Canon EOS 5D Mark IV DSLR Camera (Body Only)

Canon EOS 5D Mark IV DSLR Camera with 16-35mm f/2.8 Lens Landscape Kit

Canon EOS 5D Mark IV DSLR Camera with 16-35mm f/2.8 Lens Landscape Kit

B&H # CAE5D4LSK (B&H Kit)
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Product Highlights

  • EF 16-35mm f/2.8L III USM Lens
  • Tripod Legs and Ball Head
  • Backpack
  • Remote Shutter Release
  • Shoe Mount Bubble Level
  • 82mm Circular Polarizer Filter
  • 82mm ND 0.9 Filter
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Canon 5D Mark IV overview

  • 1Description

Configured for the aspiring landscape photographer, the Canon EOS 5D Mark IV DSLR Camera with 16-35mm f/2.8 Lens Landscape Kit from B&H bundles the versatile full-frame camera body with the EF 16-35mm f/2.8L III USM lens. Additionally, the kit also includes a tripod, ball head, photo backpack, remote shutter release, shoe mount bubble level, 82mm circular polarizer filter, and an 82mm ND 0.9 filter.

  • Canon EOS 5D Mark IV DSLR Camera (Body Only)

    Continuing on in their legacy of powerful workhorse cameras, Canon has released the 5D Mark IV DSLR which is an outstanding still photography option and an able 4K-capable video machine. This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.

    In order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.

    Video benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.

    The body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.

    30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor
    In line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.

    Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.
    High Density Reticular AF and Dual Pixel CMOS AF Systems
    Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

    In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.
    DCI 4K Video Recording
    Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.

    Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.
    Dual Pixel RAW
    First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.
    Body Design
    • A large 3.2" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.
    • A dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.
    • Dual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.
    • An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
    • A Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.
    • A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.
    Other Camera Features
    • A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
    • Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.
    • A built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.
    • Built-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.
    UPC: 013803281347
  • Canon EF 16-35mm f/2.8L III USM Lens

    Characterized by a revamped optical design, the EF 16-35mm f/2.8L III USM from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. Featuring a series of specialized elements, this lens utilizes a trio of aspherical elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity. Both SWC and ASC coatings have also been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy.

    Complementing its optical prowess, a ring-type Ultrasonic Motor offers fast, smooth, and near-silent autofocus performance, which is further benefitted by full-time manual focus operation and an internal focusing design. The lens is both water and dust-resistant, and fluorine coatings have also been applied to the front and rear elements to protect against fingerprints and smudges from affecting image quality.

    Wide-angle zoom 16-35mm lens is compatible with full-frame Canon EF-mount DSLRs, as well as APS-C-sized models where it will provide a 25.6-56mm equivalent focal length range.
    Constant f/2.8 maximum aperture offers consistent performance and excellent light transmission throughout the zoom range.
    Two large-diameter glass-molded dual-surface aspherical elements and one ground aspherical element help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
    Two ultra-low dispersion elements are used to minimize chromatic aberrations as well as eliminate color blurring around the edges of subjects.
    Both a Subwavelength Coating (SWC) and an Air Sphere Coating (ASC) have been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
    A ring-type Ultrasonic Motor (USM), along with an internal focusing system, high-speed CPU, and optimized AF algorithms, are employed to deliver fast, precise, and near-silent autofocus performance as well as full-time manual focus override.
    As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
    Protective fluorine coating has been applied to the front bulbous element to resist fingerprints and smudges and to make cleaning significantly easier.
    Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
    UPC: 013803256901
  • Manfrotto MT055CXPRO4 Carbon Fiber Tripod

    The Manfrotto MT055CXPRO4 Carbon Fiber Tripod is a 4-section support that replaces the 055CXPRO4 tripod. It has a load capacity of 19.8 lb and extends from 3.5" to 66.9". Its carbon fiber legs are secured by the Quick Power Locks. These updated flip locks increase the tripod's rigidity by 50% compared to its predecessor.

    A redesigned center column has a "one finger" operation, and includes an Easy Link 3/8"-16 attachment for attaching accessories such as an LED light or a reflector via a compatible arm. The center column can be positioned horizontally, allowing for low-angle and macro photography. The upper disc where a tripod head is mounted has been redesigned as well, and now has a bull's eye bubble level that rotates 360° so you can locate it where you can see it. This allows you to level your camera on both the horizontal and vertical planes.

