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Sony VENICE 6K Digital Motion Picture Camera Package

BH #SOVCINEPAC1 • MFR #VCINEPAC1
Sony VENICE 6K Digital Motion Picture Camera Package
Key Features
  • Full-Frame CMOS Sensor with 15+ Stops DR
  • Supports UHD 4K and DCI 4K Capture
  • EVF Included
  • AXS-R7 External Recorder Included
Providing a heavily accessorized camera package ready for not only your next film shoot but for those beyond, the Sony VENICE 6K Digital Motion Picture Camera Package provides support for full-frame production at up to 6K resolution, as well as anamorphic production. The kit includes the AXS-R7 external recorder that enables raw capture. The camera body features a full-frame CMOS sensor with 15+ stops of dynamic range and the included full-frame license enables using the entire sensor, or you can choose to window the sensor to shoot Super 35.
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Expected availability: 2-4 weeks
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Important Notice

  • This item is nonreturnable.
  • This product is exclusively available to Studio-B&H professional customers and cannot be purchased online.
    Please call 212-502-6356 or email [email protected] to inquire about purchasing this item.

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Sony VENICE 6K Digital Motion Picture Camera Overview

  • 1Description
  • 2Sony VENICE 6K Digital Motion Picture Camera
  • 3Sony DVF-EL200 Full HD OLED Viewfinder
  • 4Sony Anamorphic Permanent License for Sony VENICE Camera
  • 5Sony Permanent Full-Frame License for Sony VENICE
  • 6Sony AXS-R7 External 4K RAW Recorder for VENICE, PMW-F55 & F5

Providing a heavily accessorized camera package ready for not only your next film shoot but for those beyond, the Sony VENICE 6K Digital Motion Picture Camera Package provides support for full-frame production at up to 6K resolution, as well as anamorphic production. The kit includes the AXS-R7 external recorder that enables raw capture. The camera body features a full-frame CMOS sensor with 15+ stops of dynamic range and the included full-frame license enables using the entire sensor, or you can choose to window the sensor to shoot Super 35.

The included full-frame upgrade permanently liberates the camera from its original Super 35mm limitation, allowing you to shoot full-frame at aspect ratios of 3:2, 1.85:1, 17:9, and 2.39:1 at 6K, or 16:9 at 5.7K. The included anamorphic upgrade enables shooting 4K at either 4:3 or 6:5 for capturing anamorphic images on the camera. You can record using XAVC in DCI or UHD 4K, as well as HD, internally, or capture raw on the included AXS-R7 recorder using a variety of recording data rate options. The included EVF features a 0.7" OLED panel with 1920 x 1080 resolution and 200 cd/M2 brightness. A built-in diopter ring enables adjusting the EVF to suit most eyes. The built-in eye sensor controls the anti-burn-in function of the OLED.

Sony VENICE 6K Digital Motion Picture Camera

Providing a flexible design configuration within a single camera body, the Sony VENICE 6K Digital Motion Picture Camera is meant to provide you with just the amount of camera you need, so you don't have to invest in more than necessary. It features a full-frame CMOS sensor with 15+ stops of dynamic range, but in its basic configuration it windows the sensor to shoot Super 35. The camera comes with a removable PL Mount that supports the Cooke /i Technology lens metadata protocols, allowing you to work with cinema-style glass ranging from vintage to modern. As is, the camera supports DCI and UHD 4K capture, while planned and scheduled firmware updates will enable anamorphic, full-frame, and select frame rates from 1 to 72 fps.

Remove the PL Mount to reveal a Sony E-Mount with a locking outer ring that allows you to mount your lens and then rotate the ring to secure it, creating a strong mounting system that does not require you to rotate your E-Mount lens when mounting it to the camera. Eight integrated and motorized ND filters range from clear to seven stops of ND in one-stop increments. The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera. It features dual SxS card slots that allow you to capture XAVC or HD ProRes in-camera.

