Choosing a smaller size over bulk and weight, the SLR Magic MicroPrime Cine 35mm T1.3 Lens covers Super 35 sensors and features a Fuji X mount. Suitable for 4K origination, each lens in the MicroPrime Cine series features similar size and weight with consistent lens gear positions for rapid lens changes and easier rebalancing when changing lenses on a gimbal.
The lens provides a pleasing bokeh with natural-looking out-of-focus highlights. The odd number of iris blades also reduces the appearance of flare off the blades. The lens has an internal focus design so the front of the lens doesn't rotate when focusing, and it has an 82mm filter thread for compatibility with a wide number of filter options.
- Covers Super 35 Sensors
- Fuji X Mount
- Suitable for 4K Image Capture
- Consistent Lens Gear Placement
SLR Magic MicroPrime Cine 35mm T1.3 Overview
SLR Magic MicroPrime Cine 35mm T1.3 Specs
Focal Length | 35mm |
Lens Mount | FUJIFILM X |
Lens Format Coverage | Super35/APS-C |
Image Circle | 44.0 mm |
Maximum Aperture | T1.3 |
Minimum Aperture | T16 |
Optical Design | 9 Elements in 8 Groups |
Diaphragm Blades | 13 |
Gear MOD & Pitch | Focus: 0.8 MOD / 32 Pitch Iris: 0.8 MOD / 32 Pitch |
Filter Thread | 82 mm |
Focus Scales | Imperial |
Image Stabilization | No |
Lens Support | None |
Package Weight | 1.99 lb |
Box Dimensions (LxWxH) | 5.4 x 5.3 x 5.1" |
SLR Magic MicroPrime Cine 35mm T1.3 Reviews
Quality control issues.
I previously bought the 18mm and the 50mm, now I recently incorporated this lens into the set. The 50mm works fantastic, it's smooth, sharp, and all-around a great lens. It snaps right into my camera and allows me to get excellent footage. Sadly I wouldn't say the same for the other two lenses. The 18mm and 35mm provide fantastic video, but I've run into two very important issues that don't allow me to use the full potential the lens is capable of. The 18mm has a really hard time focussing past 15ft at T 2.8 and finally, in order to lock in and out of my camera body I must twist really hard. My 35mm on the other hand can't be used with a focus motor hence it's got a really hard/rough focus ring when it comes to focusing on close subjects. In conclusion, these are great lenses that provide amazing images but they're really a gamble hence 2 of the 3 lenses on my set have some really alarming issues. I just wished I could've noticed in time in order to return them. Now I'm just stuck with a set of lenses that I can't use for the most part if I'm not shooting an interview.
Nice Lens for the $$$
Very sharp images with this lens. Wry happy with this purchase.
SLR magic cine
Great lens
Solidly Built
I purchased these as a kit 21, 35, 50, 75mm to run on the Fx9. I really like they way they look and feel, they are a bit of draw backs but, I can live with them. Breathing is there, CA is there, but it like it. I did my research before purchasing so no surprises with them.
Great lens
Has a great cinematic look for the price and the build quality is stellar. Definitely my new go-to.
Great lens so far.
I picked this up in a set of four SLR Magic MicroPrimes, and have not used it more than a week but so far I love its unique character. The image is beautiful and has a vintage feel, it's light-weight and easy to use on my A7SII hand-held, the focus ring is quick and works great even without follow-focus. Loving so far.
Punches above its weight
I primarily use this lens for narrative work though from time to time I do take it out on corporate jobs. It offers a very distinct look. It has "mojo". It renders a detailed scene without being overly sharp, the colors and contrast are just right and the out of focus areas are smooth as butter. Being super fast is icing on the cake. Probably my favourite lens of all time.
Incredible glass.
My god what a lens. I mentioned this in my 18mm review, I'll say it again. Really feels like SLRMagic was trying to capture a Cooke series III look, this does that wonderfully. Wide open you get some of the most beautiful swirls, remind me of a petzval lens. You can get solid sharpness from corner to around T2.8(depending on the conditions) which is extremely impressive. Around T8 you can capture a Toland esq level deep focus. Which is insane.
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