Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

Sony Alpha a7 III Mirrorless Digital Camera with 24-70mm f/2.8 Lens HDR Filmmaker Kit

Sony Alpha a7 III Mirrorless Digital Camera with 24-70mm f/2.8 Lens HDR Filmmaker Kit

B&H # SOA7324708FM (B&H Kit)
Sony Alpha a7 III Mirrorless Digital Camera with 24-70mm f/2.8 Lens HDR Filmmaker Kit

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Product Highlights

  • FE 24-70mm f/2.8 GM Lens
  • Atomos Ninja V 4K HDMI Recording Monitor
  • Power Kit for External Monitor
  • Shoe Mount Adapter for Monitor
  • HDMI Cable
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$5,079.90
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Sony A7 III Overview

  • 1Description

Configured for achieving accurate color and a wide dynamic range, the Sony Alpha a7 III Mirrorless Digital Camera with 24-70mm f/2.8 Lens HDR Filmmaker Kit from B&H bundles the multimedia mirrorless body and standard zoom lens with an Atomos Ninja V 5" 4K HDMI Recording Monitor, a power kit for the external monitor, a mount for attaching the monitor to the camera, and an HDMI cable.

  • Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

    Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops.

    Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant.

    24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor
    Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.

    The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 177 consecutive frames, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible.
    Fast Hybrid AF System
    An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.

    The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.
    5-Axis SteadyShot INSIDE Image Stabilization
    Packed into the robust a7 III is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

    For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
    UHD 4K Video Recording in XAVC S Format
    Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

    Affording extensive customizable color and gamma controls, the a7 III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
    Body Design and Built-In Wi-Fi/Bluetooth
    • An XGA OLED Tru-Finder EVF is featured, and has a 2.36m-dot resolution and 0.78x magnification for bright, clear viewing in high detail. This viewfinder design also affords the use of autofocus in the Focus Magnifier mode as well as improved focusing peaking to benefit manual focus operation.
    • In addition to the EVF, a 3.0" 922k-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles.
    • Magnesium-alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.
    • Weather-sealing has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
    • Using the NP-FZ100 battery, the a7 III has improved battery life and is now rated for approximately 710 shots per charge.
    • Dual SD memory card slots allow for flexible file saving and handling, and can be configured to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to support UHS-II memory cards.
    • A USB 3.0 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
    • Built-in Wi-Fi enables the a7 III to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
    • Bluetooth connectivity allows for location data acquisition.
    Other Camera Features
    • A Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production.
    • An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
    • Highlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively.
    • Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.
    • Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
    • Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).
    UPC: 027242910768
  • Sony FE 24-70mm f/2.8 GM Lens

    A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8 GM is a wide-angle to short telephoto lens designed for E-mount mirrorless cameras. Featuring a constant f/2.8 maximum aperture, this lens maintains consistent performance throughout the zoom range and benefits working in low-light conditions and with selective focus techniques. Complementing the apt light-gathering capabilities is an equally impressive optical design, which incorporates three aspherical elements and two extra-low dispersion elements. One of the aspherical elements features an XA (extreme aspherical) designation, ensuring its refined surface precision and notable ability to minimize spherical aberrations throughout the zoom range. Additionally, a Nano AR Coating has been applied to individual elements to significantly minimize lens flare and ghosting for increased contrast and color neutrality. Pairing a sophisticated optical design and versatile speed, this standard zoom is well-suited for use in a wide array of environments and lighting conditions.

    Beyond the attributes of the lens system itself, this 24-70mm is also characterized by a Direct Drive SSM (Super Sonic wave Motor) system that provides fast, quiet AF performance as well as responsive manual focus handling. The lens is also dust- and moisture-sealed, to permit working in inclement weather conditions, and nuanced details, such as a focus hold button and rubberized control dials, further the intuitiveness in handling.

    As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.
    Covering wide-angle to portrait-length perspectives, this standard 24-70mm zoom is designed for full-frame E-mount mirrorless cameras and is also compatible with APS-C models, where it will provide a 36-105mm equivalent focal length range.
    Constant f/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.
    Of the three aspherical elements incorporated in the lens design, one is an XA element with superior surface precision to effectively reduce astigmatism, field curvature, coma, and other monochromatic aberrations from imagery.
    One extra-low dispersion element and one Super ED element are featured in the lens design and help to control chromatic aberrations and reduce color fringing for increased clarity and color fidelity.
    A Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.
    A Direct Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.
    A focus hold button and AF/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.
    A dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
    Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
    UPC: 027242895065
  • Atomos Ninja V 5" 4K HDMI Recording Monitor

    The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.

    Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.

    Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner. The Ninja V can record to both AtomX SSDmini or standard 2.5" SSD drives, fitting up to 150 minutes of 4K video on an 1TB drive. Separately available AtomX Ethernet/NDI and SYNC Expansion Modules enable you to output live video over IP or add wireless timecode for multicamera shoots respectively.

    AtomHDR

    With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

    Supported Log Formats

    • ARRI Log C
    • Canon CLog / CLog 2
    • Fuji F-Log
    • JVC JLog
    • Sony SLog2 / SLog3
    • Panasonic Vlog
    • RED LogFilm

    HDR Recording

    • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    • Canon CLog / CLog2 / Clog3
    • Fuji F-Log
    • JVC JLog1
    • Panasonic Vlog
    • PQ10k, HLG
    • RED LogFilm / Log3G10 / Log3G12
    • Sony SLog / SLog2 / SLog3

    HDR Monitoring

    • ARRI ALEXA Wide Gamut
    • Canon Cinema / DCI P3 / DCI P3+ / BT2020
    • Fuji F-Log
    • JVC LS300
    • Panasonic V Gamut
    • Rec. 2100
    • Rec. 709
    • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
    • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out

    4K 60p Capabilities

    Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

    SSD Recording

    Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives, capturing up to 150 minutes of 4K video on a 1TB drive.

    Audio I/O

    Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

    5" Daylight Viewable Screen

    The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

    HDR Signal Management

    Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

    Anamorphic De-Squeeze

    The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.

    Edit-Ready Recording

    Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

    Optional Expansion Modules

    The Ninja V features a bidirectional high-speed video port along with power and audio which enables the use of the AtomX Ethernet/NDI and SYNC modules along with future module releases.
    UPC: 814164021074
  • Vello Multi-Function Ball Head with Removable Bottom Shoe Mount

    The Multi-Function Ball Head with Removable Bottom Shoe Mount from Vello can mount directly to a DSLR shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

    Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread with a supplied 1/4"-20 bushing. The head itself allows for 90º vertical articulation.

    Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
    Single locking knob for safe and fast operation
    Fits most standard shoe mounts (except for Sony/Minolta type flash shoe)
    UPC: 847628539303
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")

    The 11.8 to 17.7" Right-Angle Micro to Full HDMI Coiled Cable from Atomos is coiled to prevent clutter, but it can extend up to 17.7". It has a right-angled micro connector for use with the Ninja Star recorder.

    UPC: 853815005667
  • Atomos Power Kit for Atomos Monitors Recorders

    The Atomos Power Kit includes two NP-F750 5200mAh batteries, a charger, and a power adapter for for Atomos Monitors Recorders, such as the Shogun Inferno and Flame.

