Rob Papen eXplorer 5 - Instrument & Effects Plug-In Bundle (Download, Upgrade from eXplorer 4 & Go2)

Rob Papen eXplorer 5 - Instrument & Effects Plug-In Bundle (Download, Upgrade from eXplorer 4 & Go2)

Rob Papen eXplorer 5 - Instrument & Effects Plug-In Bundle (Download, Upgrade from eXplorer 4 & Go2)

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Product Highlights

  • Virtual Kicks, Drums & Bass Synth
  • Acoustic & Electric Guitar Grooves
  • Multiple Virtual Synthesizers
  • Distortion, Delay & Modulation Effects
  • EQ, Mastering, Vocoder & Filter Effects
  • Reverb with Reverse Function
  • Layer up to 4 Synths
  • Supports AAX, Audio Units & VST
  • Compatible with Mac and Windows
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Rob Papen EXPLORER 5 overview

  • 1Description

Available to registered owners of eXplorer 4 and Go2, this upgrade to the Rob Papen eXplorer 5 is a virtual instrument and effects plug-in bundle packed with versatile tools for beatmakers, music producers, and contemporary composers. The featured virtual instruments include Blade, BLUE II, Go2, Predator 2, Punch, Punch-BD, RAW, RAW-Kick, RG, and SubBoomBass 2. Additionally, the effects plug-ins MasterMagic, PredatorFX, RP-Amod, RP-Delay, RP-Distort, RP-EQ, and RP-Verb 2 are provided in eXplorer 5. As a powerful bonus, Rob Papen has also supplied the original versions of Predator, SubBoomBass, and BLUE, plus the flexible Prisma, a special plug-in that can host up to four Rob Papen synths for creative layering. With instruments ranging from kicks to analog synths, and a plethora of effects, the eXplorer 5 bundle is well suited to an array of production styles and music genres.

Note: This upgrade is only available to registered owners of Rob Papen's eXplorer 4 bundle and Go2 virtual synthesizer.

  • Blade Virtual Synth Software for Composers, Producers, and Sound Designers (Download)

    Designed for electronic musicians, producers, and sound designers, Rob Papen’s Blade is a downloadable soft-synth designed around a feature Mr. Papen has dubbed the Harmolator. The Harmolator is your oscillator section foregoing classic waveforms like saw and square-waves for a more ground-up approach based around nine variable controls and several global setting options. The nine controls each impart their own characteristic on the sound and can be set to a static level with your mouse. Prominently featured in the soft-synth is an X/Y pad, which can control all the parameters in any way you see fit. Indeed, you’ll find nearly every Harmolator control listed twice—once along the vertical axis and again along the horizontal axis so you can fully manipulate how the X/Y pad interacts with your given set of parameters.

    The X/Y pad can also be recorded so you can apply modulation to every note that you play. Once recorded, X/Y-pad movements can be synced to tempo, polarized in both directions, looped, sped up, and otherwise manipulated, allowing interesting possibilities in the creation and in the sound design of timbres, parts, and whole songs. You can assign X/Y pad controls to your MIDI controller.

    In addition to the Harmolator section, Blade gives you a sub-oscillator, a multimode filter, a distortion module, a modulation matrix, an LFO, an envelope section and more. Blade provides a plethora of presets which you can access using a search function or by using a temporary browser that automatically lists your last ten accessed presets. You can also save your own presets.

    Blade is compatible with Mac and Windows systems, and operates in AU, VST, and AAX formats.

    Key Features at a Glance
    • Full MIDI control over all parameters including the X/Y pad
    • 16 voices, operating in poly, mono 1/2, legato 1/2, and arp modes
    • Harmolator oscillator with 9 controls including wave settings, two types of spread functions, and extended sub-oscillator
    • 21 distortion units operating before the filter
    • 14 filter types including 6/12/18/24 low/high pass, 12/24 bandpass/notch, vocal, and comb filter
    • Filter-separation function
    • Sound/amp section with volume, velocity, and envelope control
    • X/Y pad with 12 controls for each X and Y, which can modulate the 9 Harmolator parameters, as well as filter cutoff, filter Q, and volume
    • X/Y pad which can operate directly or with recorded paths, in poly, mono or free modes
    • X/Y pad playback can be tempo-synced, with different tempo settings, and with loop & bi-directional loop options.
    • X/Y-pad movement speed control
    • X/Y editing options triggered with right mouse click 
    • Dedicated Harmolator velocity, LFO and envelope controls
    • Pitch LFO and pitch envelope, 2 Harmolator control sources, 2 envelopes, 2 LFOs and 4 modulation sources
    • All of Blade's controls can be used as modulation destinations with a full range of modulation sources including MIDI and internal controls
    • 2 FX units with 27 effects including distortion, reverb, tape delay, and more
    • 16-step arpeggiator with separately-definable pitch, velocity, and free amount; sequencer can also be used for modulation purposes
    • Easy page allows control of the main parameters in a flexible, simplified way
    • Preset handling with copy, paste, clear and compare function
    • Quick browser, recently browsed, and favorite functions
    • Preset manager screen allows you to find and organize presets and banks easily and quickly
  • BLUE II - Cross Fusion Virtual Synthesizer (Download)

    BLUE II from Rob Papen is a virtual synthesizer plug-in that utilizes multiple forms of synthesis, including FM, Phase Distortion, Wave Shaping and Subtractive Synthesis.

    The synthesizer features 6 oscillators which can be connected in various ways, a pair of analog-style modeled stereo filters, a wide range of processing and modulation options, a sequencer and a powerful arpeggiator.

