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Nikon D750 DSLR Camera Body with Pro Monitoring Kit

BH #NID750PMK (B&H Kit)
Nikon D750 DSLR Camera Body with Pro Monitoring Kit
Key Features
  • Atomos Shinobi 5.2" 4K Monitor
  • HDMI Cable
  • Monitor Mount
Helping to better visualize your shoots, the Nikon D750 DSLR Camera Body with Pro Monitoring Kit from B&H bundles the full-frame DSLR body with an Atomos Shinobi 5.2" 4K HDMI Monitor, an HDMI cable, and a monitor mount.
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Nikon D750 Overview

  • 1Description
  • 2Atomos Shinobi 5" 4K HDMI Monitor
  • 3ZILR Hyper-Thin High-Speed Mini-HDMI to HDMI Cable with Ethernet (17.7")
  • 4Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors

Helping to better visualize your shoots, the Nikon D750 DSLR Camera Body with Pro Monitoring Kit from B&H bundles the full-frame DSLR body with an Atomos Shinobi 5.2" 4K HDMI Monitor, an HDMI cable, and a monitor mount.

Atomos Shinobi 5" 4K HDMI Monitor

The Shinobi 5" 4K HDMI Monitor is an on-camera monitor with DCI 4K, UHD 4K, and HD video input. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras.

Built to withstand the rigors of production, the Shinobi features a lightweight plastic chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A 12V power supply with L-series battery eliminator is included with the unit.

AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
Supported Log Formats
  • ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600
  • Canon CLog / CLog 2 / CLog 3
  • Fuji F-Log
  • JVC JLog
  • Nikon N-Log
  • Sony SLog / SLog2 / SLog3
  • Panasonic Vlog
  • RED Log3G10 / RED LogFilm
  • PQ10k
  • HLG
HDR Monitoring
  • Sony SGamut / SGamut3 / SGamut3.cine
  • Canon Cinema / DCI P3 / DCI P3+
  • Panasonic V Gamut
  • Arri Alexa Wide Gamut
  • Rec709 / BT.2020
  • JVC
  • RED WideGamut / RED DragonColor / DragonColor2
  • RED Color2 / RED Color3 / RED Color4
4K DCI/UHD and HD Capabilities
Monitor 4K footage in DCI or UHD formats up to 29.97 fps and 1080p up to 59.94 fps.
Audio Monitoring
Input/output audio via HDMI and output audio using the 3.5mm headphone port for convenient audio monitoring.
5" Daylight Viewable Screen
The Shinobi features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Shinobi's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
Anamorphic De-Squeeze
The Shinobi supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
UPC: 814164021265
ZILR Hyper-Thin High-Speed Mini-HDMI to HDMI Cable with Ethernet (17.7")

Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback with compatible source equipment and displays.

Supports DCI 4K @ 60 Hz
Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.
Suitable for Most Cameras
Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.
HDR: Color the Way it Was Intended
Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and this cable will remain tightly connected to your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.
Hyper-Thin with No Compromise
The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
UPC: 743815949729
Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors

Add a monitor to your video recording system with this aluminum Heavy-Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

Note:
Due to its compact design, this ball head should not be used to support a camera.
Removable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
Single locking knob for safe and fast operation
Head itself allows for 90º vertical articulation
Fits most standard shoe mounts
UPC: 847628578029

Atomos Shinobi 5" 4K HDMI Monitor Specs

Key Specs
Display Size
5.2" / 13.2 cm
Resolution
1920 x 1080
Touchscreen
Yes
HDR Compatibility
Hybrid Log Gamma
Video I/O
1 x HDMI 1.4 Input
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC
Power Consumption
4 W (Typical)
7 W (Maximum)
Display
Panel Type
IPS-Type LCD
Display Size
5.2" / 13.2 cm
Resolution
1920 x 1080
Aspect Ratio
16:9
Touchscreen
Yes
Maximum Brightness
1000 nits / cd/m2
Bit Depth / Color Support
10-Bit (1.07 Billion Colors)
HDR Compatibility
Hybrid Log Gamma
Pixels Per Inch (ppi)
427 ppi
Color Gamut
100% Rec. 709
Real-Time LUT Monitoring
SDR
Image Controls
Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Histogram, Pixel-to-Pixel Zoom, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra
Inputs / Outputs
Video I/O
1 x HDMI 1.4 Input
Embedded Audio
HDMI: 2-Channel
Audio I/O
1 x 1/8" / 3.5 mm Headphone Output
Built-In Speaker
None
Other I/O
None
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC
Wi-Fi
None
Bluetooth
None
Mobile App Compatible
No
*As of June, 2023: Check with manufacturer for the most up-to-date compatibility
Format Support
Video Format
HDMI (8/10-Bit 4:2:2)
DCI 4K: 29.97/25/24/23.98
UHD 4K: 29.97/25/24/23.98
1080p: 59.94/50/29.97/25/24/23.98
720p: 59.94/50
Gamma Curve
ARRI Log C, Canon Log, Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, JVC J-Log, Panasonic V-Log, Rec709, Rec2020, REDlogFilm, Sony S-Log 2, Sony S-Log 3
Power
DC Input Power
6.2 to 16.8 VDC
Battery Type
1 x L-Series
Power Consumption
4 W (Typical)
7 W (Maximum)
Mounting
Mounting
2 x 1/4"-20 Female
Environmental
Operating Temperature
104°F / 40°C (Recommended)
General
Material of Construction
Polycarbonate
Dimensions
5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight
6.91 oz / 196 g
Packaging Info
Package Weight
1.5 lb
Box Dimensions (LxWxH)
10.4 x 9.4 x 5.3"