    UPC: 814164020756
  • Sony Alpha a7 III Mirrorless Digital Camera (Body Only)
    Imaging
    Lens Mount Sony E
    Camera Format Full-Frame (1x Crop Factor)
    Pixels Actual: 25.3 Megapixel
    Effective: 24.2 Megapixel
    Maximum Resolution 6000 x 4000
    Aspect Ratio 3:2, 16:9
    Sensor Type CMOS
    Sensor Size 35.6 x 23.8 mm
    Image File Format JPEG, RAW
    Bit Depth 14-Bit
    Image Stabilization Sensor-Shift, 5-Axis
    Exposure Control
    ISO Sensitivity Auto, 100 to 51200 (Extended: 50 to 204800)
    Shutter Speed 1/8000 to 30 Seconds 
    Bulb Mode 
    Metering Method Center-Weighted Average, Multi-Zone, Spot, Highlight Weighted
    Exposure Modes Aperture Priority, Auto, Manual, Program, Shutter Priority
    Exposure Compensation -5 to +5 EV (1/3, 1/2 EV Steps)
    Metering Range -3 to 20 EV
    White Balance Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
    Continuous Shooting Up to 10 fps at 24.2 MP for up to 89 Exposures (Raw)
    Up to 10 fps at 24.2 MP for up to 177 Exposures (JPEG)
    Up to 8 fps at 24.2 MP
    Up to 6 fps at 24.2 MP
    Up to 3 fps at 24.2 MP
    Self Timer 2/5/10-Second Delay
    Video
    Recording Modes XAVC S/H.264
    UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100 Mb/s] 
    Full HD (1920 x 1080) at 100p/120p [60 to 100 Mb/s] 
    Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [50 Mb/s] 
    Full HD (1920 x 1080) at 50p/59.94p [25 Mb/s] 
    Full HD (1920 x 1080) at 25p/29.97p [16 Mb/s] 
    AVCHD/H.264
    Full HD (1920 x 1080) at 50i/59.94i [24 Mb/s] 
    Full HD (1920 x 1080) at 50i/59.94i [17 Mb/s] 
    External Recording Modes 4:2:2 8-Bit
    UHD 4K (3840 x 2160) at 24.00p/25p/29.97p
    Full HD (1920 x 1080) at 24.00p/50i/50p/59.94i/59.94p
    Recording Limit Up to 29 Minutes
    Video Encoding NTSC/PAL
    Audio Recording Built-In Microphone (Stereo)
    External Microphone Input
    Audio File Format AC3, Dolby Digital 2ch, Linear PCM (Stereo)
    Focus
    Focus Type Auto and Manual Focus
    Focus Mode Automatic (A), Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S)
    Autofocus Points Phase Detection: 693
    Contrast Detection: 425
    Autofocus Sensitivity -3 to +20 EV
    Viewfinder and Monitor
    Viewfinder Type Electronic
    Viewfinder Size 0.5"
    Viewfinder Resolution 2,359,000 Dot
    Viewfinder Eye Point 23 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.78x
    Diopter Adjustment -4 to +3
    Monitor Size 3"
    Monitor Resolution 921,600 Dot
    Monitor Type Tilting Touchscreen LCD
    Flash
    Built-in Flash None
    Flash Modes Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Wireless
    Maximum Sync Speed 1/250 Second
    Flash Compensation -3 to +3 EV (1/3, 1/2 EV Steps)
    Dedicated Flash System TTL
    External Flash Connection Hot Shoe
    Interfacexqdutwwfuzsrdrfqrw
    Memory Card Slot 1 x SD/SDHC/SDXC
    1 x SD/SDHC/SDXC/Memory Stick PRO HG-Duo/Memory Stick Pro Duo
    Connectivity 3.5mm Headphone, 3.5mm Microphone, HDMI D (Micro), USB 2.0 Micro-B, USB 3.0, USB Type-C
    Wireless Wi-Fi
    Bluetooth
    GPS None
    Environmental
    Operating Temperature 32 to 104°F / 0 to 40°C
    Physical
