Video Chat with a B&H Expert & Get Photography Advice Live!

Olympus OM-D E-M1 Mark III Mirrorless Camera with 7-14mm, 40-150mm, and 300mm Lenses Kit

BH #OLEM13F (B&H Kit)
Olympus OM-D E-M1 Mark III Mirrorless Camera with 7-14mm, 40-150mm, and 300mm Lenses Kit
Key Features
  • M.Zuiko Digital ED 7-14mm f/2.8 PRO
  • M.Zuiko Digital ED 40-150mm f/2.8 PRO
  • M.Zuiko Digital ED 300mm f/4 IS PRO
A comprehensive bundle, the Olympus OM-D E-M1 Mark III Mirrorless Camera with 7-14mm, 40-150mm, and 300mm Lenses Kit from B&H pairs the capable Micro Four Thirds camera body with the M.Zuiko Digital ED 7-14mm f/2.8 PRO wide-angle zoom, M.Zuiko Digital ED 40-150mm f/2.8 PRO telephoto zoom, and M.Zuiko Digital ED 300mm f/4 IS PRO super-telephoto prime lens.
In Stock
$7,498.95
Price $7,698.95
Instant Savings $200.00Offer ends Oct 02 at 11:59 PM EDT
$625/mo. suggested payments for 12 Mos.
with the credit card.§ 
Protect your Gear
Add a protection plan from $215.99

Trade in your gear for cash: Learn more
Ask Our Experts
800.606.6969

Olympus E-M1 Mark III Overview

  • 1Description
  • 2Olympus OM-D E-M1 Mark III Mirrorless Camera
  • 3Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO Lens
  • 4Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO Lens
  • 5Olympus M.Zuiko Digital ED 300mm f/4 IS PRO Lens

A comprehensive bundle, the Olympus OM-D E-M1 Mark III Mirrorless Camera with 7-14mm, 40-150mm, and 300mm Lenses Kit from B&H pairs the capable Micro Four Thirds camera body with the M.Zuiko Digital ED 7-14mm f/2.8 PRO wide-angle zoom, M.Zuiko Digital ED 40-150mm f/2.8 PRO telephoto zoom, and M.Zuiko Digital ED 300mm f/4 IS PRO super-telephoto prime lens.

Olympus OM-D E-M1 Mark III Mirrorless Camera

A camera designed with speed, versatility, and portability in mind, the Olympus OM-D E-M1 Mark III is a well-rounded Micro Four Thirds mirrorless camera suitable for a variety of stills and video needs. Featuring a 20.4MP Live MOS sensor and an updated TruePic IX image processor, the camera is characterized by its quick continuous shooting, up to 60 fps with an electronic shutter and 15 fps with a mechanical shutter, as well as DCI and UHD 4K video recording. The sensor and processor also offer a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 7.5 stops of camera shake for sharper handheld shooting. Beyond imaging, the sensor's design also incorporates 121 on-chip phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.

In regard to the E-M1 III's physical design, it features a durable magnesium alloy body along with extensive weather-sealing to support working in harsh climates. Both a 2.36m-dot, 0.74x-magnification electronic viewfinder and 3.0" 1.037m-dot vari-angle LCD touchscreen are featured, too, for intuitive control and working from a variety of angles. Additionally, built-in Wi-Fi and Bluetooth further expand sharing and remote shooting capabilities, and dual SD card slots afford greater file saving flexibility.

20.4MP Live MOS Sensor and TruePic IX Image Processor
A high-resolution 20.4MP Live MOS sensor and updated TruePic IX image processor work in concert to provide notably fast shooting performance, expanded sensitivity range up to ISO 25600, and versatile 4K video recording capabilities. Ideal for sports and wildlife shooting, the sensor and processor combination avail a full-resolution continuous shooting rate of 15 fps for up to 101 consecutive raw files when working with the mechanical shutter. When shooting with the silent electronic shutter, this shooting rate can be boosted up to 60 fps with single-shot AF for up to 50 consecutive raw frames or 18 fps shooting with continuous AF for up to 90 consecutive raw frames.
DCI and UHD 4K Video Recording and OM-Log
The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mb/s bit-rate, and UHD 4K is available in frame rates up to 30p and a 102 Mb/s bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, and both an external mic jack and headphone jack are available for improved audio recording and monitoring.

Benefitting recording in varying light conditions, an integrated OM-Log setting can be used to extend the effective dynamic range and afford a greater range of control during post-production color grading when used with the accompanying LUT file. Use of an external recording monitor is also possible, via HDMI output, which supports 4:2:2 8-bit color for a greater color correction range.

Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too, as well as a high-speed Full HD setting with 120 fps frame rate.
121-Point All Cross-Type Phase-Detection AF
An advanced autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. Different focusing modes are available to suit working in various shooting conditions, including 121-point, for general use; Group 25-point, for moving subjects, such as birds and wildlife, and when 121-point is too wide; Group 9-Point, for smaller and more distant subjects; Group 5-Point, for when 9-point is too wide or to suit working with nearer moving subjects; Single, for working with still or small subjects that are not moving; and Small AF, for working with close-up subjects. Custom AF targets can also be set, for working with specific numbers of focus points within the 121-point grid, and an AF limiter function allows you to constrain the focusing distance within a specified range for more responsive performance. Additionally, continuous autofocus sensitivity can be set, to benefit its use while recording video, within five levels for more pleasing focus movements.

Suiting portraiture, Face Priority and Eye Priority AF are also available to prioritize the face and eyes of your subject. And for working in low-light conditions, focusing sensitivity is available down to -3.5 EV, and a dedicated Starry Sky AF mode can be used for focusing on stars and other nighttime sky subjects. Converse to the autofocus capabilities, manual focus users are also benefitted by live view magnification and focus peaking controls for greater accuracy.
5-Axis Sensor-Shift Image Stabilization
In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, when paired with select lenses featuring optical image stabilization, shake compensation up to 7.5 stops is possible.
Body Design and Connectivity
  • High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and it offers a high 0.74x maximum magnification for clear, distortion-free viewing.
  • Rear 3.0" 1.037m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback. Additionally, an LV Boost mode can be used to optimize the screen's brightness and prioritize the frame rate when working in dark locations.
  • Included BLH-1 rechargeable lithium-ion battery provides approximately 420 shots per charge with normal settings or up to an impressive 900 shots per charge with the quick sleep mode activated.
  • The USB Type-C port can be used for quick in-camera battery charging.
  • Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet when using the dedicated O.I.Share app for iOS and Android.
  • Dual SD memory card slots offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. Additionally, one of the card slots is UHS-II compatible for faster read/write speeds when used with a compatible UHS-II card.
  • Wide accessory compatibility provided with the incorporation of 3.5mm headphone and microphone ports, a PC sync flash terminal and top hot shoe, USB Type-C and micro-HDMI ports, and a 2.5mm port for optional remotes.
  • Rugged splash, dust, and freezeproof construction incorporates extensive sealing throughout the magnesium alloy body to accommodate working in harsh weather conditions and trying environments, even when a cable, microphone, or a set of headphones are attached.
  • Supersonic Wave Filter and a dust-resistant coating are used to greatly reduce the likelihood of dust reaching the sensor.
  • Durable shutter unit is rated to perform for over 400,000 actuations.
Shooting Modes
  • Tripod High Res Shot mode offers the equivalent output of an 80MP image by combining eight sequentially recorded frames into a single, larger image. In between each of the exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final image with greater resolution and color detail. The TruePic IX processor aids this process by compensating for any subject movement blur and this feature can also be configured to record 50MP or 25MP images for file size flexibility.
  • Handheld High Res Shot mode, like the Tripod mode, produces a 50MP JPEG or raw file by compositing sequentially recorded files into a single image. The Handheld High Res Shot mode differs from the Tripod mode by recording 16 independent frames, opposed to eight, and the slight movement caused by hand-holding provides the range of movement needed to produce the larger final image.
  • Simulating the effects of a neutral density filter, Live ND results in blurred subject movement by compositing exposures to replicate the look of a single image taken at a slower shutter speed. Particularly suitable for photographing moving water, five modes are available—ND2, ND4, ND8, ND16, and ND32—to vary how movement is portrayed.
  • Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
  • Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
  • Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 35 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.
  • Interval shooting is supported for up to 9999 frames with 1 second to 24-hour exposure intervals.
  • Anti-flicker shooting automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, 300mm f/4 IS PRO, 12-100mm f/4 IS PRO, and 12-45mm f/4 PRO lenses, as well as the M.Zuiko Digital MC-14 1.4x and MC-20 2.0x Teleconverters.
  • Keystone Compensation allows you to correct for convergence when working in live view. Similarly, Fisheye Compensation allows you to use the M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO lens as a rectilinear wide-angle lens by correcting and eliminating distortion.
UPC: 050332192713
Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO Lens

