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FUJIFILM GFX 100 Medium Format Mirrorless Camera

BH #FUGFX100 • MFR #600020930
FUJIFILM GFX 100 Medium Format Mirrorless Camera
Key Features
  • 102MP 43.8 x 32.9mm BSI CMOS Sensor
  • X-Processor 4 Image Processor
  • Removable 5.76m-Dot OLED EVF
  • 3.2" 2.36m-Dot Tilting Touchscreen LCD
Distinguished by its extremely high resolution, but also sporting a versatile feature-set, the FUJIFILM GFX 100 is a medium format mirrorless camera designed for a true multimedia workflow. Excelling with still photography applications, the 102MP 43.8 x 32.9mm BSI CMOS sensor achieves impressive image quality with high sensitivity to a native ISO 12800. Making use of the X-Processor 4, the GFX 100 is capable of outputting 16-bit raw imagery with a broad dynamic range and low noise levels. Additionally, the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. Also, making use of the full width of the sensor, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording to an Atomos Ninja V, and an F-log gamma setting can also be used for more advanced color grading during post-production. Additionally, the sensor's design also incorporates an expansive 3.76m-point phase-detection autofocus system for quick, precise AF performance and subject tracking for both stills and video.
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FUJIFILM GFX 100 Overview

  • 1Description
  • 2102MP BSI CMOS Sensor and X-Processor 4
  • 3UHD and DCI 4K Video Recording
  • 4Sensor-Shift Image Stabilization
  • 5Body Design
  • 63.76m-Point Autofocus System
  • 7Other Camera Features
  • 8Firmware Updates

Distinguished by its extremely high resolution, but also sporting a versatile feature-set, the FUJIFILM GFX 100 is a medium format mirrorless camera designed for a true multimedia workflow. Excelling with still photography applications, the 102MP 43.8 x 32.9mm BSI CMOS sensor achieves impressive image quality with high sensitivity to a native ISO 12800. Making use of the X-Processor 4, the GFX 100 is capable of outputting 16-bit raw imagery with a broad dynamic range and low noise levels. Additionally, the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. Also, making use of the full width of the sensor, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording to an Atomos Ninja V, and an F-log gamma setting can also be used for more advanced color grading during post-production. Additionally, the sensor's design also incorporates an expansive 3.76m-point phase-detection autofocus system for quick, precise AF performance and subject tracking for both stills and video.

Complementing the sensor design, the GFX 100 is also the first mirrorless medium format body to incorporate sensor-shift image stabilization. This stabilization system compensates for up to 5.5 stops of camera shake across five axes in order to reduce the appearance of camera shake. Also unique, this camera features a built-in vertical grip for improved ergonomics and handling regardless of shooting in horizontal or vertical orientation. This grip also allows for two batteries to be used at a time, for longer shooting sessions. Also unique, a removable 5.76m-dot OLED electronic viewfinder can be used for high-resolution eye-level viewing, and can be paired with an optional tilt adapter to permit working with the finder from various working angles. Alternatively, the rear 3.2" 2.36m-dot touchscreen LCD features a three-way tilting design that supports working from high and low angles, even when shooting in the vertical orientation. Operability is further reinforced through the use of customizable dials for adjusting exposure settings, and both top and rear sub LCD screens are also featured for quickly checking settings and exposure data.

102MP BSI CMOS Sensor and X-Processor 4
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100 is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
UHD and DCI 4K Video Recording
Utilizing the large sensor size for more than just stills, the GFX 100 also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

The camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Sensor-Shift Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 5.5 stops. This system works in conjunction with any lens, including non-stabilized ones, and benefits working with slower shutter speeds and when working in difficult lighting conditions.
Body Design
  • Magnesium alloy body construction is both lightweight and durable, and the camera system is sealed in 95 places to render it weather- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Based on a modular concept, a removable 5.76m-dot OLED electronic viewfinder is included for high-resolution, 0.85x-magnification eye-level viewing with a refresh rate of 85 fps. This viewfinder can be paired with an optional EVF-TL1 Tilt Adapter for positioning the finder at a variety of working angles.
  • The removable EVF connects with the camera body via the hot shoe, and the EVF features its own hot shoe to maintain compatibility with optional external flashes.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique tilting design that moves both 45° downward and 90° upward for shooting from high and low angles, and also tilts 60° to the side to benefit shooting in the vertical orientation when in live view.
  • Integrated vertical grip offers a more ergonomic and secure design for holding the camera in either the horizontal or vertical shooting orientation. This design also affords more room for incorporating two sets of physical controls, shutter releases, and permits working with two batteries.
  • Two NP-T125 rechargeable lithium-ion batteries are used to provide extended shooting times, and, when combined, are rated to approximately 800 shots per charge.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • Mechanical focal plane shutter has a performance rating of approximately 150,000 shutter actuations. This shutter also uses a shock absorption mechanism to prevent unwanted shake caused by the physical movement of the shutter during an exposure.
  • Both a 1.8" sub LCD monitor on the top plate and a 2.05" sub OLED monitor on the rear of the camera are also featured and are used to quickly view shooting settings and exposure data.
  • Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
3.76m-Point Autofocus System
The sensor's design also includes an expanded phase-detection autofocus system, which has an impressive 3,760,000 points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance along with low-light sensitivity down to EV -3. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Other Camera Features
  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Firmware V4.00 adds new functionality, including improved autofocus performance, coordinated control of in-body and optical image stabilization mechanisms, and a new film simulation, "Nostalgic Neg".Firmware V3.00 adds a Pixel-Shift Multi-Shot mode capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
  • Interval shooting is possible for up to 999 consecutive frames with a 1-sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
  • A voice memo function lets you solely record your voice for up to 30 seconds at a time for making notes or keeping track of shooting information.
  • 3D Electronic Level can be used to ensure the accuracy of horizontal and vertical lines within your composition.
Firmware Updates
Ver. 4.20: The maximum number of frames that can be stored in a single folder will be changed from 9,999 to 999 with Ver.4.20 or later.
UPC: 074101200973

FUJIFILM GFX 100 Specs

Imaging
Lens MountFUJIFILM G
Sensor ResolutionEffective: 102 Megapixel (11,648 x 8736)
Sensor Type43.8 x 32.9 mm (Medium Format) CMOS
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter
Shutter SpeedMechanical Shutter
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
1/4000 to 3600 Seconds in Manual Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
1/16000 to 3600 Seconds in Manual Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
1/4000 to 3600 Seconds in Manual Mode
Up to 60 Minutes in Bulb Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 in Manual, Auto Mode (Extended: 200 to 25,600)
Metering MethodAverage, Center-Weighted Average, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
White BalancePresets: Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous ShootingUp to 5 fps at 102 MP for up to 14 Frames (Raw) / 41 Frames (JPEG)
Up to 2 fps at 102 MP for up to 20 Frames (Raw) / Unlimited Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes4:3
11,648 x 8736
8256 x 6192
4000 x 3000
3:2
11,648 x 7768
8256 x 5504
4000 x 2656
16:9
11,648 x 6552
8256 x 4640
4000 x 2248
1:1
8736 x 8736
6192 x 6192
2992 x 2992
Aspect Ratio1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File FormatJPEG, Raw, TIFF
Bit Depth16-Bit
Internal Recording ModesH.265/MOV 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
External Recording Modes12-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
Raw via HDMI
3840 x 2160 at 23.98/24.00/25/29.97 fps
Recording LimitNone
Broadcast OutputNTSC/PAL
IP StreamingNone
Built-In Microphone TypeStereo
Audio Recording2-Channel LPCM Audio
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1 x DC Input
1 x USB-C Input/Output
Other I/O1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Input
WirelessWi-Fi, Bluetooth
Monitor
Size3.2"
Resolution2,360,000 Dot
Display Type3-Way Tilting Touchscreen LCD
Secondary DisplayTop: Status Display
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5"
Resolution5,760,000 Dot
Eye Point23 mm
Coverage100%
MagnificationApprox. 0.86x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 3760000
Flash
Built-In FlashNo
Flash ModesFirst-Curtain Sync, Hi-Speed Sync, Manual, Second-Curtain Sync, Slow Sync, TTL Auto
Maximum Sync Speed1/125 Second (Focal Plane Shutter)
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity10 to 80%
General
Battery Type2 x NP-T125 Rechargeable Lithium-Ion, 10.8 VDC, 1230 mAh (Approx. 800 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)6.15 x 6.44 x 4.05" / 156.2 x 163.6 x 102.9 mm
Weight3.08 lb / 1400 g (With Viewfinder)
Packaging Info
Package Weight6.5 lb
Box Dimensions (LxWxH)9.9 x 8.1 x 7.1"

FUJIFILM GFX 100 Reviews

Excelent...Except.

