Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)

Canon C300 Mark II ProRes RAW Atomos Kit with Accessories (EF Mount)

Canon C300 Mark II ProRes RAW Atomos Kit with Accessories (EF Mount)

B&H # CAC3002EFAK (B&H Kit)
Canon C300 Mark II ProRes RAW Atomos Kit with Accessories (EF Mount)

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Product Highlights

  • C300 Mark II Camera Body with EF Mount
  • Atomos Shogun Inferno
  • Accessory Kit for Atomos Shogun Inferno
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Canon C300 Mark II overview

  • 1Description

The Canon C300 Mark II ProRes RAW Atomos Kit with Accessories from B&H is assembled to provide you with a 4K digital cine camera, a 10-bit external monitor that supports 10-bit, 4:2:2 ProRes, and DNxHR recording, and an accessory kit for that monitor. The camera features a Super35mm-sized sensor that helps create the familiar cinema depth of field, and incorporates an EF mount which allows you to use virtually any lens with a Canon EF mount, including the Canon cine zooms and CN-E primes. The camera captures DCI 4K images internally or to an external recorder.

The Atomos Shogun Inferno is a 1500 cd/m² bright monitor and recorder. It is suitable for use in bright interior and exterior locations without a hood. The Shogun Inferno features 12G-SDI connectors that allow it to input UHD 4K signals at up to 60 fps. It supports 10-bit, 4:2:2 ProRes, ProRes RAW, and DNxHR recording on 2.5" SSDs. Included is an accessory kit that includes a protective case with custom-cut foam, two L-series batteries, a fast charger, a USB 3.0 docking station, and four Master Caddy II drive caddies.

  • Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)

    The EF-mount Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF features a Super 35mm CMOS. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon's Log 3 Gamma supports 14 stops of dynamic range.

    The EF lens mount on the EOS C300 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with the Canon DIGIC DV 5 image processor, which uses an innovative method of breaking out red, green, and blue data to enable color performance on a level that would otherwise require three separate chips. The camera records up to 4K DCI resolution video to CFast 2.0 cards. For more flexibility to adjust your image during postproduction, the camera also offers Canon's Log gamma mode, which results in excellent tonal reproduction in the highlight and lowlight regions of an image, and an expanded dynamic range.

    In terms of connections, the camcorder features two 3G-SDI outputs, timecode I/O, and genlock input BNCs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4" rotating LCD unit with full controls, grip, and thumb rest.

    Firmware v.1.0.4.1.00
    Firmware v.1.0.4.1.00 adds the following features:
    • Canon Log 3 achieves a dynamic range of 1600% with 14 stops of dynamic range, and can be ideal for middle end users that have a limited budget for post-production, and need quick turnaround.
    • A reduction in the dark noise level when shooting in Canon Log 2 mode. Streaking and black sun spots have been reduced in all modes by changing the CMOS sensor control.
    • ACES 1.0 Output via SDI/HDMI
    • Magnify Function During REC
    • Additional lens functionality is now available with the Cine -Servo 50 to 1000mm, Cine-Servo 17 to 120mm, Compact-Servo 18 to 80mm, and Dual Pixel Focus Guide has been added to the EF mount Canon Cinema prime lenses. Please note that you may need to also upgrade the firmware in your lens to access this functionality.
    Dual Pixel CMOS AF Technology
    It provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

    Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.