Firmware 6.0 Update
Updating your camera to Firmware 6.0 adds the following functions and features:
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses
  • Requires Firmware 4.00 or higher before installing
Functions
  • Imager modes 6K 2.39:1 and 5.7K 16:9 (with Full-Frame License)
  • Support for the X-OCN XT recording format
  • Compatibility with Rialto VENICE Extension System
  • De-squeeze ratios 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • SxS recording folder structure selection
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
Use Case
The VENICE is designed to start you off with a basic camera and, through firmware updates and licenses, upgrade it over time. This allows you to upgrade it as your needs grow, instead of having to buy a whole new camera system. Licenses can be permanent upgrades or used for limited periods of time, for those jobs that require more features than you normally use.
Sensor
The sensor features more than 15 stops of dynamic range and has been designed to exceed the BT.2020 color space—which is larger than the DCI-P3 color space—enabling you to create stunning images with a camera that already exceeds future specs.
Full-Frame Sensor
In full-frame, you can use the full 6048-pixel width of the sensor for widescreen spherical 2.39:1, or large format scope. A firmware upgrade and license are required for full-frame recording.
Fast Shutter
The VENICE features a high-speed readout that minimizes the dreaded "jello" camera effect that plagues some CMOS sensor cameras.
PL Mount
The VENICE comes with the industry-standard PL lens mount. It is compatible with all Super 35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera's lens information is recorded as metadata frame by frame.
E-Mount
Removing the PL Mount exposes the camera's E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount minimizing play. Rotating of the locking collar means that in most cases lens support rigs don't need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.
Recording
The VENICE records XAVC UHD 4K or HD ProRes internally to its SxS card slots. An optional AXS-R7 on-board recorder will enable 16-bit Raw and X-OCN recording to AXS cards with a future firmware update.
UPC: 027242228016
Sony DVF-EL200 Full HD OLED Viewfinder

The DVF-EL200 Full HD OLED Viewfinder from Sony is for use with the PMW-F55/F5 and VENICE 6K motion picture cameras. The viewfinder features a 0.7" OLED panel with 1920 x 1080 resolution and 200 cd/m2 brightness. A built-in diopter ring enables adjusting the EVF to suit most eyes. The built-in eye sensor controls the anti-burn-in function of the OLED.

In addition to the improved OLED panel, the DVF-EL200 features more durability and usability with an eye distance measure sensor, rotary encoders for controlling brightness, and contrast. It also features a LEMO-type connector and quick release system to detach the viewfinder from the camera.

Compatibility
Compatible with CineAlta cameras, including the PMW-F5, PMW-F55, and VENICE.
Dust and Splash Resistant
The viewfinder is dust and splash resistant, making it suitable for use in location shooting as well as in the studio.
Rotary Encoder Control
The viewfinder features a rotary encoder and menu button. These allow you to quickly access and control brightness, contrast, and peaking without having to open the main camera menu display.
Eye Sensor
The DVF-EL200 will automatically invert its OLED display when its proximity sensor detects your eye has moved away. The proximity sensor has improved responsiveness compared to the DVF-EL100.
Requirements
To use the DVF-EL200 with F55 and F5, viewfinder cables and CBK-55AT attachment are required (available separately).
UPC: 027242222137
Sony Anamorphic Permanent License for Sony VENICE Camera

The Sony Anamorphic Permanent License for Sony VENICE Camera upgrades your camera to shoot anamorphic images using the sensor at 4096 x 3024, yielding a 4:3 aspect ratio to originate on with your anamorphic glass. A planned future firmware upgrade will allow you to shoot at 4096 x 3432, providing you with a 6:5 aspect ratio to record your anamorphic images within. Once installed, the anamorphic mode is permanently available for you to choose to shoot in.

Sony Permanent Full-Frame License for Sony VENICE

This Sony Permanent Full-Frame License for Sony VENICE upgrades your camera, enabling you to use the entire full-frame sensor and not be limited to the Super 35 image area. Activating this VENICE upgrade means users can capture 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9, record XAVC 4K and other formats on an SxS memory card, output 4K or HD images to viewfinder and SDI outputs, and record X-OCN footage with the optional AXS-R7 recorder.