    Oscillators
    • 6 oscillators modules which include analog, additive and spectral type waveforms
    • Oscillator A and B offer PWM (Pulse Width Modulation) and symmetry control
    • Oscillators can be combined in several ways using 32 different modulation routings in the algorithm screen
    • Oscillators can have FM modulation or ring modulation and can be oscillator hard synced
    • Each oscillator can be output to the filters, the effects or output as dry
    • Dedicated screens available in the LCD screen section for algorithm selection, phase distortion/wave shaping settings and oscillator envelopes
    Filters
    • 2 analog modeled stereo multi-mode filters
    • Filters provide 6dB low-pass and high-pass, as well as 12dB and 24dB low-pass, high-pass, band-pass, notch, ring, comb and vox (formant)
    • Filters with panning, panning modulation options and pre-filtering distortion
    • Easy filter control by pre-defined modulation controllers like envelope, velocity, key-track and modulation wheel
    Envelopes
    • 9 AHDSFR type envelopes
    • Direct connection to oscillator volume, filter frequency and main volume amplifier to make sound editing fast and easy
    • Graphic and fader-control of envelopes simultaneously
    • Dynamic curves and MIDI tempo based features like delay and envelope retrigger
    • 4 highly sophisticated multi-envelopes can be built up using up to 16 sections
    • Full graphic control and additional menus with presets, load and save functions
    • Dynamic curves and MIDI tempo based functions
    Modulation
    • 10 LFOs with various waveforms and MIDI-syncable
    • LFOs directly connected to main targets to make sound editing easy and fast
    • LFOs have adjustable, free/poly/mono modes, key-tracking, symmetry, smoothing, attack, decay and humanize functions
    • 3 modulation step-sequencers with sequence loop start/end, poly/mono/free play modes, speed controls and step smooth function
    • Copy/paste/clear functions
    • Modulation Matrix with 2 pages of 10 slots
    • 12 synthesizer sources, 23 MIDI sources and 91 synthesizer destinations
    Sequencer and Arpeggiator
    • 32 step mono sequencer, with sequencer length, speed adjust, slide amount, swing amount and volume smoothing
    • Each step has on/off, reset, -32/+32 semi-tone tune, volume, slide on/off, filter A, filter B and free modulation settings
    • Clear, load and save functions to exchange sequences in between presets
    • 32 step arpeggiator, with sequencer, sequence length, speed adjust, slide amount, swing amount and step length control
    • Each step has on/off, reset, -32/+32 semi-tone tune, volume, slide on/off, filter A, filter B and free modulation settings
    • Clear, load and save functions to exchange arpeggiators in between presets
    • Poly/Mono/Legato/Seq/Arp synthesizer play modes
    • Portamento featuring legato, switchable constant time/constant rate
    • Unison 2/4/6 mode with detuning
    • Chord memory with strum function
    Effects
    • 2 effects-blocks with serial and parallel mode
    • Available effects include mono delay, stereo delay, chorus, flanger, phaser, distortion, Low Fi, stereo widener, reverb, comb filter, gator, speaker simulator, wah/delay, chorus/delay, autopan, waveshaper, ensemble and compressor
    • MIDI tempo based settings in most effects
    • EQ for total overall sound
    General
    • 16-voice polyphony
    • Adjustable Precision setting per oscillator to simulate the instability of vintage analog synthesizers
    • Voice amount control
    • Global settings save with each individual preset
    • Easy Edit page for fast new sound results or for easy access tempo changes
    • External controller hardware settings can be saved and restored
    • Sound banks of 32 presets inside built-in browser
    • Preset handling with copy, paste, clear and compare function
    • Preset banks are sorted into style-maps for easy search
    • Preset banks respond to MIDI program change and bank select
    • All settings included the global settings are stored inside each individual preset
    • Over 1,700 presets in clear categories
    • "Fast Preset Browser" launched by right clicking on the "Preset" button with "Recently Browsed" and "Favorite" functions
  • Go2 Virtual Synthesizer (Download)

    The Rob Papen Go2 is a virtual synthesizer designed for ease of use by sound designers, producers, and musicians. The Go2 makes all controls visually available at the same time from a single window interface. The instrument offers a powerful, yet simple structure that allows for quick and easy creative exploration. The single oscillator features two morphable waveforms and a sub oscillator, while the Spread function creates a stacked two-oscillator sound. Additional symmetry controls allow for advanced sonic manipulation, especially when working with the XY pad section, which works as a live, interactive, and programmable modulation source with tempo sync and time quantization.

    The analog-modeled filter offers several filter types including 12 dB LP, 12 dB BP, 12 dB Notch, 24 dB LP I, 24 dB LP II, 24 dB BP, 24 dB Notch, and Comb. The filter also includes its own dedicated ADSR envelope. A separate high-pass filter is available after the main filter for additional sound shaping. The amplifier section also includes its own ADSR envelope and features a distortion circuit and volume control.

    Additional features include a play mode for setting voice allocation, portamento, unison, pitch bend, and analog drift. An arpeggiator section offers classic patterns with unusual features like sequencer mode and unison/chord control per step. The 8-way modulation matrix allows you to dynamically alter parameters by using both internal modules such as envelopes and LFOs, and external MIDI Controllers such as pitch bend, aftertouch, and other control messages defined in the MIDI-standard. Additionally, there are three effects including chorus, flanger/phaser, and stereo delay/reverb. The bank manager allows for quick navigation and selection of over 750 preset sounds, which are organized into banks and searchable by name or category.

