Panasonic Lumix DC-S1H Mirrorless Digital Camera Cine Kit

BH #PADCS1HCK (B&H Kit)
Panasonic
Panasonic Lumix DC-S1H Mirrorless Digital Camera Cine Kit
Key Features
  • Atomos Ninja V 5" 4K Recording Monitor
  • Power Kit
  • Monitor Mount
  • USB to SATA Adapter
Assembled for the aspiring filmmaker, the Panasonic Lumix DC-S1H Mirrorless Digital Camera Cine Kit from B&H bundles the video-optimized full-frame mirrorless camera with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a USB to SATA adapter, a monitor mount, and an HDMI cable.
In Stock
$4,395.00
Price $4,645.00
Instant Savings $250.00

Panasonic Lumix DC-S1H Mirrorless Digital Camera Cine Kit

Savings Available:
Trade in your gear for cash: Learn more
Rafael D., B&H Photo Expert

True Know-How

Ask Our Experts

800.606.6969

Panasonic DC-S1H Overview

  • 1Description
  • 2Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only)
  • 3Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 4ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39")
  • 5Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors
  • 6Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors
  • 7Pearstone USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable (19")

Assembled for the aspiring filmmaker, the Panasonic Lumix DC-S1H Mirrorless Digital Camera Cine Kit from B&H bundles the video-optimized full-frame mirrorless camera with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a USB to SATA adapter, a monitor mount, and an HDMI cable.

Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only)

Full-frame mirrorless with a serious penchant for video, the Panasonic Lumix DC-S1H is clearly distinguished by its impressive video capabilities, but also features notable flexibility to suit multimedia applications along with an especially durable design. The full-frame 24.2MP CMOS sensor affords versatile performance to suit both video and stills, with a broad 14-stop dynamic range, sensitivity from ISO 100-51200, and adept processing to realize high color accuracy, responsive recording, and a broad array of video capabilities. Using nearly the full sensor, 3:2-format 6K24p video recording is supported, along with 16:9 5.9K30p and both DCI and UHD 4K60p settings with internal 4:2:2 10-bit sampling or external raw recording capabilities with a compatible recorder. Inspired by broadcast cameras, the S1H also uses the updated sensor design to provide Dual Native ISO settings that prioritize either low noise or low sensitivity in order to realize imagery quality with greater color fidelity and reduced noise. Variable Frame Rate (VFR) recording also permits using slow and quick motion effects and High Frame Rate (HFR) settings allow the use of higher frame rates in conjunction with 10-bit sampling. Additionally, V-Log has been pre-installed, and a Hybrid Log Gamma is also available for achieving greater detail when recording, and to benefit color grading during post-production.

In terms of still photography, the S1H isn't lacking with an impressive 9 fps continuous shooting rate with AF-S, or 6 fps with AF-C. In the cases where 24MP isn't quite enough, a specialized High Resolution mode can be used to boost the effective resolution to 96MP by compositing sequential shots together. Also benefitting stills, as well as video, is a 225-area Depth from Defocus (DFD) contrast-detection autofocus system that achieves quick and precise focusing and subject tracking. Additionally, sensor-shift image stabilization helps to minimize the appearance of camera shake by 6 stops for sharper handheld shooting.

Beyond the imaging attributes, the S1H is also characterized by its body design, which incorporates an impressively high resolution 5.76m-dot OLED electronic viewfinder along with a 3.2" 2.33m-dot tilt free-angle touchscreen LCD. The magnesium alloy body is weather-sealed to permit working in harsh conditions and has a 1.8" top status LCD for reviewing shooting settings on the fly. Dual SD memory card slots offer flexible storage capabilities and Bluetooth and Wi-Fi connectivity afford remote camera control along with wireless image transferring to tablets and smartphones.

