Sony Alpha a7S II Mirrorless Digital Camera (Body Only)

Sony Alpha a7S II Mirrorless Digital Camera with 24-70mm f/4 Lens HDR Filmmaker Kit

Sony Alpha a7S II Mirrorless Digital Camera with 24-70mm f/4 Lens HDR Filmmaker Kit

B&H # SOA7S22470FM (B&H Kit)
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Product Highlights

  • Vario-Tessar FE 24-70mm f/4 ZA OSS Lens
  • Atomos Ninja V 4K HDMI Recording Monitor
  • Power Kit for External Monitor
  • Shoe Mount Adapter for Monitor
  • HDMI Cable
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Sony A7S II Overview

  • 1Description

Configured for achieving accurate color and a wide dynamic range, the Sony Alpha a7S II Mirrorless Digital Camera with 24-70mm f/4 Lens HDR Filmmaker Kit from B&H bundles the multimedia mirrorless body and standard zoom lens with an Atomos Ninja V 5" 4K HDMI Recording Monitor, a power kit for the external monitor, a mount for attaching the monitor to the camera, and an HDMI cable.

  • Sony Alpha a7S II Mirrorless Digital Camera (Body Only)

    Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.

    Complementing the 4K recording capabilities is a redeveloped recording setup, including the ability to utilize S-Log3 Gamma and S-Gamut3 in addition to S-Log2, for increasing dynamic range values by up to 1300% to better match high-end post-production workflows. For clearer monitoring potential, an enhanced Zebra function better supports working with S-Log gamma settings and a Gamma Display Assist helps to preview imagery with natural contrast by converting S-Log2 and S-Log3 settings to the ITU709 gamma for easier on-camera viewing.

    The a7S II is also characterized by a compact, yet robust, magnesium alloy body design that incorporates a high 0.78x-magnification Tru-Finder OLED electronic viewfinder. With a resolution of 2.36-million dots and a Zeiss T* anti-reflective coating, this finder benefits working in a variety of lighting conditions and is capable of previewing exposure and settings adjustments prior to recording. A rear 3.0" 1,228,800-dot LCD screen is also available, and features a tilting design to support working from high and low angles. Additionally, built-in Wi-Fi connectivity with NFC allows you to pair mobile devices to the camera for wireless sharing and remote camera control.

    Full-Frame Exmor Sensor and BIONZ X Image Processor
    A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.

    The sensor's design also features a new-generation RGB color filter array, as well as a gapless on-chip lens design. Together, these two technologies enable truly efficient light-gathering abilities that further reinforce the low noise, high-sensitivity design. Furthermore, an anti-reflective coating has also been applied to the seal glass of the image sensor to minimize surface reflections, glare, and ghosting for contrast-rich, color-neutral imagery.

    The sensor and processor combination also avail a wealth of performance-related benefits to still shooting, including a Speed Priority continuous shooting rate of 5 fps, or a 2.5 fps shooting rate with continuous AF. The Fast Intelligent AF system employs 169 AF points, which is comprised of 25 contrast-detection points and nine central AF points that have been split into 16 segments each, in order to provide both speed and accuracy in low-light conditions down to -4 EV.
    Internal UHD 4K Recording and Full Pixel Readout
    Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the 12.2MP resolution, full pixel readout is possible that is void of pixel binning for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.

    In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
    5-Axis SteadyShot INSIDE Image Stabilization
    Packed into the svelte a7S II is a 4.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

    For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
    Custom Color Profiles and S-Log3 Gamma
    Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space.

    In addition to the S-Log3 gamma, the popular S-Log2 settings are also available.
    Zebra and Gamma Display Assist
    An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

    In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.
    Timecode and User Bit Settings
    The a7S II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7S II is also able to output timecode via HDMI.
    0.5" 2.36m-Dot XGA OLED Tru-Finder Electronic Viewfinder
    With its 4-lens optical system using double-sided aspherical elements the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a 0.78x magnification enable comfortable and stable eye-level composition.

    In addition to the electronic viewfinder, a rear 3.0" 1,228.8k-dot LCD monitor has also been incorporated into the design and can tilt 107° upward or 41° downward to better enable working from high and low angles.
    Built-In Wi-Fi Connectivity with NFC
    Built-in Wi-Fi connectivity enables the a7S II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.

    Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
    Other Camera Features
    • Cutting down on mechanical vibrations by 50% is the durable reduced-vibration shutter, which has been tested to 500,000 cycles. An electronic front curtain can be used to reduce vibrations further.
    • A Silent Shutter mode can be used to mute the sound of the shutter for working in quiet environments. Up to 5 fps shooting is possible with the silent shutter and the mode can be assigned to a function button for quick on/off switching.
    • The top, front, and rear covers of the body have all been made from magnesium alloy for long-lasting durability.
    • Enhanced Eye AF can be used with AF-S and AF-C focusing modes, and automatically detects and tracks a subject's eye for critical focus.
    • The Expand Flexible Spot function can be used with AF Area selections to intelligently expand the size of your selected focusing spot if it is not positioned on your subject.
    • Focus Magnifier and Peaking functions benefit working with manual focus and allow you to quickly confirm in-focus portions of an image when shooting stills or recording video.
    • White Balance settings can be fine-tuned for greater personal control over how a scene's colors are represented.
    • In addition to the included battery charger, the NP-FW50 battery can also be charged inside the camera via USB.
    • Adjustable Picture Profile parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3), Black Gamma, Knee, Color Mode (Movie, Still, Cinema, Pro, ITU709 Matrix, White & Black, S-Gamut, S-Gamut3.Cine, S-Gamut3), Saturation, Color Phase, Color Depth, Detail, Copy, and Reset
    • Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Handheld Twilight, and Anti Motion Blur.
    • Picture Effects: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
    • Creative Styles: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps)
    UPC: 027242894273
  • Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens

    Walk around all day with the Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh.

    Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.
    Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range.
    A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
    Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.
    One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
    Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
    Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
    A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
    Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
    Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
    UPC: 027242868182
  • Atomos Ninja V 5" 4K HDMI Recording Monitor

    The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.

    Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.

    Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner. The Ninja V can record to both AtomX SSDmini or standard 2.5" SSD drives, fitting up to 150 minutes of 4K video on an 1TB drive. Separately available AtomX Ethernet/NDI and SYNC Expansion Modules enable you to output live video over IP or add wireless timecode for multicamera shoots respectively.

    AtomHDR

    With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

    Supported Log Formats

    • ARRI Log C
    • Canon CLog / CLog 2
    • Fuji F-Log
    • JVC JLog
    • Sony SLog2 / SLog3
    • Panasonic Vlog
    • RED LogFilm

    HDR Recording

    • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    • Canon CLog / CLog2 / Clog3
    • Fuji F-Log
    • JVC JLog1
    • Panasonic Vlog
    • PQ10k, HLG
    • RED LogFilm / Log3G10 / Log3G12
    • Sony SLog / SLog2 / SLog3

    HDR Monitoring

    • ARRI ALEXA Wide Gamut
    • Canon Cinema / DCI P3 / DCI P3+ / BT2020
    • Fuji F-Log
    • JVC LS300
    • Panasonic V Gamut
    • Rec. 2100
    • Rec. 709
    • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out

    4K 60p Capabilities

    Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

    SSD Recording

    Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives, capturing up to 150 minutes of 4K video on a 1TB drive.

    Audio I/O

    Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

    5" Daylight Viewable Screen

    The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

    HDR Signal Management

    Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

    Anamorphic De-Squeeze

    The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.

    Edit-Ready Recording

    Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

    Optional Expansion Modules

    The Ninja V features a bidirectional high-speed video port along with power and audio which enables the use of the AtomX Ethernet/NDI and SYNC modules along with future module releases.
    UPC: 814164021074
  • Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors

    Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

    Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

    Note: Due to its compact design, this ball head should not be used to support a camera.

    Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
    Single locking knob for safe and fast operation
    Head itself allows for 90º vertical articulation
    Fits most standard shoe mounts (except for Sony flash shoe)
    UPC: 847628578029
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")

    The 11.8 to 17.7" Right-Angle Micro to Full HDMI Coiled Cable from Atomos is coiled to prevent clutter, but it can extend up to 17.7". It has a right-angled micro connector for use with the Ninja Star recorder.

    UPC: 853815005667
  • Atomos Power Kit for Shogun/Ninja Inferno & Flame

    The Atomos Power Kit includes two NP-F750 5200mAh batteries, a charger, and a power adapter for the Shogun/Ninja Inferno and Flame.

