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Olympus OM-D E-M5 Mark III Mirrorless Camera with 12-45mm Lens (Silver)

BH #OLEM5M31245S • MFR #V207092SU000
Olympus OM-D E-M5 Mark III Mirrorless Camera with 12-45mm Lens (Silver)
Key Features
  • Open Box Products Have a Limited 1-Year Manufacturer Warranty
  • 20.4MP Live MOS Micro Four Thirds Sensor
  • TruePic VIII Image Processor
  • 2.36m-Dot 0.67x-Magnification OLED EVF
Packing a wealth of capabilities within an especially compact design, the Olympus OM-D E-M5 Mark III is a Micro Four Thirds mirrorless camera with an abundance of speed, precision, and versatility. Featuring a 20.4MP Live MOS sensor and a TruePic VIII image processor, the E-M5 Mark III offers quick continuous shooting up to 10 fps with a mechanical shutter, up to 30 fps shooting with an electronic shutter, and DCI and UHD 4K video recording. The sensor and processor combination also affords a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 6.5 stops of camera shake for sharper handheld shooting. Complementing the imaging specs, the sensor's design also incorporates 121 phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.
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Olympus E-M5 Mark III Overview

By B&H Photo's

Packing a wealth of capabilities within an especially compact design, the Olympus OM-D E-M5 Mark III is a Micro Four Thirds mirrorless camera with an abundance of speed, precision, and versatility. Featuring a 20.4MP Live MOS sensor and a TruePic VIII image processor, the E-M5 Mark III offers quick continuous shooting up to 10 fps with a mechanical shutter, up to 30 fps shooting with an electronic shutter, and DCI and UHD 4K video recording. The sensor and processor combination also affords a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 6.5 stops of camera shake for sharper handheld shooting. Complementing the imaging specs, the sensor's design also incorporates 121 phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.

Despite all of its performance-oriented attributes, the E-M5 Mark III manages to retain a sleek design, which is also weather-sealed for use in trying weather conditions. A high-resolution 2.36m-dot 0.67x-magnification OLED viewfinder is featured along with a 3.0" 1.04m-dot touchscreen LCD, which sports a vari-angle design to suit working from high, low, and front-facing angles. Additionally, built-in Wi-Fi and Bluetooth enable wireless transferring and remote camera control from linked mobile devices.

Olympus OM-D E-M5 Mark III Mirrorless Camera (Silver)

Packing a wealth of capabilities within an especially compact design, the Olympus OM-D E-M5 Mark III is a Micro Four Thirds mirrorless camera with an abundance of speed, precision, and versatility. Featuring a 20.4MP MOS sensor and a TruePic VIII image processor, the E-M5 Mark III offers quick continuous shooting up to 10 fps with a mechanical shutter, up to 30 fps shooting with an electronic shutter, and DCI and UHD 4K video recording. The sensor and processor combination also affords a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 6.5 stops of camera shake for sharper handheld shooting. Complementing the imaging specs, the sensor's design also incorporates 121 phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.

Despite all of its performance-oriented attributes, the E-M5 Mark III manages to retain a sleek design, which is also weather-sealed for use in trying weather conditions. A high-resolution 2.36m-dot 0.67x-magnification OLED viewfinder is featured along with a 3.0" 1.04m-dot touchscreen LCD, which sports a vari-angle design to suit working from high, low, and front-facing angles. Additionally, built-in Wi-Fi and Bluetooth enable wireless transferring and remote camera control from linked mobile devices.

20.4MP Live MOS Sensor and TruePic VIII Image Processor
A high-resolution 20.4MP Live MOS sensor works in conjunction with a TruePic VIII image processor to promote fast shooting performance, a sensitivity range from ISO 200-25600, and versatile 4K video recording capabilities. Ideal for photographing moving subjects, the sensor and processor combination also avails a full-resolution continuous shooting rate of 10 fps for up to 150 consecutive raw files when working with the mechanical shutter. When shooting with the silent electronic shutter, this shooting rate can be boosted up to 30 fps with single-shot AF for up to 23 consecutive raw frames or 10 fps shooting with continuous AF for up to 152 consecutive raw frames. If recording JPEGs, unlimited sequential shooting is possible until the memory card is full.
DCI and UHD 4K Video Recording and OM-Log
The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mb/s bit-rate, and UHD 4K is available in frame rates up to 29.97p and a 102 Mb/s bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, and an external mic jack is available for improved audio recording quality. Use of an external recording monitor is also possible, via HDMI output, which supports 4:2:2 8-bit color for a greater color correction range.

Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too, as well as a high-speed Full HD setting with 120 fps frame rate.
121-Point All Cross-Type Phase-Detection AF
An advanced autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. Different focusing modes are available to suit working in various shooting conditions, including 121-point, for general use; Group 25-point, for moving subjects, such as birds and wildlife, and when 121-point is too wide; Group 9-Point, for smaller and more distant subjects; Group 5-Point, for when 9-point is too wide or to suit working with nearer moving subjects; Single, for working with still or small subjects that are not moving; and Small AF, for working with close-up subjects. Custom AF targets can also be set, for working with specific numbers of focus points within the 121-point grid, and an AF limiter function allows you to constrain the focusing distance within a specified range for more responsive performance.
5-Axis Sensor-Shift Image Stabilization
In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 5.5 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, when paired with select lenses featuring optical image stabilization, shake compensation up to 6.5 stops is possible.
Body Design and Connectivity
  • High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and it offers a 0.67x maximum magnification for clear, distortion-free viewing.
  • Rear 3.0" 1.04m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback. Additionally, a Live View Boost mode can be used to optimize the screen's brightness and prioritize the frame rate when working in dark locations.
  • Included BLS-50 rechargeable lithium-ion battery is used to provide approximately 310 shots per charge .
  • In-camera battery charging is supported via the micro-USB port.
  • Single SD memory card slot is UHS-II compatible for fast read/write speeds.
  • Wide accessory compatibility provided with the incorporation of a microphone port, a top hot shoe, micro-USB and micro-HDMI ports, and a 2.5mm port for optional remotes.
  • Rugged splashproof, dustproof, and freezeproof construction incorporates extensive sealing throughout the body design to accommodate working in harsh weather conditions and trying environments.
  • Supersonic Wave Filter and a dust-resistant coating are used to greatly reduce the likelihood of dust reaching the sensor.
  • Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet when using the dedicated O.I.Share app for iOS and Android.
Shooting Modes
  • High Res Shot mode offers the equivalent output of a 50MP JPEG image or 80MP raw image by combining eight sequentially recorded frames into a single, larger image. In between each of the exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final image with greater resolution and color detail. TruePic VIII processing aids this shooting function by compensating for any subject movement blur and this feature can also be configured to record 25MP images for file size flexibility.
  • Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
  • Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
  • Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 35 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.
  • Interval shooting is supported for up to 999 frames with 1 second to 24-hour exposure intervals.
  • Anti-flicker shooting automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, 300mm f/4 IS PRO, and 12-100mm f/4 IS PRO lenses.
  • Keystone Compensation allows you to correct for convergence when working in live view. Similarly, Fisheye Compensation allows you to use the M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO lens as a rectilinear wide-angle lens by correcting and eliminating distortion.
Olympus M.Zuiko Digital ED 12-45mm f/4 PRO Lens

Covering a useful and familiar range with a svelte form factor, the Olympus M.Zuiko Digital ED 12-45mm f/4 PRO is a 24-90mm-equivalent zoom for Micro Four Thirds mirrorless cameras. Distinguished by its f/4 constant maximum aperture, this lens strikes a balance between a bright design and a highly compact design to suit its use in everyday situations. Myriad specialized elements are incorporated into the optical design, which help to suppress spherical aberrations, color fringing, and distortion in order to produce sharp, color-accurate imagery. A ZERO coating is also featured, which controls flare and ghosting for improved contrast when working in bright and backlit conditions. Complementing the optics is a Movie & Still Compatible autofocus system, which achieves fast, smooth, and silent focusing performance, and a maximum 0.25x magnification throughout the zoom range to suit working with close-up subjects. Additionally, the lens is weather-sealed to enable its use in trying weather conditions.