    Main Features

    Canon Super 35mm CMOS Sensor
    Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080)
    Canon Log Gamma
    Canon Log Gamma 2/ACES/REC.2020 support
    Dual Canon DIGIC DV 5 Image Processor
    The camera features Dual DIGIC DV 5 processors to handle the internal data processing.
    XF AVC Codec
    To create digital files robust enough for major postproduction, the EOS C300 delivers the highest image quality with its XF AVC Codec - an H.264 format wrapped in the widely-supported MXF wrapper
    Designed with Filmmakers in Mind
    A logical layout of buttons and dials make operation simple. A lock switch turns off all controls except the recording button and function buttons. Small ridges between the buttons help prevent activating functions by mistake. A backlit display panel is great for low-light viewing. A tally lamp is clearly visible from the side or behind the camera.
    Compact & Modular Design
    The EOS C300 body is compact and easily handheld at just over 3 lb. There is a bright 1.55 Megapixel electronic viewfinder, and the camera comes bundled with a removable combination 4", 1.23 Megapixel monitor and control panel. The camera also has a removable handgrip with a control dial and function buttons for handheld shooting in DSLR style, or remove it and use the supplied thumb rest for completely stripped-down shooting. The EOS C300 has a manually operated built-in neutral density (ND) glass filter offering 1/4, 1/16, and 1/64th steps of filtering. Handheld or using a tripod, on location or in the studio, even on 3-D rigs, the EOS C300 fits shooting situations that are challenging for larger cameras.
    Rugged, Durable & Quiet
    The EOS C300's dust-proof and splash-proof design includes sealing gaskets around the edges of all access covers, dials fitted with o-rings on the axis of rotation, and button key-tops sealed with rubber. The EOS C300 also features a built-in silent cooling system with a heat-dissipating duct in the center of the body, a graphite sheet that conducts sensor heat towards the heat sink, three ventilation holes, and a cooling fan that pulls hot air out through an exhaust opening. All air is directed through a discrete pathway that keeps dust particles away from sensitive components. Your camera runs cool, quiet, and clean.
    Ultra-High-Resolution EVF
    The EOS C300 features a 0.46", 1.17 Megapixel color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort. EVF adjustments include brightness, contrast, color, and backlight (Normal or Bright).
    Rich Audio Controls
    When mounted to the EOS C300 Mark II camera, the included control unit provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring.
    CFast Memory Card Recording
    The camera records to CFast 1 cards through two slots.
    High-Speed, Slow-Motion, Time-Lapse & Stop-Motion
    Beyond the advantages of file-based recording, the camera offers a number of creative possibilities in post-production including Slow & Fast motion.
    Connectivity
    To connect to external monitors, switchers, VTRs, and NLE systems with SDI inputs, the EOS C300 features industry-standard HD-SDI output, genlock, and timecode terminals, plus audio terminals with linear PCM recording. Timecode and genlock enable synchronized multiple camera capture, perfect for multiple-camera shots, 3D acquisition, and more. The HD-SDI sync terminal can be switched to output to HD Sync, HD Y, Black Burst, and Composite.
    Full Manual Control & Focusing Aids
    The camera has a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green, and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. The Vectorscope (VS) display shows real-time hue and saturation levels. For sharp focus, the EOS C300 camera has two peaking modes and a magnified focus assist function. An Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents focus in three specific areas displayed on the camera's 4" LCD monitor. To maintain proper highlight exposure, it offers a zebra bar feature as well.
    UPC: 013803262681
  • Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

    The Atomos Shogun Inferno is a 7", 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5" SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.

    The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in presets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.

    In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an optional snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.

    Built to withstand the rigors of production, the Shogun Inferno features built-in protective armor that features silicone-covered corners and chamfered edges. Compared to the original Shogun, the Inferno now features dual Sony L-series battery plates that support battery hot swapping, enabling longer runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via an included audio breakout cable. Additional features included genlock/LTC input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, and focus assist tools.

    Monitor
    • 1920 x 1200 resolution
    • 10-bit FRC monitoring processing
    • 1500 cd/m² brightness
    • AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage
    • Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras
    • High Bright mode for Rec. 709 viewing
    • Supports custom 3D LUTs (.cube format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • UHD 4K downscale for HD monitoring
    Input/Output
    • 4K HDMI and 12G-SDI inputs/outputs
    • Four 3G-SDI inputs (or single 12G-SDI)
    • SDI/HDMI cross conversion
    • Genlock/LTC input
    • Audio breakout cable for XLR audio input
    Recording
    • UHD 4K recording at 24/25/30/50/60 fps in ProRes or DNxHR
    • 1080p recording up to 240 fps
    • 10-bit 4:2:2 ProRes and DNxHR recording to SSD/HDD media
    • 4K raw to ProRes/DNxHR recording over SDI from Sony FS700, Sony FS7, Canon C300 Mark II, and Canon C500
    • ProRes Raw and ProRes Raw HQ
    • Record up to 5.7p30, 4Kp60, HDp240
    • Pre-roll record (HD 8 seconds, 4K 2 seconds)
    • Custom time-lapse mode
    • Ten metadata fields
    Additional Features
    • Dual Sony L-series battery slots support hot swapping for continuous power
    • Built-in armor with silicone-covered corners
    • Audio level meters and mic level adjustment
    UPC: 814164020718
  • Atomos Accessory Kit for Shogun/Ninja Inferno & Flame

    The Atomos Accessory Kit includes everything you'll need for a complete workflow with your Shogun/Ninja Inferno and Flame monitors/recorders.

