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FUJIFILM GFX 50R Medium Format Mirrorless Camera with 63mm Lens Kit

BH #FUGFX50R63LK (B&H Kit)
FUJIFILM GFX 50R Medium Format Mirrorless Camera with 63mm Lens Kit
Key Features
  • Rangefinder-Inspired Body Design
  • 51.4MP 43.8 x 32.9mm CMOS Sensor
  • X-Processor Pro Image Processor
  • Built-In 3.69m-Dot 0.77x OLED EVF
Pairing the sleek rangefinder-inspired camera with a normal-length prime, the FUJIFILM GFX 50R Medium Format Mirrorless Camera with 63mm Lens Kit from B&H bundles the medium format body with the 50mm-equivalent GF 63mm f/2.8 R WR lens.
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Pairing the sleek rangefinder-inspired camera with a normal-length prime, the FUJIFILM GFX 50R Medium Format Mirrorless Camera with 63mm Lens Kit from B&H bundles the medium format body with the 50mm-equivalent GF 63mm f/2.8 R WR lens.

FUJIFILM GFX 50R Medium Format Mirrorless Camera

Distinguished by its svelte, rangefinder-inspired design, the FUJIFILM GFX 50R is a sleek medium format mirrorless camera that is notably portable and highly capable. Revolving around a 43.8 x 32.9mm 51.4MP CMOS sensor, which is paired with the X-Processor Pro image processor, the GFX 50R is capable of producing high-resolution still imagery with an extremely wide dynamic range, a broad sensitivity range up to an extended ISO 102400, and the sensor's large size contributes to a unique three-dimensional look with especially smooth tonal and color transitions. The sensor and processor also enable recording Full HD 1080p30 video.

Benefitting the imaging capabilities is a comfortable physical design, which incorporates a 3.69m-dot OLED electronic viewfinder for bright, clear eye-level viewing. Alternatively, the rear 3.2" 2.36m-dot touchscreen LCD features a three-way tilting design that supports working from high and low angles, even when shooting in the vertical orientation. Additionally, the GFX 50R has a durable magnesium-alloy build that is also dust- and weather-sealed, as well as freezeproof down to 14°F, for working in trying environmental conditions.

51.4MP CMOS Sensor and X-Processor Pro

Utilizing a large, 43.8 x 32.9mm 51.4MP CMOS sensor and X-Processor Pro, the GFX 50R is capable of delivering high-resolution, 14-bit stills with a 14-stop wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 3 fps or for recording Full HD 1080p video at 29.97, 25, 24, and 23.98 fps frame rates. Film Simulation modes, including a Color Chrome Effect to produce subtle tonality among highly saturated colors, can be used in conjunction with video recording, too, to lessen the need for color correction during post production.

Body Design

  • Rangefinder-inspired design is compact and lightweight, and by placing the viewfinder in the upper corner of the body design, it is possible to keep one eye on the viewfinder while surveying the scene with the other.
  • Magnesium-alloy body construction is both lightweight and durable, and the camera system is sealed in 64 places to render it weather- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Built-in 3.69m-dot OLED electronic viewfinder offers high-resolution, 0.77x-magnification eye-level viewing.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique tilting design that moves both 45° downward and 90° upward for shooting from high and low angles, and also tilts 60° to the side to benefit shooting in the vertical orientation when in live view.
  • A series of dedicated dials are placed about the body for independently adjusting aperture, shutter speed, and ISO.
  • Included NP-T125 rechargeable lithium-ion battery provides approximately 400 shots per charge when Auto Power Save is on.
  • Built-in Bluetooth low energy allows for direct wireless sharing of files as well as remote camera control from a linked mobile device.

117-Point Autofocus System

A contrast-detection autofocus system is employed that uses 117 total points, which can be further divided into 425 points, for notable focusing speed and accuracy that is especially beneficial when working with the inherent shallow depth of field of medium format. Focus point selection is possible using the integrated Focus Lever for intuitive switching between points and, alternatively, the rear touchscreen can also be used for selecting precise focus areas. Face and Eye Detection AF are also available to benefit portraiture, and an electronic depth of field scale can be used for more critical selective focus. Additionally, focus peaking is available in manual focus mode as well as frame magnification for more critical focusing.

