Panasonic Lumix DC-S1R Mirrorless Digital Camera (Body Only)

Panasonic Lumix DC-S1R Mirrorless Digital Camera (Body Only)

Panasonic Lumix DC-S1R Mirrorless Digital Camera (Body Only)

Panasonic Lumix DC-S1R Mirrorless Digital Camera (Body Only)


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Product Highlights

  • 47.3MP Full-Frame MOS Sensor
  • Venus Engine Image Processor
  • 5.76m-Dot 0.78x-Magnification OLED LVF
  • 3.2" 2.1m-Dot Triaxial Tilt Touchscreen
  • UHD 4K60 Video Recording
  • ISO 100-25600, Up to 9 fps Shooting
  • Contrast-Detect 225-Area DFD AF System
  • Sensor-Shift Image Stabilization
  • Weather-Sealed Construction
  • 187MP High-Res Mode, XQD & SD Slots
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Panasonic DC-S1R Overview

  • 1Description

Panasonic's high-resolution entry into the full-frame mirrorless world, the Lumix DC-S1R pairs impressive and versatile imaging capabilities with a durable physical construction. The hallmark of the S1R is its full-frame 47.3MP MOS sensor, which is paired with a Venus Engine, to produce detailed, high dynamic range stills along with video recording up to 4K60p. The sensor's design omits a traditional low-pass filter in order to achieve the greatest sharpness and on-chip aspherical micro lenses promote greater sensitivity, light condensation, and color response. Additionally, the sensor and processor work to achieve a top expanded sensitivity of ISO 51200 along with quick 9 fps continuous shooting rate. Complementing both stills and video capabilities, the image sensor also utilizes an advanced DFD contrast-detection autofocus system for quick and precise focusing and subject tracking. Additionally, sensor-shift image stabilization helps to minimize the appearance of camera shake by 5.5 stops for sharper handheld shooting.

Beyond the imaging attributes, the S1R is also distinguished by its body design, which incorporates an impressively high resolution 5.76m-dot OLED electronic viewfinder along with a 3.2" 2.1m-dot triaxial tilt touchscreen LCD. The magnesium-alloy body is weather-sealed to permit working in harsh conditions and has a top status LCD for reviewing shooting settings on the fly. XQD and SD card slots offer flexible storage capabilities and Bluetooth and Wi-Fi connectivity afford remote camera control along with wireless image transferring to tablets and smartphones.