    UPC: 719821364658
  • Manfrotto Manfrotto XPRO Magnesium Ball Head with 200PL-14 Quick Release Plate

    This XPRO Magnesium Ball Head from Manfrotto features an integrated RC2 quick release cam lock and a 200PL-14 Quick Release Plate. RC2 compatible quick release plates such as the 200PL-14 can be removed from the head by pulling the cam lock's spring-loaded lever, which also allows the plate to be instantly reattached. The cam lock also features a safety catch to prevent the 200PL-14, or another compatible quick release plate from accidentally disconnecting.

    The XPRO Magnesium Ball Head with 200PL-14 Quick Release Plate has a load capacity of 22.1 lb and can be attached to tripods or other support systems that feature a 3/8"-16 mount. By loosening this XPRO Magnesium Ball Head's primary locking knob, its ball-and-socket joint can be quickly swiveled, angled, fully tilted, or returned to its upright position. Toward the ball head's base is a secondary locking knob that controls the ability to rotate the head 360°. An additional knob opposite the secondary locking knob can be rotated to apply tension control to the ball-and-socket joint's movements.

    Cameras or accessories that are compatible with a 1/4"-20 mount can be connected to the 200PL-14 quick release plate which measures 1.7 x 2.1 x 0.4" and has a rubberized, non-slip surface.

    XPRO Magnesium Ball Head
    • 22.1 lb load capacity
    • Compatible with tripods or support systems that feature a 3/8"-16 mount
    • Uses ball-and-socket joint to help maximize pan-and-tilt flexibility
    • Ball-and-socket joint provides 360° of swivel control, is tiltable down to a 90° angle, and can be locked into place
    • Integrated RC2 quick release cam lock
    • Primary locking knob allows ball-and-socket joint to be quickly swiveled, angled, fully tilted, or returned to its upright position
    • Secondary locking knob allows head to rotate 360°
    • Dedicated tension control knob for the ball-and-socket joint's movements
    • One bubble level for landscape orientations and one bubble level for portrait orientations
    • Durable, magnesium-alloy construction
    200PL-14 Quick Release Plate
    • Compatible with Manfrotto RC2 quick release cam lock
    • Measures 1.7 x 2.1 x 0.4" and has a rubberized, non-slip surface
    • 1/4"-20 mount
    • Durable, aluminum-alloy construction
    UPC: 719821378297
  • Ruggard Outrigger 45 Backpack (Black)

    The black Outrigger 45 Backpack from Ruggard holds a standard DSLR system and an iPad. The front pocket measures 8.0 x 7.25" and contains five small, pen-sized slip-in slots as well as a mesh stash pocket. The second compartment is dedicated for your iPad. The third compartment measures 14.5 x 8.5" and contains three memory card pockets, two slash stretch pockets and a key ring. The spacious main compartment for your camera gear includes seven removable dividers that can be configured to accommodate whatever gear you carry.

    For carrying comfort, the back of the backpack is made from a breathable, small-mesh, padded material and features a padded shoulder harness. You can also carry the backpack using the nylon grip handle at the top. The backpack has a sternum strap and a hideaway waist strap. An attached rain cover for inclement weather can be hidden away at the base of the backpack.

    Pockets

    Small, exterior, front, zippered pouch has interior mesh slip pocket and an organizer that includes two slip pockets and three pen slots
    Large, exterior, front, zippered pouch has two slip pockets, three touch-fastened memory card pockets, and a key leash
    Two, exterior, expandable side pockets with a touch-fastened closure
    Two, interior, large, zippered mesh pockets on front flap

    Construction

    Two, large, rigid, padded interior dividers and five small ones can create up to eight sections inside the main compartment
    Elastic touch-fastened band inside main compartment secures larger lenses
    Tough 600D polyester exterior and 200D polyester interior lining
    Front, zippered flap opens all the way down for full access to main compartment
    UPC: 847628561557
  • Vello ShutterBoss II Timer Remote Switch for Canon with 3-Pin Connection

    The ShutterBoss II Timer Remote Switch for Canon with 3-Pin Connection from Vello is a remote shutter release that provides photographers with enhanced levels of exposure control. Featuring specialized functionality such as continuous shooting, self-timer, long time exposures, and interval shooting, the ShutterBoss II is a huge asset to keep in your camera bag. This particular ShutterBoss is compatible with cameras that have a 3-pin connection, for example: Canon EOS 5D, 6D, 7D, and 1D series DSLRS.

