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Olympus OM-D E-M5 Mark III Mirrorless Camera (Silver)

BH #OLEM5M3S • MFR #V207090SU000
Olympus OM-D E-M5 Mark III Mirrorless Camera (Silver)
Key Features
  • 20.4MP Live MOS Micro Four Thirds Sensor
  • TruePic VIII Image Processor
  • 2.36m-Dot 0.67x-Magnification OLED EVF
  • 3.0" 1.04m-Dot Vari-Angle Touchscreen
Packing a wealth of capabilities within an especially compact design, the Olympus OM-D E-M5 Mark III is a Micro Four Thirds mirrorless camera with an abundance of speed, precision, and versatility. Featuring a 20.4MP MOS sensor and a TruePic VIII image processor, the E-M5 Mark III offers quick continuous shooting up to 10 fps with a mechanical shutter, up to 30 fps shooting with an electronic shutter, and DCI and UHD 4K video recording. The sensor and processor combination also affords a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 6.5 stops of camera shake for sharper handheld shooting. Complementing the imaging specs, the sensor's design also incorporates 121 phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.
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Olympus E-M5 Mark III Overview

  • 1Description
  • 220.4MP Live MOS Sensor and TruePic VIII Image Processor
  • 3DCI and UHD 4K Video Recording and OM-Log
  • 4121-Point All Cross-Type Phase-Detection AF
  • 55-Axis Sensor-Shift Image Stabilization
  • 6Body Design and Connectivity
  • 7Shooting Modes
By B&H Photo's

Packing a wealth of capabilities within an especially compact design, the Olympus OM-D E-M5 Mark III is a Micro Four Thirds mirrorless camera with an abundance of speed, precision, and versatility. Featuring a 20.4MP MOS sensor and a TruePic VIII image processor, the E-M5 Mark III offers quick continuous shooting up to 10 fps with a mechanical shutter, up to 30 fps shooting with an electronic shutter, and DCI and UHD 4K video recording. The sensor and processor combination also affords a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 6.5 stops of camera shake for sharper handheld shooting. Complementing the imaging specs, the sensor's design also incorporates 121 phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.

Despite all of its performance-oriented attributes, the E-M5 Mark III manages to retain a sleek design, which is also weather-sealed for use in trying weather conditions. A high-resolution 2.36m-dot 0.67x-magnification OLED viewfinder is featured along with a 3.0" 1.04m-dot touchscreen LCD, which sports a vari-angle design to suit working from high, low, and front-facing angles. Additionally, built-in Wi-Fi and Bluetooth enable wireless transferring and remote camera control from linked mobile devices.

20.4MP Live MOS Sensor and TruePic VIII Image Processor
A high-resolution 20.4MP Live MOS sensor works in conjunction with a TruePic VIII image processor to promote fast shooting performance, a sensitivity range from ISO 200-25600, and versatile 4K video recording capabilities. Ideal for photographing moving subjects, the sensor and processor combination also avails a full-resolution continuous shooting rate of 10 fps for up to 150 consecutive raw files when working with the mechanical shutter. When shooting with the silent electronic shutter, this shooting rate can be boosted up to 30 fps with single-shot AF for up to 23 consecutive raw frames or 10 fps shooting with continuous AF for up to 152 consecutive raw frames. If recording JPEGs, unlimited sequential shooting is possible until the memory card is full.
DCI and UHD 4K Video Recording and OM-Log
The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mb/s bit-rate, and UHD 4K is available in frame rates up to 29.97p and a 102 Mb/s bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, and an external mic jack is available for improved audio recording quality. Use of an external recording monitor is also possible, via HDMI output, which supports 4:2:2 8-bit color for a greater color correction range.

Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too, as well as a high-speed Full HD setting with 120 fps frame rate.
121-Point All Cross-Type Phase-Detection AF
An advanced autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. Different focusing modes are available to suit working in various shooting conditions, including 121-point, for general use; Group 25-point, for moving subjects, such as birds and wildlife, and when 121-point is too wide; Group 9-Point, for smaller and more distant subjects; Group 5-Point, for when 9-point is too wide or to suit working with nearer moving subjects; Single, for working with still or small subjects that are not moving; and Small AF, for working with close-up subjects. Custom AF targets can also be set, for working with specific numbers of focus points within the 121-point grid, and an AF limiter function allows you to constrain the focusing distance within a specified range for more responsive performance.
5-Axis Sensor-Shift Image Stabilization
In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 5.5 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, when paired with select lenses featuring optical image stabilization, shake compensation up to 6.5 stops is possible.
Body Design and Connectivity
  • High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and it offers a 0.67x maximum magnification for clear, distortion-free viewing.
  • Rear 3.0" 1.04m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback. Additionally, a Live View Boost mode can be used to optimize the screen's brightness and prioritize the frame rate when working in dark locations.
  • Included BLS-50 rechargeable lithium-ion battery is used to provide approximately 310 shots per charge .
  • In-camera battery charging is supported via the micro-USB port.
  • Single SD memory card slot is UHS-II compatible for fast read/write speeds.
  • Wide accessory compatibility provided with the incorporation of a microphone port, a top hot shoe, micro-USB and micro-HDMI ports, and a 2.5mm port for optional remotes.
  • Rugged splashproof, dustproof, and freezeproof construction incorporates extensive sealing throughout the body design to accommodate working in harsh weather conditions and trying environments.
  • Supersonic Wave Filter and a dust-resistant coating are used to greatly reduce the likelihood of dust reaching the sensor.
  • Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet when using the dedicated O.I.Share app for iOS and Android.
Shooting Modes
  • High Res Shot mode offers the equivalent output of a 50MP JPEG image or 80MP raw image by combining eight sequentially recorded frames into a single, larger image. In between each of the exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final image with greater resolution and color detail. TruePic VIII processing aids this shooting function by compensating for any subject movement blur and this feature can also be configured to record 25MP images for file size flexibility.
  • Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
  • Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
  • Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 35 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.
  • Interval shooting is supported for up to 999 frames with 1 second to 24-hour exposure intervals.
  • Anti-flicker shooting automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, 300mm f/4 IS PRO, and 12-100mm f/4 IS PRO lenses.
  • Keystone Compensation allows you to correct for convergence when working in live view. Similarly, Fisheye Compensation allows you to use the M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO lens as a rectilinear wide-angle lens by correcting and eliminating distortion.

Olympus E-M5 Mark III Specs

Key Specs
Lens Mount
Micro Four Thirds
Sensor Resolution
Actual: 21.8 Megapixel
Effective: 20.4 Megapixel (5184 x 3888)
Image Sensor
17.4 x 13 mm (Four Thirds) MOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity Range
200 to 25,600 in Auto Mode (Extended: 64 to 25,600)
Continuous Shooting
Up to 10 fps at 20.4 MP for up to 150 Frames (Raw) / Unlimited Frames (JPEG)
Up to 6 fps at 20.4 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 30 fps at 20.4 MP for up to 23 Frames (Raw) / 26 Frames (JPEG)
Internal Recording Modes
H.264/MOV
DCI 4K (4096 x 2160) at 24.00 fps [237 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [102 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [18 to 202 Mb/s]
1280 x 720 at 23.98/25/29.97/50/59.94 fps [10 to 102 Mb/s]
External Recording Modes
4:2:2 8-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98 fps
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x Micro-USB Input/Output
Other I/O
1x Micro-USB (USB 2.0) Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
Wireless
Wi-Fi, Bluetooth
Display Type
Articulating Touchscreen LCD
Battery Type
1x BLS-50 Rechargeable Lithium-Ion, 7.2 VDC, 1175 mAh (Approx. 310 Shots)
Imaging
Lens Mount
Micro Four Thirds
Sensor Resolution
Actual: 21.8 Megapixel
Effective: 20.4 Megapixel (5184 x 3888)
Image Sensor
17.4 x 13 mm (Four Thirds) MOS
Crop Factor
2x
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/8000 to 60 Seconds
Up to 3 Hours in Bulb Mode
Electronic Front Curtain Shutter
1/320 to 60 Seconds
Electronic Shutter
1/32000 to 60 Seconds
Bulb/Time Mode
Bulb Mode, Time Mode
ISO Sensitivity Range
200 to 25,600 in Auto Mode (Extended: 64 to 25,600)
Metering Method
Center-Weighted Average, Multi-Zone, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3, 1/2, 1 EV Steps)
Metering Range
-2 to 20 EV
White Balance
Presets: Auto, Color Temperature
Continuous Shooting
Up to 10 fps at 20.4 MP for up to 150 Frames (Raw) / Unlimited Frames (JPEG)
Up to 6 fps at 20.4 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 30 fps at 20.4 MP for up to 23 Frames (Raw) / 26 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/12-Second Delay
Still Image Capture
Image Sizes
4:3 Raw
5184 x 3888
4:3 JPEG
5188 x 3888
3200 x 2400
1920 x 1440
1280 x 960
1024 x 768
Aspect Ratio
4:3
Image File Format
JPEG, Raw
Bit Depth
12-Bit
Video Capture
Internal Recording Modes
H.264/MOV
DCI 4K (4096 x 2160) at 24.00 fps [237 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [102 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [18 to 202 Mb/s]
1280 x 720 at 23.98/25/29.97/50/59.94 fps [10 to 102 Mb/s]
External Recording Modes
4:2:2 8-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98 fps
Recording Limit
Up to 30 Minutes
Broadcast Output
NTSC/PAL
IP Streaming
No
Built-In Microphone Type
Stereo
Audio Recording
2-Channel LPCM Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x Micro-USB Input/Output
Other I/O
1x Micro-USB (USB 2.0) Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
Wireless
Wi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Size
3.0"
Resolution
1,040,000 Dot
Display Type
Articulating Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Resolution
2,360,000 Dot
Eye Point
27 mm
Coverage
100%
Magnification
Approx. 0.67x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 121 (121 Cross-Type)
Contrast Detection: 121
Flash
Built-In Flash/Light
No
Flash Modes
Fill Flash, Off, Red-Eye Reduction, Second-Curtain Sync, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2, 1 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
Storage Temperature
-4 to 140°F / -20 to 60°C
Operating Humidity
30 to 90%
Storage Humidity
10 to 90%
General
Battery Type
1x BLS-50 Rechargeable Lithium-Ion, 7.2 VDC, 1175 mAh (Approx. 310 Shots)
Tripod Mounting Thread
1x 1/4"-20 Female (Bottom)
Accessory Mounting Thread
1x
Dimensions (W x H x D)
4.93 x 3.35 x 1.96" / 125.3 x 85.2 x 49.7 mm
Weight
14.6 oz / 414 g (With Battery, Recording Media)
Packaging Info
Package Weight
2.86 lb
Box Dimensions (LxWxH)
7.6 x 7.3 x 5.6"