ZILR Hyper-Thin High-Speed Mini-HDMI to HDMI Cable with Ethernet (17.7") Specs

General
Connector 1
1 x HDMI Male
Connector 2
1 x Mini-HDMI Male
Cable Length
17.7" / 45 cm
HDMI Version
2.0
HDCP Support
, Version 2.2
Outer Diameter
0.138" / 3.5 mm
Electrical
Maximum Resolution Support
4096 x 2160 at 60 Hz
Bandwidth
18 Gbps
Compliance
HDCP
Packaging Info
Package Weight
0.23 lb
Box Dimensions (LxWxH)
5.7 x 2.8 x 1.6"

Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors Specs

Load Capacity
15 lb / 6.8 kg
General
Materials
Aluminum
Weight
0.3 lb / 136 g
Packaging Info
Package Weight
0.315 lb
Box Dimensions (LxWxH)
3.95 x 3.8 x 1.55"

Nikon D750 Reviews

It has stood the test of time.

By Dennis
Rated 5 out of 5
Date: 2023-01-07

I got this rig many years ago and I regard it as highly now as I did when purchased. As I have moved into BIF photography I have moved on to the Canon 7D and the Nikon D500 both of which are faster and more attuned to action type photography. I also moved on the Canon R5 mirrorless for 'scapes and portraiture, but through it all I have to honestly say the D750 competes well with any of them. It does however have slower frame rate and its' AF is fair to say not as good as the D500. As a walking around camera I can't say enough good things about it especially how it performs in low light. Anytime I go on vacation or to a function that isn't sports related I still take it as my primary rig, it's that good. The worst thing about it is it didn't come from B&H, but like everyone else I had to learn.

Love it!

By Makenzie
Rated 5 out of 5
Date: 2022-03-21

This is my second D750, its such a great camera and very reliable. This camera never disappoints.

Great High Resolution Camera with Lots of Features

By Jeff
Rated 5 out of 5
Date: 2022-01-27

I have been a Nikon user since 1974 when I bought my first Nikkormat FTN 35mm SLR. The Nikon D750 is my second Nikon DSLR (D200). One thing that has always attracted me to Nikon is the compatibility between lens systems. I can use my older DX lenses on my D750 and the pictures are automatically converted to DX format. This protects my considerable investment in Nikon lenses. I also look forward to using some of the newer features on the D750 such as built-in Wifi and video recording.

The best thing about the D750 that few people know about

By Martin
Rated 5 out of 5
Date: 2021-11-10

I am on my second D750 (my first was stolen) and I love this camera. I discovered something that few people know about which is VERY important to me. You can set your camera so that in playback mode, pushing the OK button brings up a large histogram, such that you can easily see if there are pixels that are either completely white or completely black such that tonality cannot be brought out with photoshop or other processing programs. In Ansel Adams classical photography, his methods were designed to, in effect, give you histograms with a wide range of tonality but without any white or black areas. These large histograms allow you very quickly determine whether you have an image which meets these criteria. In order to do this you need to, according to Darrell Young's D750 book, set the Custom Setting Menu as follows: fControls f1 OK button Playback mode assign View Histograms. I find that this is very important for my own photography and that it often leads me to purposely underexposing my images. I believe that some other Nikon DSLRs allow you to do this as well.

DSLR is not dead. Not yet anyway.

By Bruce
Rated 5 out of 5
Date: 2021-09-20

This camera is a step up from my D610. The low light performance is better, I like the pop-out screen and after 5mo of shooting on my D750 am am happy camper. My favorite feature is the grip. I have big hands and is the best fitting camera I have every held.

Looove it!

By Randi
Rated 5 out of 5
Date: 2021-09-17

Shipped super fast and it's absolutely perfect. I've been eyeing this baby for a while and I'm so glad I finally got it!

AWESOME - Thank you!

By Shelly
Rated 5 out of 5
Date: 2022-10-20

We love the camera and the customer service at B & H.

Perfect all round DSLR!

By Kathleen
Rated 5 out of 5
Date: 2022-06-08

Light weight and responsive. I use this for all my real estate photography; landscape; nature/avian and astrophotography. I love this camera!

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Due to several years as caregiver to a couple ...

Due to several years as caregiver to a couple family members, I have been away from photography for some time. Started with an FE in the 80's moved to a digital in early 2004 in a D70s. Only got to it occasionally, but now I am hoping to get back to it and am thinking of moving up to the D750. I am reading about the differences in DX and FX lenses. I understand most of what I have read but wonder if my older AF Nikkor F-mount lenses would work, and if so, would they have the DX on FX view or is it just the DX specific? These lenses are AF and F mount Nikkor. (only the first is a DX) 18-70mm 1:3.5-4.5 G ED DX 18-35mm 1:3.5-4.5 D ED 70-300mm 1:4.5-5.6 D ED I also have a couple AF, F-mount Sigma lenses too. I guess what I need to know is; if my lenses will work with a D750, and if so, like normal or with the 1.5x factor? Or do I need to buy all new full frame lenses? I am sure they are better and as I get back into it I will likely buy more (and full frame lenses) when I do. Just want to know about using what I have for now. Hope that makes sense. All comments welcome.... Thank you in advance for your time.
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the 18-70mm is not a full frame lens the other are
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Date published: 2021-01-13

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Can anyone help explain their solutions on dealing with AE-Lock? I am used to the D700 having the AF-ON button next to the AE/AFL button. I'm having issues when using Back button focusing, and then recomposing. The Camera will adjust exposure and cause the subject to not be exposed properly. Any suggestions that you have will be greatly appreciated! Overall, I'd like to be able to Lock exposure and focus, then recompose from the back of the camera. Is this possible? What solution have you found that works best for this approach?Much thanks!!!
Asked by: Jared T.
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Date published: 2018-08-25

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