    With the ShutterBoss you can set timer delays, exposure times and intervals up to 99 hours, 59 minutes, 59 seconds in one-second increments. You can also select from 1 to 399 continuous shots or set the device to take an unlimited number of photos. Since you can set exposures without touching the camera you will capture clear, blur-free images. This remote has a 4-line backlit LCD status display for easy viewing of timer and exposure settings. The backlight can be locked to remain on when shooting in low light conditions.

    The ShutterBoss is great for time lapse series of blooming flowers, sunsets or the night sky. It can also function without batteries as a simple manual remote shutter release. Simply establish the camera's settings and push the remote's shutter button halfway to focus and fully to shoot. In bulb mode, slide the shutter release button forward to lock and the shutter will stay open until you release it. 

    The ShutterBoss II has added two features that will offer easier control over the remote's settings. First is a Power Off option which gives you the ability to power down the remote to conserve battery life and also a Reset option allows the ShutterBoss' settings to be completely reset to default settings with just the hold of two buttons. A default reset is a time-saver to avoid changing each setting individually. 

    Whether it's for simple shutter release, extended self-timer options, continuous shooting, long exposures, or time-lapse shooting, the ShutterBoss II Remote puts creative camera control in the palm of your hand.

    Compatible Cameras
    Canon EOS: 10D, 20D, 30D, 40D, 50D, 5D, 5D Mark II, 5D Mark III, 5D Mark IV, 5DS, 5DS R, 6D, 6D Mark II, 7D, 7D Mark II, 1D, 1D Mark II, 1D Mark II N, 1D Mark III, 1D Mark IV, 1Ds, 1Ds Mark II, 1Ds Mark III, 1D X and 1D C
    Timer Functions
    You can set the timer delays, exposure times, and intervals up to 99 hours, 59 minutes, 59 seconds in one second increments.
    Exposure Functions
    The ShutterBoss enables you to select anywhere from one to 399 continuous shots, or you can set the device to take an unlimited number of photos.
    LCD Display
    The four-line backlit LCD display panel gives you a visual reference so you can enable the following functions: self-timer, exposure, interval, and number of shots. It also is a status indicator for battery life, timer functions, lock indicator, number of shots, and more.
    Audible Beep
    The ShutterBoss will give you an audible beep for the last three seconds of a countdown delay or interval. It will also beep to confirm your settings. The beep can be turned off if necessary.
    Power Off and Reset Options
    The ShutterBoss II has been updated with two new features, the Power Off option which gives the ability to power the device off to conserve battery life and the Reset option which allows the ShutterBoss to be reset to the default settings, so that each setting does not need to be reset individually.
    Long Battery Life
    Powered by two AAA batteries, it can last for about 60 days of continuous shooting with intervals of five minutes and exposures of 4 minutes, 56 seconds. When left on standby, it can last for up to 2 years.
    UPC: 847628547230
  • Gepe Pro 3-Way Accessory Shoe Mount Bubble Level

    The Gepe Pro 3-Way Accessory Shoe Mount Bubble Level features acrylic construction and fits a standard photo accessory shoe. Three individual spirit/bubble levels are encased in clear acrylic, and the unit incorporates a molded accessory shoe mount. The design ensures that at least two of the three levels will read no matter how you orient your camera, so you don't have to remove the bubble level and flip it as you may with some other bubble levels. Each level is filled with bright yellow neon colored fluid, with black markings to help you level your equipment.

    Fits standard accessory shoe mounts.
    Design allows for use no matter the camera's orientation.
    Neon yellow fluid and black markings provide strong contrast for easy viewing.
  • B+W 82mm XS-Pro Kaesemann High Transmission Circular Polarizer MRC-Nano Filter

    The B+W 82mm XS-Pro Kaesemann High Transmission Circular Polarizer MRC-Nano Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.

    A circular polarizer only differs from a linear polarizer in that it contains a quarter wave plane in addition to the linear polarizing filter. The addition of this quarter wave plane is to circularly polarize the linearly polarized light for the use of auto focus and exposure functions. Due to how the light is broken down and filtered with a linear polarizer, auto focus and exposure accuracy become skewed during use. When the light becomes circularly polarized, it permits the use of these functions.

    Kaesemann High Transmission Circular (HTC) polarizing filters are fitted with polarizing foils which provide 99.5% light transmission that are cemented between plano-parallel optical glass. The resulting sandwich is then precision-polished to achieve accurate plano-parallel surfaces. Finally, they are edge-sealed to protect the foil against humidity.