47.3MP Full-Frame MOS Sensor and Venus Engine
Featuring a full-frame 47.3MP MOS sensor, along with an updated Venus Engine, the S1R's imaging capabilities have been optimized for high-resolution recording along with notable sensitivity, a wide dynamic range, and flexible recording modes. The sensor's design omits a low-pass filter in order to maintain the highest degree of sharpness and on-chip micro lenses feature an aspherical design to improve light condensation and promote greater sensitivity, reduced noise, and more accurate rendering. An anti-reflective coating also helps to reduce surface reflections and flare for accurate color response. When combined with the Venus Engine's processing power, noise levels are further suppressed throughout the sensitivity range, from ISO 100-25600, and processing capabilities further yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 40 consecutive raw files.
UHD 4K Video Recording
Beyond stills shooting, the S1R is a capable video camera featuring up to UHD 4K60p recording with 4:2:0 8-bit color and unlimited recording times for the limit of the memory card. Also, high-speed recording modes for UHD 4K60, with 30 fps playback, and Full HD 180 fps, with 30 fps playback, offer 2x and 6x slower motion, respectively. Additionally, recording to an optional external recorder is possible, via the HDMI Type A port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
Body Design
  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • An impressive Real View Finder is a high-resolution 5.76m-dot OLED EVF offering a clear 0.78x configurable viewing magnification along with a smooth 60 fps or 120 fps changeable refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio.
  • Large 3.2" 2.1m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a triaxial tilting design to suit working from high and low angles, even in the vertical shooting orientation, and its touchscreen design affords intuitive settings control. Live View Boost is a dedicated viewing mode for working in low-light conditions, where the viewing sensitivity can be increased to aid in composing your image, and a Night mode also benefits working in dark conditions by lowering the screen's backlight intensity.
  • In addition to the rear LCD, a top status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off.
  • Durable, weather-sealed magnesium-alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments.
  • Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, an eight-way joystick, and a refined overall UI design for intuitive use. Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes.
  • Dual memory card slots—one XQD slot and one SD slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. Additionally, the SD slot is UHS-II compatible for fast read/write speeds and the XQD slot will be compatible with the CFexpress standard after a future firmware update.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, 3.5mm microphone and headphone jacks suit advanced audio recording needs, and a PC sync port can be used for wired flash synchronization.
  • DMW-BLJ31 rechargeable lithium-ion battery is rated for approximately 360-380 shots per charge when working with the rear monitor, 340-360 shots per charge with the EVF, and 1100-1150 shots per charge when Power Save LVF mode is on.
  • High precision shutter mechanism offers a top mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and has been tested for approximately 400,000 actuations.
Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S1R's 5.5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6 stops of camera shake.
DFD Autofocus System
For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject's pupil. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
6K and 4K PHOTO
Utilizing the S1R's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.
Bluetooth and Wi-Fi
Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.
Other Camera Features
  • By using sensor-shift stabilization technology, the S1R features a High Resolution mode to capture and compile eight separate exposure to create a single 187MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 16736 x 11168-pixel resolution.
  • HLG Photo mode offers increased dynamic range for improved retail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 8K or 4K resolution, in addition to JPEG and raw formats, for vivid playback on televisions.
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
  • I.S. Status Scope helps to recognize the type of camera shake being caused by displaying an arrow in the viewfinder or on the rear LCD.
  • Flicker Decrease automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
  • Lumix Tether enables wired, tethered shooting capabilities via USB connection between the camera and a computer. Aside from offering a larger live view preview, this application also permits remotely triggering the shutter, use of 6K and 4K Photo modes, and video recording start/stop.
  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.
UPC: 885170356962
In the Box
Panasonic Lumix DC-S1R Mirrorless Digital Camera (Body Only)
  • DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh)
  • DMW-BTC14 Battery Charger
  • AC Adapter and AC Mains Lead
  • USB Type-C to USB Type-C Cable
  • USB Type-C to USB Type-A Cable
  • Body Cap
  • Shoulder Strap
  • Eyecup
  • Hot Shoe Cover
  • Flash Sync Socket Cap
  • Battery Grip Connector Cover
  • Cable Holder
  • Limited 1-Year Warranty
  • Table of Contents
    • 1Description