General Features

24.2MP Full-Frame CMOS Sensor and Venus Engine

Featuring a full-frame 24.2MP CMOS sensor, along with an updated Venus Engine, the S1H's imaging capabilities have been optimized for high sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor and processor incorporate Multipixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing color moiré, and Color Control further enhances color reproduction, especially in the highlights and shadows. The Venus Engine's processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 60 consecutive raw files.

Video Recording

  • Optimized for video applications, the S1H is distinguished by its ability to record 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using nearly the full area of the full-frame sensor, along with 5.9K (5888 x 3312) video at 29.97p in 16:9. When recording DCI and UHD 4K video, up to 29.97p, internal 4:2:2 10-bit sampling is possible, and when working with a Super 35mm area of the sensor, frame rates up to 59.94p are available. Full HD and Anamorphic 4K recording settings are also supported at up to 119.88p and 48.00p, respectively.
  • Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
  • Optimizing your recording for post-production color adjustment, the S1H features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V and Cinelike D, as well as an in-camera LUT to make monitoring easier.
  • With the Version 2.0 firmware update, raw output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps is possible when used in conjunction with a compatible Atomos recorder, such as the Ninja V.
  • Simultaneous internal recording and external recording via HDMI is possible: DCI/UHD 4K is possible at 59.94p with 4:2:2 10-bit output and 4:2:0 10-bit internal or DCI/UHD 4K is possible at 29.97p/23.98p with 4:2:2 10-bit output and internal recording.
  • Variable Frame Rate (VFR) adjustments can be used to produce slow and quick motion effects from 30x to -7.5x. High Frame Rate (HFR) shooting, in 4:2:0 10-bit, is also supported, with audio recording and autofocus, which enables shooting Full HD video at 180p and DCI/UHD 4K at 59.94p.
  • In-camera time lapse video creation is possible, allowing you to photograph scenes over time with an interval timer, then composite the stills into a 4K60p video with in-camera exposure smoothing.
  • Suitable for worldwide use, selectable system frequencies of 59.94 Hz, 50 Hz, or 24 Hz are available.
  • An SMPTE-compliant time code can be embedded for easier syncing of footage from multiple cameras.
  • Color bars and a 1 kHz test tone can be used as benchmarks for configuring camera settings.

Body Design

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • An impressive Real View Finder is a high-resolution 5.76m-dot OLED EVF offering a clear 0.78x configurable viewing magnification along with a smooth 60 fps or 120 fps changeable refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio.
  • Large 3.2" 2.33m-dot touchscreen LCD is a bright, clear, and intuitive means for live view shooting as well as playback and menu navigation. The screen features a unique tilt & free-angle design where it can tilt along the lens axis or can be flipped outward to the side and freely adjusted to suit working from more extreme high and low angles. Live View Boost is a dedicated viewing mode for working in low-light conditions, where the viewing sensitivity can be increased to aid in composing your image, and a Night Mode also benefits working in dark conditions by lowering the screen's backlight intensity and overlaying a red filter to better preserve night-adjusted vision.
  • In addition to the rear LCD, a top 1.8" 303 x 230-dot status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off. Additionally, an enhanced graphical user interface can be optimized for video applications and include exposure settings such as shutter angle or shutter speed and ISO or gain, depending on application.
  • Internal heat-dissipating fan helps prevent overheating and enables unlimited video recording times. The fan can be set to Auto 1, where the fan is initiated once a temperature rise is detected; Auto 2, where the fan is kept off for as long as possible to prioritize silence; Normal; and Slow.
  • Durable, weather-sealed magnesium alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments.
  • Front and rear tally lamps can be used to visually indicate recording and standby settings for faster visual recognition by subjects and camera operators.
  • Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, an eight-way joystick, and a refined overall UI design for intuitive use. Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes.
  • Dual UHS-II-compatible SD memory card slots offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, 3.5mm microphone and headphone jacks suit advanced audio recording needs, and a PC sync port can be used for wired flash synchronization.
  • PC flash sync terminal doubles as a TC in/out socket and an included BNC conversion enables syncing time code settings with an external device for multi-camera setups.
  • Optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.
  • DMW-BLJ31 rechargeable lithium-ion battery is rated for approximately 400 shots per charge when working with the rear monitor, 380 shots per charge with the EVF, and 1150 shots per charge when Power Save LVF mode is on.
  • High precision shutter mechanism offers a top mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and has been tested for approximately 400,000 actuations.