    To prevent internal ghosting and reflections, each glass surface includes multiple layers of anti-reflection coating. This Multi-Resistant Coating (MRC) also offers further protection to the filter substrate and helps it to stay clean for longer than with uncoated filters. The Nano coating associated with XS-Pro filters provides an additional eighth layer over the MRC, resulting in an improved beading effect when in contact with water for greater cleaning efficiency.

    B+W filters are constructed from Schott glass for increased optical clarity and color fidelity. This filter features a thin brass filter ring to minimize the potential for vignetting while enhancing durability and jamming prevention. To further reduce the possibility of vignetting when this filter is in use, the filter ring's outside diameter is slightly larger than the actual thread size. This may prevent the use of some lens manufacturer bayonet hoods.

    Helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface.
    Polarizing filters arrange, and filter, directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of the light.
    Clears up haze in distant landscapes and provides more saturated, vivid colors.
    Strongest effect when used at a 90° angle from the sun.
    Circular polarizers are ideal for use with digital cameras and autofocus lenses where a linear polarizer will often disrupt auto exposure and focus features.
    Multi-coated to prevent internal ghosting and reflections while providing over 99.5% light transmission.
    2 to 2.8x filter factor reduces exposure by 1 to 1.5 stops.
    Constructed from Schott glass for optical clarity.
    Nano coating provides an improved beading effect with water for more efficient cleaning.
    Plastic filter case for storage and transport.
  • B+W 82mm XS-Pro MRC-Nano 803 Solid Neutral Density 0.9 Filter (3-Stop)

    The B+W 82mm XS-Pro MRC-Nano 803 Solid Neutral Density 0.9 Filter is an ND filter with an 8x filter factor that provides a 3-stop exposure reduction. Its 0.9 density creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed than normally required. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. Neutral density filters do not affect the coloration of the image and are ideal for pairing with other filters.

    To prevent internal ghosting and reflections, each glass surface includes multiple layers of anti-reflection coating. This Multi-Resistant Coating (MRC) also offers greater protection to the filter substrate and helps it to stay clean for longer than with uncoated filters. The Nano coating associated with XS-Pro filters provides an additional eighth layer over the MRC, resulting in an improved beading effect when in contact with water for greater cleaning efficiency.

    B+W filters are constructed from Schott glass for increased optical clarity and color fidelity. This filter features a thin brass filter ring to minimize the potential for vignetting while enhancing durability and jamming prevention. To further reduce the possibility of vignetting when this filter is in use, the filter ring's outside diameter is slightly larger than the actual thread size. This may prevent the use of some lens manufacturer bayonet hoods.