    Kit Contents
    • HPRC hard flight case
    • 2.5mm female to dual 2.5mm male control cable
    • Two NP-F750 5200mAh batteries
    • Fast charger
    • USB 3.0 docking station
    • Coiled DC barrel to D-Tap cable
    • Four Master Caddy II drive caddies
    • AC power adapter
    • HDR sunhood
    UPC: 814164020749
In the Box
  • Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount) atfcfsqcwuwyeyxteyxrudzc
  • Monitor Unit
  • Handle Unit
  • Handle Bracket
  • Expansion Unit Attachment
  • BP-A30 Battery Pack For EOS C300 Mark II, C200, and C200B
  • Battery Charger for EOS C300 Mark II, C200, and C200B Batteries
  • CA-A10 Compact Power Adapter for EOS C300 Mark II, C200, and C200B Camcorders
  • Shoulder Strap
  • Eye Cup
  • Viewfinder Cap
  • Thumb Rest
  • TB-1 Tripod Adapter Base
  • Measure Hook
  • 2 x Cables for Monitor Unit
  • 10 x Cap Head Socket Screws
  • Allen Key
  • Limited 1-Year Warranty

Includes Free

Table of Contents
  • 1Description
  • Canon Cinema EOS C300 Mark II Camcorder Body with Dual Pixel CMOS AF (EF Lens Mount)
    Image Sensoratfcfsqcwuwyeyxteyxrudzc
    Image Sensor Size 24.6 x 13.8 mm (Super35)
    Sensor Type CMOS
    Sensor Resolution 4206 x 2340 (9.84 MP)
    Effective Sensor Resolution 4096 x 2160 (8.85 MP)
    Pixel Pitch 6.4 µm
    Color Filter Bayer
    ISO 160 to 25,600 (Native)
    100 to 102,400 (Expanded)
    Gain -2 to 44 dB (Native)
    -6 to 54 dB (Expanded)
    Camera
    Lens Mount Canon EF
    Lens Communication Yes, with Autofocus Support
    Shutter Speed 1/24 to 1/2000 sec
    Shutter Angle 11.25 to 360
    Built-In ND Filter Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters
    Built-In Microphone Type None
    Recording Media 2 x CFast 2.0 Card Slots
    1 x SDXC Card Slot
    Internal Recording
    Recording Modes MXF:
    4096 x 2160p (225 to 410 MB/s) 
    3840 x 2160p (225 to 410 MB/s) 
    Audio Recording 2-Channel 24-Bit 48 kHz
    Interfaces
    Video Connectors 2 x BNC (3G-SDI) Output
    1 x HDMI Output
    Audio Connectors 2 x 3-Pin XLR Mic Level (+48 V Phantom Power) Input
    1 x 1/8" (3.5 mm) Stereo Mic Level Input
    1 x 1/8" (3.5 mm) Stereo Headphone Output
    Other I/O 1 x BNC Timecode Input
    1 x BNC Timecode Input/Output
    1 x 2.5 mm LANC Control Input
    Display
    Display Type LCD
    Screen Size 4"
    Screen Resolution 1,230,000 Dots
    EVF
    Screen Size .46"
    EVF Resolution 1,170,000 Dots
    Power
    Battery Type Canon BP-A Series
    Power Connectors 1 x 4-Pin LEMO Input
    General
    Accessory Mount 1 x 1/4"-20 Female Thread
    1 x Cold Shoe Mount
    Dimensions 5.9 x 7.2 x 7.2" / 149 x 183 x 183 mm (Without Grip)
    7.5 x 7.2 x 7.4" / 19.1 x 18.3 x 18.8 cm (With Grip)
    Packaging Info
    Box Dimensions (LxWxH) 18.3 x 14.0 x 13.9"
  • Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor
    Display
    Type 7.1" / 18 cm IPS capacitive touchscreen
    Resolution 1920 x 1200
    325 ppi
    Bit Depth 10-bit (8-bit plus FRC)
    Video Aspect Ratio Native: 16:9
    Brightness 1500 cd/m²
    LUT Support 3D LUT (.cube file format)
    Interface
    Inputs 1 x HDMI (2.0)
    4 x 3G-SDI Quad/Single 12G-SDI (BNC)
    1 x Genlock / LTC (BNC)
    1 x 2.5 mm LANC
    2 x XLR (included LEMO breakout cable required)
    Outputs 1 x HDMI (2.0)
    1 x 12G-SDI (BNC)
    2 x XLR (included LEMO breakout cable required)
    1 x 3.5 mm headphone jack
    Supported Video Format
    Supported Signal Input: 10- / 8-bit 4:2:2 (dependent on video source)
    Output: 10- / 8-bit 4:2:2 (dependent on video source)
    Input/Output Resolutions HDMI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/120/240
    1080i: 50/60
    720p: 50/60