Other Camera Features

  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Eterna, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Smooth Skin Effect helps to disguise blemishes and produce an overall smooth appearance to suit portraiture applications.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • Mechanical focal plane permits working with shutter speeds from 60 minutes up to 1/4000 sec, and an electronic shutter allows the use of shutter speeds up to 1/16000 sec for working in bright light conditions.
  • Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24 hour delay between exposures, as well as up to a 24 hours shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs, and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
  • A voice memo function lets you solely record your voice for up to 30 seconds at a time for making notes or keeping track of shooting information.
  • 3D Electronic Level can be used to ensure the accuracy of horizontal and vertical lines within your composition.
  • Tethered shooting is possible using Capture One Pro for FUJIFILM software to send images from the camera to your computer for further editing. Alternatively, the Tether Shooting Plug-in PRO for Adobe Photoshop Lightroom and HS-V5 for Windows operating systems are also available.
UPC: 074101040128

FUJIFILM GF 63mm f/2.8 R WR Lens

A sleek and versatile normal-length prime, the GF 63mm f/2.8 R WR from FUJIFILM is a 50mm equivalent lens for the G-mount GFX camera system. Its 10 elements, eight groups optical design incorporates one extra-low dispersion element to reduce chromatic aberrations and color fringing for improved clarity and color accuracy throughout the aperture range. A fluorine coating has also been added to the front element to repel moisture and the lens also features a dust-, freeze-, and weather-resistant construction for use in inclement conditions. Additionally, a manual aperture ring is featured for intuitive, tactile adjustment over exposure settings, and a Command position can also be set for camera-based control over the aperture.

Standard-length prime lens offers a 50mm equivalent focal length to realize a normal field of view for working with a variety of subjects.
Bright f/2.8 maximum aperture benefits working in low-light conditions as well as enables a high degree of control over depth of field.
The optical design incorporates one extra-low dispersion element to reduce chromatic aberrations and color fringing throughout the aperture and focusing ranges for notable clarity and color fidelity.
The front optical group is used for focusing to Minimize aberrations and distortions throughout the focusing range.
Physical aperture ring allows for intuitive adjustment over exposure settings, and incorporates a C (Command) position to permit camera-based aperture setting.
The front element features a hydrophobic fluorine coating to repel moisture.
Dust- and weather-sealed physical construction enables working in harsh climates and temperatures as low as 14°F.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
UPC: 074101032062

FUJIFILM GFX 50R Medium Format Mirrorless Camera Specs

Sensor ResolutionEffective: 51.4 Megapixel (8256 x 6192)
Sensor Type43.8 x 32.9 mm (Medium Format) CMOS
Image StabilizationNone
Exposure Control
Shutter TypeFocal Plane Shutter
Shutter SpeedMechanical Shutter
1/4000 to 4 Seconds in Program Mode
1/4000 to 60 Minutes
0 to 60 Minutes in Bulb Mode
0 to 60 Minutes in Time Mode
Electronic Shutter
1/16000 to 4 Seconds in Program Mode
1/16000 to 60 Minutes
0 to 60 Minutes in Bulb Mode
0 to 60 Minutes in Time Mode
Electronic Front Curtain Shutter
1/4000 to 4 Seconds in Program Mode
1/4000 to 60 Minutes
0 to 60 Minutes in Bulb Mode
0 to 60 Minutes in Time Mode
Metering MethodAverage, Center-Weighted Average, Multi-Zone, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Continuous ShootingUp to 3 fps for up to 13 Frames (Raw) / Unlimited Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Aspect Ratio1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File FormatJPEG, Raw, TIFF
Bit Depth14-Bit
Recording ModesMOV/H.264/MPEG-4
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p [36 Mb/s]
HD (1280 x 720) at 23.98p/24.00p/25p/29.97p [18 Mb/s]
Recording LimitUp to 30 Minutes
Video SystemNTSC/PAL
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Resolution2,360,000 Dot
Display TypeTilting Touchscreen LCD
TypeBuilt-In Electronic (OLED)
Resolution3,690,000 Dot
Eye Point23 mm
MagnificationApprox. 0.77x
Diopter Adjustment-4 to +2
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus PointsContrast Detection: 117
Built-In FlashNo
Flash ModesFirst-Curtain Sync, Hi-Speed Sync, Manual, Off, Rear Sync, Slow Sync/Red-Eye Reduction, TTL Auto
Maximum Sync Speed1/125 Second
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity10 to 80%
Battery Type1 x NP-T125 Rechargeable Lithium-Ion (Approx. 400 Shots)
Dimensions (W x H x D)6.3 x 3.8 x 2.6" / 160.7 x 96.5 x 66.4 mm
Weight1.7 lb / 775 g (Body with Battery)
1.5 lb / 690 g (Body Only)
Packaging Info
Package Weight3.2 lb
Box Dimensions (LxWxH)9.453 x 8.2 x 4.75"

