Zoom H6 Recorder Podcast Kit with Two Rode Procaster Microphones

BH #ZOH6RPM2PPB (B&H Kit)
Zoom
Zoom H6 Recorder Podcast Kit with Two Rode Procaster Microphones
Key Features
  • 2-Person Portable Podcast Studio
  • 2 x Procaster Broadcast Mics
  • 2 x Broadcast Arms, 2 x XLR Mic Cables
  • 2 x Senal SMH-1000 Around-Ear Headphones
Show More
This Zoom H6 Recorder Podcast Kit with Two Rode Procaster Microphones from B&H brings the elements necessary to begin recording a 2-person podcast within minutes of opening the box. The Rode Procaster is a broadcast-quality, dynamic microphone that does a great job capturing speakers near the mic, but without picking up unwanted sounds further away.
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Zoom H6 Overview

  • 1Description
  • 2Zoom H6 All Black 6-Input / 6-Track Portable Handy Recorder with Single Mic Capsule (Black)
  • 3Rode Procaster Broadcast-Quality Dynamic Microphone
  • 4Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable
  • 5Senal SMH-1000 Professional Field and Studio Monitor Headphones
  • 6Kopul 1/8" Stereo Y Cable
  • 7On-Stage Front Address Pop Filter for EV RE20 and RE320

This Zoom H6 Recorder Podcast Kit with Two Rode Procaster Microphones from B&H brings the elements necessary to begin recording a 2-person podcast within minutes of opening the box. The Rode Procaster is a broadcast-quality, dynamic microphone that does a great job capturing speakers near the mic, but without picking up unwanted sounds further away.

The included two-section broadcast arms make positioning the mics a snap. The XLR cables connect the mics to the H6 recorder, which features high-quality mic preamps and records to an SD card. Two pairs of Senal SMH-1000 around-ear headphones are included to provide precise monitoring in comfort for both the host and the guest.


When you're ready to add more guests to your podcast, the H6 can be expanded to accommodate up to six mics with the EXH-6 dual XLR/TRS combo input capsule (available separately). The recorder also features easy-to-reach controls and a large, full-color LCD display angled so it's easy to read in all environments when making on-the-fly adjustments or editing in the field. The system is fully standalone but also ready to interface with a computer for live streaming or for more elaborate post-production work.

Zoom H6 All Black 6-Input / 6-Track Portable Handy Recorder with Single Mic Capsule (Black)

While the original gray H6 is bundled with two mic capsules and premium accessories, the Zoom H6 All Black portable handheld recorder features a sleek black finish and a single mic capsule, making ideal for bands, multi-instrumentalists, and podcasters who don't immediately need the extras. With its X/Y stereo microphone capsule, six versatile mic/line inputs, and up to 6-track recording, the H6 All Black is both user-friendly and easily expandable.

Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H6 All Black packs an impressive array of features into a rugged, rubberized body that's more than ready to meet the varied demands of musicians, content creators, videographers, and sound designers.

From the intuitive, tactile controls to the plentiful battery life and powerful audio processing functions, the H6 All Black is well equipped for producing pristine audio for complete musical arrangements, independent films, and panel podcasts. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you'll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.

Original H6 vs H6 All Black

Whereas the original H6 sports a gray finish, two interchangeable stereo mic capsules, and premium accessories—a protective case, a foam windscreen, and a USB cable, the H6 All Black 2020 Version is presented in a sleek, solid black finish and includes a single stereo mic capsule. Both versions include four AA batteries for powering the H6 on the go.

Fast, User-Friendly Operability

The H6 All Black's front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, large gain knobs, and pad switches. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording.

Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2" full-color LCD, which happens to be backlit and angled for maximum visibility.

Instant Access to Gain Adjustments

Each H6 input has its own dedicated gain control knob. There's no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4" input sources are so loud that you need even less gain than the preamps provide at the "0" setting, use four front-panel pad switches to attenuate the combo inputs by 20 dB.