    UPC: 814164020756
  • Sony Alpha a7S II Mirrorless Digital Camera (Body Only)
    Imaging
    Lens Mount Sony E-Mount
    Camera Format Full-Frame
    Pixels Actual: 12.4 Megapixel
    Effective: 12.2 Megapixel
    Max Resolution 4240 x 2832
    Aspect Ratio 3:2, 16:9
    Sensor Type / Size CMOS, 35.8 x 23.9 mm
    File Formats Still Images: JPEG, RAW
    Movies: AVCHD 2.0, MP4, XAVC S
    Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo)
    Bit Depth 14-Bit
    Dust Reduction System Yes
    Memory Card Type SD
    SDHC
    SDXC
    Memory Stick PRO Duo (High Speed)
    Memory Stick PRO HG-Duo
    Image Stabilization Sensor-Shift, 5-Way
    AV Recording
    Video Recording Yes, NTSC/PAL
    Video Format 3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s XAVC S)
    3840 x 2160p at 23.98/25/29.97 fps (60 Mb/s XAVC S)
    1920 x 1080p at 100/120 fps (100 Mb/s XAVC S)
    1920 x 1080p at 100/120 fps (60 Mb/s XAVC S)
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (50 Mb/s XAVC S)
    1920 x 1080p at 50/59.94 fps (28 Mb/s AVCHD)
    1920 x 1080i at 50/59.94 fps (24 Mb/s AVCHD)
    1920 x 1080i at 50/59.94 fps (17 Mb/s AVCHD)
    1920 x 1080p at 23.98/25 fps (24 Mb/s AVCHD)
    1920 x 1080p at 23.98/25 fps (17 Mb/s AVCHD)
    1920 x 1080p at 50/60 fps (28 Mb/s MP4)
    1920 x 1080p at 25/29.97 fps (16 Mb/s MP4)
    1280 x 720p at 25/29.97 fps (6 Mb/s MP4)
    Aspect Ratio 16:9
    Video Clip Length Up to 29 Minutes 59 Seconds
    Audio Recording Built-In Mic: With Video (Stereo)
    Optional External Mic: With Video (Stereo + Mono)
    Focus Control
    Focus Type Auto & Manual Focus
    Focus Mode Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)
    Autofocus Points Contrast Detection: 169
    Viewfinder/Display
    Viewfinder Type Electronic
    Viewfinder Size 0.5"
    Viewfinder Pixel Count 2,359,296
    Viewfinder Eye Point 23.00 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.78x
    Diopter Adjustment -4 to +3 m
    Display Screen 3" Rear Screen LCD (1,228,800)
    Screen Coverage 100%
    Exposure Control
    ISO Sensitivity Auto, 100 to 102400 (Extended Mode:50 to 409600)
    Shutter Type: Electronic & Mechanical
    Speed: 30 to 1/8000 Second 
    Metering Method Center-Weighted Average Metering, Multiple, Spot Metering
    Exposure Modes Modes: Aperture Priority, Auto, Intelligent Auto, Manual, Movie, Programmed Auto, Scene Selection, Shutter Priority, Superior Auto, Sweep Panorama
    Metering Range: EV -3.0 to EV 20.0
    Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps)
    White Balance Modes Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
    Buffer/Continuous Shooting Up to 5 fps at 12.2 MP for up to 200 Frames
    Up to 2.5 fps at 12.2 MP for up to 200 Frames
    Flash
    Flash Modes Auto
    Fill-In
    Hi-Speed Sync
    Off
    Rear Sync
    Red-Eye Reduction
    Slow Sync
    Wireless
    Built-in Flash No
    Max Sync Speed 1 / 250 Second
    Flash Compensation -3 EV to +3 EV (in 1/3 or 1/2 EV steps)
    External Flash Connection Hot Shoe
    Performance
    Self Timer 10 Seconds
    Connectivity 1/8" Headphone, 1/8" Microphone, HDMI D (Micro), USB 2.0 Micro-B
    Wi-Fi Capable Yes
    Power
    Battery 1 x NP-FW50 Rechargeable Lithium-Ion Battery Pack, 7.4 VDC, 1020 mAh
    AC Power Adapter AC-PW20 (Not Included)
    Operating/Storage Temperature Operating
    32 to 104°F (0 to 40°C)