FUJIFILM GF 63mm f/2.8 R WR Lens Specs

Focal Length63mm
Maximum Aperturef/2.8
Minimum Aperturef/32
Angle of View46.9°
Minimum Focus Distance1.64' / 50 cm
Maximum Magnification0.17x
Optical Design10 Elements in 8 Groups
Diaphragm Blades9
Focus TypeAutofocus
Image StabilizationNo
Filter Size62 mm (Front)
Dimensions (ø x L)3.31 x 2.8" / 84 x 71 mm
Weight14.29 oz / 405 g
Packaging Info
Package Weight2.05 lb
Box Dimensions (LxWxH)8.5 x 6.5 x 5.7"


Never looking back

By joshua
Rated 5 out of 5
Date: 2021-11-21

This is the massive step up from the xpro series, and I could never look back. As a professional commercial/advertising photographer, the GFX system is beyond my expectations. It's fast. Much faster than youtubers like to claim. Every frame gives that perfect 3D feel from the huge (MF) sensor. Auto focus is excellent in normal light, and face detect works very well. Plenty of people have no reason to buy into this system. It's not for kid photos. It's not for sports or anythjng folks use fast DSLR/FF MIRRORLESS for. That's not the intent. This is a system I will continue to build on, and the native lenses are amazing too.

Back into medium format digital

By Cameron
Rated 5 out of 5
Date: 2021-03-08

Love it. Working pro for forty years. Using it for architecture (with Nikon PC lenses - via the Steelsring adapter) and for aerial work. Camera is easy to use, color fidelity is exceptional, works with Capture One (critical) and the lenses are incredibly sharp. Waiting on the 100s to complete the kit. I own most of the lenses (23, 30, 50, 25-100, 110 and 100-200) and hope Fuji will release a PC lens in the future. I am sold on this system and expect I'll sell my fairly large Nikon Kit and commit to the Fuji system for all of my work.

I would buy again

By Jun Young
Rated 4 out of 5
Date: 2020-12-02

Happy my purchase. Great image making machine.

Incredible machine that delivers what it promises

By Natali
Rated 5 out of 5
Date: 2020-12-01

I am in love with this camera. Traded in all my Nikon equipment because i wanted to change to a medium format camera and its the best decision i have made. The color capture is incredible and the LCD screen very useful. The definition and focus were first a little different than the Nikon but once you get a handle on it, does not compare. It is fairly quick and light and i would recommend it to anyone looking for a medium format camera. It is 1/2 the price of the Hasselblad i was looking at so I was pleased to see that i don't feel i gave up anything and saved some money.

This camera delivers

By Jared
Rated 5 out of 5
Date: 2021-11-13

I purchased the 50R in June of this year. I use my Hasselblad V lenses with the camera via the Cambo HV to GFX lens adapter. The V lenses deliver. I prefer them over the native Fuji 45 GF lens I own. The V's render the image very nice. They are not overly sharp and give a film like appearance which I like. I use the 50mm CFi FLE, 80mm CFE, 120mm CFi, 150mm CF, 250mm CF. The 250 performs the least of these lenses, but with proper sharpening in RAW developer the details the lens records are revealed. They all perform stunnigly well with this camera when proper sharpening is applied. Stay off the blogs if you are wondering about this combo. It delivers! The layout of controls and buttons once configured to your liking is simple and straight forward. Live view histograms in each channel are available at the swipe of a finger and play back with RGB histogram is available at the push of a button. I thought I wanted the GFX 100S because of the pixel count and the ability for larger prints. I picked this up during the $1,000 off special and couldnt be happier. The camera records image sizes that are 20.5 x 27.5 @ 293 mb. Stay off the blogs when it comes to camera gear reviews. "Reviewers" are nit-pickers. I come from 4x5 large format cameras. This camera delivers.