    • Presets / Folder and Global Section:
      • Over 750 presets sorted into bank folders
      • Bank Manager: Quick Browser, Favorties, and Star system
      • With ECS (external MIDI control), Go2 can modify its sound parameters dynamically in response to MIDI messages received from an external controller
    • Oscillator Section
      • The heart of Go2 is the morph oscillator. This oscillator allows you to morph (using Go2's various morph modes) between two different waveforms.
        • First and seconds waveforms (Wave-A and Wave-B)
        • Oscillator Morph Modes: Mix, Morph, Ring, FM, Inter, and Range
        • Oct setting
        • Spread (creates a stacked 2-oscillator sound)
        • Sub: Sub-oscillator knob lets you select two different waveforms being sine or square
    • XY Section
      • The XY pad is combination of a live, interactive control and an automated programmable modulation source.
        • Modes: Poly, Free, or Mono
        • Loop Modes: off, loop or bidirectional loop
        • Sync To: tempo sync the XY movement
        • Points: From 2 to 128 points
        • Space Quantize: restricts the points in the current path to a set of grid lines
        • Time Quantize: sets the update frequency of the XY position
        • Draw Osc: XY screen also shows the current oscillator output
    • Filter Section
      • Analog Modeled Filter:
        • Cutoff Frequency
        • Q: Resonance
        • Filter Types: 12 dB LP, 12 dB BP, 12 db Notch, 24 dB LPI, 24 dB LPII, 24 dB BP, 24 dB Notch, and Comb
        • Cutoff Frequency Modulation: Velocity (Vel), Key Track, Modulation Wheel, Envelope (Env)
        • Filter Envelope: Attack, Decay, Sustain, Release (ADSR) and reverse control
    • High Pass Filter
      • Additional filter behind the main filter
        • On/off function
        • Keyboard tracking on/off,
        • Q: Resonance on/off and amount control
        • Cutoff frequency
    • Amplifier Section
      • The final volume control in Go2 with distortion on voice level
        • Distortion
        • Volume control
        • Velocity (Vel > Vol)
        • Pan
        • Volume Envelope: Attack, Decay, Sustain and Release (ADSR)
    • Play Mode Section
      • Play modes: Poly (16 voices), Mono, Legato, and Arpeggiator
      • Portamento: Speed control, Rate, or Time Mode; Held Rate or Held Time mode
      • Port amount
      • Unison and chords
      • In Unison mode, Go2 plays up to 4 unison voices for each note played. This works at an oscillator / filter level, so you can still play up to 16 voices in poly mode
      • Unison modes and chords:
        • Unison 2-4
        • 2-octave
        • 3-octave
        • 2 SP
        • Major to diminished 7th chord (3 and 4 voice)
        • Unison detune amount
        • Unison stereo spread
    • Arpeggiator Section
      • 16-step arpeggiator
      • Per-step values:
        • Step on/off
        • Tie (ties notes)
        • Slide
        • Tune
        • Vel
        • Unison
        • Free
        • Steps (number of steps 1-16)
        • Speed (for example 2 x tempo or ¼ x tempo)
        • Arp Modes: Up, Down, Up/Down, Random, Ordered, Rev. Ordered, Ordered Up/Down, Ordered Down/Up, Chord, Sequencer, Sequencer Reset
        • Octave
        • Tie Modes: Normal, Special, Toggle 1, Toggle 2
    • Free LFO Section
      • Go2 has a free LFO that generates modulation signals that can be used as sources in a modulation path
        • Waveform Types: The available waveforms are sine, triangle, saw up, saw down, square, and S&H
        • Speed
        • Sync (tempo sync option)
        • Modes: Poly, Free, Mono
    • Modulation Matrix Section
      • The 8-way modulation matrix allows you to dynamically alter parameters, using both internal modules such as envelopes and LFOs and external MIDI controllers such as pitch bend, aftertouch, and other control messages defined in the MIDI standard
    •  FX Section
      • Three effects units:
        • Chorus
        • Flanger or phaser
        • Stereo delay or reverb
        • Bypass all
  • MasterMagic - Mixing Enhancer Plug-In (Download)

    The Rob Papen MasterMagic is a mix enhancer plug-in designed to sit at the end of the main stereo bus plug-in chain for efficient sweetening of your mix's top and bottom range. Ideal for producers, beatmakers, and mixing engineers, its Air section imparts high-frequency sheen while the Mono/Stereo Split Filter focuses the low end via a customizable sum-to-mono process. Both sections feature adjustable frequencies and individual on/off functions.

    Master volume, metering, and bypass options are readily available for simple level-matching between pre- and post-processed signals. The integrated preset manager allows efficient auditioning of presets as well as quick A/B comparison. The MasterMagic supports AAX, Audio Units, and VST plug-in formats, and is compatible with Mac and Windows computers.

    Designed for stereo bus mix processing
    Optimized for placement at the end of your master fader's plug-in chain
    Air section applies a wide-bandwidth, high-frequency boost with adjustable frequency (30 to 40 kHz) and gain
    Mono/Stereo Split Filter divides signal into mono and stereo parts based upon user-defined frequency, range, and mode settings
    Per-section on/off functions and master bypass
    Integrated preset manager with easy A/B comparison
    Controllable via MIDI
  • Predator 2 Virtual Synthesizer Plug-In (Retail)

    The electronic download of Predator 2 from Rob Papen is a virtual synthesizer plug-in that combines inspiring presets and first-class features to make it a "go-to" synthesizer for contemporary music production. The user interface has been designed so that almost all controls are visible on screen, making it easy-to-use.

    Predator 2 presents an Easy Page for users that don't like too many controls. It offers you important parameters, allowing you to change a sound quickly or use the handy preset variation function. Predator 2 is packed with other features such as: 'Waveform morphing', 'Waveform drawing', "WaveSet playmode', XY pad, new EQ, new Voice Level Distortion, and so much more.

    Each oscillator is now dual, using two different waves (including the 8 user waves), with a variety of different waves of mixing / morphing between them.
    Each preset can hold up to 8 user waves, which can be combined into wave-sets, which can be traversed in different ways.
    Each user wave is editable, using up to 256 partials, and with advanced commands to edit & shape these wavetables. Included with Predator 2 are many wave-tables and wave-sets.
    Each filter & oscillator is now fully stereo.
    An expanded second filter, with full controls & envelopes, plus a 3rd high-pass filter.
    Improved unison mode, so that you can now have up-to 6 unison sub-voices for each full voice, allowing unison to work in all play modes.
    Built-in XY screen, with recordable paths, which can be used to modulate all the controls.
    Increased envelopes & LFOs (up from 2 to 4) and increased number of modulation steps (from 8 to 20), with an advanced modulation mode allowing you to set limits & upper / lower amounts.
    Improved chord editing.
    Dual 3 band EQ with low- / high-pass filter which can be used pre / post of the effects.
    Each section can have its own presets and commands such as clearing / copying / pasting.
    Easy mode and big screen mode.
    Better preset management with find mode and tagging.
    Almost 6000 presets.
  • Punch - Software Instrument

    Punch from Rob Papen is a synthesized drums software instrument especially designed for the contemporary producer who wants "body rattling" sounds. Use synthesis and the built-in samples to construct your own unique sounding drum-kit, or load your own custom samples. The sounds can then be crafted using the comprehensive feature set.

    Punch has built in sequencers, allowing you to have multiple patterns at your finger tips. These grooves can be triggered in a live environment to build a song, but are also useful for improvising and jamming. Also featured are a growing number of drum-kits built by third party designers and well know DJs.

