Zoom LiveTrak L-12 - 12-Channel Digital Mixer & Multitrack Recorder

Zoom LiveTrack L-12 Mixer/Recorder Podcast Kit with Two MXL BCD-1 Broadcast Mics

Zoom LiveTrack L-12 Mixer/Recorder Podcast Kit with Two MXL BCD-1 Broadcast Mics

B&H # ZOZL12BM2PPB (B&H Kit)
Zoom LiveTrack L-12 Mixer/Recorder Podcast Kit with Two MXL BCD-1 Broadcast Mics

Kit includes:

Zoom LiveTrack L-12 Mixer/Recorder Podcast Kit with Two MXL BCD-1 Broadcast Mics Zoom LiveTrak L-12 - 12-Channel Digital Mixer & Multitrack Recorder MXL BCD-1 Live Broadcast Dynamic Microphone (Midnight Purple) Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable Polsen HPC-A30 Closed-Back Studio Monitor Headphones

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Product Highlights

  • For Podcasting Applications
  • LiveTrack 12-Channel Mixer/Recorder
  • 2 x MXL BCD-1 Live Broadcast Mics
  • 2 x Auray Broadcast Arms with XLR Cables
  • 2 x Polsen HPC-A30 Around-Ear Headphones
  • High-Quality Preamps
  • Standalone Operation
  • 5 x Headphone Outs with Level Controls
  • USB Audio Interface for Live Streaming
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Model: LiveTrack L-12

LiveTrack L-12 LiveTrack L-20

Not available with current selections

Configuration: Podcasting Kit A

Multitrack Recorder Podcasting Kit A Podcasting Kit B


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Price: $1,128.99

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Zoom LiveTrak L-12 Overview

  • 1Description

This Zoom LiveTrack L-12 Mixer/Recorder Podcast Kit with Two Rode Procaster Mics from B&H brings together the elements necessary to begin recording a 2-person podcast within minutes of opening the box. The MXL BCD-1 dynamic microphone features a cardioid pickup pattern that does a great job capturing speakers near the mic without picking up unwanted sounds further away. The included Auray two-section broadcast arms make positioning the mics a snap. The arms' integrated XLR cables plug right into the L-12 recorder, which features high-quality mic preamps and records to an SD card. The L-12 lets you create five individual headphone mixes, allowing you to plug in up to five sets of headphones, each with its own level control. Two pairs of Polsen HPC-A30 around-ear headphones are included for monitoring in comfort.

When you're ready to invite more guests to your podcast, the LiveTrack L-12 accommodates up to eight microphones, which can all be recorded simultaneously to individual tracks. With easy-to-reach faders and knobs for on-the-fly adjustments of levels and effects, the system is fully standalone, but also ready to interface with a computer for live streaming or for more elaborate post-production work.

  • Zoom LiveTrak L-12 - 12-Channel Digital Mixer & Multitrack Recorder

    The highly flexible Zoom LiveTrak L-12 is a 12-channel digital mixer and multi-track recorder, well suited for live performances, studio recording, band rehearsals, podcasts, and more. The compact mixer features 8 mono channels, each with combo mic/line XLR-1/4" inputs with high gain, low-noise microphone preamps, +48V phantom power, and a single compression knob, while the two stereo inputs offer dual 1/4" and RCA inputs. Channels 1-2 also offer Hi-Z inputs for connecting guitars and basses. All channels work with the on-board channel strip, which provides a low-cut filter, a 3-band EQ, a pan control, and a send FX for sending signal to the 16 built-in high-quality effects processor with a dedicated EFX Return channel.

    The main output utilizes balanced XLR outputs, while a stereo monitor send is available via two 1/4" outputs. Additionally, the Zoom LiveTrack L-12 offers five headphone outputs, each with the ability to set up customized mixes. Simply connect your headphones and adjust the levels to taste. There are nine snap-shot presets, which allow you instant recall of different setups and sessions.

    The built-in SD recorder can simultaneously record every channel and the master fader stereo signal output for a total of 14 tracks at resolutions up to 24-bit/ 96 kHz. Files can easily be copied to a computer and used in a DAW. In addition, overdubbing and punching in/out can be done as expected when using the unit as a multi-track recorder. The L-12 can also function as a 14-in/4-out USB audio interface, allowing you to record directly to your favorite software DAW or to iOS devices. Other notable features include 12-segment LED meters on all channels, a built-in metronome, and a built-in slate mic for identifying takes. The Zoom LiveTrack L-12 ships with a power cord and a USB cable.