Full-Frame Options
  • Imaging 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 image sizes
  • Recording 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 X-OCN with AXS-R7
  • Recording XAVC 4K, HD ProRes, and MPEG50 on SxS memory card
  • Outputting 4K or HD images to viewfinder; SDI and HD monitor outputs after down-converting 6K and 5.7K images
  • Play back 6K 3:2, 6K 1.85:1, 6K 17:9, 6K 2.39:1, and 5.7K 16:9 X-OCN with AXS-R7
Requirements
Use of this license requires firmware version 2.0 or later
Sony AXS-R7 External 4K RAW Recorder for VENICE, PMW-F55 & F5

The AXS-R7 4K RAW Recorder from Sony attaches seamlessly to the Sony VENICE, PMW-F55, and PMW-F5 CineAlta cameras, speeding up the 4K production workflow. This 16-bit linear recorder offers up to 6K capture for the VENICE, and up to 4K120 and 4K60 RAW recording for the PMW-F55 and F5 cameras respectively. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps, for playback with 10x super slow motion. This recorder also offers 4K Raw/X-OCN cache recordings up to 30 seconds while in standby mode (approximate storage time at 23.98p).

This AXS-R7 recorder is compatible with the high-speed, slim S48 AXS series memory cards (available separately). It features dual memory card slots for extra security and simultaneous recording at rates up to 60p. Built to work in challenging field conditions, this recorder's rugged, all-metal casing has a sealed ventilation system that is dust- and splash-resist and attaches securely to the camera body. It is suitable for feature film, television commercial, reality, documentary, and wildlife cinematographers who require continuous, full-resolution 6K VENICE capture or 4K RAW recording from their F55 and F5 cameras.

X-OCN 4K/2K Capture Platform
In addition to the RAW format, the AXS-R7 recorder also supports the X-OCN (extended tonal range Original Camera Negative) capture format. This format has two recording modes; X-OCN ST (Standard) and X-OCN LT (Light). X-OCN ST captures 4K 24p at 660 Mb/s and X-OCN LT offers efficient data rates for smaller and more manageable files, reducing cost and improving workflow speed.
High Speed 4K RAW Capture
The AXSR7 recorder captures continuous 16-bit 4K RAW at up to 120 fps and 60 fps from the PMW-F55 and F5 cameras respectively. When you play back at 24p, it produces a dramatic 5x super slow motion effect. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps from the PMW-F55 and F5, for playback with 10x super slow motion. This portable memory recorder is not compatible with the HXRIFR5 interface unit.
30-Second RAW Cache Recording
The AXS-R7 recorder offers RAW/X-OCN cache recording at 23.98p for approximately up to 30 seconds while in standby mode, an important feature in documentary or wildlife production where capturing spontaneous action is required. The cache recording time varies based on the frame rate and recording mode.
From Power-Up to Record in 0.5 Seconds
When the unit is powered on by pushing the REC button, the 'Quick Rec' mode gets activated. This mode accelerates the power on process and the recorder starts recording in about 0.5 seconds.
Durable Dust- and Splash-Resistant Metal Design
The AXS-R7 has a rugged, durable metal body built to work in challenging field conditions. It is dust- and splash-resistant, with electric parts and the ventilation shaft separated by a metal filter to prevent the entry of dust and water. Connection between the camera and the recorder is secured through a large quick-release top bracket that accepts four widely spaced 1/4" screws.
Dual Memory Card Slots Support High-Speed Slim AXS A Series
The AXS-R7 recorder features dual memory card slots and works with sleek, high-capacity, high-speed AXSM A series S48 memory cards (1TB and 512GB), which are designed to support the write speeds required for 4K RAW/X-OCN 120 fps recordings (with the PMW-F55 ). It also works with the AXS A series S24 slim cards (blue trim, 1TB, 512GB, and 256GB capacity) for recording 4K RAW up to 60 fps and 2K RAW up to 240 fps. By using Sony's free RAW Viewer application, the recorded files can easily be played back and checked on a PC or MAC.
UPC: 027242222083