    Drums
    • "Classic Samples" taken from several classic analog drum machines
    • "Punch Samples" are RP library samples
    • Pre-installed RP sample collection for the 8 sample pads
    • Two bass drums with 4 different models, 4 classic samples, and 20 punch samples
    • Two snare drums with 2 different models, 4 classic samples and 61 punch samples
    • Two open hi-hats and two closed hi-hats, with 3 models, 4 classic samples and 7 punch samples
    • Three tom/user with 2 tom models, 3 classic samples and 8 punch samples
    • Two claps with 3 models, 3 classic samples and 12 punch samples
    • Three user drum with 9 models, 22 classic samples, 106 punch (included percussion) samples.
    • Eight dual sample slots, each with amplifier/pitch envelopes and filter with filter envelope
    • Each drum features "easy controls", distortion (20 models) , output destination (dry or any 4 FX channels) and choke groups
    • Each drum can be previewed and selected by clicking in the Drum Preview Pad
    Sequencers Patterns
    • Internal sequencer can play 8 different patterns, each consisting of up to 16 steps
    • 4 grooves and 4 break patterns
    • C3 to G3 keyboard range
    • Each pattern is composed of 4 tracks, each track having its own drum output, and each step in each track can have different velocity, panning, pitch, envelope speed, flaming, time offset and a free row
    • Each pattern also has a free row for modulation step values which can be used to modulate controls
    • Swing amount, flaming time and humanization controls
    Modulators
    • 2 envelopes, 2 LFOs and 8 modulation slots allow for a wide variety of modulation sources to modulate Punch's controls
    Mixer
    • Full screen mixer displays the volume and panning of all the controls, plus the FX mix and panning allows for easy mixing of drum sounds
    Easy Screen
    • Easy to use sliders allow for altering the main controls on the fly
    • All sliders are available for MIDI latching
    Effects Section
    • Four effects slots, each with 26 different types
    • Mono Delay, Stereo Delay, Comb Filter, Reverb, HQ Reverb, Chorus, Chorus/Delay, Flanger, Phaser, WahWah Delay, Distort, Low Fi, Amp Sim, Waveshaper, Widener, AutoPan, Gator, Ring-Mod, Filter, Equalizer, Compressor, Noise-Gate, Ensemble, Cabinet, Multi Distort, AutoWah
    • Effects can be arranged in 5 different routings
    • In the multi-channel version the effects are output to the different output channels
    Manager Screen
    • Large manager screen displays all the presets, banks and presets, allows you to load, save, copy and paste them, and includes a powerful find function
  • Punch-BD - Bass Drum Software Synthesizer (Download)

    Punch-BD from Rob Papen is a synthesized bass drum software instrument especially designed for the contemporary producer who wants "speaker busting" sounds. Use synthesis and the built-in samples to construct your own unique sounding kick drum, or load your own custom samples.

    There are six pads, each offering either drum synthesis or sample modes. There are four synthesis models with built-in classic electronic bass drum samples and 31 punch samples. The sample mode offers a dual sample slot, each with their own amp/pitch envelopes and filter & filter envelope. There are several stacking modes that offer several ways to play the instrument, including Stack Mode for stacking up to 6 BD pads, Tuned Stack Mode for stacking 6 BD pads that respond to keyboard note playing, and Sequence Stack Mode, which plays up to 6 BD pads in sequential order. Punch BD rounds out its comprehensive feature set with several modulators, a mixer, and a full featured effects section.

    Main
    • Punch-BD is a bass drum synthesizer and sample player. With up to 6 pads that can be combined / stacked in several ways including tuned keyboard playing
    6 Drum Pads
    • Each pad can be used in drum synthesis or sample mode
    • 4 different synthesis models and built in 4 classic electronic BD samples and 31 punch samples
    • Dual Sample slot, each with their own amp / pitch envelopes & filter and filter envelope
    • Each drum has its own 'easy controls', distortion (20 different models) and output destination (to dry or any of the 4 FX channels)
    • 3 bank graphic EQ per pad with frequency, bandwidth and gain control
    • Tune bypass button per pad to avoid keyboard tuning response in 'Tuned Stack' or 'Tuned Seq' mode
    • Easy bypass button per pad to avoid response of the sound in the EasyPage
    • Each drum can be previewed and selected by clicking in the Drum Preview Pad
    • Each drum pad has solo and mute
    • Each drum pad has right mouse menu command functions
    Play Mode
    • Stack mode: stacking up to 6 BD pads
    • Tuned Stack mode:  stacking up to 6 BD pads responding to keyboard notes played
    • 6 notes mode: from the central note 6 separate notes representing each one BD pad
    • Seq mode: Up to 6 pads play in sequential order
    • Tuned Seq: Up to 6 pads play in sequential order, responding to keyboard notes played
    • Central note: for selecting the central note. Default is C3
    • Fine-tuning control for the whole preset
    • Semi-tuning control for the whole preset
    Modulators
    • Punch has 2 envelopes, 2 LFOs and 8 modulation slots, which allow you to use a wide variety of modulation sources to control Punch-BD's parameters
    Mixer
    • A full screen shows the volume & panning of all the controls, plus the FX mix & panning, allows you to easily mix the drum sounds
    Easy Page
    • EasyPage, which uses sliders to allow altering of the main controls on the fly during use
    • All are available for MIDI-latching with your MIDI controller
    FX Section
    • 4 FX, each with 32 different types of FX
    • Mono Delay, Stereo Delay, Comb Filter, Reverb, HQ Reverb, Chorus, Chorus/Delay, Flanger, Phaser, WahWah Delay, Distort, Low Fi, Amp Sim, Waveshaper, Widener, AutoPan, Gator, Ring-Mod, Filter, Equalizer, Compressor, Noise-Gate, Ensemble, Cabinet, Multi Distort, AutoWah, Tape Delay, Tape Flanger, Analogue Phaser, Clipper, Parametric EQ
    • FX can be routed in 5 different paths. In the multi-channel version of Punch-BD, these FX are output to the different output channels
    Manager Screen
    • Big manager screen, which displays all banks and presets, allows you to Load, Save, Copy & Paste them and much more. Also including the powerful find function
  • RAW - Phase Distortion Virtual Synthesizer (Download)

    RAW from Rob Papen is a two oscillator virtual synthesizer featuring an X/Y field to distort the waveform using phase distortion. The instrument also allows you to draw your own waveforms and use them as LFOs, enabling the creation of unique 'wobble' movements that are perfect for dubstep and other styles of electronic music.