5-Axis Sensor-Shift Image Stabilization

Helping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the S1's 6 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization. Additionally, specific to video applications, Boost I.S. is digital image stabilization feature that aids in creating a stable composition when recording from a fixed perspective.

DFD Autofocus System

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject's pupil. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

6K and 4K PHOTO

Utilizing the S1H's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Bluetooth and Wi-Fi

Bluetooth Low Energy (4.2) provides constant connection between your smartphone or tablet and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.

Other Camera Features

  • By using sensor-shift stabilization technology, the S1H features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
  • I.S. Status Scope helps to recognize the type of camera shake being caused by displaying an arrow in the viewfinder or on the rear LCD.
  • Flicker Decrease automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
  • Lumix Tether enables wired, tethered shooting capabilities via USB connection between the camera and a computer. Aside from offering a larger live view preview, this application also permits remotely triggering the shutter, use of 6K and 4K Photo modes, and video recording start/stop.
  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.
UPC: 885170364646

Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. An update due out by the fall of 2020 will add the ability to record Apple ProRes Raw up to DCI 4K24 or UHD 4K30 directly from the sensor of select cameras like the Sigma fp. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. An SSD Caddy, power supply, and dummy battery are included with the unit.

Designed with an interface that differs somewhat from prior units, the Ninja V's HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit's upper left corner. The Ninja V can record to both AtomX SSDmini or standard 2.5" SSD drives, fitting up to 150 minutes of 4K video on a 1TB drive. Separately available AtomX Ethernet/NDI and SYNC Expansion Modules enable you to output live video over IP or add wireless timecode for multicamera shoots respectively.

AtomHDR

With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

Supported Log Formats

  • ARRI Log C
  • Canon CLog / CLog 2
  • Fuji F-Log
  • JVC JLog
  • Sony SLog2 / SLog3
  • Panasonic Vlog
  • RED LogFilm

HDR Recording

  • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
  • Canon CLog / CLog2 / Clog3
  • Fuji F-Log
  • JVC JLog1
  • Panasonic Vlog
  • PQ10k, HLG
  • RED LogFilm / Log3G10 / Log3G12
  • Sony SLog / SLog2 / SLog3

Apple ProRes Raw Recording with Sigma fp

  • An upcoming Atomos update will enable Apple ProRes Raw recording with the Sigma fp at rates up to DCI 4K24 or UHD 4K30 and up to 120 fps in HD; this will enable ProRes Raw capture in a small, mirrorless form suitable for a variety of applications

HDR Monitoring

  • ARRI ALEXA Wide Gamut
  • Canon Cinema / DCI P3 / DCI P3+ / BT2020
  • Fuji F-Log
  • JVC LS300
  • Panasonic V Gamut
  • Rec. 2100
  • Rec. 709
  • RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
  • Sony SGamut / SGamut3 / SGamut3.cine / BT2020
  • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
  • Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out

4K 60p Capabilities

Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives, capturing up to 150 minutes of 4K video on a 1TB drive.

Audio I/O

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

5" Daylight Viewable Screen

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.

HDR Signal Management

Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

Anamorphic De-Squeeze

The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.

Edit-Ready Recording

Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Both ProRes and DNx are edit-friendly, requiring no conversion in post-production to ensure smooth playback and compatibility with most common video editing software.

Optional Expansion Modules

The Ninja V features a bidirectional high-speed video port along with power and audio which enables the use of the AtomX Ethernet/NDI and SYNC modules along with future module releases.
UPC: 814164021074

ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39")

The 39" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

General Features

High Resolution at 4Kp60

Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC monitors, and video game capture devices.