X/Y Stereo Microphone Capsule

Leave your external mics at home and travel light; the H6 All Black includes a stereo microphone capsule (the original H6 includes two interchangeable capsules). With nothing more than the H6, you're set to record a variety of sources, even ear-rattling ones up to 136 dB!

The matching black X/Y capsule provides clear, phase-accurate capture in two different X/Y positions—90° for a tight stereo image or 120° for a wider perspective. Just twist the capsules to their premarked positions to switch between the two configurations.

Supports Interchangeable Zoom Mic Capsules

The Zoom mic capsule input on the H6 All Black accommodates Zoom's line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With shock-mounted X/Y, Mid-Side, and mono or stereo shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4" jacks.

Six Channels of Microphone/Line Inputs

Equipped with four XLR-1/4" combo inputs and a 3.5mm stereo mini-jack input (on the X/Y capsule), the H6 All Black can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, feeds from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6 All Black's preamps are ready to deliver low-noise (-120 dB EIN) performance.

Record All Channels Live or Overdub Layers

The H6 All Black boasts 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels simultaneously or utilize the overdubbing function to add layers of instruments after an initial recording. Adjust levels and pans for your tracks, then use the internal mixdown function to blend six tracks down to a stereo file.

SD Card Recording and Audio Interface Functionality

Maximize portability by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will yield over 3 hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.

Alternatively, use the H6 All Black as a 6-in / 2-out USB 2.0 audio interface at up to 24-bit / 96 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz.

3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones

The H6 All Black boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. Independently adjust the headphone volume via the side-panel volume control. For quick playback reference, a built-in monophonic speaker is also provided.

Powered via AA Batteries or AC Adapter

Power the H6 All Black via four included AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H6 running for over 20 hours of continuous 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for over 9 hours of nonstop 24-bit / 96 kHz recording using the X/Y mic and the four XLR-1/4" inputs. When using the H6 All Black in the stereo USB audio interface mode, USB bus powering is possible.

Rugged and Portable, Handheld or Mounted

The durable, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H6 All Black obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H6 All Black directly to a DSLR.

Signal Processing Adds Sonic Polish

The H6 All Black's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

There's an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 All Black an ideal tool for phrase training.

Special Recording Functions

The H6 All Black offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you'll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.

Backup record enables the H6 All Black to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!

Supports External Remote Control

Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.

Includes Audio Software

The H6 All Black comes with free download licenses for Steinberg's Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.
UPC: 884354022860

Rode Procaster Broadcast-Quality Dynamic Microphone

The Procaster Broadcast-Quality Dynamic Microphone from Rode is designed for capturing speech in broadcast radio, voice-over recording, podcasts, and similar applications. It features a tight cardioid polar pattern and tailored frequency response that result in optimum speech reproduction without off-axis noise. The all-metal construction, internal pop-filter, and internal shockmount further minimize handling noise and contribute to the microphone's durability. The package includes a microphone stand mount and a zip pouch.

Tailored frequency response for maximum speech reproduction
Tight cardioid polar pattern minimizes off-axis noise
Internal shockmount and pop filter minimize handling noise and plosives
Durable all-metal construction
UPC: 698813001118

Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable

The Auray BAI-2X is a two-section broadcast arm with internal springs and an integrated XLR cable. This versatile and sturdy broadcast arm is great for studio as well as home use. It's ideal for broadcast, voiceover, and podcasts.

The BAI-2X broadcast arm is designed with internal springs that provide a clean and sleek look. The internal balance springs are precision engineered to support and hold in place microphones of up to 5 lb / 2.27kg. The design also minimizes handling noise when re-positioning the arm. The broadcast arm features a standard 5/8"-27 microphone stud mount that is compatible with most shockmounts and microphone clips. The angle of the microphone stud mount can be adjusted and secured with the locking knob, and the angle is maintained when re-positioning the arm. This eliminates the need to readjust it every time the arm is moved. With an extension of up to 40 inches, and the ability to rotate the arm 360°, the BAI-2X allows for precise microphone placement.

