broken down and filtered with a linear polarizer, auto focus and exposure accuracy become skewed during use. When the light becomes circularly polarized, it permits the use of these functions.

    A neutral density filter has several uses and offers the possibility to achieve otherwise unachievable results. ND filters appear gray and reduce the amount of light reaching the film. They have no effect on color balance. This filter offers a filter factor of 0.9, equivalent to 3 stops of light.

    UV Filter

    Absorbs UV light, which can cause outdoor photos to appear hazy and indistinct
    Clear filter provides no additional coloration or contrast, allowing you to pair this filter with others
    Works as general protection filter to reduce dust, moisture, and scratches from reaching lens elements.
    HMC multi-coating help to reduce flare, ghosting, and reflections on the filter surface for greater contrast and color fidelity. Greater than 97% light transmission is possible, providing additional contrast and high color fidelity.

    Circular Polarizer Filter

    Helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface
    Polarizing filters arrange, and filter, directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of the light
    Clears up haze in distant landscapes and provides more saturated, vivid colors
    Strongest effect when used at a 90° angle from the sun
    Circular polarizers are ideal for use with digital cameras and autofocus lenses where a linear polarizer will often disrupt auto exposure and focus features

    Neutral Density Uses

    To enable slow shutter speeds to be used, especially with high speed films, to record movement in subjects such as waterfalls, clouds, or cars
    To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
    To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situations
    To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
    8x = ND 0.9 (exposure adjustment = 3 stops, reduces ISO 1/8)
    UPC: 024066059017
  • Nikon D7500 DSLR Camera (Body Only)
    Imaging
    Lens Mount Nikon F
    Camera Format DX / (1.5x Crop Factor)
    Pixels Actual: 21.51 Megapixel
    Effective: 20.9 Megapixel
    Max Resolution 5568 x 3712
    Aspect Ratio 3:2, 16:9
    Sensor Type / Size CMOS, 23.5 x 15.6 mm
    File Formats Still Images: JPEG, RAW
    Movies: AVC/H.264, MOV, MP4
    Audio: AAC, Linear PCM
    Bit Depth 14-Bit
    Dust Reduction System Yes
    Memory Card Type SD
    SDHC
    SDXC
    Image Stabilization Digital
    Focus Control
    Focus Type Autofocus
    Focus Mode Automatic (A), Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Phase Detection: 51 (15 Cross-Type)
    Viewfinder/Display
    Viewfinder Type Pentaprism
    Viewfinder Eye Point 18.5 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.94x
    Diopter Adjustment -2 to +1 m
    Display Screen 3.2" Rear Touchscreen Tilting LCD (922,000)
    Screen Coverage 100%
    Diagonal Angle of View 170.0°
    Exposure Control
    ISO Sensitivity Auto, 100-51200 (Extended Mode: 50-1640000)
    Shutter 30 - 1/8000 Second 
    Remote Control MC-DC2, WR-1, WR-R10 (Optional)
    Mirror Lock-Up Yes
    Metering Method Center-Weighted Average Metering, Matrix, Spot Metering, Highlight Weighted
    Exposure Modes Modes: Aperture Priority, Auto, Manual, Program, Scene Modes, Shutter Priority, User
    Metering Range: EV -3.0 - EV 20.0
    Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps)
    Buffer/Continuous Shooting Up to 8 fps at 20.9 MP for up to 50 Frames in Raw Format
    Up to 8 fps at 20.9 MP for up to 100 Frames in JPEG Format
    White Balance Modes Auto, Cloudy, Color Temperature, Direct Sunlight, Fine, Flash, Fluorescent, Incandescent, Preset Manual, Shade
    Flash
    Flash Modes Auto
    Auto/Red-Eye Reduction
    Fill-In
    Off
    Rear Curtain/Slow Sync
    Rear Sync
    Red-Eye Reduction
    Slow Sync
    Slow Sync/Red-Eye Reduction
    Built-in Flash Yes
    Guide No. 39.37' (12 m) ISO100 
    Max Sync Speed 1 / 250 Second
    Flash Compensation -3 EV to +1 EV (in 1/3 or 1/2 EV steps)
    Dedicated Flash System iTTL
    External Flash Connection Hot Shoe
    AV Recording
    Video Recording Yes, NTSC/PAL
    Video Format 3840 x 2160p at 23.98/25/29.97 fps
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps
    1280 x 720p at 50/59.94 fps
    Aspect Ratio 16:9
    Focus Auto
    Manual
    Continuous Auto
    Max Video Clip Length 3840 x 2160: 29 Minutes, 59 Seconds 
    Audio Recording Built-In Mic: With Video (Stereo)
    Optional External Mic: With Video