Unlock full 4K resolution in mirrorless cameras, cinema cameras, and external video recorders for up to 4Kp60 DCI (4096 x 2160) on supported devices for video professionals.

HDR Compatibility

Experience movies and TV shows in stunning HDR with compatible Ultra HD TVs and content.

Creative professionals can monitor on set with HDR displays and external recorders to view camera Log video for color grading workflows.

Secure Type-A Connection

Just plug in your external monitor or recorder and the secure Type-A connection will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals this means that you can trust this connection throughout the production.

Hyper-Thin Cable

With a 3.5mm diameter cable diameter and 24mm low-profile Type-A connectors, this cable enables 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.

Ideal for a Variety of Devices

The cable is ideal for devices such as the C200/C300/C700, GH5/GH5S, FS5/FS7, URSA, Pocket CC, RED, Arri, Pico projectors, and Z Cam.
UPC: 743815949651

Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors

Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

Note:
Due to its compact design, this ball head should not be used to support a camera.
Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
Single locking knob for safe and fast operation
Head itself allows for 90º vertical articulation
Fits most standard shoe mounts (except for Sony flash shoe)
UPC: 847628578029

Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors

Outfit your 5" monitor with power options and travel accessories with this 5" Accessory Kit from Atomos. It's compatible with Ninja V, Shinobi, or Shinobi SDI monitor with two L-series batteries, a fast charger, a DC power supply, a sun hood, a screen protector, and a plastic travel case.

UPC: 814164021241

Pearstone USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable (19")

Connect an internal 2.5" SATA hard drive to your system's USB Type-A port using the 19" USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable from Pearstone. This cable allows you to use an internal hard drive externally, without the need for a drive enclosure. On one end, there is a 5 Gb/s USB 3.1 Gen 1 Type-A interface, while the other end has a SATA interface that supports SATA III 6 Gb/s, SATA II 3 Gb/s, and SATA I 1.5 Gb/s drives. All power is provided over the USB bus, meaning that no external power cables or adapters are required for use. Also featured is UASP and TRIM support. UASP, or USB Attached SCSI Protocol, is a computer protocol used to move data to and from USB storage devices such as hard drives, solid-state drives, and thumb drives. TRIM allows an operating system to inform a solid-state drive (SSD) which blocks of data are no longer considered in use and can be wiped internally.

Please note that this cable with only work with 2.5" SATA drives. It will not work with 3.5" SATA drives.

General Features

Plug-In Drive Accessibility

The USB 3.1 Gen 1 to 2.5" SATA III Adapter Cable connects an internal 2.5" SSD or HDD to your computer's USB Type-A port. If you're using a laptop computer, you can connect a SATA SSD or HDD without placing it in a bulky enclosure.

USB 3.1 Gen 1 Speeds

With USB 3.1 Gen 1 speeds, you can transfer data up to 5 Gb/s. Swap or back up movies, photos, music, and graphics in no time. This adapter will reduce time and interruptions to your workflow when you're copying or backing up large projects like video or audio sessions.

Bus-Powered Portability and Convenience

This adapter lets you travel without extra cables and power cords that clutter up your bag. It's also small enough to stash in your pocket. The 19" cable length gives you room to connect your drive but won't get in the way.