    Panasonic DC-S1R Specs

    Lens Mount Leica L
    Camera Format Full-Frame (1x Crop Factor)
    Pixels Actual: 50.44 Megapixel
    Effective: 47.3 Megapixel
    Maximum Resolution 8368 x 5584
    Aspect Ratio 1:1, 2:1, 3:2, 4:3, 16:9, 65:24
    Sensor Type MOS
    Sensor Size 36 x 24 mm
    Image File Format JPEG, RAW
    Image Stabilization Sensor-Shift, 5-Axis
    Exposure Control
    ISO Sensitivity Auto, 100 to 25600 (Extended: 50 to 51200)
    Shutter Speed Mechanical Shutter
    1/8000 to 60 Seconds 
    0 to 30 Minutes in Bulb Mode 
    Electronic Front Curtain Shutter
    1/2000 to 60 Seconds 
    0 to 30 Minutes in Bulb Mode 
    Electronic Shutter
    1/8000 to 60 Seconds 
    1/16000 to 1/25 Second in Movie Mode 
    Bulb Mode 
    Metering Method Center-Weighted Average, Multiple, Spot, Highlight Weighted
    Exposure Modes Aperture Priority, Manual, Program, Shutter Priority
    Exposure Compensation -5 to +5 EV (1/3 EV Steps)
    Metering Range 0 to 18 EV
    White Balance Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
    Continuous Shooting Up to 9 fps at 46.7 MP for up to 40 Exposures (Raw)
    Up to 9 fps at 46.7 MP for up to 50 Exposures (JPEG)
    Interval Recording Yes
    Self Timer 2/10-Second Delay
    Recording Modes MP4/H.264 4:2:0 8-Bit
    UHD 4K (3840 x 2160) at 59.94p [150 Mb/s] 
    UHD 4K (3840 x 2160) at 23.976p/29.97p [100 Mb/s] 
    Full HD (1920 x 1080) at 59.94p [28 Mb/s] 
    Full HD (1920 x 1080) at 29.97p [20 Mb/s] 
    AVCHD 4:2:0 8-Bit
    Full HD (1920 x 1080) at 59.94p [28 Mb/s] 
    Full HD (1920 x 1080) at 23.976p [24 Mb/s] 
    Full HD (1920 x 1080) at 59.94i [17 Mb/s] 
    Full HD (1920 x 1080) at 59.94i [24 Mb/s] 
    External Recording Modes 4:2:2 8-Bit
    Video Encoding NTSC
    Audio Recording Built-In Microphone (Stereo)
    External Microphone Input
    Audio File Format AAC, Dolby Digital 2ch, Linear PCM
    Focus Type Auto and Manual Focus
    Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
    Autofocus Points Contrast Detection: 225
    Autofocus Sensitivity -6 to +18 EV
    Viewfinder and Monitor
    Viewfinder Type Electronic
    Viewfinder Resolution 5,760,000 Dot
    Viewfinder Eye Point 21 mm
    Viewfinder Coverage 100%
    Viewfinder Magnification Approx. 0.78x
    Diopter Adjustment -4.0 to +2.0
    Monitor Size 3.2"
    Monitor Resolution 2,100,000 Dot
    Monitor Type Tilting Touchscreen LCD
    Built-in Flash None
    Flash Modes Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
    Maximum Sync Speed 1/320 Second
    Flash Compensation -3 to +3 EV (1/3 EV Steps)
    Dedicated Flash System TTL
    External Flash Connection Hot Shoe, PC Terminal
    Memory Card Slot 1 x SD/SDHC/SDXC
    1 x XQD
    Connectivity 3.5mm Headphone, 3.5mm Microphone, 2.5mm Sub-Mini, HDMI A (Full Size), USB 3.0, USB Type-C, X-Sync Socket
    Wireless Wi-Fi
    GPS None
    Operating Temperature 14 to 104°F / -10 to 40°C
    Operating Humidity 10 to 80%
    Battery 1 x DMW-BLJ31 Rechargeable Lithium-Ion, 7.2 VDC, 3100 mAh
    Dimensions (W x H x D) 5.9 x 4.3 x 3.8" / 148.9 x 110 x 96.7 mm (Excluding Protrusions)
    Weight 2.24 lb / 1020 g (Body with Battery and Memory)
    Packaging Info
    Package Weight 6.45 lb
    Box Dimensions (LxWxH) 20.4 x 9.4 x 6.8"