    Performance
    Self Timer 20 Seconds, 10 Seconds, 5 Seconds, 2 Seconds
    Custom: 1 - 9 Seconds at 0.5-, 1.0-, 2.0-, 3.0Second Intervals
    Interval Recording Yes
    Connectivity 1/8" Headphone, 1/8" Microphone, HDMI C (Mini), USB 2.0 Micro-B, Nikon DC2, USB 2.0
    Wi-Fi Capable Yes
    Power
    Battery 1 x EN-EL15a Rechargeable Lithium-Ion Battery Pack
    AC Power Adapter EH-5c/EP-5B (Optional)
    Operating/Storage Temperature Operating
    32 to 104°F (0 to 40°C)
    Humidity: 0 - 85%
    Physical
    Dimensions (W x H x D) 5.3 x 4.1 x 2.9" / 135.5 x 104.0 x 72.5 mm
    Weight 1.41 lb / 640 g body only
    Packaging Info
    Box Dimensions (LxWxH) 8.7 x 6.7 x 4.9"
  • Tokina AT-X 11-20mm f/2.8 PRO DX Lens for Nikon F
    Performance
    Focal Length 11 - 20mm
    Comparable 35mm Focal Length: 16.5 - 30 mm
    Aperture Maximum: f/2.8
    Minimum: f/22
    Camera Mount Type Nikon F
    Format Compatibility Nikon DX
    Angle of View 104.34° - 72.42°
    Minimum Focus Distance 11.02" / 28 cm
    Maximum Reproduction Ratio 1:8.62
    Optical Design 14 Elements in 12 Groups
    Diaphragm Blades 9
    Features
    Autofocus Yes
    Physical
    Filter Thread Front: 82 mm
    Dimensions (DxL) 3.50 x 3.62" / 89 x 92 mm
    Weight 1.23 lb / 560 g
    Packaging Info
    Box Dimensions (LxWxH) 6.9 x 5.5 x 5.1"
  • Sigma 17-70mm f/2.8-4 DC Macro OS HSM Lens for Nikon
    Performance
    Focal Length 17 - 70mm
    Comparable APS-C Focal Length: 25.5 - 105 mm
    Aperture Maximum: f/2.8 - 4
    Minimum: f/22
    Camera Mount Type Nikon F
    Format Compatibility DSLR (APS-C Sensor)
    Angle of View 79.7° - 22.9°
    Minimum Focus Distance 8.66" / 22 cm
    Maximum Reproduction Ratio 1:3
    Optical Design 16 Elements in 14 Groups
    Diaphragm Blades 7
    Features
    Image Stabilization Yes
    Autofocus Yes
    Tripod Collar No
    Physical
    Filter Thread Front: 72 mm
    Dimensions (DxL) 3.11 x 3.23" / 79 x 82 mm
    Weight 16.40 oz / 465 g
    Packaging Info
    Box Dimensions (LxWxH) 6.0 x 4.3 x 4.2"
  • Manfrotto Befree Advanced Travel Aluminum Tripod with 494 Ball Head (Twist Locks, Black)
    Tripod Head
    Head Type Ball Head
    Base Mount 3/8"-16 Thread
    Camera Mounting Screw 1/4"-20 Male
    Quick Release Plate Type 200PL
    Friction Control Yes
    Independent Pan Lock Yes
    Pan & Tilt Range
    Lateral Tilt -90 to +40
    Vertical Tilt -90 to +40
    General
    Load Capacity 17.6 lb / 8 kg
    Maximum Working Height 59.1" / 150.0 cm
    Max Height without Center Column 52.4" / 133 cm
    Folded Length 15.7" / 40 cm
    Materials Aluminum Alloy
    Weight 3.4 lb / 1.5 kg
    Legs
    Leg Lock Type Twist Lock
    Leg Positions 3 Positions
    Independent Leg Spread Yes
    Leg Sections 4
    Tripod Feet Features Rubber
    Center Column
    Center Column Features Ballast Hook
    Lateral / 90-Degree Center Column No
    Packaging Info
    Box Dimensions (LxWxH) 19.0 x 15.0 x 10.0"
  • Ruggard Outrigger 45 Backpack (Black)
    Features Tablet Pocket
    Carrying/Transport Options Backpack Straps, Waist Belt
    Camera Support Strap Tripod
    Exterior
    Exterior Dimensions 11.5 x 15.5 x 7.5" / 29.2 x 39.4 x 19.1 cm
    Exterior Material Polyester
    Type of Closure Zipper
    Water Resistance Rain Cover
    Interior
    Interior Dimensions 10 x 14.5 x 5" / 25.4 x 36.8 x 12.7 cm
    Weight 2.4 lb / 1.1 kg
    Packaging Info
    Box Dimensions (LxWxH) 17.0 x 13.0 x 9.0"
  • Vello ShutterBoss II Timer Remote Switch for Nikon with DC2 Connection
    Release Type Wired
    Camera Connection Nikon DC-2
    Interval Timer/Programmable Yes
    Live View No
    Max Timer Delay 99 h, 59 min, 59 sec
    Maximum Exposure 99 h, 59 min, 59 sec
    Maximum Interval 99 h, 59 min, 59 sec
    Mobile Device/App-enabled No
    Cable Length 2.7' / 85 cm
    Operating Temperature -4 to 122°F / -20 to 50°C
    Transmitter Power Source Battery
    Transmitter Battery Requirements 2 x AAA
    Transmitter Dimensions 6.1 x 1.6 x 0.7" / 155.0 x 40.0 x 18.0 mm
    Packaging Info
    Box Dimensions (LxWxH) 8.6 x 3.6 x 1.3"
  • Gepe Pro 3-Way Accessory Shoe Mount Bubble Level
    Material of Construction Acrylic
    Mount Type Accessory shoe mount

    Note: works with standard accessory shoe mounts only.
    Dimension L x W x H 1.1 x 0.9 x 0.9" (27.9 x 22.9 x 22.9 mm)
    Weight 0.6 oz (17 g)
    Packaging Info
    Box Dimensions (LxWxH) 6.6 x 6.0 x 1.2"
  • Hoya 72mm Digital Filter Kit II
    Packaging Info
    Box Dimensions (LxWxH) 9.6 x 4.5 x 1.5"

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