RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor (2018 Unified DSMC2 Lineup)

BH #REDSMC2H8K • MFR #710-0304
RED DIGITAL CINEMA
RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor (2018 Unified DSMC2 Lineup)
Key Features
  • 8K Super 35mm CMOS Sensor
  • 8192 x 4320 Recording up to 60 fps
  • REDCODE RAW, ProRes, and DNx Recording
  • High-Speed Recording up to 300 fps in 2K
Bundling high performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, to tell your story in almost any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to accessorize your camera. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording while using classic cinema lenses designed for the Super 35 film format. While 8K exhibition is not mainstream, the extra recorded resolution is helpful for VFX artists and for future-proofing your productions for a time when 8K is standardized. Nearly limitless lens options are available for the DSMC2 system. While this camera requires a separately available lens mount, DSMC lens mounts themselves are offered in different varieties for compatibility with a wide array of lens systems.
More on the Way
Expected availability: 2-4 weeks
$24,500.00

Important Notice

  • This item is nonreturnable.

RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor (2018 Unified DSMC2 Lineup)


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RED DIGITAL CINEMA DSMC2 BRAIN Overview

  • 1Description
  • 28K HELIUM S35 Sensor
  • 3REDCODE RAW
  • 4Apple ProRes and Avid DNx Formats
  • 5DSMC2 Form Factor
  • 6Color Management

Bundling high performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, to tell your story in almost any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to accessorize your camera. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording while using classic cinema lenses designed for the Super 35 film format. While 8K exhibition is not mainstream, the extra recorded resolution is helpful for VFX artists and for future-proofing your productions for a time when 8K is standardized. Nearly limitless lens options are available for the DSMC2 system. While this camera requires a separately available lens mount, DSMC lens mounts themselves are offered in different varieties for compatibility with a wide array of lens systems.

REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.

8K HELIUM S35 Sensor

At 35.4 megapixels, the HELIUM 8K Monochrome sensor can resolve the finest details in a captured image and render smooth lines and shapes without the aliasing or "stair-stepping" artifacts found in lower-resolution footage. If you need higher frame rates, lower resolutions and wider aspect ratios can yield up to 300 fps. RED measured the HELIUM sensor as having 16.5 stops of dynamic range, able to represent both deep shadows and hot highlights within the same frame.

REDCODE RAW

The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.

Note: Not all compression ratios are available at all resolutions and frame rates

Apple ProRes and Avid DNx Formats

For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.

DSMC2 Form Factor

Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, you have a high-resolution gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Exchange the included standard OLPF (Optical Low-Pass Filter) for alternative image renderings at the sensor level. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable. Since the DSMC2 form factor is standardized, any accessories that you have for this DSMC2 body will work with any other DSMC2 body, should you upgrade or acquire an additional body in the future.

Color Management

Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
UPC: 085667200734

RED DIGITAL CINEMA DSMC2 BRAIN Specs

Image Sensor
Image Sensor Size29.9 x 15.77 mm (Super35)
Sensor TypeCMOS
Sensor ResolutionActual: 8192 x 4320 (35.4 MP)
Color FilterBayer
Shutter TypeRolling Shutter
Advertised Dynamic Range16.5 Stops
Camera
Lens MountNone
Lens CommunicationYes
Built-In ND FilterNone
Built-In Microphone TypeStereo
Recording Media1 x RED MINI-MAG Card Slot
Internal Recording
Raw RecordingREDCODE RAW:
8192 x 4320 at 60 fps 
7168 x 3780 at 60 fps 
6144 x 3240 at 75 fps 
5120 x 2700 at 96 fps 
4096 x 2160 at 120 fps 
3072 x 1620 at 150 fps 
2048 x 1080 at 240 fps 
Recording ModesProRes 4444XQ:
2048 x 1080 up to 120 fps 
ProRes 4444:
2048 x 1080 up to 120 fps 
ProRes 422HQ:
4096 x 2160 up to 29.97 fps 
2048 x 1080 up to 120 fps 
ProRes 422:
4096 x 2160 up to 29.97 fps 
2048 x 1080 up to 120 fps 
ProRes 422LT:
4098 x 2160 up to 29.97 fps 
2048 x 1080 up to 120 fps 
Interfaces
Video ConnectorsNone
Audio ConnectorsNone
Power
Power ConnectorsNone
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
Storage Temperature-4 to 122°F / -20 to 50°C
Operating Humidity0 to 85%
General
Accessory Mount17 x 1/4"-20 Female
Tripod Mounting Thread1/4"-20 Female, 3/8"-16 Female
Material of ConstructionAluminum
Dimensions5.66 x 4.94 x 3.74" / 143.85 x 125.5 x 95 mm
Weight3.4 lb / 1.54 kg
Packaging Info
Package Weight7.5 lb
Box Dimensions (LxWxH)22.75 x 14.25 x 9.25"
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