First Medium Format camera

By Emery
Rated 5 out of 5
Date: 2021-07-25

Tremendous purchase. Works great, but I am going through a learning curve. (Not the camera's fault!). B&H personnel have answered my questions when I call for technical assistance. The 50mm lens is great & I have purchased an adapter to use my Canon EOS lens. Great enjoyment!

The feel of my old Fuji GW690 II

By Bill
Rated 5 out of 5
Date: 2021-04-19

I love this camera. I was a dedicated 8x10 film person, but Tri-X prices are stratospheric now. Palladium is over $2000 an ounce. When a relatively affordable digital camera with a big sensor and outstanding dynamic range came along, I jumped. No disappointments. I had initially thought that going from a simple system of light meter, shutter speed, and aperture to this much more complex machine with programmable buttons and concepts I'd never even heard of would be a very rocky learning curve. Happily, I was surprised. Fuji's menu and control layout is quite intuitive (for something with menus), and the programmable buttons are great. I wish there were more of them. I used to love the Fuji 6x9 camera I had back in the day. This camera has the same stripped down (but isn't really) feel of the simple box that was the old GW690II. It's a big rangefinder. It is not petite in any way. The lenses outweigh the body and the zooms are large and solid and sharp with big filter sizes, like 77 and 82. I had to learn how to hold it because there are buttons all over the back near where your right thumb goes, with just a channel for it to fit in. But your hand adapts after a short period of turning on menus by accident. The upside of this arrangement is that most everything is in easy reach of your thumb without having to pull down the camera and hunt for it. I thought I would have a real problem learning where everything was and how to control things, but that has not taken that long for an analog guy. If you are already a digital shooter, you'll have an even easier time of it than I did coming from 8x10. If you are a Fuji person, you'll feel right at home. You'll find there are features you really love and use constantly, and there are others that you never use and don't miss (and maybe wish you could just take off the camera entirely). The touch screen has an oddity that I discovered shooting a vertical - my nose can activate the menu items that swipe-on in four directions, but my nose can also swipe them off, so I laughed about that for a while. In landscape mode, the EVF is way off to the left side, so you don't disturb the screen. I use the EVF out of old habits. It just gives me a better feel for composition looking though it. Adjustable diopter, of course, so I can use it with or without glasses. I wish the eye cup were removeable, but alas. Just like in days of yore, there are control dials on the top, instead of a screen. The advantage of that is that after a while, you don't have to pull back to look for the dial to grab. Of course, all the info can be displayed in the viewfinder, but I like a clean uncluttered window. I'm used to composing upside down and backwards with the view camera, so this right-side-up business is a real treat. The nice thing is, it is designed around the user, not someone trying to make you do things a certain corporate way. It's flexible, configurable, logical. Naturally, after I bought this they immediately came out with the 100S with twice the resolving power. But that is a different camera altogether. If it had existed when I bought mine, I would have been tempted just for the resolution. It has screens all over it, instead of dials, which I like. I've used the 50R for landscapes mostly, but it feels like it would be right at home in a city, on the street, especially if you put one of the pancake lenses on it to make it a bit less Look at me! I'm a huge camera! If you are after a streamlined, relatively simple (for these times) camera with great working characteristics and higher than full-frame resolution, that doesn't cost what a Hasseblad does. This is your ticket. I love mine.