The BAI-2X also features a heavy-duty combo mount that consists of a sturdy C-clamp and a heavy-metal desktop mount. The C-clamp is capable of fastening onto desktops up to 2.3" thick. The C-clamp's slim design minimizes the clearance needed to mount it between a desk and wall. The desktop mount detaches from the C-clamp and provides the option of permanent installation to a desktop with the mounting screws (included). A 14" riser is included for adding height to the broadcast arm in order to extend over computer or studio monitors.

Versatile

Ideal for studios as well as home use

Internal Springs

Internal springs provide smooth, noise-free positioning and clean and sleek profile

Sturdy

Supports microphones up to 5 lb / 2.27kg

Compatibility

The 5/8"-27 standard microphone thread is compatible with most shockmounts and microphone clips

Precision

Extends up to 40" / 101.6cm and rotates 360° allowing for precise microphone placement

XLR Cable

The integrated 15-foot XLR cable provides a secure, locking connection and excellent signal transfer

Extra Height

A 14" / 13.6cm riser is included. It provides extra height to the broadcast arm for extending over computer or studio monitors

Combo Mount

The heavy-duty combo mount is comprised of a C-clamp for clamping to a desktop up to 2.3" / 5.8cm thick, and a detachable desktop mount for permanent attachment to a desktop with the included screws

14" Riser

The included riser adds 14" / 13.6cm of height to the broadcast arm so that it can easily extend over computer or studio monitors
UPC: 847628578272

Senal SMH-1000 Professional Field and Studio Monitor Headphones

The SMH-1000 Professional Field and Studio Monitor Headphones from Senal feature a classic closed-back, over-the-ear, collapsible design. With features like interchangeable cables, a refined frequency response, wire guides, superior comfort, and durable materials, the SMH-1000 is ideal for studio and field applications.

Equipped with 40mm neodymium drivers at 58-ohm impedance, the SMH-1000 headphones are designed to be loud enough when attached to low powered devices such as mobile phones and MP3 players, yet robust enough to handle studio headphone amps without distortion.The over-ear, closed-back design is intended to help block unwanted outside noise, which is useful in professional field recording and studio monitoring scenarios where isolation is critical.

The headphones are designed with an EQ curve that's been tailored for a slightly enhanced low end that allows field engineers to detect wind noise more effectively and enables studio engineers to monitor bass and sub-bass frequencies. The high-frequency response has been extended to accurately reproduce spatial detail. There is also a pronounced but smooth midrange that reduces ear fatigue over prolonged periods, while maintaining focus on vocal and dialogue intelligibility.

Designed for flexibility as well as great sound, the SMH-1000 makes use of twist-lock detachable cabling. There are two detachable cables included in each box that can be used interchangeably. There is a stretchable 4 to 10' coiled cable that provides better mobility and reach, that also helps prevent snags from pulling the headphones off of your head. This can be useful when navigating through gear-cluttered recording studio environments. There is also a 3' straight cable that is useful when less slack is ideal, such as when using a waist-mounted field recorder or mixer, or when using your mobile device.

The SMH-1000 has been built with convenience, practicality, and comfort in mind. The headphones have a collapsible folding mechanism for compact storage and transport. They also have wire guides to keep the earcup wires from pinching. Furthermore, they are fitted with a padded headband and soft replaceable ear cushions to maximize comfort during extended listening.