Sony VENICE 6K Digital Motion Picture Camera Specs

Key Specs
Lens Mount
Sony E
ARRI PL with Included Adapter
Sensor Resolution
Actual: 24.7 Megapixel (6042 x 4032)
Effective: 24.4 Megapixel
Image Sensor
36.2 x 24.1 mm (Full-Frame) CMOS
ISO Sensitivity Range
500
2500
Internal Recording Modes
XAVC
4096 x 2160 up to 72 fps
3840 x 2160 up to 72 fps
MPEG HD422
1920 x 1080p at 23.98/24.00/25/29.97 fps
1920 x 1080i at 50/59.94 fps
ProRes 422/ProRes 422 HQ/ProRes 422 Proxy
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080i at 50/59.94 fps
External Recording Modes
Raw via Proprietary Module
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/25/29.97/50/59.94 fps
X-OCN Raw via Proprietary Module
6048 x 4032 from 1 to 60.00 fps
6048 x 3272 from 1 to 60.00/66/72 fps
6054 x 3192 from 1 to 60.00/66/72 fps
6054 x 2534 from 1 to 60.00/66/72/75/88/90 fps
5674 x 3192 from 1 to 60.00/66/72 fps
4096 x 3432 from 1 to 60.00/66/72 fps
4096 x 3024 from 1 to 60.00/66/72/75 fps
4096 x 2160 from 1 to 60.00/66/72/75/88/90/96/100/110 fps
4096 x 1716 from 1 to 60.00/66/72/75/88/90/96/100/110 fps
3840 x 2160 from 1 to 60.00/66/72/75/88/90/96/100/110 fps
Media/Memory Card Slot
Dual Slot: SxS
Video I/O
4x BNC (12G-SDI) Output
1x BNC (HD-SDI) Output
1x HDMI Output
Mobile App Compatible
No
Imaging
Lens Mount
Sony E
ARRI PL with Included Adapter
Lens Communication
Yes, Cooke /i
Sensor Resolution
Actual: 24.7 Megapixel (6042 x 4032)
Effective: 24.4 Megapixel
Image Sensor
36.2 x 24.1 mm (Full-Frame) CMOS
Built-In ND Filter
Mechanical Filter Wheel with Clear, 1-Stop (1/2), 2-Stop (1/4), 3-Stop (1/8), 4-Stop (1/16), 5-Stop (1/32), 6-Stop (1/64), 7-Stop (1/128), 8-Stop (1/256) ND Filters
Capture Type
Video Only
Exposure Control
Shutter Type
Electronic Rolling Shutter
Shutter Type
Electronic Rolling Shutter 
ISO Sensitivity Range
500
2500
Video Capture
Internal Recording Modes
XAVC
4096 x 2160 up to 72 fps
3840 x 2160 up to 72 fps
MPEG HD422
1920 x 1080p at 23.98/24.00/25/29.97 fps
1920 x 1080i at 50/59.94 fps
ProRes 422/ProRes 422 HQ/ProRes 422 Proxy
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080i at 50/59.94 fps
External Recording Modes
Raw via Proprietary Module
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/25/29.97/50/59.94 fps
X-OCN Raw via Proprietary Module
6048 x 4032 from 1 to 60.00 fps
6048 x 3272 from 1 to 60.00/66/72 fps
6054 x 3192 from 1 to 60.00/66/72 fps
6054 x 2534 from 1 to 60.00/66/72/75/88/90 fps
5674 x 3192 from 1 to 60.00/66/72 fps
4096 x 3432 from 1 to 60.00/66/72 fps
4096 x 3024 from 1 to 60.00/66/72/75 fps
4096 x 2160 from 1 to 60.00/66/72/75/88/90/96/100/110 fps
4096 x 1716 from 1 to 60.00/66/72/75/88/90/96/100/110 fps
3840 x 2160 from 1 to 60.00/66/72/75/88/90/96/100/110 fps
Sensor Crop Modes
Super35 / APS-C
Fast-/Slow-Motion Support
Yes
IP Streaming
Yes
Interface
Media/Memory Card Slot
Dual Slot: SxS
Video I/O
4x BNC (12G-SDI) Output
1x BNC (HD-SDI) Output
1x HDMI Output
Audio I/O
1x XLR 5-Pin Mic/Line/AES/EBU Selectable Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1x XLR 4-Pin (12 to 32VDC) Input
1x Hirose 4-Pin (12VDC) Output
1x Fischer 3-Pin (12VDC) Output
Other I/O
1x 26-Pin Viewfinder Output
1x BNC (Timecode) Input
1x BNC (Genlock) Input
1x LEMO 5-Pin (Timecode) Output
1x Hirose 8-Pin Control
1x Lens 12-Pin Control
1x RJ45
1x USB-A
Wireless
No
Mobile App Compatible
No
Monitor
Secondary Display
Side: Status Display
Viewfinder
Type
Optional, Not Included
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Automatic, Manual Focus
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
Storage Temperature
-4 to 140°F / -20 to 60°C
General
Accessory Mounting Thread
10x 3/8"-16
8x 1/4"-20
Netflix Approved
Yes
Dimensions (W x H x D)
6.77 x 6.26 x 5.24" / 17.2 x 15.9 x 13.31 cm
Weight
8.6 lb / 3.9 kg
Packaging Info
Package Weight
12.81 lb
Box Dimensions (LxWxH)
13.7 x 11.14 x 9.7"

