Prism Sound Dream DA-2 Stereo 24-Bit / 96 kHz D/A Converter

Prism Sound Dream DA-2 Stereo 24-Bit / 96 kHz D/A Converter

Prism Sound Dream DA-2 Stereo 24-Bit / 96 kHz D/A Converter

B&H # PRDA2 MFR # DA-2

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Product Highlights

  • Supports AES/EBU, S/PDIF & SDIF-2
  • Supports High-Speed & Two-Wire Setup
  • Up to 24-Bit / 96 kHz Resolution
  • 3 x XLR AES3 In, 2 x XLR AES3 Out
  • Dual BNC SDIF-2 I/O
  • TOSLINK Optical & Coaxial S/PDIF I/O
  • Balanced XLR Stereo Analog Output
  • BNC Word Clock I/O
  • Selectable Mute & Polarity Inversion
  • Dynamic Range Enhancement Decoding
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This item is noncancelable and nonreturnable.

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$10,845.00
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Prism Sound DA-2 overview

  • 1Description

The Prism Sound Dream DA-2 is a stereo 24-bit / 96 kHz D/A converter designed to deliver high-resolution digital format conversion and digital-to-analog conversion for recording, mixing, and mastering engineers in project and commercial studios. It supports AES/EBU, S/PDIF, and SDIF-2 digital audio formats, as well as high-speed and two-wire configurations. It offers Dynamic Range Enhancement decoding and transferring for maximizing the dynamic range of 16-bit sources.

The versatile digital inputs include three XLR AES3 jacks, two BNC SDIF-2 ports, a TOSLINK optical connector, and a coaxial S/PDIF input. The digital outputs—two XLR AES3, two BNC SDIF-2, one TOSLINK optical, and one coaxial S/PDIF—are complemented by balanced XLR stereo analog outputs. The Dream DA-2 can follow an external clock source or be your system's clock master thanks to the word clock I/O via BNC connectors. A 7-way input selector, dedicated mute button, and analog polarity switching provide simple, efficient operations for a variety of studio setups.

 

Low Jitter
The stable PLL boasts high jitter attenuation, and the DA-2's digital outputs can provide a de-jittered digital feed-through for reliable digital transfers. The DA-2 also has a master clock mode in which the effects of incoming clock jitter are eliminated completely.
Flexible Interfacing
The DA-2 interfaces with other digital audio equipment at resolutions up to 24-bit / 96 kHz. It features both high-speed and two-wire interfacing options at input and output stages for 88.2 kHz and 96 kHz sample rates. The DA-2's stereo analog output offers simplicity and high performance with fully-floating, electronically-balanced format and precision attenuators, which offer an operating range that covers both professional and consumer voltage levels.
From 16 to 24 Bits
The DA-2 is fully compatible with recordings made at up to 24-bit, with or without noise shaping. No adjustment is needed for sources driving only 16 bits on the interface.
Ideal for Monitoring Setups
The 7-way input selector and feed-through output of the DA-2 can be used as the heart of your digital audio monitoring system. Easily connect digital sources such as audio interfaces, A/D converters, CD players, and DAT machines, while the outputs can simultaneously feed a monitor controller and mixdown recorder.
Digital Transfers
The DA-2 can act as a format converter and jitter attenuator using its array of input formats and digital outputs. For example, it can convert between AES3 and SDIF-2 or from TOSLINK optical to AES3. It can also convert from double-speed AES (typically 96 kHz) to the two-wire interface format.
Master Clock Mode
The DA-2 can operate in Master Clock mode where the D/A converter timing is generated internally from a precision reference, bypassing the synchronizing PLL system altogether. If your external equipment supports it, you can use the DA-2 in this mode for further enhanced D/A conversion quality.
Dynamic Range Enhancement
Dynamic Range Enhancement (DRE) is a process designed for increasing the dynamic range of 16-bit recording channels, such as DAT or CD-R, when further post-processing is required. It requires an encode process on recording and a decode process on playback. It is suitable for applications where 20-bit dynamic performance is desired by the recorder, but only a 16-bit recorder is available. The Prism Sound Dream AD-2 and AD-124 A/D converters can encode DRE signals from digital or analog sources and can also decode them (in digital-to-digital mode) to transfer the high-resolution signal, encoded on a 16-bit tape, onto a 20-bit digital audio workstation. The Dream can be used with the AD-2 or AD-124 to provide analog monitoring of the encoded signal, as well as digital-to-digital decoding for transfers to the linear or non-DRE domain.
In the Box
Prism Sound Dream DA-2 Stereo 24-Bit / 96 kHz D/A Converter
  • IEC Power Cable
  • Limited 3-Year Warranty
  • Table of Contents
    • 1Description

    Prism Sound DA-2 specs

    Inputs 3 x XLR 3-pin (AES/EBU)
    1 x TOSLINK optical (S/PDIF)
    1 x coaxial (S/PDIF)
    2 x BNC (SDIF-2 or AES3-id)
    Outputs 2 x XLR 3-pin (balanced analog)
    2 x XLR 3-pin (AES/EBU)
    1 x TOSLINK optical (S/PDIF)
    1 x coaxial (S/PDIF)
    2 x BNC (SDIF-2)
    Word Clock I/O 1 x BNC word clock input
    1 x BNC word clock output
    Bit Depth Up to 24-bit
    Sample Rates Standard: 32, 44.1, 48, 88.2, and 96 kHz (± 0.15%)
    Non-Standard: 30 to 50, and 60 to 100 kHz
    Input Impedance AES/EBU: 110 Ohms
    BNC: 75 Ohms
    Output Impedance Differential: 47 Ohms
    Single-Ended: 24 Ohms
    Output Level 5 to 28 dBu in 0.5 or 1 dB steps
    Voltage Range Common Mode: 70 V
    Dynamic Range >111 dB RMS (unweighted)
    THD+N < -104 dB RMS (unweighted)
    Intermodulation Distortion < -90 dB
    Spurious Output < -125 dBFS
    Crosstalk < -100 dB (20 Hz to 20 kHz)
    Linearity Level-Dependent Linearity: <3 dB at -144 dBFS
    Jitter Attenuation Slope: 80 dB/decade
    Corner Frequency: 80 Hz (approximately)
    Attenuation Above 500 Hz: >60 dB
    Intrinsic: <18 picoseconds RMS
    Power Consumption 30 W
    Power Requirement External Selector: 90 to 110 VAC, 110 to 130 VAC, 190 to 220 VAC, 220 to 260 VAC
    Dimensions (W x H x D) 19.0 x 10.2 x 1.7" / 483 x 260 x 44 mm
    Weight 8.8 lb / 4 kg

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