Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

Sony Alpha a7 III Mirrorless Digital Camera with 24-105mm Lens HDR Filmmaker Kit

Sony Alpha a7 III Mirrorless Digital Camera with 24-105mm Lens HDR Filmmaker Kit

B&H # SOA7324105FM (B&H Kit)
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Product Highlights

  • FE 24-105mm f/4 G OSS Lens
  • Atomos Ninja V 4K HDMI Recording Monitor
  • Power Kit for External Monitor
  • Shoe Mount Adapter for Monitor
  • HDMI Cable
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Sony A7 III overview

  • 1Description

Configured for achieving accurate color and a wide dynamic range, the Sony Alpha a7 III Mirrorless Digital Camera with 24-105mm Lens HDR Filmmaker Kit from B&H bundles the multimedia mirrorless body and standard zoom lens with an Atomos Ninja V 5" 4K HDMI Recording Monitor, a power kit for the external monitor, a mount for attaching the monitor to the camera, and an HDMI cable.

  • Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

    Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops.

    Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant.

    24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor
    Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.

    The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 177 consecutive frames, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible.
    Fast Hybrid AF System
    An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.

    The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.
    5-Axis SteadyShot INSIDE Image Stabilization
    Packed into the robust a7 III is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

    For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
    UHD 4K Video Recording in XAVC S Format
    Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

    Affording extensive customizable color and gamma controls, the a7 III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
    Body Design and Built-In Wi-Fi/Bluetooth
    • An XGA OLED Tru-Finder EVF is featured, and has a 2.36m-dot resolution and 0.78x magnification for bright, clear viewing in high detail. This viewfinder design also affords the use of autofocus in the Focus Magnifier mode as well as improved focusing peaking to benefit manual focus operation.
    • In addition to the EVF, a 3.0" 922k-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles.
    • Magnesium-alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.
    • Weather-sealing has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
    • Using the NP-FZ100 battery, the a7 III has improved battery life and is now rated for approximately 710 shots per charge.
    • Dual SD memory card slots allow for flexible file saving and handling, and can be configured to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to support UHS-II memory cards.
    • A USB 3.0 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
    • Built-in Wi-Fi enables the a7 III to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
    • Bluetooth connectivity allows for location data acquisition.
    Other Camera Features
    • A Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production.
    • An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
    • Highlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively.
    • Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.
    • Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
    • Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).
    UPC: 027242910768
  • Sony FE 24-105mm f/4 G OSS Lens

    Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed for E-mount mirrorless cameras. Complementing the useful range of focal lengths is a constant f/4 maximum aperture, which maintains consistent performance throughout the zoom range and also affords increased control over depth of field. Benefitting the reach is an advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. A Nano AR Coating has also been applied to suppress lens flare and ghosting for high contrast and color accuracy when working in harsh light.

    Further adding to the versatility, this 24-105mm f/4 also incorporates an Optical SteadyShot image stabilization system to minimize the appearance of camera shake for sharper handheld shooting, and this system can pair with select cameras' sensor-shift image stabilization for even more effective blur control. Suiting both stills and video shooting, a Direct Drive Super Sonic wave AF motor, along with an internal focusing design, provides quick and quiet focusing performance as well as natural manual focus control. Additionally, this also features a weather-resistant physical construction, along with a fluorine-coated front element, to enable its use in trying weather conditions.

    Covering a versatile wide-angle to short-telephoto range, this 24-105mm lens is designed for full-frame E-mount mirrorless cameras, however can also be used with APS-C models where it provides a 36-157.5mm equivalent focal length range.
    A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
    Four aspherical elements are featured in the optical design and two of which are designated as Advanced Aspherical elements to noticeably reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and clarity.
    Three extra-low dispersion elements are also used to minimize color fringing and chromatic aberrations for greater color accuracy.
    A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
    Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
    A Direct Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.
    A focus hold button and AF/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.
    A dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
    The front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface.
    Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
    UPC: 027242909601
  • Atomos Ninja V 5" 4K HDMI Recording Monitor

    The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.

    Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.

    Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner.

    AtomHDR
    With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
    Supported Log Formats
    • ARRI Log C
    • Canon CLog / CLog 2
    • Fuji F-Log
    • JVC JLog
    • Sony SLog2 / SLog3
    • Panasonic Vlog
    • RED LogFilm
    HDR Recording
    • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    • Canon CLog / CLog2 / Clog3
    • Fuji F-Log
    • JVC JLog1
    • Panasonic Vlog
    • PQ10k, HLG
    • RED LogFilm / Log3G10 / Log3G12
    • Sony SLog / SLog2 / SLog3
    HDR Monitoring
    • ARRI ALEXA Wide Gamut
    • Canon Cinema / DCI P3 / DCI P3+ / BT2020
    • Fuji F-Log
    • JVC LS300
    • Panasonic V Gamut
    • Rec. 2100
    • Rec. 709
    • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out
    4K 60p Capabilities
    Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
    Audio I/O
    Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.
    5" Daylight Viewable Screen
    The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
    HDR Signal Management
    Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
    Anamorphic De-Squeeze
    The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
    Edit-Ready Recording
    Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.
    Expansion Modules
    The Ninja V features a bidirectional high-speed video port along with power and audio which allows future expansion modules to increase the Ninja V's capabilities.
    UPC: 814164021074
  • Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors

    Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

    Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

    Note: Due to its compact design, this ball head should not be used to support a camera.

    Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
    Single locking knob for safe and fast operation
    Head itself allows for 90º vertical articulation
    Fits most standard shoe mounts (except for Sony flash shoe)
    UPC: 847628578029
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")

    The 11.8 to 17.7" Right-Angle Micro to Full HDMI Coiled Cable from Atomos is coiled to prevent clutter, but it can extend up to 17.7". It has a right-angled micro connector for use with the Ninja Star recorder.

    UPC: 853815005667
  • Atomos Power Kit for Shogun/Ninja Inferno & Flame

    The Atomos Power Kit includes two NP-F750 5200mAh batteries, a charger, and a power adapter for the Shogun/Ninja Inferno and Flame.

    UPC: 814164020756
  • Sony Alpha a7 III Mirrorless Digital Camera (Body Only)
    Imaging
    Lens Mount Sony E-Mount
    Camera Format Full-Frame
    Pixels Actual: 25.3 Megapixel
    Effective: 24.2 Megapixel
    Max Resolution 24 MP: 6000 x 4000
    Aspect Ratio 3:2, 16:9
    Sensor Type / Size CMOS, 35.6 x 23.8 mm
    File Formats Still Images: JPEG, RAW
    Movies: AVCHD 2.0, XAVC S
    Audio: AC3, Dolby Digital 2ch, Linear PCM (Stereo)
    Bit Depth 14-Bit
    Dust Reduction System Yes
    Memory Card Type SD
    SDHC
    SDXC
    Memory Stick Pro Duo
    Memory Stick PRO HG-Duo
    Image Stabilization Sensor-Shift, 5-Way
    AV Recordingrwsvdqsttussfcbcdsrsteawtuaty
    Video Recording Yes, NTSC/PAL
    Video Format 3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s XAVC S via H.264)
    3840 x 2160p at 23.98/25/29.97 fps (60 Mb/s XAVC S via H.264)
    1920 x 1080p at 100/120 fps (100 Mb/s XAVC S via H.264)
    1920 x 1080p at 100/120 fps (60 Mb/s XAVC S via H.264)
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (50 Mb/s XAVC S via H.264)
    1920 x 1080p at 50/59.94 fps (25 Mb/s XAVC S via H.264)
    1920 x 1080p at 25/29.97 fps (16 Mb/s XAVC S via H.264)
    1920 x 1080i at 50/59.94 fps (24 Mb/s AVCHD via H.264)
    1920 x 1080i at 50/59.94 fps (17 Mb/s AVCHD via H.264)
    Aspect Ratio 16:9
    Video Clip Length Up to 29 Min
    Audio Recording Built-In Mic: With Video (Stereo)
    Optional External Mic: With Video (Stereo)
    Focus Control
    Focus Type Auto & Manual Focus
    Focus Mode Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Phase Detection: 693
    Contrast Detection: 425
    Viewfinder/Display
    Viewfinder Type Electronic
    Viewfinder Size 0.5"
    Viewfinder Pixel Count 2,359,000
    Viewfinder Eye Point 23.00 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.78x
    Diopter Adjustment -4 to +3 m
    Display Screen 3" Rear Touchscreen Tilting LCD (921,600)
    Screen Coverage 100%
    Exposure Control
    ISO Sensitivity Auto, 100-51200 (Extended Mode: 50-204800)
    Shutter 30 - 1/8000 Second , Bulb Mode
    Remote Control RM-VPR1, VCT-XPR10, VCT-VPR1, RM-SPR1, RMT-VP1K (Optional)
    Metering Method Center-Weighted Average Metering, Multi-Zone Metering, Spot Metering, Highlight Weighted
    Exposure Modes Modes: Aperture Priority, Auto, Manual, Movie, Program, Shutter Priority
    Metering Range: EV -3.0 - EV 20.0
    Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps)
    White Balance Modes Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
    Buffer/Continuous Shooting Up to 10 fps at 24.2 MP for up to 89 Frames in Raw Format
    Up to 10 fps at 24.2 MP for up to 177 Frames in JPEG Format
    Up to 8 fps at 24.2 MP
    Up to 6 fps at 24.2 MP
    Up to 3 fps at 24.2 MP
    Flash
    Flash Modes Auto
    Fill-In