    Operating Temperature 32 to 104°F / 0 to 40°C
    Physical
    Dimensions (W x H x D) 4.6 x 2.7 x 1.5" / 116.8 x 68.6 x 38.1 mm
    Weight 22.12 oz / 627.10 g with battery and memory card
    Packaging Info
    Box Dimensions (LxWxH) 9.6 x 6.1 x 5.8"
  • Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens
    Performance
    Focal Length 24 to 70mm
    Aperture Maximum: f/4
    Minimum: f/22
    Camera Mount Type Sony E
    Format Compatibility 35mm Film / Full-Frame Digital Sensor
    Angle of View 84.1° to 34.3°
    Minimum Focus Distance 1.31' / 40 cm
    Magnification 0.2x
    Maximum Reproduction Ratio 1:5
    Optical Design 12 Elements in 10 Groups
    Diaphragm Blades 7, Rounded
    Features
    Image Stabilization Yes
    Autofocus Yes
    Physical
    Filter Thread Front: 67 mm
    Dimensions (DxL) 2.87 x 3.72" / 73 x 94.5 mm
    Weight 15.03 oz / 426 g
    Packaging Info
    Box Dimensions (LxWxH) 8.1 x 4.3 x 4.3"
  • Atomos Ninja V 5" 4K HDMI Recording Monitor
    Display
    Panel Type IPS-Type LCD
    Display Size 5.0" / 12.7 cm
    Screen Resolution 1920 x 1080
    Aspect Ratio 16:9
    Touchscreen Yes
    Maximum Brightness 1000 cd/m2
    Bit Depth / Color Support 8-Bit+FRC (1.07 Billion Colors)
    Pixels Per Inch (ppi) 427 ppi
    Color Gamut 100% Rec. 709
    LUT Support Yes
    I/O
    Video 1 x HDMI 2.0 (HDMI Type A) Output
    1 x HDMI 2.0 (HDMI Type A) Input
    Embedded Audio HDMI: 8-Channel
    Audio 1 x 10-Pin LEMO Input/Output
    1 x 3.5 mm Line Input
    1 x 3.5 mm Mic Input
    1 x 3.5 mm Headphone Output
    Built-In Speaker None
    Power 1 x Barrel Input
    Other I/O 1 x LANC (2.5 mm)
    Card Slot None
    Format Support
    Video Format HDMI (8/10-Bit 4:2:2)
    DCI 4K: 60/50/30/25/24 
    UHD 4K: 60/50/30/25/24 
    1080p: 120/60/50/30/25/24 
    1080i: 60/50 
    720p: 60/50 
    Video Signal Conversion HDMI to SDI
    DCI 4K: 24/25/30/50/60 
    UHD 4K: 24/25/30/50/60 
    1080p: 24/25/30/50/60/100/120 
    1080i: 50/60 
    720p: 50/60 
    Recording
    Pulldown Conversion 2:2, 3:2
    Encoding Formats 3840 x 2160
    ProRes 422, LT, HQ 
    DNxHR HQ, HQX, SQ, LB 
    Recording Media 1 x 2.5" SSD (SATA III)
    1 x AtomX SSDmini (SATA III)
    Powerddesqdyyztvvdfbbascwfbuswavt
    DC Input Power 6.2 to 16.8 VDC
    Battery Type 1 x L-Series
    Power Consumption 10 W (Typical)
    19 W (Maximum)
    Mountingddesqdyyztvvdfbbascwfbuswavt
    Mounting 2 x 1/4"-20 Female
    General
    Material of Construction Aluminum, Polycarbonate
    Dimensions (W x H x D) 5.94 x 3.6 x 1.22" / 151 x 91.5 x 31 mm
    Weight 11.3 oz / 320 g
    Packaging Info
    Box Dimensions (LxWxH) 7.7 x 5.7 x 4.3"
  • Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors
    Bottom Mount 1 x 3/8"-16 Female
    1 x Accessory Foot
    Top Mount 1 x 1/4"-20 Male
    Load Capacity 15 lb / 6.8 kg
    Material Aluminum
    Weight 0.3 lb / 136.0 g
    Packaging Info
    Box Dimensions (LxWxH) 3.95 x 3.8 x 1.55"
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")
    Connector 1 HDMI Type-D Male Right Angle
    Connector 2 HDMI Type-A Male
    Cable Length 11.8 to 17.7" / 30 to 45 cm
    Packaging Info
    Box Dimensions (LxWxH) 6.5 x 5.0 x 0.1"
  • Atomos Power Kit for Shogun/Ninja Inferno & Flame
    Packaging Info
    Box Dimensions (LxWxH) 7.2 x 4.35 x 3.8"

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