Standard wide-angle to portrait-length zoom lens is designed for Micro Four Thirds mirrorless cameras and provides a 24-90mm equivalent focal length range.
Constant f/4 maximum aperture enables consistent performance throughout the zoom range and helps to achieve a sleek and lightweight physical design.
The lens construction integrates two aspherical elements, one DSA (Dual Super Aspherical) element, two extra-low dispersion elements, one Super HR (high-refractive index) elements, and two HR elements into its design to minimize aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy.
A ZERO (Zuiko Extra-low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
Minimum focusing distance of 4.7" at the wide end and 9.1" at the tele end pairs with an impressive 0.25x maximum magnification ratio to suit working with close-up subjects.
Dust-, freeze-, and drip-proof design ensure the lens' performance in inclement and harsh conditions.
Rounded seven-blade diaphragm produces a smooth bokeh quality.

Olympus E-M5 Mark IIISpecs

Key Specs
Lens Mount
Micro Four Thirds
Sensor Resolution
Actual: 21.8 Megapixel
Effective: 20.4 Megapixel (5184 x 3888)
Image Sensor
17.4 x 13 mm (Four Thirds) MOS
Image Stabilization
Sensor-Shift, 5-Axis
Continuous Shooting
Up to 10 fps at 20.4 MP for up to 150 Frames (Raw) / Unlimited Frames (JPEG)
Up to 6 fps at 20.4 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 30 fps at 20.4 MP for up to 23 Frames (Raw) / 26 Frames (JPEG)
Internal Recording Modes
H.264/MOV
DCI 4K (4096 x 2160) at 24.00 fps [237 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [102 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [18 to 202 Mb/s]
1280 x 720 at 23.98/25/29.97/50/59.94 fps [10 to 102 Mb/s]
External Recording Modes
4:2:2 8-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98 fps
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Wireless
Wi-Fi, Bluetooth
Display Type
Articulating Touchscreen LCD
Battery Type
1x BLS-50 Rechargeable Lithium-Ion, 7.2 VDC, 1175 mAh (Approx. 310 Shots)
Imaging
Lens Mount
Micro Four Thirds
Sensor Resolution
Actual: 21.8 Megapixel
Effective: 20.4 Megapixel (5184 x 3888)
Image Sensor
17.4 x 13 mm (Four Thirds) MOS
Crop Factor
2x
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/8000 to 60 Seconds
Up to 3 Hours
Electronic Front Curtain Shutter
1/320 to 60 Seconds
Electronic Shutter
1/32000 to 60 Seconds
Bulb/Time Mode
Bulb Mode, Time Mode
ISO Sensitivity Range
200 to 25,600 in Auto Mode (Extended: 64 to 25,600)
Metering Method
Center-Weighted Average, Multi-Zone, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3, 1/2, 1 EV Steps)
Metering Range
-2 to 20 EV
White Balance
Presets: Auto, Color Temperature
Continuous Shooting
Up to 10 fps at 20.4 MP for up to 150 Frames (Raw) / Unlimited Frames (JPEG)
Up to 6 fps at 20.4 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 30 fps at 20.4 MP for up to 23 Frames (Raw) / 26 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/12-Second Delay
Still Image Capture
Image Sizes
4:3 Raw
5184 x 3888
4:3 JPEG
5188 x 3888
3200 x 2400
1920 x 1440
1280 x 960
1024 x 768
Aspect Ratio
4:3
Image File Format
JPEG, Raw
Bit Depth
12-Bit
Video Capture
Internal Recording Modes
H.264/MOV
DCI 4K (4096 x 2160) at 24.00 fps [237 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [102 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [18 to 202 Mb/s]
1280 x 720 at 23.98/25/29.97/50/59.94 fps [10 to 102 Mb/s]
External Recording Modes
4:2:2 8-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98 fps
Recording Limit
Up to 30 Minutes
Broadcast Output
NTSC/PAL
IP Streaming
No
Built-In Microphone
Stereo
Audio Recording
2-Channel LPCM Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x Micro-USB Input/Output
Other I/O
1x Micro-USB (USB 2.0) Input/Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
Wireless
Wi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Size
3.0"
Resolution
1,040,000 Dot
Display Type
Articulating Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Resolution
2,360,000 Dot
Eye Point
27 mm
Coverage
100%
Magnification
Approx. 0.67x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 121 (121 Cross-Type)
Contrast Detection: 121
Flash
Built-In Flash/Light
No
Flash Modes
Fill Flash, Off, Red-Eye Reduction, Second-Curtain Sync, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2, 1 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
Storage Temperature
-4 to 140°F / -20 to 60°C
Operating Humidity
30 to 90%
Storage Humidity
10 to 90%
General
Battery Type
1x BLS-50 Rechargeable Lithium-Ion, 7.2 VDC, 1175 mAh (Approx. 310 Shots)
Tripod Mounting Thread
1x 1/4"-20 Female (Bottom)
Accessory Mounting Thread
1x
Dimensions (W x H x D)
4.93 x 3.35 x 1.96" / 125.3 x 85.2 x 49.7 mm
Weight
14.6 oz / 414 g (With Battery, Recording Media)
Packaging Info
Package Weight
2.86 lb
Box Dimensions (LxWxH)
7.6 x 7.3 x 5.6"