Sony DVF-EL200 Full HD OLED Viewfinder Specs

Key Specs
Panel Type
OLED
Display Size
0.7" / 1.8 cm
Screen Resolution
1920 x 1080
Display
Color/Monochrome
Color
Panel Type
OLED
Display Size
0.7" / 1.8 cm
Screen Resolution
1920 x 1080
Aspect Ratio
16:9
Touchscreen
No
Maximum Brightness
200 nits / cd/m2
Inputs / Outputs
System Connection
Sony 26-Pin
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
Storage Temperature
-4 to 140°F / -20 to 60°C
General
Dimensions
7.5 x 3.9 x 3.6" / 19 x 9.8 x 9.1 cm
Weight
23.3 oz / 660 g
Packaging Info
Package Weight
2.38 lb
Box Dimensions (LxWxH)
9.8 x 7.4 x 6.6"

Sony Anamorphic Permanent License for Sony VENICE Camera Specs

Sony Permanent Full-Frame License for Sony VENICE Specs

Sony AXS-R7 External 4K RAW Recorder for VENICE, PMW-F55 & F5 Specs

Key Specs
Video I/O
1x 144-Pin Input
Video Format
144-Pin
6K: 29.97/25/24/23.98
4K Raw: 120/59.94/50/29.97/25/24/23.98
DCI 4K: 120/59.94/50/29.97/25/24/23.98
UHD 4K: 120/59.94/50/29.97/25/24/23.98
DCI 2K: 240/120/59.94/50/29.97/25/24/23.98
1080p: 59.94/50/29.97/25/24/23.98
1080i: 59.94/50
Battery Type
No
Power Consumption
24 W
Embedded Audio
144-Pin: 4-Channel
Audio I/O
No
Power I/O
1x XLR 4-Pin Input
1x XLR 5-Pin Input
1x Barrel Output
Wi-Fi
No
Format Support
Video Format
144-Pin
6K: 29.97/25/24/23.98
4K Raw: 120/59.94/50/29.97/25/24/23.98
DCI 4K: 120/59.94/50/29.97/25/24/23.98
UHD 4K: 120/59.94/50/29.97/25/24/23.98
DCI 2K: 240/120/59.94/50/29.97/25/24/23.98
1080p: 59.94/50/29.97/25/24/23.98
1080i: 59.94/50
Pulldown Conversion
No
Camera Trigger
No
Pre-Roll Record
4K: 30 Seconds
Encoding Formats
4096 x 2160
X-OCN X-OCN LT, X-OCN ST, X-OCN XT at up to 59.94 fps
Maximum Audio Tracks
4
Power
DC Input Power
11 to 17 VDC
Battery Type
No
Power Consumption
24 W
Environmental
Operating Temperature
32 to 72°F / 0 to 40°C
Storage Temperature
-4 to 140°F / -20 to 60°C
Storage Humidity
20 to 90%
General
Material of Construction
Metal
Dimensions
5.3 x 4.2 x 3.7" / 135 x 106 x 93 mm
Weight
2.65 lb / 1.2 kg
Packaging Info
Package Weight
4.25 lb
Box Dimensions (LxWxH)
9.4 x 8.4 x 8.1"