Olympus E-M5 Mark III Reviews

Good Camera

By Mike Thomas
Rated 4 out of 5
Date: 2023-08-24

This is indeed a very good camera. In short, the good points are simply ..... good image quality, perfect physical body size, fairly easy to navigate. I say "fairly easy" to navigate only because the highlighted sections on the menu screens are in a bright electric green color. To me, this makes it hard to see or differentiate especially in brighter light. Livable but I'd rather some alternative to the green color. I have a few Panasonic Lumix cameras and this Olympus (again, to me) at times falls slightly shotof of what the Panasonics deliver. Not to say the image quality is "bad." Just saying the Lumix images look a little clearer (to me). The one thing I love on this Olympus is the high def or high Rez shooting option. I do a lot of landscape or still life shooting and the fine, enhanced hi def / large file size (up to 80 mpx) detail is extraordinary! One of my Lumix cameras is the G9 which offers the high def mode. But in this case, the Olympus EM5-Mark III outshines the G9. Olympus brand lenses tend to be more $$$ versus the Panasonic Lumix brand lenses. Unfortunately in my opinion, I don't think the higher price justifies any better quality. Again, just my humble opinion. If there was a way to give this camera a 4.5 rating I would. But the number of stars goes from 4 to 5 - no half stars. Would I recommend this camera? Yup. Sure would. Just FYI, according to B & H web site, this camera is now discontinued. I know it still exists for sale on other web sites (as of today, 08/24/2023) but I won't mention those names in respect to B & H as they've been super good to me over the years.

Good camera

By Evan
Rated 5 out of 5
Date: 2023-06-22

Solid camera, good settings, light-weight/portable, easy to use.

Fantastic camera

By Kenneth
Rated 5 out of 5
Date: 2023-06-01

The in body stabilization makes this thing a superstar. Regardless of f stop and light level, each image comes in crisp. Need to do a 1.5 second night exposure hand-held? No worries, mate. The controls, once mastered, are fast and intuitive.

Great Camera

By Matthew
Rated 5 out of 5
Date: 2023-05-25

Great camera, 2nd Olympus purchase and I have enjoyed the image quality and small package.

Worth upgrading from Mark III

By Mourad
Rated 5 out of 5
Date: 2023-05-22

I hesitated to upgrade from the E-M5 mark II mainly because of the negative comments related to the "plastic" build and toy like feel of the mark III. But as soon as I received mine, I was relieved. It might not feel as "premium" as the mark II but it is still very nice to hold and use. What I like (compare to mark II): The 20 MP sensor is less noisy and might have a bit more DR than the old 16 MP one. Phase detection AF works great for video. Speaking of video, the DCI 4K with flat profile produces nice files. IBIS not as audible and might be a bit better. Top plate controls similar to E-M1 mk III which makes it easier to switch from one camera to another. And the biggest upgrade for me: OLED electronic viewfinder that can be used with polarized sunglasses! I don't have any complaint so far but maybe it is because this is not my main camera. I bought it specifically for when I am hiking or biking and I don't plan on using it with heavy lenses, tripod or video accessories. So for someone with similar use cases than me, I would highly recommend it. For a more general purpose camera, the E-M1 mk III or OM1 would make more sense. Or the Panasonic G9 if phase detection. AF is not a must.