An excellent choice for commercial recording, broadcast, home studios, and live and location sound. Also great for home and portable entertainment.
Over-ear, closed-back (circumaural) stereo headphone design to help block unwanted environmental noise. Ideal for use in professional applications such as studio or field recording.
Detachable twist-locking 10' coiled cable and 3' straight cable are included. Replacement cables also available from Senal.
Enhanced low end designed to allow field engineers to detect wind noise effectively, and for studio engineers to monitor bass and sub-bass frequencies.
Pronounced but smooth midrange tailored to reduce ear fatigue over prolonged periods while maintaining focus on vocal and dialog intelligibility.
Extended high frequency response designed to reproduce spatial detail accurately. Gradual roll off at 14 kHz allows for accurate low-level monitoring and hearing protection.
Padded headband and soft replaceable ear cushions. Replacement cushions are available separately.
Easy storage via collapsible folding mechanism.
UPC: 847628015821

Kopul 1/8" Stereo Y Cable

The 1/8" Stereo Y Cable from Kopul features a 1/8" stereo male TRS connector that splits to two 1/8" stereo female TRS inputs, allowing you to split a stereo signal, such as a headphone output, to two stereo outputs. It features a premium OFC spiral-shielded cable for reduced EMI and is 8-inches in length. Its gold-plated metal connectors are manufactured by Rean, a trademark of Neutrik.

UPC: 847628572430

On-Stage Front Address Pop Filter for EV RE20 and RE320

Designed for the EV RE20 and RE320, the On-Stage Front Address Pop Filter helps mitigate plosives and breath noise during vocal recording and broadcast applications such as voiceover work, radio interviews, and podcasts. The pop filter features a 3" nylon filter that not only reduces P sounds and B sounds but also helps prevent corrosive moisture from damaging your microphone's delicate diaphragm.

The rubber-coated 1.9" clamp holds the filter in place and prevents scratches to the microphone's finish. The depth and angle of the 4.75" shaft and nylon pop screen are adjustable, allowing for a quick and easy setup. The pop filter is also compatible with the Rode Podcaster and Procaster microphones

UPC: 659814142385

Zoom H6 All Black 6-Input / 6-Track Portable Handy Recorder with Single Mic Capsule (Black) Specs

Portable Recorder
Number of TracksWAV:
6
MP3:
2
Max Sample Rate/Resolution96 kHz / 24-Bit
MicrophoneInterchangeable Cardioid Condenser Stereo Pair, X/Y Configuration
Built-In SpeakerYes, 400 mW Mono
Display2" / 5.08 cm Color LCD (Backlit)
Memory Card SupportSD (16 MB to 2 GB)
SDHC (4 to 32 GB)
SDXC (64 to 128 GB)
Internal StorageNone
Recording
Audio File FormatsBWF, MP3, WAV
Sample RatesWAV:
44.1 / 48 / 96 kHz
MP3:
44.1 kHz
Bit Depth16 / 24-Bit
Bit Rates48 to 320 kb/s
Signal ProcessingCompressor, Limiter, Low-Cut Filter, Pitch Control
TimecodeNo
Recording TimeWAV 44.1 kHz/16-Bit:
1 Hr 34 Mins per GB (Stereo)
MP3 128 kb/s:
17 Hrs 21.5 Mins per GB (Stereo)
Connectivity
Analog I/O4 x Combo XLR-1/4" TRS Female Balanced/Unbalanced Line/Mic Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Line/Mic Input
1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
Digital I/ONone
Phantom Power+12 / 24 / 48 V (Selectable on Individual Inputs)
Plug-In PowerYes, 2.5 V
Host Connection1 x Mini-USB (USB 2.0)
Performance
Gain RangeX/Y Mic Capsule:
Up to +46.5 dB
1/8" Inputs:
Up to +46.5 dB
Mic/Line Inputs:
Up to +55.5 dB
Max Input LevelInputs:
+22 dBu (Pad On)
Max Output LevelLine Outputs:
-10 dBu
Headphone Output Power20 mW per Channel into 32 Ohms
Impedance1/8" / 3.5 mm Inputs:
2 Kilohms
Mic/Line Inputs:
1.8 Kilohms
EIN≤-120 dBu
Microphone Sensitivity-41 dB/Pa (X/Y)
Microphone Max SPL136 dB SPL (X/Y)
Power
Power OptionsBatteries, USB Bus Power, AC/DC Power Adapter
Battery Type4 x AA (Included)
Approximate Battery LifeWAV 44.1 kHz/16-Bit:
21 Hours (Alkaline, 2 Channels)
WAV 96 kHz/24-Bit:
9.75 Hours (Alkaline, All Channels)
AC/DC Power Adapter5 VDC at 1 A (Not Included)
Physical
Mounting Options1/4"-20 Female
Dimensions3.1 x 1.9 x 6" / 77.8 x 47.8 x 152.8 mm (Recorder)
3.1 x 1.8 x 2.4" / 78.9 x 45.2 x 60.2 mm (X/Y Mic)
Weight9.9 oz / 280 g (Recorder)
4.6 oz / 130 g (X/Y Mic)
Packaging Info
Package Weight1.61 lb
Box Dimensions (LxWxH)8.4 x 6.4 x 2.4"