    0.9 neutral density filter darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required
    Providing a 3-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily
    Filter does not affect coloration of the image and is ideal for use with other filters
    Multicoated to prevent internal ghosting and reflections
    Constructed from Schott glass for optical clarity
    Thin brass filter ring helps to prevent vignetting, jamming, and provides additional strength
    Plastic case included for storage and transport
  • Canon EOS 5D Mark IV DSLR Camera (Body Only)
    Imaging
    Lens Mount Canon EF
    Camera Format Full-Frame (1.0x Crop Factor)
    Pixels Actual: 31.7 Megapixel
    Effective: 30.4 Megapixel
    Max Resolution 30.4 MP: 6720 x 4480
    Aspect Ratio 1:1, 3:2, 4:3, 16:9
    Sensor Type / Size CMOS, 36 x 24 mm
    File Formats Still Images: JPEG, RAW
    Movies: MJPEG, MOV, MP4, MPEG-4 AVC/H.264
    Audio: AAC, Linear PCM (Stereo)
    Bit Depth 14-Bit
    Dust Reduction System Yes
    Memory Card Type CompactFlash
    SDXC
    SDHC
    SD
    Focus Control
    Focus Type Autofocus
    Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Phase Detection: 61 (41 Cross-Type)
    Viewfinder/Display
    Viewfinder Type Pentaprism
    Viewfinder Eye Point 21.00 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.71x
    Diopter Adjustment -3 to +1 m
    Display Screen 3.2" Rear Touchscreen LCD (1,620,000)
    Screen Coverage 100%
    Diagonal Angle of View 170.0°
    Exposure Control
    ISO Sensitivity Auto, 100-32000 (Extended Mode: 50-102400)
    Shutter Type: Electronic & Mechanical
    Speed: 30 - 1/8000 Second , Bulb Mode
    Remote Control TC-80N3, RS-80N3 (Optional)
    Mirror Lock-Up Yes
    Metering Method Evaluative Metering, Partial Metering, Spot Metering
    Exposure Modes Modes: Aperture Priority, Auto, Manual, Programmed Auto, Shutter Priority
    Metering Range: EV 0.0 - EV 20.0
    Compensation: -5 EV to +5 EV (in 1/3 EV Steps)
    Buffer/Continuous Shooting Up to 7 fps at 30 MP for up to 21 Frames in Raw Format
    Up to 7 fps at 30 MP for Unlimited Frames 
    White Balance Modes Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
    Flash
    Built-in Flash No
    Max Sync Speed Mechanical Shutter:1 / 200 Second
    Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
    Dedicated Flash System eTTL
    External Flash Connection Hot Shoe, PC Terminal
    AV Recording
    Video Recording Yes, NTSC/PAL
    File Size 4096 x 2160p
    1920 x 1080p
    1280 x 720p
    Video Format 4096 x 2160p at 23.98/24/29.97 fps (500 Mb/s M-JPEG)
    1920 x 1080p at 59.94 fps (180 Mb/s MOV)
    1920 x 1080p at 23.98/24/29.97 fps (90 Mb/s MOV)
    1920 x 1080p at 59.94 fps (60 Mb/s MOV)
    1920 x 1080p at 23.98/24/29.97 fps (30 Mb/s MOV)
    1280 x 720p at 120 fps (160 Mb/s MOV)
    1920 x 1080p at 59.94 fps (60 Mb/s MP4)
    1920 x 1080p at 23.98/24/29.97 fps (30 Mb/s MP4)
    1920 x 1080p at 29.97 fps (12 Mb/s MP4)
    Exposure Control Auto: Shutter Speed, Aperture, ISO
    Manual: Shutter Speed, Aperture, ISO
    ISO Sensitivity Auto, 100 - 32000
    Exposure Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
    Focus Auto
    Manual
    Continuous Auto
    Max Video Clip Length 4096 x 2160: 29 Minutes, 59 Seconds 
    Audio Recording Built-In Mic: With Video (Mono)
    Optional External Mic: With Video (Stereo)
    Performance
    Start-up Time 0.1 seconds
    Shutter Lag 0.058 seconds
    Self Timer 10 Seconds, 2 Seconds
    Interval Recording Yes
    Connectivity 1/8" Headphone, 1/8" Microphone, Canon N3, HDMI C (Mini), USB 3.0
    Wi-Fi Capable Yes
    Power
    Battery 1 x LP-E6N Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 1865 mAh
    AC Power Adapter ACK-E6 (Optional)
    Operating/Storage Temperature Operating
    32 to 104°F (0 to 40°C)
    Humidity: 0 - 85%
    Physical
    Dimensions (W x H x D) 5.9 x 4.6 x 3.0" / 150.7 x 116.4 x 75.9 mm
    Weight 1.76 lb / 800 g body only
    Packaging Info
    Box Dimensions (LxWxH) 9.8 x 7.3 x 6.0"
  • Canon EF 16-35mm f/2.8L III USM Lens
    Performance
    Focal Length 16 - 35mm
    Aperture Maximum: f/2.8
    Minimum: f/22