    RAW offers all of the Papen filters to further shape your sound. Additionally, the synth features EQ, waveshaper, distortion and lo-fi effects integrated into the synthesis voice level. Other effects include chorus, phaser, flanger, stereo delay and the HQ reverb. An arpeggiator and sequencer allow you to program your own patterns and rhythms.

    The Easypage and preset bank manager are also included as standard and feature presets from well known producers and DJs including Promo, Ophidian, Mad dog, Deathmachine, D-Passion, Rob Fabrie, DJ Thera, N-Vitral, Tha Playah, DJ Hidden, The Viper, Warface and many more.

  • RAW-Kick - Kick Drum Virtual Instrument Plug-In (Download)

    Designed in collaboration with DJ Free-K and DJ Promo, the Rob Papen RAW-Kick is a kick drum virtual instrument plug-in offering powerful and highly customizable kick drum sounds for beatmakers, electronic musicians, remixers, and producers in a variety of music genres. Utilize up to three kick drum layers, each with a selectable model- or sample-based source, to form your primary tone. Further sculpt and enhance your virtual kicks via adjustable harmonics, distortion, filtering, EQ, and effects.

    From the master section, tweak volume, pan, and velocity, apply parallel equalization, and tune the sum-to-mono control, which is ideal for focusing the low end without collapsing the stereo width of the mids and highs. A convenient preset manager allows efficient auditioning of presets, many created by famous producers such as Caine, DJ Mad Dog, Wavolizer, and more. The RAW-Kick supports AAX, Audio Units, and VST plug-in formats, and is compatible with Mac and Windows computers.

    Developed in collaboration with DJ Free-K and DJ Promo, and based on the RAW synthesizer
    Three individual layers to build your kick drum sound
    Two modes—use a dedicated kick synthesizer model or a sample-based layer—selectable per layer
    Model-based layer offers adjustable harmonics and distortion
    Sample-based layer offers a multimode, analog-modeled filter, two EQ sections, and several effects algorithms
    Parallel EQ and low-frequency, sum-to-mono function available in the master section
    Includes presets from hardcore, hardstyle, and drum 'n' bass producers such as DJ Promo, Caine, DJ Mad Dog, Ophidian, Sinister Souls, Tha Playah, The Outside Agency, and Wavolizer
  • RG Virtual Rhythm Guitar Plug-in Instrument

    The Rob Papen RG Virtual Rhythm Guitar Plug-in Instrument allows you to create custom guitar rhythms, grooves and effects using the plug-in's unique synthesizer and effects features. Easily create classic rhythm guitar sequences, or edgy grooves by simply playing the desired chords on a MIDI keyboard controller. RG features models of the Fender Stratocaster, 8th & 16th note groove type steel string acoustic guitars, and a Power Chord groove type distorted guitar.

    Rhythm Guitar Models

    Electric guitar type Fender Stratocaster® Offering in the RG sequencer: Down Stroke, Up Stroke, Ghost Stroke and Glide stroke. Available chords are: Major and Minor7 in "classic" Rhythm guitar setting.
    Steel 8TH type for Steelstrings 8th note grooves Offering in the RG sequencer: Down Stroke, Up Stroke and Extra Stroke (hand mute on strings) Available chords are: Major and Minor.
    Steel 16TH type for Steelstrings 16th note grooves. Offering in the RG sequencer: Down Stroke, Up Stroke and Ghost Stroke. Available chords are: Major and Minor.
    Distorted type for distorted Powerchord grooves. Offering in the RG sequencer: Down Stroke, Up Stroke, Ghost Stroke and Extra Stroke available chords are: 5th Chord for both Major and Minor keyboard range.

    Sequencer Section

    Controls the guitar strokes and RG synthesizer parts.
    32 steps
    Each step has on/off, Tie, Stroke (Down, Up, Ghost or Glide/Extra), Velocity and Free/Release row.
    Release row on/off option to control the 'Release" times of the Filter and Amp Envelope
    Sequencer A and B each with fully independent settings
    Sequence A is played by using keyboard range C1 - B3
    Sequence B is played by using keyboard range C3 - B4
    Each sequence keyboard range is divided into Major chords and Minor chords
    Start Loop setting, Sequencer can loop from any step of the sequence
    Speed setting of 1/4, 1/3, 1/2, 2/3, 1, 3/2, 2, 3 and 4x BPM. Independent for each sequence
    Swing amount
    Velocity control knob which mixes between keyboard (MIDI) velocity input and the steps velocity settings
    Tie modes normal or special which allows 'velocity' and 'free' settings inside a step if that step is set to Tie
    Sequencer Latch which can be controlled by the MIDI sustain pedal as well
    Reset Mode on/off. When it is set to 'on' the sequencer resets each time you press a new key
    File button function with: load, save, copy, paste, swap and clear for sequencer A or B
    File < and > to scroll through sequences stored on hard disk

    Keyboard Layout RG

    Sequence A is played by playing notes in the keyboard range C1 - B3
    Sequence B is played by playing notes in the keyboard range C3 - B4
    Sequence A keyboard range is divided into Major chords and Minor chords
    Major chords are from C1- B1 range and Minor are from C2 - B2 range
    Sequence B keyboard range is divided into Major chords and Minor chords
    Major chords are from C3- B3 range and Minor are from C3 - B4 range
    Build in keyboard to demo grooves

    Overall Pitch Modulation Section

    Tempo sync-able global Pitch LFO
    Amount control option
    Pitch bend with separate settings for up and down pitch-bends

    Filter Section

    Main filter is an analogue modeled stereo Multimode Filter, offering 6 dB LowPass and HighPass, 12 dB, 18 dB and 24 dB LowPass and HighPass, 12 dB and 24 dB BandPass, 12 dB and 24 dB Notch, Comb and Vowel Filter
    Pre-filtering distortion
    Easy Filter control by pre-defined Cutoff Frequency modulation controllers: Envelope, Velocity, Modulation Wheel and LFO
    Built-in Filter Envelope with Attack, Decay, Sustain, Fade and Release
    Build in Filter LFO with various waveforms, modulation amount control and tempo sync option with speed settings between 16/1 and 1/32t
    LFO free or mono mode options