Sony VENICE 6K Digital Motion Picture Camera Reviews

See any errors on this page? Let us know

Is the lens mount interchangeable?

Is the lens mount interchangeable?
Asked by: Jens
Not exactly. This is basically an E-Mount Cinema Camera which means that you can "adapt" it to just about every other camera system. The difference between something being interchangeable and adaptable is this. An interchangeable system means that you are removing the lens mount and replacing it with a different one An adaptable system means that you are adding a component in front of the lens mount to make it compatible with another lens mount system. Both methods get the same results but the adaptable system of the Sony E-mount makes it much faster and safer to perform. In summary, You can use almost any lens mount that you like with the Sony Venice as long as you have the correct adapter.
Answered by: Jabari
Date published: 2021-03-14

On venice when we use ultra prime lenses that ...

On venice when we use ultra prime lenses that doesnt cover full frame of venice so that uses cropped frame. Can we record 6k on venice using cropped frame ?
Asked by: muhammad
VENICE can natively support Super35 24.3 x 18.0mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.3 x 12.8mm, 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35.6k. See this link for all the supported modes and 6K Full frame modes. https://bit.ly/3NslXVs
Answered by: Chris H
Date published: 2022-03-29

is 24 fps in sony venice is same as 23.98 fps?

is 24 fps in sony venice is same as 23.98 fps?
Asked by: villamarzo
Yes. 24fps is the equivalent of 23.98.
Answered by: hectorm
Date published: 2022-03-15

Is this camera not recording in 444 color?

Is this camera not recording in 444 color?
Asked by: Richard
The Sony venice is capable of 444 colour
Answered by: Sean
Date published: 2020-08-13

can mix to camera the codec x ocn xt and x ocn st ...

can mix to camera the codec x ocn xt and x ocn st in one project?
Asked by: villamarzo
Yes. As long as the External x-onc is in place unit will adapt to the following formats and compression X-OCN XT/ST/LT: 6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p, 47.952p, 50p, 59.94p 6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 47.952p, 50p, 59.94p 6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 47.952p, 50p, 59.94p 6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 47.952p, 50p, 59.94p 5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p 4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p 4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 47.952p, 50p, 59.94p 4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p 4K 2.39:1: 23.98p,24p,25p,29.97p,50p,59.94p 3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Answered by: hectorm
Date published: 2022-03-14

What is the most accurate and useful exposure ...

What is the most accurate and useful exposure tools of this camera sony venice? And what x ocn codec for best image quality for digital cinema and streaming?
Asked by: villamarzo
The Venice built in exposure tools include False Color and Zebra. As with most crafts, there is no single "best" way to do everything. You need to consider each situation and then apply the correct solution. Digital Cinema requires a higher codec than live streaming, Special effects require even higher. Select the codec that is correct for your project.
Answered by: Dennis A
Date published: 2022-03-16

Will this adaptable PL mount power a Cabrio zoom ...

Will this adaptable PL mount power a Cabrio zoom or would I need an external power cable?
Asked by: Alex
You need a Fujinon 20-Pin to P-Tap Cable for this lens, BH #FUSA206KR70P. You would just need a battery with a P-Tap or D-Tap port. https://bhpho.to/34R4xee
Answered by: Dennis A
Date published: 2021-08-09

question

Is the EVF included at this price?
Asked by: Thomas
The Sony DVF-EL200 Viewfinder, B&H # SODVFEL200, is an additional purchase. It is not included with the Venice 6K Camera.https://bhpho.to/2CLxiKY
Answered by: Joseph P.
Date published: 2020-05-20
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