    Battery 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh
    Dimensions (W x H x D) 5 x 3.8 x 2.9" / 126.9 x 95.6 x 73.7 mm
    Weight 1.43 lb / 650 g
    Packaging Info
    Box Dimensions (LxWxH) 8.1 x 6.0 x 5.4"
  • Sony FE 24-70mm f/2.8 GM Lens
    Focal Length 24 to 70mm
    Maximum Aperture f/2.8
    Minimum Aperture f/22
    Lens Mount Sony E
    Format Compatibility Full-Frame
    Angle of View 84 to 34
    Maximum Magnification 0.24x
    Minimum Focus Distance 1.25' / 38 cm
    Optical Design 18 Elements in 13 Groups
    Diaphragm Blades 9, Rounded
    Focus Type Autofocus
    Image Stabilization None
    Filter Size 82 mm (Front)
    Dimensions ( x L) 3.45 x 5.35" / 87.6 x 136 mm
    Weight 1.9 lb / 886 g
    Packaging Info
    Box Dimensions (LxWxH) 8.45 x 5.65 x 5.05"
  • Atomos Ninja V 5" 4K HDMI Recording Monitor
    Display
    Panel Type IPS-Type LCD
    Display Size 5.0" / 12.7 cm
    Screen Resolution 1920 x 1080
    Aspect Ratio 16:9
    Touchscreen Yes
    Maximum Brightness 1000 cd/m2
    Bit Depth / Color Support 8-Bit+FRC (1.07 Billion Colors)
    Pixels Per Inch (ppi) 427 ppi
    Color Gamut 100% Rec. 709
    Real-Time LUT Monitoring SDR
    I/O
    Video 1 x HDMI Type A (HDMI 2.0) Output
    1 x HDMI Type A (HDMI 2.0) Input
    Embedded Audio HDMI: 8-Channel
    Audio 1 x 3.5 mm Mic/Line Input
    1 x 3.5 mm Headphone Output
    Built-In Speaker None
    Power 1 x Barrel Input
    Other I/O 1 x LANC (2.5 mm)
    Card Slot None
    Format Support
    Video Format HDMI (8/10-Bit 4:2:2)
    DCI 4K: 60/50/30/25/24 
    UHD 4K: 60/50/30/25/24 
    1080p: 120/60/50/30/25/24 
    1080i: 60/50 
    720p: 60/50 
    Video Signal Conversion HDMI to SDI
    DCI 4K: 24/25/30/50/60 
    UHD 4K: 24/25/30/50/60 
    1080p: 24/25/30/50/60/100/120 
    1080i: 50/60 
    720p: 50/60 
    Recording
    Pulldown Conversion 2:2, 3:2
    Encoding Formats 3840 x 2160
    ProRes 422, LT, HQ 
    DNxHR HQ, HQX, SQ, LB 
    Recording Media 1 x 2.5" SSD (SATA III)
    1 x AtomX SSDmini (SATA III)
    Power
    DC Input Power 6.2 to 16.8 VDC
    Battery Type 1 x L-Series
    Power Consumption 10 W (Typical)
    19 W (Maximum)
    Mounting
    Mounting 2 x 1/4"-20 Female
    General
    Material of Construction Aluminum, Polycarbonate
    Dimensions (W x H x D) 5.94 x 3.6 x 1.22" / 151 x 91.5 x 31 mm
    Weight 11.3 oz / 320 g
    Packaging Info
    Box Dimensions (LxWxH) 7.85 x 5.8 x 4.15"
  • Vello Multi-Function Ball Head with Removable Bottom Shoe Mount
    Bottom Mount 2 x 1/4"-20 Female
    1 x Accessory Foot
    Top Mount 1 x 1/4"-20 Male
    Load Capacity 4.4 lb / 2 kg
    Dimensions 2.6 x 2 x 1.2" / 6.7 x 5 x 3 cm
    Weight 3.8 oz / 108.0 g
    Packaging Info
    Box Dimensions (LxWxH) 7.0 x 4.9 x 1.7"
  • Atomos Right-Angle Micro to Full HDMI Coiled Cable (11.8 to 17.7")
    Connector 1 HDMI Type-D Male Right Angle
    Connector 2 HDMI Type-A Male
    Cable Length 11.8 to 17.7" / 30 to 45 cm
    Packaging Info
    Box Dimensions (LxWxH) 6.5 x 5.0 x 0.1"
  • Atomos Power Kit for Atomos Monitors Recorders
    Mount / Series Type Sony L-Series
    Chemistry Lithium-Ion
    Capacity (Wh) 5200 Wh
    Packaging Info
    Box Dimensions (LxWxH) 7.2 x 4.35 x 3.8"