    Panasonic DC-S1R Reviews

    Lumix DC-S1R Mirrorless Digital Camera (Body Only) is rated 4.6 out of 5 by 5.
    Rated 5 out of 5 by from Panasonic just did it! I have been for more than 10 years a Nikon D700/D800/D850 shooters coupled with Panasonic 4/3 offerings when weight was an issue. The recent Panasonic G9 4/3 body was very convincing for me, so much so that the Nikon D850 stayed for weeks at home... When Panasonic announced the S1R, I could not resist but to pre-order it. It is been now 6 weeks I am using the S1R with 3 Leica SL lenses, and I am delighted. The commands (buttons and interfaces) are perfect. Inspired by Nikon, but better. One example: with the iOS app, it is possible to geotag your pictures without depleting the camera battery (contrary to Nikon). It is also possible to upload full 47Mpix files on your iOS devices (hello Nikon?). Sensor stabilisation is life saving (no such things on the D850). It is remarkable to have 2 cameras with the same User Interface with different format. I now switch between the Panasonic G9 and this S1R depending on my customers need for resolution, and the type of images wanted (long lenses with 4/3, ...). Panasonic is really slowly and steadily making a revolution in the camera world. I forgot: the Leica SL lenses have no equivalent in the Nikon world. Amazing glass, best of class.
    Date published: 2019-05-29
    Rated 4 out of 5 by from A production machine with a few too many buttons There is much to like about the S1R. Its built like a tank, sits extremely well in the hands, its meant for production, and it invites to studio work and/or a tripod. The 47MP files allow for extensive crop. The choices, buttons and menus was tiring for me. I will be going with the Leica SL Mark II when that is released. Very much the same camera, but much simpler interface in the Leica. The Panasonic is much less in price though.
    Date published: 2019-05-28
    Rated 5 out of 5 by from Goodbye my Beloved A7RIII! I just received my new camera, Panasonic S1R. I sold off all my Sony Gear (A7RIII, 24GM, 85GM 50ZA) and I must tell you, I don’t miss my Sony one bit, and I loved my Sony (Been with them for 10 years). But Sony never excited me as I think it should’ve, though the output you get from the A7RIII coupled with any of the mentioned GM lens, was/is superb. Besides the not being enthused to pick up the Sony, the menu system is bad (Didn’t realized how much until I seen the S1R, the awful 1.4m dot LCD; why Sony). The EVF was very good and the ergonomics was satisfactory; They got better with each A7 generation. But when you hold the S1R in your hands and able to access to all of your major features/functions with easy and go through the menu without struggles and look through that big beautiful, absolutely gorgeous 5.7M EVF, you’ll see why I left Sony. (It’ not you Sony, it’s me) However, playing with my new Panasonic S1R just for a few hours, inside no less, I have to say I AM EXTEMELY IMPRESSED...PERIOD. My biggest concern was the Autofocus; my concerns have been put the rest. I seriously can’t tell the difference in autofocus between my A7RIII and the S1R, again I am inside testing. I like for my cameras to have a little weight, especially if the lens/body have a good balance to them. Lastly, the 24-105mm F4 Lens is AMAZING, sharp c-to-c; it does the camera justice. I did order the 50mm S F1.4 Pro (on BO), yeah, I know, EXPENSIVE, but I heard it is amazing. If the test shots I took with the kit lens 24-105mm F4 is amazing, my jar is probably going to drop when I get my 50mm S F1.4 pro, at least it better. Thus far, the output of the Jpegs has blown me away.  In a couple of words, I am happy I decided to get the S1R and not the S1 because I am not a video person, and I wanted to get as close of resolution as I was coming from; A7RIII/42MB (And no, I don’t need that much resolution, I think 36mb is the sweet spot). I don’t want this quick review to be about A7RIII vs the S1R or bashing the A7RIII, because the homey still have MAJOR love for A7RIII as it is still an awesome camera (Still one of the best), but I wanted to give my honest thoughts in case someone was who has the A7RIII and was on the fence about going to the S1R. If it is in your budget, I would say you would not be disappointed, seriously. Is it worth the price, especially over the lower cost A7RIII? To me it is, but to others it may not be. I am not a professional, but just a person who was blessed to have a couple of coins, ok a lot of coins, to get the new kid on the block. I would be curious to see what Sony is going to do next. Nikon and Canon first FF ML should have been what Panasonic just done with the S1/S1R; they took notes from Sony (accept for the CDPDAF system, which in some respects isn’t a bad thing). BTW, I had the Z7, it too was very good, but not as good as the Sony A7RIII and not as good as the S1R; IMO. I hope some of the readers got some value from my quick review.
    Date published: 2019-04-04
    Rated 5 out of 5 by from The camera for Technical Users I use cameras for fun and business. The business part of the work involves taking pictures for research, and the camera is used frequently to take pictures through a microscope. This camera is eminently suitable for this task or any task that requires meticulous photographic technique. For example, precise focusing is a must to obtain the highest resolution. This camera can achieve this end in two ways. Automatically, it relies on maximum contrast detection which works, without correction, with any AF lens you may use. Manually, this camera provides a high-resolution viewfinder or rear screen monitor for determining focus. There are several tools to ensure accurate focusing. For speed, there is peaking which displays a colored fringe around focused structures. For precision, the central part of the screen can be enlarged to see the finest details. This last is how I focus on a specimen when the camera is mounted on a microscope. For landscape photography, I use manual focus with this camera. One of its handiest features is a distance scale displayed in the viewfinder as one turns the focusing ring. Unlike many cameras, this one shows the distance in feet. Additionally, it displays the depth of field as a green bar. This bar changes as one alter the diaphragm or zoom setting. With a wide angle lens, it is easy to set the hyperfocal distance for a given aperture or lens focal length. Features, such as this, make this camera most suitable for the careful, meticulous worker who wishes to obtain the highest quality image.
    Date published: 2019-06-23
    Rated 4 out of 5 by from Fully featured and capable, with a best-in-class EVF First impression: enjoying this camera, though its a bit heavy - the weight is reminiscent of DSLRs, not mirrorless bodies. Works well with native L-mount glass, and Ive also mounted M-mount lenses, which work really well with the incredibly sharp EVF. Will have more information to add in a bit ...
    Date published: 2019-04-17
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    Can S1R shot slow motion for 4K? Can it shot ...