    Hi-Speed Sync
    Off
    Rear Sync
    Red-Eye Reduction
    Slow Sync
    Wireless
    Built-in Flash No
    Max Sync Speed 1 / 250 Second
    Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
    Dedicated Flash System TTL
    External Flash Connection Hot Shoe
    Performance
    Self Timer 10 Seconds, 5 Seconds, 2 Seconds
    Connectivity 1/8" Headphone, 1/8" Microphone, HDMI D (Micro), USB 2.0 Micro-B, USB 3.0, USB Type-C
    Wi-Fi Capable Yes
    Power
    Battery 1 x NP-FZ100 Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 2280 mAh
    Operating/Storage Temperature Operating
    32 to 104°F (0 to 40°C)
    Physical
    Dimensions (W x H x D) 5.0 x 3.8 x 2.9" / 126.9 x 95.6 x 73.7 mm
    Weight 1.43 lb / 650 g
    Packaging Info
    Box Dimensions (LxWxH) 8.1 x 6.0 x 5.4"
  • Sony FE 24-105mm f/4 G OSS Lens
    Performance
    Focal Length 24 - 105mm
    Aperture Maximum: f/4
    Minimum: f/22
    Camera Mount Type Sony E
    Format Compatibility 35mm Film / Full-Frame Digital Sensor
    Angle of View 84° - 23°
    Minimum Focus Distance 1.25' / 38 cm
    Magnification 0.31x
    Maximum Reproduction Ratio 1:3.2
    Optical Design 17 Elements in 14 Groups
    Diaphragm Blades 9, Rounded
    Features
    Image Stabilization Yes
    Autofocus Yes
    Physical
    Filter Thread Front: 77 mm
    Dimensions (DxL) 3.28 x 4.46" / 83.4 x 113.3 mm
    Weight 1.46 lb / 663 g
    Packaging Info
    Box Dimensions (LxWxH) 8.5 x 5.0 x 4.5"
  • Atomos Ninja V 5" 4K HDMI Recording Monitor
    Display
    Display Size 5.0" / 12.7 cm
    Screen Resolution 1920 x 1200
    Aspect Ratio 16:9
    Maximum Brightness 1000 cd/m2
    Bit Depth / Color Support 8-Bit+FRC (1.07 Billion Colors)
    Pixels Per Inch (ppi) 427 ppi
    LUT Support Yes
    I/O
    Video 1 x HDMI 2.0 (HDMI Type A) Output
    1 x HDMI 2.0 (HDMI Type A) Input
    Embedded Audio HDMI: 8-Channel
    Audio 1 x 10-Pin LEMO Input/Output
    1 x 3.5 mm Line Input
    1 x 3.5 mm Mic Input
    1 x 3.5 mm Headphone Output
    Built-In Speaker None
    Power 1 x Barrel Input
    Other I/O 1 x LANC (2.5 mm)
    Card Slot None
    Format Support
    Video Format HDMI (8/10-Bit 4:2:2)
    DCI 4K: 24/25/30/50/60 
    UHD 4K: 24/25/30/50/60 
    1080p: 24/25/30/50/60/120 
    1080i: 50/60 
    720p: 50/60 
    Recording
    Pulldown Conversion 2:2, 3:2
    Encoding Formats 3840 x 2160
    ProRes 422, LT, HQ 
    DNxHR HQ, HQX, SQ, LB 
    Recording Media 1 x 2.5" SSD (SATA III)
    Power
    DC Input Power 6.2 to 16.8 VDC
    Battery Type 1 x L-Series
    Power Consumption 10 W (Typical)
    19 W (Maximum)
    Mounting
    General
    Material of Construction Aluminum, Polycarbonate
    Dimensions (W x H x D) 5.94 x 3.6 x 1.22" / 15.1 x 9.15 x 3.1 cm
    Weight 11.3 oz / 320 g
    Packaging Info
    Box Dimensions (LxWxH) 7.7 x 5.7 x 4.3"
  • Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors
    Bottom Mount 1 x 3/8"-16 Female Thread
    1 x Accessory Foot
    Top Mount 1 x 1/4"-20 Male Thread
    Load Capacity 15 lb / 6.8 kg
    Material Aluminum
    Weight 0.3 lb / 136.0 g
    Packaging Info
    Box Dimensions (LxWxH) 3.5 x 2.0 x 0.5"
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")
    Connector 1 HDMI Type-D Male Right Angle
    Connector 2 HDMI Type-A Male
    Cable Length 11.8 to 17.7" / 30 to 45 cm
    Packaging Info
    Box Dimensions (LxWxH) 6.5 x 5.0 x 0.1"
  • Atomos Power Kit for Shogun/Ninja Inferno & Flame
    Packaging Info
    Box Dimensions (LxWxH) 7.0 x 4.4 x 3.7"

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