Sony A7 III Reviews

Alpha a7 III Mirrorless Digital Camera with 24-70mm f/2.8 Lens HDR Filmmaker Kit is rated 4.6 out of 5 by 429.
Rated 5 out of 5 by from Best All-Around Camera This Sony a7III is actually my second Sony mirrorless camera. I bought the a7rIII a few month ago. Although my a7rIII produces higher resolution photos, I'm not too fond of the file size of the 42MP. Unless you have all the latest card readers and computer system, the files from the a7rIII can slow down your workflow not to mention the extra storage space you would need. This a7III is the perfect for that. The operation is practically identical to the a7rIII, and the images are sharp. It's a perfect everyday camera. I've noticed that the evf is not as crisp as the a7rIII, but hey, you save over a grant, so no complain there.
Date published: 2018-06-18
Rated 5 out of 5 by from Ignore Silly "No Battery Charger" Reviews Seriously, You'll give a camera a one star review because it doesn't have an external battery charger? ?Big deal, buy one. I go out with two charged batteries and after shooting for many hours haven't touched the second one yet. ?When I get home I charge the one I used. ?This is an outstanding hybrid camera that excels at both video and stills for $2K. ?You can't find a camera at this price point or even higher that comes close. ?It's not perfect, but for what it is, close. Sony continues to listen to its customers and continues to improve the product. ?Am I Sony fanboy? ?No, I am a fan of the leaps and bounds Sony is making with mirrorless ILC's.
Date published: 2018-04-19
Rated 5 out of 5 by from Best hybrid camera - well at least for 2018 I had the GH4 in 2014 for the 4K but the AF and low-light bothered me so I got the a6300 in 2015; loved that so I got the a6500 and waited for the GH5 which was disappointing so I waited for the a7III.? First day of sales the body only? were sold out but the kit lens + body were available for $200 so I snapped it up and got it two days later.?? Excellent camera.? I didn't expect the colors to be better than the a6500 but it is so good to the point that I'm considering getting a second a7iii.? I haven't used the kit lens yet but only with the Zeiss 55f1.8 which is phenomenal.? A corporate client raved about the 4K video with this combo as being Hollywoodesque.
Date published: 2018-05-17
Rated 5 out of 5 by from Huge upgrade from Canon 70D Jumped on the Sony train after years of Canon APS-C bodies. I always wanted to move to a full frame camera and was so excited when Sony announced this (was hoping 6D mkii would be more impressive so I could save my glass). I ordered as soon as I could and am not disappointed! The image quality is astounding. My favorite things about the camera: nails focus every single time, low light performance is incredible compared to what I was used to, 4k video is incredibly sharp, 120 fps slo mo is awesome.? Only thing I really miss is the fully articulating screen like on my 70D. Oh well, I will make the trade for the astounding image quality.
Date published: 2018-05-15
Rated 5 out of 5 by from Amazing product. Love it. This is the fist camera body I've reviewed. I have owned Nikon & Canon cameras, then switched to SONY when we heard of the a7iii release. My fiance and I purchased 2 of them, and the last two weddings we have shot with this camera just made life a lot easier for us. We have tested the battery life on a 12 hour day (which was our primary concern with switching to SONY), and it did the job with just two batteries hybrid shooting both video and stills. We paired these cameras with some Zeiss and Rokinon glass, and we're blown away by both the autofocus performance as well as its low light capabilities. Hands down rock solid product, and highly recommend for anyone looking to do professional work with the SONY systems.
Date published: 2018-05-29
Rated 5 out of 5 by from From Canon to Sony I upgraded from a Canon 7D to the Sony a7 III and I absolutely love it! It's a full frame, mirrorless camera in a small package at a great price! I'm planning on capturing a lot more video and the auto-focus and image quality are really outstanding. I also purchased the FE 24-105mm G f/4, the 16-35mm G-Master f/2.8, and the 55mm Zeiss f/1.8. These lenses are pricier than those I've previously purchased for my Canon, but smaller and of decent quality. I ended up with the kit 28-70mm kit lens because it was in stock before the body-only or other kits, but I really like it's small size and versatility. Definitely worth the $200. A really awesome DSLR kit for $2200 even if you don't purchase additional lenses.
Date published: 2018-07-09
Rated 5 out of 5 by from Huge step forward Ive been using the original A7 as my main camera (mostly for video.) It still gives me some nice images under ideal shooting conditions, but if the light is off or quick focus is required it is definitely showing it’s age. This new camera has been mind blowing in it’s quick focus, improvements to ergonomics, and ability to shoot in low light that rivals the A7Sii. Almost every frustration I had with my A7 has been addressed in this camera, with the bonus of other huge improvements I hadn’t thought of. Stunning low light performance. I was thinking of waiting for the upcoming 7s update ( which might have 10 bit recording), but I have no regrets buying this camera. Love it.
Date published: 2018-05-01
Rated 5 out of 5 by from World Domination It's almost insulting what other manufactures are offering for the price compared to this Sony a7iii. I've been a Canon shooter for 14years, so I have plenty of lenses, but I've made the jump and love this camera. Only issue if you can call it that is video records under another file on SD cards so when you download all your images, you have to download images, then video... not a big deal, but I did format my card for the first time and lost 2 sample videos learning this lesson. I am currently shooting this with the 24-70 f2,8, for families and seniors, indoor events and more... Buy it already...
Date published: 2018-06-08
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Does the a7 IIIhave an internal intervelometer? ...