Too Much Homework

By Not Even Canon
Rated 2 out of 5
Date: 2023-02-28

Digital cameras are miniature computers you control with dials and menus, and the EM5.3 system is built to inflict maximum damage to a user's patience. Settings conflict with each other, without warning. Sometimes the manual explains why you cannot activate a feature, but usually not. This situation forces a user to drive the whole convoluted menu system and then search through endless forum posts or YouTube videos. Good luck remembering all the ins and outs. I learn hard things all the time, but stupidly thought I could overcome this hurdle. I admit now that I can't make up for poorly designed code on this device. Some - many reviewers here - are totally ok with being abused by camera menus and leave glowing reviews anyway. Not this reviewer. Yes, it's very water resistant, so you can fumble through the menus for several minutes safely in the rain if the lens is weather sealed also. After over a year of ownership, I regret this purchase and my enthusiasm for digital photography has plummeted. If you enjoy unsolvable puzzles and deleting failed exposures, this is the camera for you. According to the reviews here and in enthusiast forums, there are lots of people happily toggling settings on and off to figure out which one prevents the one they want. And then making notes or custom presets to manage the situation. That's just not an acceptable experience to me. Menus on other brands hold traps also, but the EM5.3 menu hides it's traps especially well. I only give it 2 stars because 1 star is for the physical attributes that make it similar to a camera that works in a straightforward way. The OMDS OM5 that replaced this camera does have a slightly updated menu system that does some simplification and context-menu explaining of which setting prevents another from activating. Is it enough of an improvement? It sure won't be me answering that question.

I researched a lot.

By Herb
Rated 4 out of 5
Date: 2023-08-02

I researched for the perfect light weight camera that provides stabilization for street photos (while you're moving along) with internal stacking. The stacking feature eliminates hours of post production. The M5 Mark 3 camera does this and much more.

Quite Capable for fast action photos

By Mark
Rated 4 out of 5
Date: 2023-07-08

This does a great job with fast paced action photography. I've tried the AF tracking but it just couldn't keep up with the speeding race cars. I settled on zone focusing for motosports photography. I've been a long time Olympus user.

See any errors on this page? Let us know

Does it have a 120fps video mode? Specs on this ...

Does it have a 120fps video mode? Specs on this website say yes, but specs on Olympus website say no - who's wrong?
Asked by: Calum
Yes the E-M5 Mk III has 120fps. It is listed on the Olympus Website under the Additional Specs/ Video Audio HIGH SPEED MOVIE. also see page 91 in the E-M5 MkIII manual. https://learnandsupport.getolympus.com/sites/default/files/media/files/2019/11/E-M5Mk3_ENU_00.pdf
Answered by: Olympus America Inc
Date published: 2019-12-02

Does the keystone feature that "de-fishes" the ...

Does the keystone feature that "de-fishes" the image work with third party fisheye lenses such as the 7artisans 7.5mm? Or does this feature only support Olympus' 8mm fisheye?
Asked by: Jeff
It is designed for use with the Olympus 8mm only
Answered by: Olympus America Inc
Date published: 2020-09-02

Which lenses support focus stacking and ...

Which lenses support focus stacking and bracketing with this camera?
Asked by: Mark
Since 1/29/20 they've added support for the new 12-45 F4 PRO and 140-400 F4.5 PRO lenses. Note that you may need to update camera firmware.
Answered by: Philip
Date published: 2022-10-12

Does it have any way of geo-tagging? Or is there ...

Does it have any way of geo-tagging? Or is there a GPS accessory you can buy?
Asked by: Michael
The Olympus OI Track app allows for geo-tagging.
Answered by: Charles
Date published: 2021-02-23

Where is this camera manufactured?

Where is this camera manufactured?
Asked by: Al
Vietnam. Olympus closed their factory in China, so it is now Vietonam.
Answered by: Masahiko
Date published: 2021-05-03

Two questions: How does this camera compare in ...

Two questions: How does this camera compare in picture quality to the Canon 6D paired with similar lenses? Does this camera have the ability to do in-camera raw image processing as in the 6D?
Asked by: Al
Define picture quality. At ISO 200 you will be highly unlikely to see a difference in color or noise. At 3200 the 6D will be better in terms of noise, but whether this will matter will depend on your preference. Noise in the m43 can be reduced by image processing software.
Answered by: Robin
Date published: 2022-11-20

Can you do on camera raw image processing like a ...

Can you do on camera raw image processing like a Canon?
Asked by: Al
Yes, you can process the raw files and produce jpeg with different parameters.
Answered by: Masahiko
Date published: 2021-02-12

Is this any good for wide angled wildlife ...

Is this any good for wide angled wildlife photography? Not a professional just keen enthusiast
Asked by: Biddy
Yes, if you were not going to print Large
Answered by: Anonymous
Date published: 2020-09-14
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