Rode Procaster Broadcast-Quality Dynamic Microphone Specs

Microphone
Primary ApplicationsStudio Recording, Broadcast
Form FactorDesktop
CapsuleDynamic
Polar PatternCardioid
OrientationEnd Address
PadNone
High-Pass FilterNone
Tone AdjustmentNone
On-Board ControlsNone
WindscreenBuilt-In
Performance
Frequency Range75 Hz to 18 kHz
Impedance320 Ohms
Sensitivity-56 dB at 1 kHz
Connectivity
Output Connectors (Analog)1 x XLR 3-Pin
Physical
ColorBlack
MountingMic Clip (Included)
Dimensionsø: 2.09 x L: 8.43" / ø: 53 x L: 214 mm
Weight1.64 lb / 745 g
Packaging Info
Package Weight2.3 lb
Box Dimensions (LxWxH)11.25 x 5.5 x 2.6"

Auray BAI-2X Two-Section Broadcast Arm with Internal Springs and Integrated XLR Cable Specs

Physical
Form FactorStudio Microphone Arm with Mount
ColorBlack
Total Reach40" / 101.6 cm
Thread Size5/8"-27
Riser Height14.00" / 35.56 cm
Load Capacity5 lb / 2.27 kg
Included CableIntegrated
Cable Length15' / 457.2 cm
Audio Connector TypeXLR 3-Pin
Clamp Range2.3" / 5.8 cm
Weight4.47 lb / 2.02 kg
Packaging Info
Package Weight6.2 lb
Box Dimensions (LxWxH)23.5 x 7.4 x 3.5"

Senal SMH-1000 Professional Field and Studio Monitor Headphones Specs

Headphone
FoldableYes
Driver Size1.6" / 40 mm
Magnet TypeNeodymium
Maximum Power Handling1000 mW
Total Harmonic Distortion (THD)1%
Audio Connector to Source1/8" / 3.5 mm
Adapter (Included)1/4"
Physical
Packaging Info
Package Weight1.415 lb
Box Dimensions (LxWxH)10.1 x 8.75 x 3.9"

Kopul 1/8" Stereo Y Cable Specs

Interface
Connector 11 x 1/8" (3.5 mm) TRS Male
Connector 22 x 1/8" / 3.5 mm TRS Female
Electrical
Connector PlatingGold
General
Cable Length8" / 20.3 cm
Packaging Info
Package Weight0.155 lb
Box Dimensions (LxWxH)9.85 x 5.35 x 0.5"

On-Stage Front Address Pop Filter for EV RE20 and RE320 Specs

Physical
Filter TypePop Filter
Filter Size3" / 76.2 mm Diameter
Attachment StyleClamp with Screw, On-Mic
Adjustable HeightNone
Clamp Width1.9" / 48.26 mm
Filter MaterialNylon
Material of ConstructionAluminum, Nylon, Plastic, Rubber
Length4.75" / 120.65 mm
Packaging Info
Package Weight0.235 lb
Box Dimensions (LxWxH)9.75 x 5.4 x 1.05"
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question