Does the a7 IIIhave an internal intervelometer? Can it do time lapses on it's own.
Asked by: Christopher
Hi Christopher, The a7 iii does not have this function at this time but with the new firmware update releasing soon the cameras will receive interval recording functionality that will allow for simple creation of time-lapse movies (vii). The new feature can be set for anywhere between 1 and 60 seconds, with a total number of shots from 1 to 9999. AE tracking sensitivity can also be adjusted to “High”, “Mid” or “Low” during interval recording, allowing for reduced changes in exposure over the shooting interval. **The new system firmware update version 3.0 is scheduled in April 2019.**
Answered by: SonyListens
Date published: 2019-03-09

Does the a73 have silent shutter?

Does the a73 have silent shutter?
Asked by: TOM
Yes, the a73 does have a silent shutter option by enabling the electronic shutter.
Answered by: Anonymous
Date published: 2019-03-06

Can the assisted magnification and autofocus ...

Can the assisted magnification and autofocus features still functions work using non-Sony vintage lenses? I use vintage lenses with my Sony A7rii and I'm still able to use the 10x magnification feature. I rented an a7iii and wasn't able to do it, but I'm not yet familiar with the A7iii's full functionality. Is it possible to use the magnification and autofocus features with other lenses?
Asked by: lisa
Use mine with a Tap, m lenses and Voigts work well
Answered by: Anonymous
Date published: 2019-04-10

Does this camera package come with any warranty?

Does this camera package come with any warranty?
Asked by: Chou-Wei
As indicated under the "In The Box" section under the Overview tab on our website, the Sony Alpha a7 III Mirrorless Digital Camera (Body Only), B&H # SOA73, comes with Sony's standard Limited 1-Year Warranty, which is valid for use in the United States only.
Answered by: Manzell
Date published: 2018-11-12

Are digital zoom and/or clear image zoom ...

Are digital zoom and/or clear image zoom available during 120fps?
Asked by: Jacob
No
Answered by: SonyListens
Date published: 2019-02-12

question

I live in a caribbean coastal city (Barranquilla) with humidity and apron 30-35C all year. For video, I need to do interviews on the outside in the sun, maybe shade, still very hot. Ive read a lot that Sony's Alpha 7 line are poorly weather sealed and water and corrosion is usual. My Canon 7D take time to overheats but still happened, but buying a new camera is to overcome this. I wanted to upgrade to the A7III, but there are mixed reviews, some saying it won't stand more than 8 mins 4k video in sun 32 aprox and that corrosion is very common. Is this camera good for outside video with tough conditions?
Asked by: Danilo S.
I would say that from what I am seeing and hearing, the Sony a7 III is the most heat and weather resistant of all the a7 cameras Sony has ever made. Therefore if you have this camera, when you are shooting in extreme conditions you have to consider best practices. You can't expect the camera to work flawlessly all by itself without protection. This has been true ever since the first camera took a picture. Keep the camera cool in the car, keep a white towel over it, use an umbrella, use an external recorder/monitor, use an external power supply, keep the battery door open while shooting interiors, and keep the rear screen away from the body. If that is not enough, you might consider a camera with a smaller sensor like the Panasonice GH5s.
Answered by: Dennis A L.
Date published: 2018-08-28

question

Tracking Birds in flight how does it do compared with a Nikon D500?
Asked by: Tim P.
With a Sony G lens, the a7 III will be as good if not better than the Nikon D500. If you put a third party lens on, the performance will lag in comparison. It will be good, just not sterling.
Answered by: Dennis A L.
Date published: 2018-08-27

The kit with body, lens, vertical grip and múlti ...

The kit with body, lens, vertical grip and múlti battery adapter come with 3 BATTERIES?
Asked by: Jorge
This kit comes with three Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) One is in the box with the camera, the other two are in the box with the Sony NPA-MQZ1K Multi Battery Adapter Kit.
Answered by: Dennis A
Date published: 2019-05-09
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