    Camera Mount Type Canon EF
    Format Compatibility 35mm Film / Full-Frame Digital Sensor
    Angle of View 108° 10' - 63°
    Minimum Focus Distance 11.02" / 28 cm
    Magnification 0.22x
    Maximum Reproduction Ratio 1:4.5
    Optical Design 16 Elements in 11 Groups
    Diaphragm Blades 9, Rounded
    Features
    Autofocus Yes
    Physical
    Filter Thread Front: 82 mm
    Dimensions (DxL) Approx. 3.48 x 5.02" / 88.5 x 127.5 mm
    Weight 27.87 oz / 790 g
    Packaging Info
    Box Dimensions (LxWxH) 9.4 x 5.4 x 5.4"
  • Manfrotto MT055CXPRO4 Carbon Fiber Tripod
    General
    Load Capacity 19.8 lb / 9 kg
    Maximum Working Height 66.9" / 169.9 cm
    Max Height without Center Column 55.1" / 140 cm
    Minimum Working Height 3.5" / 8.9 cm
    Folded Length 21.3" / 54.1 cm
    Head Mount Type 3/8"-16 Screw
    Weight 4.6 lb / 2.1 kg
    Materials Carbon Fiber
    Bubble Level Yes
    Legs
    Leg Lock Type Flip Lock
    Independent Leg Spread Yes
    Leg Sections 4
    Center Column
    Center Column Sections 1
    Center Column Extension Type Rapid
    Lateral / 90-Degree Center Column Yes
    Packaging Info
    Box Dimensions (LxWxH) 21.6 x 5.5 x 5.5"
  • Manfrotto Manfrotto XPRO Magnesium Ball Head with 200PL-14 Quick Release Plate
    General
    Head Type Ball Head
    Base Mount 3/8"-16 Thread
    Camera Mounting Screw 1/4"-20 Male
    Quick Release Plate Type RC2
    Load Capacity 22.1 lb / 10.02 kg
    Number of Bubble Level(s) 2
    Friction Control Yes
    Independent Pan Lock Yes
    Material Magnesium
    Pan & Tilt Range
    Lateral Tilt -90 to +40
    Vertical Tilt -40 to +40
    Panning Range 360
    Physical
    Ball Sphere Diameter 1.77" / 45.0 mm
    Dimensions H: 4.5 x W: 2.4" / H: 115.1 x W: 60.0 mm
    Weight 17.6 oz / 0.5 kg
    Packaging Info
    Box Dimensions (LxWxH) 5.3 x 4.9 x 3.5"
  • Ruggard Outrigger 45 Backpack (Black)
    Features Tablet Pocket
    Carrying/Transport Options Backpack Straps, Waist Belt
    Camera Support Strap Tripod
    Exterior
    Exterior Dimensions 11.5 x 15.5 x 7.5" / 29.2 x 39.4 x 19.1 cm
    Exterior Material Polyester
    Type of Closure Zipper
    Water Resistance Rain Cover
    Load Capacity Not Specified by Manufacturer
    Interior
    Interior Dimensions 10 x 14.5 x 5" / 25.4 x 36.8 x 12.7 cm
    Interior Material Not Specified by Manufacturer
    Weight 2.4 lb / 1.1 kg
    Packaging Info
    Box Dimensions (LxWxH) 17.0 x 13.0 x 9.0"
  • Vello ShutterBoss II Timer Remote Switch for Canon with 3-Pin Connection
    Release Type Wired
    Camera Connection Canon 3-pin (N3)
    Interval Timer/Programmable Yes
    Live View No
    Max Timer Delay 99 h, 59 min, 59 sec
    Maximum Exposure 99 h, 59 min, 59 sec
    Maximum Interval 99 h, 59 min, 59 sec
    Mobile Device/App-enabled No
    Cable Length 2.7' / 85 cm
    Operating Temperature -4 to 122°F / -20 to 50°C
    Transmitter Power Source Battery
    Transmitter Battery Requirements 2 x AAA
    Transmitter Dimensions 6.1 x 1.6 x 0.7" / 155.0 x 40.0 x 18.0 mm
    Packaging Infodvazrratyezsxasdtwbxww
    Box Dimensions (LxWxH) 7.4 x 3.7 x 1.5"
  • Gepe Pro 3-Way Accessory Shoe Mount Bubble Level
    Material of Construction Acrylic
    Mount Type Accessory shoe mount

    Note: works with standard accessory shoe mounts only.
    Dimension L x W x H 1.1 x 0.9 x 0.9" (27.9 x 22.9 x 22.9 mm)
    Weight 0.6 oz (17 g)
    Packaging Info
    Box Dimensions (LxWxH) 6.6 x 6.0 x 1.2"
  • B+W 82mm XS-Pro Kaesemann High Transmission Circular Polarizer MRC-Nano Filter
    Filter Type Circular Polarizer
    Filter Factor 2 - 2.8 (1 - 1.5 Stop)
    Shape Circle
    Circular Size 82 mm
    Front Accessory Thread / Bayonet 82 mm
    Filter Material Glass
    Coatings Multi-Coating
    Packaging Info
    Box Dimensions (LxWxH) 3.7 x 3.7 x 0.8"
  • B+W 82mm XS-Pro MRC-Nano 803 Solid Neutral Density 0.9 Filter (3-Stop)
    Filter Type Solid ND
    Density 0.9 (3 Stops)
    Shape Circle
    Circular Size 82 mm
    Front Accessory Thread / Bayonet 82 mm
    Filter Material Glass
    Coatings Multi-Coating
    Packaging Info
    Box Dimensions (LxWxH) 3.7 x 3.7 x 0.8"

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