Olympus E-M5 Mark IIISpecs

Key Specs
Focal Length
12 to 45mm (35mm Equivalent: 24 to 90mm)
Maximum Aperture
f/4
Lens Mount
Micro Four Thirds
Lens Format Coverage
Micro Four Thirds
Focus Type
Autofocus
Image Stabilization
No
Filter Size
58 mm (Front)
Maximum Aperture
f/4
Minimum Aperture
f/22
Lens Mount
Micro Four Thirds
Lens Format Coverage
Micro Four Thirds
Angle of View
84° to 27°
Minimum Focus Distance
4.72" / 12 cm
Maximum Magnification
0.25x
Optical Design
12 Elements in 9 Groups
Diaphragm Blades
7, Rounded
Focus Type
Autofocus
Image Stabilization
No
Filter Size
58 mm (Front)
Dimensions (ø x L)
2.5 x 2.76" / 63.4 x 70 mm
Length at Maximum Extension
3.52" / 89.3 mm
Weight
8.96 oz / 254 g
Packaging Info
Package Weight
1.08 lb
Box Dimensions (LxWxH)
7.3 x 4.55 x 4.55"

Olympus E-M5 Mark III Reviews

Too Much Homework

By Not Even Canon
Rated 2 out of 5
Date: 2023-02-28

Digital cameras are miniature computers you control with dials and menus, and the EM5.3 system is built to inflict maximum damage to a user's patience. Settings conflict with each other, without warning. Sometimes the manual explains why you cannot activate a feature, but usually not. This situation forces a user to drive the whole convoluted menu system and then search through endless forum posts or YouTube videos. Good luck remembering all the ins and outs. I learn hard things all the time, but stupidly thought I could overcome this hurdle. I admit now that I can't make up for poorly designed code on this device. Some - many reviewers here - are totally ok with being abused by camera menus and leave glowing reviews anyway. Not this reviewer. Yes, it's very water resistant, so you can fumble through the menus for several minutes safely in the rain if the lens is weather sealed also. After over a year of ownership, I regret this purchase and my enthusiasm for digital photography has plummeted. If you enjoy unsolvable puzzles and deleting failed exposures, this is the camera for you. According to the reviews here and in enthusiast forums, there are lots of people happily toggling settings on and off to figure out which one prevents the one they want. And then making notes or custom presets to manage the situation. That's just not an acceptable experience to me. Menus on other brands hold traps also, but the EM5.3 menu hides it's traps especially well. I only give it 2 stars because 1 star is for the physical attributes that make it similar to a camera that works in a straightforward way. The OMDS OM5 that replaced this camera does have a slightly updated menu system that does some simplification and context-menu explaining of which setting prevents another from activating. Is it enough of an improvement? It sure won't be me answering that question.

Best all around hybrid camera for M4/3.