A versatile wide-angle zoom for Micro Four Thirds mirrorless cameras, the M.Zuiko Digital ED 7-14mm f/2.8 PRO from Olympus is a 14-28mm equivalent lens featuring a constant f/2.8 maximum aperture for consistent performance throughout the zoom range. A suite of aspherical, extra-low dispersion, and high-refractive index elements are featured within the optical design, and help to minimize spherical and chromatic aberrations throughout the zoom range for increased clarity and sharpness. Additionally, a ZERO coating has been applied to control flare and ghosting for improved contrast and color fidelity. A weather-resistant design benefits handling in trying conditions while an L-Fn button offers lens-based control over various settings. Additionally, a Movie & Still Compatible autofocus system achieves fast, smooth, and silent focusing performance to benefit both photo and video applications. As a fast, high-performance wide-angle zoom, this Micro Four Thirds lens pairs an optimized optical layout with refined physical details to excel in a variety of working conditions.

Wide-angle 7-14mm zoom lens offers a 14-28mm equivalent focal length range for Micro Four Thirds digital cameras.
Constant f/2.8 maximum aperture maintains consistent performance throughout the zoom range and benefits working in difficult lighting situations.
The lens construction incorporates two aspherical ED (extra-low dispersion) elements, one DSA (Dual Super Aspherical) element, one aspherical element, three Super ED elements, one ED element, and two HR (high-refractive index) elements into its design to minimize aberrations, distortion, and color fringing while also contributing to overall image sharpness, clarity, and color fidelity.
A ZERO (Zuiko Extra-low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
Programmable L-Fn (lens function) button for easily accessible settings adjustment.
Dust, splash, and freezeproof construction ensures this lens' performance in inclement conditions and harsh environments.
Built-in petal-type lens hood helps to alleviate stray light from causing flare and also adds some protection from accidental impacts to the front element.
Rounded seven-blade diaphragm produces a smooth bokeh quality.
UPC: 050332188853
Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO Lens

Offering long reach with an advanced feature-set and optical design, the M.Zuiko Digital ED 40-150mm f/2.8 PRO from Olympus is a versatile 80-300mm equivalent telephoto zoom for Micro Four Thirds mirrorless cameras. As part of the PRO series of advanced lenses, this zoom distinguishes itself with a bright f/2.8 constant maximum aperture for consistent illumination throughout the zoom range to suit working in a variety of lighting conditions. Its optical design makes use of a series of aspherical and low dispersion glass elements to suppress chromatic and spherical aberrations for notable sharpness and clarity, and a ZERO coating is also used to reduce flare and ghosting for high contrast, color-accurate imaging.

Complementing the optics, a dual VCM autofocus system offers fast and near-silent focusing performance to suit both stills and movie recording applications. A manual focus clutch permits quick switching between AF and MF, and a programmable L-Fn button avails lens-based control over shooting settings. The lens is also weather-sealed for working in trying conditions, and a removable rotating tripod collar is included for improved balance and support when working atop a tripod or monopod.

Telephoto zoom is designed for Micro Four Thirds mirrorless cameras and provides an 80-300mm equivalent focal length range.
Bright f/2.8 constant maximum aperture suits working in a variety of lighting conditions throughout the zoom range.
One aspherical ED (extra-low dispersion) element, two aspherical elements, one Super ED element, three ED elements, and one HD element are featured within the optical design to minimize both spherical and chromatic aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy.
A ZERO (Zuiko Extra-low Reflection Optical) coating has been applied to individual elements to minimize lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions.
A Dual VCM (voice coil motor) system is used for quick and near-silent autofocus performance. By separating the focusing mechanism into two groups controlled by separate linear AF motors, focus speeds are faster and the friction-free movement is notably quieter to benefit video recording.
Manual focus clutch lets you quickly pull the focusing ring into place for direct, intuitive focus control.
Programmable L-Fn (lens function) button for easily accessible settings adjustment.
Dust-, freeze-, and splash-proof design uses 11 separate seals to ensure the lens's performance in inclement and harsh conditions.
Rounded nine-blade diaphragm produces a smooth bokeh quality.
Removable rotating tripod collar offers a stable platform for working with this lens atop a tripod or monopod.
Included lens hood collapses back onto the lens for a more compact profile when stored.
Compatible with the optional M.Zuiko Digital MC-14 1.4x Teleconverter to further extend the reach to a 112-420mm equivalent focal length range.
UPC: 050332188778
Olympus M.Zuiko Digital ED 300mm f/4 IS PRO Lens

A long-reaching super telephoto for Micro Four Thirds mirrorless cameras, the M.Zuiko Digital ED 300mm f/4 IS PRO from Olympus is a 600mm equivalent lens that balances refined optics with a hand-holdable design. Super ED, E-HR, and HR glass elements are combined to control both chromatic and spherical aberrations to provide a high degree of clarity and sharpness, and a Z Coating Nano has been applied to individual elements to suppress lens flare and ghosting for high contrast, color-accurate imaging.