Amazing camera

By Mary Ann
Rated 5 out of 5
Date: 2021-03-10

For point of reference, I have a Sony a7riv (61 mp) camera as well as a Panasonic S1R (47 mp) camera - both capable of high dynamic range, high levels of resolution, and excellent image quality. When I tried the Fuji GFX 50R, I was really amazed at the difference compared to my FF cameras. These differences will not be obvious while looking at photos on a phone, or small tablet, however, when viewing on a large monitor, and in print, these differences are absolutely clear. The improvements over FF are, in some ways, difficult to articulate, but for me are real, and honestly, I was not expecting to see these improvements so clearly. Even though I can get a more shallow depth of field with the lenses I have for my FF cameras compared to the lenses I have for my 50R right now, the 50R images have an immersive feel and depth to them that I do not see from my FF cameras.  The level of detail I see with the 50R is better than I see with the higher mp of the a7riv. The roll off from light to shadow is clearly better and more refined with the 50R relative to either FF camera. As good as my FF cameras are, the images I get from the 50R are just better to me. My wife, who is not into photography, and is very happy with her iPhone, actually noticed the difference between my a7riv and the 50R. She described it as it's like you can see everything with the new camera - like you're almost there when referring to the 50R images. I think that is a pretty good description. Now, having said all that, the 50R can't do all the things the Sony or Panasonic can do. The 50R slows you down, which may be good or bad depending on your situation, while both FF's let you shoot fast. The 50R AF is no where near as fast or accurate as the phase detect AF on the Sony, and the eye AF is much better on the Sony. The 50R body is not as comfortable (to me) as either FF, etc, etc. In the end, you will have to decide if the tradeoffs of the 50R are acceptable to you. If IQ is your top concern, the the 50R certainly may be a good choice for you. Initially, my plan was to sell my Panasonic and lenses, as well as some of my Sony lenses, but keep the Sony body and a lens for family portraits, and faster needs. After using the 50R, however, I'm selling everything so I can buy another lens for the 50R. This turned out to be an easy choice for me once I saw those 50R files, but then again, I don't earn my living with a camera.

See any errors on this page? Let us know


Will this work with Fujifilm X series lenses? ...

Will this work with Fujifilm X series lenses? (X-T3, X-T20, etc.)
Asked by: Jack
Sorry no. The first problem you will run into is that a X lens will not attach to the FUJIFILM GFX 50R lens mount. Even if it did, the lens would project an image that would be a circle surrounded by black on the large FUJIFILM GFX 50R's 43.8 x 32.9mm sensor. That is because the X lens is only designed to cover FUJIFILM's APS-C sensors that are 23.6 mm x 15.6 mm in size. Welcome to medium format.
Answered by: Dennis A
Date published: 2019-04-22

Are this one made in Japan?

Are this one made in Japan?
Asked by: jian
Yes , the case of origin for this item is Japan
Answered by: Moe
Date published: 2020-07-22

Is this kit including any battery?

Is this kit including any battery?
Asked by: WANYU
This kit comes with the NP-T125 Rechargeable Lithium-Ion Battery.
Answered by: Dennis A
Date published: 2020-07-21

What is best adapter for older Hasselblad lenses ...

What is best adapter for older Hasselblad lenses onto GFX mount?
Asked by: Michael
I would reccomend the FotodioX Hasselblad V Lens to FUJIFILM G-Mount GFX DLX Stretch Adapter BH #FOBVGFXDLXST .
Answered by: Rob
Date published: 2020-05-15

Depth of field. I own and shoot a Fuji GW690II. ...

Depth of field. I own and shoot a Fuji GW690II. Am thinking of buying the 50R, but have known some struggles with DOF with the GW690II. Could someone comment on what it's like using the 50R in this regard? Thanks.
Asked by: Bill
To reiterate on the previous comment, the sensor of the GFX 50R is definitely not as large as medium format film shot on your GW690II, so you just have to be mindful in the different in depth of field.
Answered by: Kirk
Date published: 2020-11-19

50r vs 50s any real world experience you guys ...

50r vs 50s any real world experience you guys could share?
Asked by: Emmanuel
excellent image quality and dynamic range
Answered by: vilson
Date published: 2021-01-04

Is the warranty Internatinoal?

Is the warranty Internatinoal?
Asked by: Marc
This comes with a Limited 1-Year Warranty valid for the USA only. You can get Square Trade which becomes available once you add the item to your cart. It is international.
Answered by: Dennis A
Date published: 2018-11-29

Does the camera have in-body image stabilization?

Does the camera have in-body image stabilization?
Asked by: Mark
No, the FUJIFILM GFX 50R Medium Format Mirrorless Camera does not have built-in image stabilization inside the camera body.
Answered by: Manzell
Date published: 2018-12-16
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