UASP and TRIM Support

UASP and TRIM support helps ensure you're getting the maximum performance through USB to and from your SSD and HDD drives. Less bandwidth bottlenecking and faster read and write speeds mean you can move your data quickly.
UPC: 847628010437

Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only) Specs

Imaging
Lens MountLeica L
Camera FormatFull-Frame (1x Crop Factor)
PixelsActual: 25.28 Megapixel
Effective: 24.2 Megapixel
Maximum Resolution6000 x 4000
Aspect Ratio1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Sensor TypeCMOS
Sensor Size35.6 x 23.8 mm
Image File FormatJPEG, Raw
Bit Depth14-Bit
Image StabilizationSensor-Shift, 5-Axis
Exposure Control
ISO SensitivityAuto, 100 to 51200 (Extended: 50 to 204800)
Shutter SpeedMechanical Shutter
1/8000 to 60 Second
0 to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Second
0 to 30 Minute in Bulb Mode
Electronic Shutter
1/8000 to 60 Second
0 to 60 Second in Bulb Mode
1/16000 to 1/125 Second in Movie Mode
Metering MethodCenter-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 18 EV
White BalanceAuto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous ShootingUp to 9 fps at 24.2 MP for up to 60 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval RecordingYes
Self-Timer2/10-Second Delay
Video
Recording ModesMOV/H.265 4:2:0 10-Bit
6K 3:2 (5952 x 3968) at 23.976p/24.00p [200 Mb/s]
5.4K 3:2 (5376 x 3584) at 25p/29.97p [200 Mb/s]
5.9K (5888 x 3312) at 23.976p/24.00p/25p/29.97p [200 Mb/s]
DCI 4K (4096 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 47.95p/48.00p/50p [200 Mb/s]
Full HD (1920 x 1080) at 47.95p/48.00p/100p/119.88p [100 to 150 Mb/s]
MOV/H.264 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p [50 to 200 Mb/s]
MOV/H.264 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p/50p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
MP4/H.265 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
MP4/H.264 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s]
Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [20 to 28 Mb/s]
AVCHD 4:2:0 8-Bit
Full HD (1920 x 1080) at 23.976p/50i/50p/59.94i/59.94p [17 to 28 Mb/s]
External Recording Modes4:2:2 10-Bit
DCI 4K (4096 x 2160) up to 24.00p/50p/59.94p
UHD 4K (3840 x 2160) up to 24.00p/50p/59.94p
Video EncodingNTSC/PAL
Audio RecordingBuilt-In Microphone (Stereo)
External Microphone Input (Stereo)
Audio File FormatAAC, Dolby Digital 2ch, Linear PCM (Stereo)
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus PointsContrast Detection: 225
Autofocus Sensitivity-6 to +20 EV
Viewfinder and Monitor
Viewfinder TypeElectronic (OLED)
Viewfinder Resolution5,760,000 Dot
Viewfinder Eye Point21 mm
Viewfinder Coverage100%
Viewfinder MagnificationApprox. 0.78x
Diopter Adjustment-4 to +2
Monitor Size3.2"
Monitor Resolution2,330,000 Dot
Monitor TypeFree-Angle Tilting Touchscreen LCD
Flash
Built-In FlashNo
Flash ModesAuto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/320 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Interface
Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
ConnectivityUSB Type-C (USB 3.1), 3.5mm Microphone, 3.5mm Headphone, HDMI A (Full Size), PC Sync Socket, 2.5mm Sub-Mini
WirelessBluetooth
Wi-Fi
GPSNo
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity10 to 80%
Physical
Battery1 x DMW-BLJ31 Rechargeable Lithium-Ion, 7.4 VDC, 3050 mAh (Approx. 400 Shots)
Dimensions (W x H x D)5.94 x 4.5 x 4.35" / 151 x 114.2 x 110.4 mm
Weight2.56 lb / 1164 g (Body with Battery and Memory)
Packaging Info
Package Weight6.6 lb
Box Dimensions (LxWxH)19 x 9.5 x 7"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Display
Panel TypeIPS-Type LCD
Display Size5.0" / 12.7 cm
Screen Resolution1920 x 1080
Aspect Ratio16:9
TouchscreenYes
Maximum Brightness1000 cd/m2
Bit Depth / Color Support8-Bit+FRC (1.07 Billion Colors)
Pixels Per Inch (ppi)427 ppi
Color Gamut100% Rec. 709
Real-Time LUT MonitoringSDR
I/O
Video1 x HDMI Type A (HDMI 2.0) Output
1 x HDMI Type A (HDMI 2.0) Input
Embedded AudioHDMI: 8-Channel
Audio1 x 3.5 mm Mic/Line Input
1 x 3.5 mm Headphone Output
Built-In SpeakerNone
Power1 x Barrel Input
Other I/O1 x LANC (2.5 mm)
Card SlotNone
Format Support
Video FormatHDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Video Signal ConversionHDMI to SDI
DCI 4K: 24/25/30/50/60
UHD 4K: 24/25/30/50/60
1080p: 24/25/30/50/60/100/120
1080i: 50/60
720p: 50/60
Recording
Pulldown Conversion2:2, 3:2
Encoding Formats3840 x 2160
ProRes 422, LT, HQ
DNxHR HQ, HQX, SQ, LB
Recording Media1 x 2.5" SSD (SATA III)
1 x AtomX SSDmini (SATA III)
Power
DC Input Power6.2 to 16.8 VDC
Battery Type1 x L-Series
Power Consumption10 W (Typical)
19 W (Maximum)
Mounting
Mounting2 x 1/4"-20 Female
General
Material of ConstructionAluminum, Polycarbonate
Dimensions (W x H x D)5.94 x 3.6 x 1.22" / 151 x 91.5 x 31 mm
Weight11.3 oz / 320 g
Packaging Info
Package Weight2.385 lb
Box Dimensions (LxWxH)7.85 x 5.8 x 4.15"

ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39") Specs

General
Connector 11 x HDMI Male
Connector 21 x HDMI Male
Cable Length39" / 99.06 cm
HDMI Version2.0
HDCP SupportVersion 2.2
Outer Diameter0.138" / 3.5 mm
Weight1.06 oz / 30 g
Electrical
Maximum Resolution Support4096 x 2160 at 60 Hz
Bandwidth18 Gbps
ComplianceHDCP
Environmental
Warranty LengthLimited 3-Year Warranty
Packaging Info
Package Weight0.25 lb
Box Dimensions (LxWxH)5.7 x 2.9 x 1.6"

Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors Specs

Bottom Mount1 x 3/8"-16 Female
1 x Accessory Foot
Top Mount1 x 1/4"-20 Male
Load Capacity15 lb / 6.8 kg
MaterialAluminum
Weight0.3 lb / 136.0 g
Packaging Info
Package Weight0.315 lb
Box Dimensions (LxWxH)3.95 x 3.8 x 1.55"

Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors Specs

General
CompatibilityAtomos Shinobi, Shinobi SDI, Ninja V Monitors
Material of ConstructionCase: EVA Plastic
Battery TypeL-Series NP-F750
Hood5" Monitor
Packaging Info
Package Weight2.8 lb
Box Dimensions (LxWxH)10.5 x 6.75 x 4"

Pearstone USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable (19") Specs

General
Connector 11 x USB 3.1 Gen 1 Type-A
Connector 2SATA
Supported Hard Drive Type2.5"
Compatible Drive InterfaceSATA III 6 Gb/s, SATA II 3 Gb/s, and SATA I 1.5 Gb/s
Maximum Transfer RateUSB 3.1 Gen 1: Up to 5 Gb/s
SATA: Up to 6 Gb/s
UASP SupportYes
TRIM SupportYes
ColorBlack
ChipsetASM1531
Operating Temperature32 to 158°F / 0 to 70°C
Operating Humidity5 to 90%
Storage Temperature14 to 131°F / -10 to 55°C
RoHS CertifiedYes
Length19.0" / 48.3 cm
Weight1.4 oz / 41.0 g
Packaging Info
Package Weight0.12 lb
Box Dimensions (LxWxH)9 x 6.35 x 0.5"
See any errors on this page? Let us know

YOUR RECENTLY VIEWED ITEMS

Browsing History
036

Close

Close

Close