    Amp Section

    Built-in Amp/Volume Envelope with Attack, Decay and Release
    Volume control
    Velocity > Volume amount
    Panning control

    Modulation Section

    2 free modulation routings
    33 modulation sources, included the stroke types of the RG sequencer
    22 modulation destinations

    FX Section

    3 HQ effects blocks in serial mode
    Available effects: Mono Delay, Stereo Delay, Comb Filter, Reverb, Chorus, Chorus/Delay, Flanger, Phaser, Ensemble, FX Filter, WahWah/Delay, AutoWah, Amp Simulator (5 models), Cabinet Simulator (5 models), Distortion, Low Fi, Waveshaper, Multi-distort (11 types), Stereo Widener, Autopan, Gator and Compressor
    MIDI tempo based settings in most effects
    Overall bypass for FX or bypass per FX
    Right mouse menu options with: FX copy, paste, swap, clear, undo, save, load and option to un-sync the effects
    2 FX modulation matrix for connecting RG sequencer, MIDI or synth controls to FX parameters.

    EQ Section

    Equalizer with 5 bands at 60 Hz, 200 Hz, 600 Hz, 2000 Hz and 8000 Hz frequencies

    Overall

    Parameter read-out field above the preset box.
    Back panel with extra global function: External controller settings can be saved to disk Computer keyboard up/down for scrolling presets can be turned on/off. Syncing on/off. Depending on host it can be turned on/off

    Preset Section

    Uses sound banks composed of 128 presets
    Preset handling with copy, paste, clear and compare function 'Quick Browse', 'Recently Browsed' and 'Favorite' functions.
    Banks with Electric RG grooves, Steelstring RG grooves, Disto RG grooves, Electric, Steelstring, Disto basic grooves
  • RP-Delay - Delay Plug-In

    RP-Delay from Rob Papen is a delay plug-in that features regular delays, along with FX routings that allow the delay to function beyond typical delays. Six delay lines and eight multi-mode filters can all operate at once in each of several delay modes. In addition to the basic delay models like a simple mono delay and a stereo delay, the plug-in features a tape-sound delay which allows for changing tape length without inducing any clicks.

    A sound reverser can reverse the input, while simultaneously reversing one of the delay lines. The reverse sound can also be triggered via an on-screen keyboard, generating totally new sounds, and sending them into the reverser with via dedicated filters and distortion. The delays, filters, and reverser can all be modulated by the built-in modulators. There are four modulation sequencers, four LFO's, and four envelopes, complete with several trigger options.

    Delay plug-in available in Audio Units, RTAS, or VST formats
    6 delay lines and 8 multi-mode filters
    Tape-sound delay
    Sound reverser
    Built-in modulators
  • RP-Distort - Distortion and Effects Plug-In

    RP-Distort from Rob Papen is not just a distortion plug-in, but offers more sound processing by allowing combining the distortion section with an analog modeled filter, compressor and widener unit. The order of the units can be changed and also turned on or off.

    Controls can be modulated using MIDI sources, or by one of the four LFOs that can sync to the host tempo. Twenty-two distortion types are offered, included a ring modulator and Lo-Fi processor. EQ and a noise-gate are also available inside the distortion section.

    Presets
    • Uses sound banks composed of 128 presets
    • Preset handling with copy, paste, clear and compare functions
    • "Quick Browser", "Recently Browsed" and "Favorite" functions
    • All settings are stored inside each preset
    • Presets are stored in clear categories banks
    ESC
    • External controller hardware (fader-box) settings can be saved and restored
    Distortion
    • Amplifier simulation - none, 4 x 10" guitar speakers, 4 x 12" guitar speakers, bass speaker, combo speaker, radio speaker
    • Cabinet simulator with several cabinet types - none, Fender, Marshall, off axis
    • Clipper limits output using a large range of preset settings
    • Cosine
    • Cross 1
    • Cross 2
    • Foldover amplifies and then 'folds over' the sound
    • Fuzz-box
    • Gapper distortion
    • Hard-limiter
    • Low-Fi reduces the sample and bit rate and adds noise to the signal
    • OverDrive
    • Octave 1
    • Octave 2
    • Power wave-shaping
    • Rectify
    • Ring Modulation
    • Saturate
    • SoftLimit
    • Squarify turns the source to a square wave and low-pass filters it
    • Transient distorts a sound's beginning
    • Tube Simulator
    EQ
    • 4-band equalizer effect inside distortion section
    • 125 Hz, 1.5 kHz, 2.2 kHz and 8 kHz
    • EQ on/off
    Noise Gate
    • Noise gate (inside distortion section) silences any sound below a set threshold
    • Threshold, attack, hold and release controls
    • Gate on/off
    Filter
    • Low- and high-pass filters, in that order
    • 12 and 24 dB pole selection
    • Adjustable frequencies
    • Adjustable Q
    Compressor
    • Threshold, ratio, attack, release and volume controls
    • Compressor on/off
    Modulation
    • Four free modulation routings with amount control
    • Four LFOs with tempo based sync mode, waveform, speed, human feel, symmetry controls
    • Bypass button for all active modulations
    • Global amount control for all active modulations
  • RP-EQ - EQ Plug-In (Download)

    The RP-EQ from Rob Papen presents an 8-band virtual EQ plug-in with some additional twists. Aside from the core equalizer unit, the toolbox includes a Mid/Side equalizer mode, and a Mono/Stereo split filter, something frequently used in modern EDM/dance music. An Air section positioned on a master channel allows for boosting high frequencies with a wide bandwidth, while an X/Y Pad adds a dynamic and creative edge to an already very musical equalizer. Multiple presets are included.