Complementing the optical attributes, this lens is also characterized by its optical image stabilization system, which can be used in conjunction with camera-based sensor-shift IS to realize a six-stop effective reduction in the appearance of camera shake for sharper handheld shooting. A Movie & Still Compatible (MSC) autofocus system is also employed to realize quick and quiet focusing performance, and a manual focus clutch enables seamless switching between focusing methods for more intuitive use. The lens is also fitted with a removable rotating tripod collar for improved balance and support, and the lens is weather-sealed to guard against dust, moisture, and freezing temperatures to benefit working in harsh climates.

Super telephoto prime is designed for Micro Four Thirds mirrorless cameras and provides a 600mm equivalent focal length.
Three Super ED (extra-low dispersion) elements are used to control color fringing and chromatic aberrations for improved clarity and color accuracy.
Three high refractive index elements and one E-HR (extra-high refractive index) element help to minimize spherical aberrations and distortion for greater sharpness and accurate rendering.
A Z Coating Nano has been applied to individual elements to significantly reduce lens flare and ghosting to improve contrast and color fidelity when working in strong lighting conditions.
Lens-based image stabilization helps to minimize the appearance of camera shake to benefit shooting handheld with this lens in difficult lighting conditions. Additionally, this lens supports Synchronized IS, which pairs the optical IS system with select Olympus cameras' 5-axis sensor-shift image stabilization to control up to six stops of camera shake.
Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
Manual focus clutch lets you quickly pull the focusing ring into place for direct, intuitive focus control.
Programmable L-Fn (lens function) button for easily accessible settings adjustment.
Dust, splash, and freezeproof construction incorporates 17 separate seals to ensure this lens's performance in inclement conditions and harsh environments.
Removable rotating tripod collar offers a stable platform for working with this lens atop a tripod or monopod. The included DR-79 Decoration Ring can also be used on the lens when shooting handheld to take the place of the removed tripod collar.
Built-in retractable lens hood shields the front lens element to reduce surface reflections and flare.
Compatible with the optional M.Zuiko Digital MC-14 1.4x Teleconverter to further extend the reach to a 840mm equivalent focal length.
UPC: 050332190108

Olympus OM-D E-M1 Mark III Mirrorless Camera Specs

Imaging
Lens MountMicro Four Thirds
Sensor ResolutionActual: 21.8 Megapixel
Effective: 20.4 Megapixel (5184 x 3888)
Sensor Type17.4 x 13 mm (Four Thirds) MOS
Crop Factor2x
Image StabilizationSensor-Shift, 5-Axis
Built-In ND Filter1 to 5 Stop Electronic ND Filter
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter, Electronic Shutter
Shutter SpeedMechanical Shutter
1/8000 to 60 Seconds
Electronic Front Curtain Shutter
1/320 to 60 Seconds
Electronic Shutter
1/32000 to 60 Seconds
Bulb/Time ModeBulb Mode, Time Mode
ISO Sensitivity200 to 25,600 in Auto Mode (Extended: 64 to 25,600)
Metering MethodCenter-Weighted Average, Multi-Zone, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3, 1/2, 1 EV Steps)
Metering Range-2 to 20 EV
White BalancePresets: Auto, Cloudy, Custom, Flash, Fluorescent, Incandescent, Kelvin, Shade, Sunlight, Underwater
Continuous ShootingMechanical Shutter
Up to 15 fps at 20.4 MP for up to 101 Frames (Raw) / 134 Frames (JPEG)
Up to 10 fps at 20.4 MP for up to 286 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 60 fps at 20.4 MP for up to 50 Frames (Raw) / 50 Frames (JPEG)
Up to 18 fps at 20.4 MP for up to 76 Frames (Raw) / 90 Frames (JPEG)
Interval RecordingYes
Self-Timer2/12-Second Delay
Still Image Capture
Image Sizes4:3 Raw
5184 x 3888
4:3 JPEG
5188 x 3888
3200 x 2400
1920 x 1440
1280 x 960
1024 x 768
Aspect Ratio4:3
Image File FormatJPEG, Raw
Bit Depth12-Bit
Internal Video Capture
Recording ModesMOV/H.264
DCI 4K (4096 x 2160) at 24.00p [237 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [102 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/119.88p [18 to 200 Mb/s]
HD (1280 x 720) at 23.98p/25p/29.97p/50p/59.94p [10 to 102 Mb/s]
Recording LimitUp to 29 Minutes
Broadcast OutputNTSC/PAL
Built-In Microphone TypeStereo
Audio Recording2-Channel LPCM Audio
External Video Capture
External Recording Modes4:2:2 8-Bit via HDMI
DCI 4K (4096 x 2160)
UHD 4K (3840 x 2160)
Full HD (1920 x 1080)
HD (1280 x 720)
IP StreamingNone
Interface
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Other I/O1 x USB-C (USB 2.0) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Output
Power I/O1 x USB Type-C Input/Output
WirelessBluetooth, Wi-Fi
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0"
Resolution1,037,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (LCD)
Resolution2,360,000 Dot
Eye Point21 mm
Coverage100%
MagnificationApprox. 0.74x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 121 (121 Cross-Type)
Contrast Detection: 121
Autofocus Sensitivity-3.5 to +20 EV
Flash
Built-In FlashNo
Flash ModesFill Flash, First-Curtain Sync, Manual, Off, Red-Eye Reduction, Second-Curtain Sync, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3, 1/2, 1 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Storage Temperature-4 to 140°F / -20 to 60°C
Operating Humidity30 to 90%
Storage Humidity10 to 90%
General
Battery Type1 x BLH-1 Rechargeable Lithium-Ion, 7.4 VDC, 1720 mAh (Approx. 420 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)5.28 x 3.58 x 2.71" / 134.1 x 90.9 x 68.9 mm
Weight1.28 lb / 580 g (With Battery, Recording Media)
Packaging Info
Package Weight3.125 lb
Box Dimensions (LxWxH)7.8 x 6.7 x 4.8"