I am not sure if I got a defective Zoom h6. My device has this faint hissing noise even without any microphone plug in. if I set my gain to 6 and above and bump headphone volume to about 60 I can hear noises and I can also hear this noise in the record as well. Can someone confirm this with your device? - Thanks
Asked by: Quan N.
Sounds normal as all equipment has a noise floor. If you have the equipment to filter out the noise do that in post. Or keep the gain below 6. Also if possible increase the level of the sources. Such as turning gain up on a amplifier. Hopes this helps.
Answered by: Jane
Date published: 2021-05-01

Can I use this to record and livestream at the ...

Can I use this to record and livestream at the same time? I'd like to use the built in mixer to control the inputs, while recording the audio. And us the output to my ATEM mini for a live stream. Possible?
Asked by: Steve
Yes, you can use the H6 to connect your mics and use the built-in mixer to control the inputs while also recording to an SD card. The 3.5mm headphone jack on the H6 functions as a line out which you can connect to an audio input on the ATEM mini.
Answered by: Lisa
Date published: 2021-03-01

Would this be an appropriate audio interface to ...

Would this be an appropriate audio interface to hook up 2 XLR mics for recording instrument/piano to a dSLR/mirrorless camera via TRS 3.5 mm minijack? If so, with its own XY mic, can it be used as a 3 mic input? Knowing camera TRS mic input is only 2 channel stereo, would a 3rd mic be useless then? Sorry for the novice question.
Asked by: Andrew
This is a 6 channel recorder, Four XLR inputs plus the onboard stereo mic. You can connect the output to your camera and record the entire stereo mix to the camera, although you should still use the audio from the Zoom in your final cut.
Answered by: Anonymous
Date published: 2021-01-11

Is there a Zoom model that will ALLOW external ...

Is there a Zoom model that will ALLOW external mic with a 3.5 mm jack WITHOUT bypassing on-board mics? So 2 mics sources for recording (to a dSLR)?
Asked by: Andrew
No. The 3.5mm jack will always disable the onboard mics. You can connect your 3.5mm into the XLR with an adapter, like the RODE VXLR, Use the VXLR+ if the mic requires plug in power.
Answered by: Anonymous
Date published: 2021-01-04

in usb interface mode, how many channels / tracks ...

in usb interface mode, how many channels / tracks can be recorded simultaneously?
Asked by: Paolo
The H6 would be able to operate as a 6 channel in / 2 channel out audio interface.
Answered by: Zoom Customer Support
Date published: 2020-12-29

Does the H6 black have the same timecode feature ...

Does the H6 black have the same timecode feature as the H5? To output audio to the camera via line out 6400line in (ie Sony a6400) ? As well as sync with cameras timecode for post production purposes? I believe the H5 has this option? Where could I read up on this? I’m just getting into all of this. Hoping the post production process will be fairly straight forward.
Asked by: Andrew
The H6 and H5 have the same time code basically you would connect a Attenuator cable from the output of the recorder into your camera and it sends a secondary to your camera then you sync the audio with video in post,
Answered by: Raul
Date published: 2020-12-28

What is the best type of lava lire to use with ...

What is the best type of lava lire to use with this recorder? I tried plugging one in and for some reason it would not work.
Asked by: Paulette
Most lav mics will require power to work. Any lav with an XLR connector will work, as long as phantom power is turned on.
Answered by: Anonymous
Date published: 2020-12-08

Does the Zoom H6 Recorder Podcast Kit with 1 ...

Does the Zoom H6 Recorder Podcast Kit with 1 enCORE Microphone come with both products in their individual boxes? Anyone know the quality of the XLR cable included? Thank you.
Asked by: David
Everything will come in its original packaging from the manufacturer. The quality of the XLR cable is the second best in the product line and will work great for most aplications.
Answered by: Anonymous
Date published: 2020-12-01
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