    Can S1R shot slow motion for 4K? Can it shot 120fps or 240fps?
    Asked by: ??
    You will be able to shoot 4K at up to 60fps. For HD it will go up to 180fps.
    Answered by: Joseph
    Date published: 2019-04-01

    Using Leica SL lenses, autofocus is preserved?? ...

    Using Leica SL lenses, autofocus is preserved?? Any limitations? Thank you.
    Asked by: Edgar
    All Leica SL (L-mount) lenses are fully compatible for use with the Panasonic Lumix DC-S1R Mirrorless Digital Camera.
    Answered by: Manzell
    Date published: 2019-04-16

    when will this camera be out?

    when will this camera be out?
    Asked by: joseph
    As of the date/time of this reply, our website currently indicates the expected availability is Thursday, April 4, 2019. Do note that this camera is currently listed as available for pre-order, and all pre-orders must be shipped/fulfilled before the camera is listed as "In Stock" online or in our NYC Superstore. Also, all pre-orders will be shipped in the order in which they are received. If you know you want the camera, it is recommended to place an order as soon as possible since the orders ship in the order they are received. If you rather wish to wait until the camera is listed as "In Stock," then it is recommended to click the white "Request Stock Alert" button below the blue "Preorder" button on our website and enter your e-mail address. We would then e-mail you once the camera is available for purchase.
    Answered by: Manzell
    Date published: 2019-02-14

    Is the image cropped in 4K?

    Is the image cropped in 4K?
    Asked by: Heath
    The S1 does not crop for 4K video in 30p, 25p, 24p however it does in 60p.
    Answered by: Dennis A
    Date published: 2019-05-02

    can canon EF lens be used?

    can canon EF lens be used?
    Asked by: Larissa
    This is an L-Mount camera. You would need an adapter like the Sigma MC-21 to use EF mount lenses on this camera.
    Answered by: Joseph
    Date published: 2019-06-12

    Can the (89) Panasonic Leica DG Vario-Elmar ...

    Can the (89) Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. Lens be adapted to work with the DC-S1R? Thanks
    Asked by: Patrice
    No, I'm sorry but that lens is for use with Micro Four Thirds cameras only. The S1R is a full frame camera.
    Answered by: Yoni
    Date published: 2019-07-05

    Have they solved the focus racking issue for ...

    Have they solved the focus racking issue for video?
    Asked by: Chris
    Panasonic has released a "Firmware" update to solve the focus issue for video when using the Panasonic Lumix DC-S1R Mirrorless Digital Camera
    Answered by: Lenny
    Date published: 2019-07-02

    What percentage of the frame is covered by AF ?

    What percentage of the frame is covered by AF ?
    Asked by: Charles Anderso
    Panasonic has not listed or displayed the percentage. You can select up 225 points for auto focus detection.
    Answered by: Dennis A
    Date published: 2019-06-17
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