    SDI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/120
    1080PsF: 24/25/30
    1080i: 50/60
    720p: 50/60
    Video Signal Conversion HDMI to SDI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/100/120/
    1080i: 50/60
    720p: 50/60

    SDI to HDMI:
    2160p: 24/25/30/50/60
    1080p: 24/25/30/50/60/100/120
    1080i: 50/60
    720p: 50/60
    Encoding Formats DCI Raw 4096 x 2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MK II, Canon C500):
    Apple ProRes Raw and ProRes Raw HQ, ProRes HQ, 422, LT
    DNxHR HQX, HQ, SQ, LB

    UHD 4K (3840 x 2160):
    Apple ProRes HQ, 422, LT
    DNxHR HQX, HQ, SQ, LB

    1920 x 1080
    Apple ProRes HQ, 422, LT
    DNxHD 220x, 220, 145, 36
    Pulldown Conversion 24/25/30PsF to 24/25/30p (2:2 pulldown)
    60i to 24p (3:2 pulldown)
    Supported Codecs Raw to ProRes/DNxHR
    Apple ProRes: Raw, Raw HQ, HQ, 422, LT
    AVID DNxHR: HQX. HQ, SQ, LB

    Frame Rates
    DCI / UHD 4K: 24/25/30/50/60p
    PsF: 30/50/60/100/120/200/240

    Video to ProRes/DNxHR
    Apple ProRes HQ, 422, LT
    AVID DNxHR HQX. HQ, SQ, LB

    Frame Rates
    DCI / UHD 4K: 24/25/30/50/60p
    PsF: 30/50/60/100/120/200/240
    Supported Audio Formats
    HDMI 2- or 8-channel, up to 24-bit (camera dependent)
    SDI Up to 12-channel, 48 kHz, up to 24-bit (camera dependent)
    Dynamic Range >90 dB
    Signal Level Maximum: +24 dBu
    Gain Maximum Analog Gain: +52 dB
    Phantom Power +48 V phantom power for XLR inputs
    Remote Operation
    HDMI Auto HDMI trigger
    Supported Protocols: Canon, Sony, Atomos Open Standard
    SDI SDI trigger camera selectable
    LANC Supports slave configuration
    Recording Media
    Supported Media 4K
    2.5" SSD

    HD High Frame Rate (50/60/120p):
    2.5" SSD
    2.5" HDD (7,200 rpm and up) for 1080p 50/60

    HD (30p and less):
    2.5" SSD
    2.5" HDD (5,400 rpm and up)

    Note: Only use media that has been approved by Atomos
    Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
    Supported Applications Final Cut Pro X/7+
    Avid Media Composer 5.0+
    Adobe Premiere 5.5+
    Grass Valley EDIUS 6.0+
    Sony Vegas Pro 10+
    Lightworks
    Autodesk Smoke 2015
    XML Support FCP X XML native, FCP 7 supported with conversion (Adobe compatible)
    General
    Power Requirements 6.2 to 16.8 VDC (battery or DC power input)
    Power Consumption 10 to 24 W
    Supported Battery Types 2 x Sony L-series
    Battery Life 5200 mAh: Up to 1.5 hours (monitor and record 4K)
    7800 mAh: Up to 2.2 hours (monitor and record 4K)
    Construction ABS polycarbonate
    Dimensions 8.4 x 5 x 1.8" / 21.4 x 12.7 x 4.5 cm
    Weight Without Batteries & Media: 1.4 lb / 0.65 kg
    With Batteries & Media: 2.4 lb / 1.09 kg
    Packaging Info
    Box Dimensions (LxWxH) 10.0 x 6.6 x 4.0"
  • Atomos Accessory Kit for Shogun/Ninja Inferno & Flame
    Packaging Infoatfcfsqcwuwyeyxteyxrudzc
    Box Dimensions (LxWxH) 15.9 x 14.1 x 7.1"

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