    • 12 discrete channels (8 mono plus 2 stereo) with XLR or 1/4" connectivity
    • 14-track simultaneous recording, 12-track playback
    • 14-in/4-out USB audio interface connectivity
    • 5 powered headphone outputs, each with a customizable and savable mix
    • Add backing/click tracks from your computer to your live mix and recording
    • RCA and TRS line inputs
    • 48V phantom power (channels 1-4 and 5-8)
    • Hi-Z connectivity (channels 1 and 2)
    • 26 dB pad (channels 3-8)
    • Built-in compression control (channels 1-8)
    • 12-Segment Digital Level Meters: -48 to 0 dB
    • Master mute button
    • Low-cut control
    • Stereo panning
    • Master and monitor outputs (A-E)
    • Scene saving function, up to 9 scenes saved at a time
    • 16 built-in delay and reverb effects with adjustable parameters
    • Built-in slate mic
    • Class-compliant mode (for iOS compatibility)
    • SD card input
    • Built-in metronome
    • Automatic recording starting/stopping capability
    • Project protection
    • Import/export projects with USB 2.0 host port
    • Latency adjustment for A-to-D conversion
    • Compatible functions for optional Zoom FS01 footswitch
    UPC: 884354018054
  • 2 x MXL BCD-1 Live Broadcast Dynamic Microphone (Midnight Purple)

    The midnight purple BCBD-1 Live Broadcast Dynamic Microphone from MXL is an end address, professional microphone with a cardioid polar pattern that is designed for radio broadcasts, voice overs, podcasts, announcers, and more. It delivers a warm, rich tone making vocals stand out in any performance or recording. The BCD-1 features a built-in shockmount that prevents unwanted noise and vibration. The flexible BCD-1 includes a windscreen and a swivel mount that allows for perfect positioning on any mic stand.

    High-quality dynamic mic built for broadcast and voice-over productions
    Excellent side rejection
    3 selectable roll-off switches to help pinpoint precision sound
    Built-in isolation shockmount
    UPC: 801813192377
  • Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable

    The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.

    The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb. (2.27 kg). The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.

    The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.

    Ideal for studios as well as home use
    Internal Springs
    Internal springs provide smooth, noise-free positioning and clean and sleek profile
    Supports microphones up to 5 lb. (2.27 kg)
    The 5/8"-27 standard microphone thread is compatible with most shockmounts and microphone clips
    Extends up to 40" (101.6 cm) and rotates 360° allowing for precise microphone placement
    XLR Cable
    The integrated 15-foot (457.2 cm) XLR cable provides a secure, locking connection and excellent signal transfer
    Extra Height
    A 14" (13.6 cm) riser is included. It provides extra height to the broadcast arm for extending over computer or studio monitors
    Combo Mount
    The heavy-duty combo mount is comprised of a C-clamp for clamping to a desktop up to 2.3-inch (5.8 cm) thick, and a detachable desktop mount for permanent attachment to a desktop with the included screws
    14" Riser
    The included riser adds 14" of height to the broadcast arm so that it can easily extend over computer or studio monitors
    UPC: 847628578272
  • 2 x Polsen HPC-A30 Closed-Back Studio Monitor Headphones

    The HPC-A30 Closed-Back Studio Monitor Headphones from Polsen are designed for monitoring audio in studio, field, mobile, and DJ applications. They feature 50mm drivers that provide a frequency response of 18Hz to 22kHz for accurate reproduction of your audio.

    The ear cups on the HPC-A30 have an around-ear (circumaural), closed-back design, allowing for the increased isolation often desired while tracking or monitoring playback. Additionally, the ear cups can be pivoted for single-ear monitoring. The headphones have a collapsible folding mechanism for compact storage and transport. A padded and adjustable headband provides comfort during extended use. The 32 ohm impedance allows for ample volume when used with mobile devices. The headphones have a single-sided, 9.8-foot cable that terminates in a 3.5mm stereo connector. A 1/4" adapter is included for additional compatibility.