By Hobart C.
Rated 4 out of 5
Date: 2022-09-21

An amazing body. Has just about every feature you've ever wanted. Files are rich in info. Lenses are sharp. AF is surprisingly quick for a medium format. Eye tracking does a pretty good job, better than I expected as long as there is some light on the front of the subject. IS works great for handheld. Images are 5+ star. BUT! I haven't figured out if how to permanently turn off IS. I only use it off tripod and every time you turn the power on you most manually turn IS off. If you forget to turn it off your archi/landscape images will be soft if the exposure is long. Lastly, the Fuji APP SUX! SUX! SUX! Embarrassingly so. Like a Windows based 1990's beta app level. I cannot believe they would make something so useless. Would give the APP a 0 star.

No camera is perfect, but this is close

By Joseph
Rated 5 out of 5
Date: 2020-09-28

Sure, I have mild issues (mainly that I actually had to read the manual) with this thing, but they pale in comparison to the many things this camera does well. My post-processing time has been cut in half. I have to do very little color-correcting, shadows are amazingly recoverable, and this captures so much detail. In short, this camera allows me to be a worse photographer while making me look like I am better. I know we tell ourselves equipment is not what's important in photography, but after this camera, I'm not so sure.

Stunning is the only word

By Neil
Rated 5 out of 5
Date: 2020-09-21

I love the images that this camera produces. I primarily do macro and scenic photography and the color is superb right out of the camera. I have read criticisms of the ergonomics, but frankly the ergonomics are just fine. This is not a point and shoot. I you do thoughtful photography, nothing better exists in the digital realm..Really virtually no learning curve. Stunning images.

Stunning  !!!!!!!!!!!

By juan
Rated 5 out of 5
Date: 2020-09-20

Awesome camera the only complaint i have is about the dials up on top they should nave been made stronger or better sealed they feel a little cheap for a camera that expensive !! and one thing that bothers me is people complaining about how heavy it is ..i like carrying it i like the fact that is a big camera ..all these other cameras look like cell phones if i wanted a small camera i might as well carry n shoot w my phone !! its a stunning camera details,, files colors,n sharpness !! Be a man n carry your weight !!!!!!!!!!!!

Medium Format Gem

By Mark
Rated 5 out of 5
Date: 2020-07-07

It is not the easiest DSLR to use, but it is BY FAR the easiest MF camera I have used.  GFX 100 also opens new doors for using MF that I previously would not have considered practical. If you treat it like a DSLR, it's a bit cumbersome.  If you treat it like a MF camera, it is a joy.

AMAZING

By Devin
Rated 5 out of 5
Date: 2020-06-02

I'm only a day into week two of ownership & WOW. I've owned Nikons for years D700, D4, D810 & D850. Selling my Nikon gear for this step-up was very nerve wrenching to say the least. I've always craved a little more from my Nikon sensors in relation to resolution and dynamic range, this camera truly feels like an extension of my vision while shooting. Shooting and previewing in the field, then coming home to view in capture one, astonishing results. In my opinion, this is the perfect balance of the Hasselblad dream and 35mm DSLR performance. Highly recommended. File size management is the real learning curve, some sites cant handle the 80MP JPG upload. (i.e. B&H) - I'm using dual 128GB Prograde Digital cards in camera.

Great studio camera.

By Kitti 'Tom'
Rated 5 out of 5
Date: 2021-05-04

My studio 5DSR is getting old and Canon doesn't have a newer studio camera in 2021. So I think it's time to upgrade. I got GFX100 for studio shoot. My main workflow is tethering to Capture One Pro. I use it with 32-64 45-100 110. I also use it with Kipon adapter and Canon EF lenses, 16-35 from 20mm, 100 Macro L, TS-E 24. These lens are not as sharp as GF lenses but they are still very sharp. The only down side for tethering with GFX100 compare to Canon is, while the live view is playing on Capture One Pro, you can't click the shutter. It must be stop before releasing the shutter. Also I could not control the timer from Capture One. These are not a big thing. I just need to adapt my workflow. At the end, this new Fuji GFX system cost less than half of Phase One or Hassy system, but give 90% of the image quality in the studio. Worth it!

Amazingly engineered camera

By Richard
Rated 5 out of 5
Date: 2020-11-15

The design of the GFX 100 is an engineering marvel, a well thought out design with so many useful features. A pleasure to use and the images are stunning. Coming from the Sony A7R III's which are amazing in their own right, this is the next level of image quality and useful features. Difficult to get use to are the electronic digital dial readouts vs mechanical knobs which I love, I imagine with time it will become second nature. Yes, its pricey but if you have the funds and love to print large, this is an amazing system. Fujifilm also has some amazing lenses to go with this camera and are expanding. I purchased the 23mm, 32-64mm, 110mm and the 250mm to go along with this camera, all are incredibly sharp.

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