By Steven
Rated 5 out of 5
Date: 2023-01-02

20 MP sensor, contrast and phase detection AF, external mic input, good video modes, great stills. Great compact camera with excellent ergonomics.

Awesome travel camera

By Richard
Rated 5 out of 5
Date: 2022-12-08

Purchased this camera because I wanted something smaller and lighter to hike, bike, and kayak with vs. my full frame system. I carried my full frame DSLR around the Canadian Rockies for a month and when I got home I decided to make the change. I am thoroughly pleased with the functionality, features, and most importantly the image quality that I am getting with the Olympus OM-D EM5. The learning curve was a little higher changing systems but there aren't any critical features that are missing compared to my pro Sony system. I mostly shoot travel and landscapes. I any very happy with this camera and M. Zuiko lenses.

Excellent camera--compact with great IBIS

By George
Rated 5 out of 5
Date: 2022-11-26

I had a Nikon D610 with 50% more mp than my son's early Olympus 5 (24 mp to 16 mp), and yet he was getting sharper pictures because of the in-body image stabilization (IBIS)--a kind of digital tripod. I bought an OM 1, and it was light enough so that I was willing to get the em 5 mark iii as well. I use the OM 1 with a long telephoto for bird pictures because of the great focusing and tracking. The em 5 is in the same camera bag with a shorter zoom for landscapes and people. I can't tell the difference in picture quality between the OM 1 and the em 5, even though the IBIS is better in the OM 1. I get noticeable noise in both at ISO 6400. With the larger sensor in the Nikon the noticeable noise began at 12800. I can live with that, in part because of the f/2.8 lenses that I have, faster than what I used on the NIkon. The OM 5, like the OM 1, has better IBIS and weather sealing than the em 5. I have big hands, and the OM 1 feels better to me, but I can use either 5 and manage all of the dials and buttons easily. For prospective buyers, the most expensive one is the OM 1, best for wildlife and sports pictures. The least expensive is the em 5 mark iii. The OM 5 is $300 more than the em 5, with better IBIS, better weather sealing, and a newer processor which leads to faster focusing and exposure adjustments, intermediate between the speed of the em 5 and the OM 1. The OM 1 has the great IBIS and weather sealing. It also has the largest battery, probably of more importance to professionals than amateurs. All three have industry leading IBIS, which is enough for me to recommend anyone of the three, with the final choice depending on intended use and available budget.

Big Step Up From Olympus OM-D E-10 Mark III

By Brian
Rated 5 out of 5
Date: 2022-11-02

I was disappointed when my Olympus OM-D E-M10 Mark III quit but was elated when I read the reviews on the Olympus OM-D E-M5 Mark III Mirrorless Camera. This camera is the same size as my old camera with upgrades like; Waterproof, Better Battery compartment cover, separate SD card storage, and a simplified Menu for all the bells and whistles included in this camera.

Sharp Pro Grade Quality and Features on the cheap!

By Brandon
Rated 5 out of 5
Date: 2022-09-09

So I have mostly been shooting film my career but with my lifestyle it has become too cumbersome to shoot film all the live long day. However new Mirrorless cameras are too expensive and DSLRs too bulky for my tastes. Enter Olympus. I had known about Olympus and their high quality, compact film cameras, but had never thought about their digital line. This camera may have eh ish specs on paper due to it's M43 sensor and all but don't let that fool you. This camera is any highly mobile photographer's dream. Ultra-Sharp budget lens options. The EXACT size of my old OMF/OM-30 film SLR and just a joy to use with its tactile controls. The menus and modes took a little getting used to; but honestly it took maybe a day? Anyway This thing is weather sealed with a weather-sealed PRO line lens in the kit. At the price I paid (1300USD) it was an absolute steal. And I haven't even gotten into the 4K video yet with my use case.