    UPC: 847628568488
  • Zoom LiveTrak L-12 - 12-Channel Digital Mixer & Multitrack Recorder
    Number of Inputs Mono (Mic/Line): 8 x Combo XLR-1/4" / 6.35 mm
    Stereo (Line): 2 x 1/4" / 6.35 mm TRS, 4 x RCA (2 x stereo pairs)
    Number of Outputs Master Out: 2 x XLR
    Monitor Out: A-E
    Monitor A: 2 x 1/4" / 6.35 mm TRS
    Monitor A-E: 5 x Headphone 1/4" / 6.35 mm TRS
    Input Gain Pad Off: +16 to +60 dB
    Pad On: −10 to +34 dB
    Hi-Z ON: +6 to +50 dB
    Input Impedance XLR: 3 kOhms
    TRS: 10 kOhms/1 MOhm (when Hi-Z on)
    Maximum Input Levels Mono (Mic/Line)
    Pad Off: 0 dBu (at 0 dBFS)
    Pad On: +26 dBu (at 0 dBFS)
    Stereo (Line): +16 dBu
    Phantom Power 48 V
    Maximum Output Levels Master Out: +14.5 dBu
    Monitor A (TRS): +14.5 dBu
    Monitor A-E (Headphones): 42 mW + 42 mW at 60 Ohms
    Output Impedances 100 Ohms
    Buses Master: 1
    Monitor: 5
    Send EFX: 1
    Channel Control Channel Strip
    Comp: Yes, channels 1 to 8
    Low Cut: 75 Hz, 12 dB/oct
    High: 10 kHz, ±15 dB, shelving
    Mid: 100 Hz to 8 kHz, ±15 dB, peaking
    Low: 100 Hz, ±15 dB, shelving
    Level Meters 12-segment
    Effects 16 types
    Recorder Maximum Simultaneous Recording Tracks:
    14 at 44.1/48 kHz
    12 at 96 kHz
    Maximum Simultaneous Playback Tracks: 12
    Recording Format: WAV 44.1, 48, 96 kHz, 16/24-bit, mono/stereo WAV format
    Recording Media:
    16 MB to 2 GB SD cards
    4 to 32 GB SDHC cards
    64 to 512 GB SDXC cards
    Audio Interface 44.1 / 48 kHz Recording: 14 channels
    Playback: 4 channels
    Bit depth: 24-bit
    Interface: USB 2.0
    Card Reader SDHC
    USB Host Class-compliant USB 2.0 high-speed
    Sample Rate (Audio) 44.1, 48, 96 kHz
    Frequency Characteristics 44.1 kHz: 20 Hz - 20 kHz (-1.0 dB)
    96 kHz: 20 Hz - 40 kHz (-3.0 dB)
    Equivalent Input Noise Actual Measurements: 128 dB EIN (IHF-A) with +60 dB/150 Ohms input
    Display LCD with backlight (128×64 resolution)
    Power Supply AD-19 AC Adapter: 12 VDC / 2 A
    Dimensions (W x D x H) 17.5 x 11.1 x 2.8" / 445.0 x 282.0 x 70.5 mm
    Weight 5.6 lb / 2.5 kg
    Packaging Info
    Box Dimensions (LxWxH) 21.25 x 13.0 x 4.5"
  • 2 x MXL BCD-1 Live Broadcast Dynamic Microphone (Midnight Purple)
    Analog Performance
    Sound Field Mono
    Transducer Dynamic
    Polar Pattern Cardioid
    Sensitivity 54 dBV/Pa
    Output Connectors 1 x 3-Pin XLR
    Length 6.20" / 157.5 mm
    Diameter 2.00" / 50.8 mm
    Weight 1.25 lb / 567 g
    Packaging Info
    Box Dimensions (LxWxH) 11.8 x 7.55 x 3.85"
  • Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
    Length 40" (101.6 cm)
    Weight Capacity 5 lb (2.27 kg)
    Microphone Mount 5/8"-27 standard microphone thread
    Clamping Range 2.3" (5.8 cm)
    Riser 14" (35.56 cm)
    Cable XLR M to XLR F: 15' (457.2 cm)
    Weight 4.47 lb. (2.02 kg)
    Packaging Info
    Box Dimensions (LxWxH) 23.5 x 7.4 x 3.5"
  • 2 x Polsen HPC-A30 Closed-Back Studio Monitor Headphones
    Driver Size 2" / 50 mm
    Design Over-Ear (Circumaural)
    Earcup Style Closed-Back
    Frequency Response 18 Hz to 22 kHz
    Sensitivity 93 dB at 1 kHz / 1 mW
    Impedance 32 Ohms
    Maximum Power Handling 600 mW
    Total Harmonic Distortion (THD) 5%
    Audio Connector 1/8" (3.5 mm) TRS
    Adapter (Included) 1/4" (6.3 mm)
    Design Single-Sided
    Color Black
    Detachable No
    In-Line Remote/Microphone No
    Cable Length 9.84' / 3 m
    Certifications CE, RoHS, as per Manufacturer
    Weight 6.5 oz / 184 g 
    Packaging Info
    Box Dimensions (LxWxH) 8.7 x 7.4 x 3.8"

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