    • 8-band EQ which can work in normal mode or Mid/Side mode
    • Graphic control panel and lower control panel with additional setting for view, solo, or lock a single band
    • Multiple banks with presets
    • A/B slots for comparing different versions while editing
    • Bypass button
    • Volume control with "on/off" option for volume correction if volume goes over 0 dB
    • Spectrogram displays the input and output signal as an FFT Spectrogram, a 30-band (1/3 octave) Bar Spectrogram, or a 30-band (1/3 octave) Single line Spectrogram
    • Controls for hold and release of peak lines in bar mode
    • Control of release in the single line mode
    • Saturation section applies a warming effect to the sound, based on the sound of saturated analog tape
    • Air section features an additional EQ band that boosts very high frequencies with a wide bandwidth
    • 75 Hz high-pass filter with 12 dB or 24 dB per octave slope for filtering out rumble or uncontrolled low-end material
    • Low-pass filter for enhancing the creative application of EQ
    • Mono/Stereo Split Filter is able to divide the audio signal in a mono and stereo part based on a frequency, which can be processed separately – useful for contemporary music in a mix-bus configuration or for mastering
    • XY section functions as two programmable LFOs
    • Record movements on the XY pad as paths
    • Switch XY to Rec mod and draw a path, which is saved as part of a preset
  • RP-VERB 2 - Reverb Plug-In (Download)

    The Rob Papen RP-VERB 2 plug-in produces dense and warm reverb sounds using ten reverb algorithms including Hall Clean, Hall Cave, Hall Warm, Room Cold, Room Edged, Room Storm, Vintage Type 1, Vintage Type 2, Space Orbit 1, and Space Orbit 2. It features a Reverser section, which allows you to reverse the reverb sound, sync it to the tempo of your host DAW, and create unique ambiences for vocals, loops, percussions, guitars, and more.

    The RP-VERB 2's Mod Matrix enables you to route three controllers such as Envelope Follower, Envelope, LFO, Offset, or MIDI, to three possible parameter destinations. This set up allows you to produce effects ranging from subtle to bold or even use the Envelope Follower module to easily recreate the Phil Collins gated-reverb effect.

    The Distortion module offers four types of distortion that let you add bite to your sound before hitting the reverb, ideal for boosting the presence of vocals or drums in your tracks. The plug-in ships with 500 presets to get you started right away.

    Also included is the Rob Papen RP-Delay plug-in.

    Reverb
    • RPCX algorithm reverb
    • Models: Hall Clean, Hall Cave, Hall Warm, Room Cold, Room Edged, Room Storm, Vintage Type 1, Vintage Type 2, Space Orbit 1, Space Orbit 2
    • Reverb size control
    • Reverb length control
    • Predelay with disorder control
    • Tempo sync option for predelay
    • Damping control
    • Low-pass and hi-pass filters with on/off buttons
    • Volume control
    • On/off control
    Early Reflections
    • Complex early reflection algorithm
    • Routing into reverb or direct
    • Length, damping, side-feedback, cross-feedback controls
    • On/off control
    Late Reflections
    • Late reflection delay
    • Routing into reverb or direct
    • Length control
    • Tempo Sync option
    • Damping control
    • Volume control
    • On/off control
    Reverser
    • Reverses reverb signal
    • Displays Length control
    • Tempo Sync on/off
    • Reverb-only control (everything is reversed in the Off state)
    • Trigger level control
    • Trigger offset control
    • Re-trigger time control
    • Reverse time control
    • Attack control (reversed sound)
    • Decay control (reversed sound)
    • Mix control (between the reversed and normal output)
    • On/off control
    General Controls
    • Dry/wet control
    • Wet-only button
    • FX bypass button
    • ECS (external MIDI controller setup)
    • Question, ?, button displays user guide
    EQ
    • High-quality EQ based on RP-EQ algorithm
    • Post-audio routing option
    • Low shelf at 80 Hz (20 dB)
    • High shelf at 12 kHz (20 dB)
    • Mid sweep with Q control and frequency range from 20 Hz to 20.5 kHz (20 dB)
    • On/off control
    Distortion
    • Types: Fold-over, Fuzz, Power, Saturation
    • Amount 1 control
    • Amount 2 control for sound adjustment
    • On/off control
    Ensemble
    • 6-voice chorus
    • Amount control
    • Routing into reverb or direct + reverb
    • Volume control
    • Speed control
    • On/off control
    Envelope
    • Controls RP-VERB 2 parameters
    • Tempo sync option
    • MIDI trigger option
    • Host trigger option
    • Trigger threshold
    • Attack, hold, and release controls
    • Loop function
    • Two destinations with amount control
    • On/off control
    Envelope Follower
    • Special envelope for gated reverb effect
    • Tempo sync option
    • Mono input option
    • Latch mode option
    • Two additional free destinations with amount control
    • On/off control
    LFO
    • Controls RP-VERB 2 parameters
    • Tempo Sync option
    • Speed control
    • Waveform control with phase
    • MIDI trigger option
    • Three possible destinations with amount control
    • On/off control combined with Mod Matrix section
    Mod Matrix
    • Three possible sources include envelope follower, envelope, LFO, offset, MIDI controllers
    • Three possible destinations with amount control
    • On/off control combined with LFO section
    Trigger
    • Select trigger for Envelope or LFO
    • Sources include host (music program start), note, pitch bend, mod wheel, breath controller, foot pedal, expression pedal, MIDI controllers (16 to 21, 84 to 90)
    Preset Section
    • 500 presets
    • Presets are stored as files in clearly categorized bank folders
    • Quick Browser, Recently Browsed, and Favorite functions
  • SubBoomBass 2 - Virtual Instrument Plugin (Download)

    Building upon the success of the original SubBoomBass, the Rob Papen SubBoomBass 2 Virtual Instrument Plugin is a versatile synth bass sequencer plug-in, well suited for video games, film scores, music producers, sound designers, or anyone needing deep sound design capabilities. SubBoomBass 2 updates the graphical user interface for a more comfortable control of all features. The instrument uses analog modeled waveforms and introduces spectrum waveforms for out-of-the-box high-quality samples. Additionally, the sound engine harnesses the power of Karplus-Strong synthesis.

    Additional updates include an X/Y screen with recording and playback, an updated pattern mode for running four sequences, and a bank manager with a star feature for quickly finding your favorite sounds straight away. All the original presets are onboard. The SubBoomBass 2 is Windows and Mac compatible and includes a variety of plug in formats such as AU, VST, and AAX.