This is an awesome, awesome camera

By Paul
Rated 5 out of 5
Date: 2023-02-06

The ergonomics on this camera are world class (Sony, please take note). It's a joy to use, all the controls are where they should be, everything is customizable - Olympus really kills it here. The quality of the output is top shelf. The lens catalogue (between Olympus and Panasonic) is complete, varied and includes really high quality glass at prices full frame users can only dream of. The rear screen and viewfinder are excellent. The in-body-image-stabilzation is as good as they claim it to be too - which is best in class. And it's impressively weatherproofed - this is a big deal because the environment can sneak in and make a mess of your sensor, your lenses and subsequent photos. I've made that mistake (Sony - are you listening?) And it's smallish and light. As if that's not enough, it's a handsome piece of kit - I'm partial to the silver version). Don't take my word for it - I've been stopped a number of times and asked about this camera (never has this happened with any other camera I've used). I'll say it again - this camera and the small, quality, weatherproof, affordable lenses in the MFT's catalogue are a real joy to use. I'm inches away from selling my Sony APSC system... Yeah

Super Capabilities

By Thomas
Rated 5 out of 5
Date: 2023-01-09

A super camera with plenty of bells and whistles and solidly built. The one feature I was most interested in was the pro capture mode, that is when the camera starts to buffer images when you half-press the shutter button. When the subject for instance takes flight, one simply depresses the shutter button the remaining half, capturing the buffered images and the selected number of images afterwards. I have used both the high and low modes of pro capture to great effect. Before heading out to a local wildlife refuge I spent a couple weeks tweaking techniques, experimenting with different modes, and learning the camera functions. They are, for the most part, intuitive. In pro capture mode, especially when the temps are in the 20s or low 30s, the camera eats up the batteries. I got two extra batteries and went through three on an extended day at Chincoteague NWR. I paired the camera body with Olympus Pro 300mm and have not been disappointed in the image quality. An awesome combination.

See any errors on this page? Let us know

What is the body material. A review mentions ...

What is the body material. A review mentions polycarbonate; Oly web site says magnesium?
Asked by: William
It is a combination of poly and magnesium.
Answered by: Rob
Date published: 2022-11-23

How to obtain a copy of the Olympus OM-D 1-yr ...

How to obtain a copy of the Olympus OM-D 1-yr warranty?
Asked by: Donna
This webpage has all the Olympus Warranty information: https://bit.ly/3cRZXWl
Answered by: Lawrence
Date published: 2022-07-28

Hi, wich lens are more versatile 12-45mm or ...

Hi, wich lens are more versatile 12-45mm or 14-150mm to use?
Asked by: Alonso
It really depends on your personal shooting style, however i would guess most would choose the 14-150 for the overall greater range.
Answered by: Olympus America Inc
Date published: 2020-07-13

How is this for macro

How is this for macro
Asked by: chauna
The OM-D E-M5 Mark II would be excellent for macro photography when pairing it with the Olympus M.Zuiko Digital ED 60mm f/2.8 Macro Lens, BH # OL6028. https://bhpho.to/3KLHwxI
Answered by: Kirk
Date published: 2022-05-04

Is this any good for wide angled wildlife ...

Is this any good for wide angled wildlife photography? Not a professional just keen enthusiast
Asked by: Biddy
Yes, if you were not going to print Large
Answered by: Anonymous
Date published: 2020-09-14

Is this good for Astrophotography?

Is this good for Astrophotography?
Asked by: Mahesh
Yes. The following unit offer certain features that night photographers look for when partnered with the right lens.
Answered by: hectorm
Date published: 2021-12-05

Will the Olympus EM5-III IBIS work in conjunction ...

Will the Olympus EM5-III IBIS work in conjunction with Panasonic's 14-140 zoom OIS? If not, does the OIS in the Panasonic lens need to be turned off?
Asked by: Marcelo
No The E-M5 MkIII In body IS will not work in conjunction with the OIS in a Panasonic lens. We would recommend that you disable the OIS in most cases and use the in-body IS.
Answered by: Olympus America Inc
Date published: 2020-06-01

Does it have Auto Focus in 120fps?

Does it have Auto Focus in 120fps?
Asked by: Zac
No, the Olympus OM-D E-M5 Mark III Mirrorless Digital Camera does not have autofocus at 120 fps.
Answered by: Lenny
Date published: 2019-12-12
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