  • Blade Virtual Synth Software for Composers, Producers, and Sound Designers (Download)
    Mac Requirements Mac OS X 10.6 or later
    32- / 64-bit AU, VST, and AAX
    System Requirements (Windows) Windows Vista, 7, 8, or 10
    32- / 64-bit VST and AAX (AAX for Pro Tools 12 and later)
    Additional Information Compatible with NI NKS system
    Serial/license system
    2nd serial for a secondary computer/laptop is available upon registering original product's serial number or license
  • BLUE II - Cross Fusion Virtual Synthesizer (Download)
    System Requirements Mac:
    OS X 10.6 or above
    Host software that supports AAX Native, Audio Units, or VST2 plug-in formats (32-/64-bit)
    Internet connection needed to activate the software

    Windows:
    Windows Vista, Windows 7, 8, 10 (32-/64-bit)
    Host software that supports AAX Native or VST plug-in formats (32-/64-bit)
    Internet connection needed to activate the software
  • Go2 Virtual Synthesizer (Download)
    Mac Requirements OSX 10.8 to OSX 10.13.6 (High Sierra)
    64-bit AU, VST, and AAX
    System Requirements (Windows) Windows Vista, 7, 8, or 10
    32- / 64-bit VST and AAX (AAX for Pro Tools 12 and later)
    Additional Information Compatible with NI NKS system
    Serial/license system
    2nd serial for a secondary computer/laptop is available upon registering original product's serial number or license
  • MasterMagic - Mixing Enhancer Plug-In (Download)
    System Requirements Mac OS X 10.8 to 10.11
    macOS 10.12 to 10.14
    Host software that supports AAX Native, Audio Units, or VST formats (all 64-bit)
    Serial/license system with activation while registering the product

    Windows Vista or Later
    Host software that supports AAX Native or VST formats (32-/64-bit)
    Serial/license system with activation while registering the product
  • Predator 2 Virtual Synthesizer Plug-In (Retail)
    Mac System Requirements OS X 10.6 or higher
    1440 x 900 minimum display resolution
    Windows System Requirements Windows Vista, Windows 7, 8 or 10
    1440 x 900 minimum display resolution
    Plug-In Compatibility AAX Native, AU, VST (32- and 64-bit)
    License Details Serial/license system with activation while registering the product
    2nd serial for 2nd computer/laptop is available after you have registered the product's original serial/license
  • Punch - Software Instrument
    System Requirements Mac
    OS X 10.4 (32-bit), OS X 10.5 and higher (32- and 64-bit)
    Host software that supports Audio Units, RTAS or VST plug-in formats

    Windows
    Windows XP, Vista , or Windows 7 (32- and 64-bit)
    Host software that supports RTAS or VST plug-in formats
  • Punch-BD - Bass Drum Software Synthesizer (Download)
    System Requirements Mac
    OS X 10.6 or higher (32- and 64-bit)
    Host software that supports Audio Units, AAX, or VST plug-in formats

    Windows
    Windows Vista, Windows 7, Windows 8 (32- and 64-bit)
    Host software that supports AAX or VST plug-in formats
  • RAW - Phase Distortion Virtual Synthesizer (Download)
    Compatibility PC: 32 & 64-bits VST, AAX for Windows Vista / Windows 7/ Windows 8
    Mac: 32 & 64-bits AU, VST and AAX, for OS X 10.6 or higher
    Serial/license system with activation while registering the product
    2nd serial for 2nd computer/laptop are available after registering the product's original serial/license
  • RAW-Kick - Kick Drum Virtual Instrument Plug-In (Download)
    System Requirements Mac OS X 10.8 to 10.11
    macOS 10.12 to 10.14
    Host software that supports AAX Native, Audio Units, or VST formats (all 64-bit)
    Serial/license system with activation while registering the product

    Windows Vista or later
    Host software that supports AAX Native or VST formats (32-/64-bit)
    Serial/license system with activation while registering the product
  • RG Virtual Rhythm Guitar Plug-in Instrument
    System Requirements VST2.4, AU and RTAS plug-in synthesizer for PC (Xp/Vista 32/Vista 64/Windows 7) and Mac OS-X 10.5 > (IntelMac+ppc) Internet connection needed to activate the software! In case of no Internet connection, e-license dongle required! Two activations allowed. 2nd activation after registering product
  • RP-Delay - Delay Plug-In
    System Requirements Mac OS-X 10.4 or better (Intel and PPC)
    Windows XP, Vista 32- or 64-bit
    Appropriate host software that supports Audio Units, RTAS and VST plug-in formats
  • RP-Distort - Distortion and Effects Plug-In
    System Requirement Mac
    OS X 10.5 or higher
    Host software that supports Audio Units (32- and 64-bit), RTAS (32-bit) and VST (32- and 64-bit) plug-in formats
    Support for 32-bit Audio Units, RTAS and VST plug-ins under OSX 10.4 (Tiger)

    PC
    Windows XP, Vista, Windows 7
    Host software that supports RTAS and VST plug-in formats (32- and 64-bit)

    Additional authorization for second computer/laptop available after registration of the original serial/license

  • RP-EQ - EQ Plug-In (Download)
    System Requirements Mac
    OS X 10.6 or higher
    Host application that supports AAX Native, Audio Units, or VST plug-in formats (32-/64-bit)
    Minimum 1,000 pixel-height screen resolution

    Windows
    Windows Vista, Windows 7, 8, 10
    Host application that supports AAX Native (Pro Tools 12 or higher) or VST plug-in formats (32-/64-bit)
    Minimum 1,000 pixel-height screen resolution
  • RP-VERB 2 - Reverb Plug-In (Download)
    System Requirements Mac OSX 10.6 or later (32- / 64-bit)

    Windows Vista, 7, 8, or 10

    Serial/license system with activation during product registration
    A 2nd serial for a secondary computer/laptop is available after registering original serial/license.

    Plug-In Support Mac: AU, VST, AAX
    Windows: VST, AAX (Pro Tools 12 or later)

     

  • SubBoomBass 2 - Virtual Instrument Plugin (Download)
    Mac System Requirements Mac: 64-bits AU, VST and AAX, for OSX 10.8 - OSX 10.13.6 (High Sierra)
    Compatible with NI NKS system
    Serial/license system with activation upon registering the product
    A second serial number is available for a secondary computer/laptop after you have registered the product’s original serial/license
    Windows System Requirements PC: 32 & 64 bits VST and AAX for Windows Vista/7/8/10
    (Note: PC AAX for PT 12 or later)
    Compatible with NI NKS system
    Serial/license system with activation upon registering the product
    A second serial number is available for a secondary computer/laptop after you have registered the product’s original serial/license

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