Olympus M.Zuiko Digital ED 7-14mm f/2.8 PRO Lens Specs

Charger
Focal Length7 to 14mm (35mm Equivalent Focal Length: 14 to 28mm)
Maximum Aperturef/2.8
Minimum Aperturef/22
Lens MountMicro Four Thirds
Lens Format CoverageMicro Four Thirds
Angle of View114° to 75°
Minimum Focus Distance7.87" / 20 cm
Maximum Magnification0.11x
Optical Design14 Elements in 11 Groups
Diaphragm Blades7, Rounded
Focus TypeAutofocus
Image StabilizationNo
Filter SizeNone
Dimensions (ø x L)3.11 x 4.17" / 78.9 x 105.8 mm
Length at Maximum Extension4.17" / 105.9 mm
Weight1.17 lb / 534 g
Packaging Info
Package Weight1.91 lb
Box Dimensions (LxWxH)8.5 x 6.1 x 5.5"

Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO Lens Specs

Focal Length40 to 150mm (35mm Equivalent Focal Length: 80 to 300mm)
Maximum Aperturef/2.8
Minimum Aperturef/22
Lens MountMicro Four Thirds
Lens Format CoverageMicro Four Thirds
Angle of View30° to 8.2°
Minimum Focus Distance2.3' / 70 cm
Maximum Magnification0.21x
Optical Design16 Elements in 10 Groups
Diaphragm Blades9, Rounded
Focus TypeAutofocus
Image StabilizationNo
Tripod CollarRemovable and Rotating
Filter Size72 mm (Front)
Dimensions (ø x L)3.13 x 6.3" / 79.4 x 160 mm
Length at Maximum Extension6.28" / 159.5 mm
Weight1.67 lb / 760 g
Packaging Info
Package Weight3.45 lb
Box Dimensions (LxWxH)12.7 x 6.2 x 6"

Olympus M.Zuiko Digital ED 300mm f/4 IS PRO Lens Specs

Focal Length300mm (35mm Equivalent Focal Length: 600mm)
Maximum Aperturef/4
Minimum Aperturef/22
Lens MountMicro Four Thirds
Lens Format CoverageMicro Four Thirds
Angle of View4.1°
Minimum Focus Distance4.59' / 1.4 m
Maximum Magnification0.24x
Optical Design17 Elements in 10 Groups
Diaphragm Blades9, Rounded
Focus TypeAutofocus
Image StabilizationYes
Tripod CollarRemovable and Rotating
Filter Size77 mm (Front)
Dimensions (ø x L)3.64 x 8.94" / 92.5 x 227 mm
Weight3.25 lb / 1475 g
Packaging Info
Package Weight4.63 lb
Box Dimensions (LxWxH)13.05 x 6.4 x 6.35"

Olympus E-M1 Mark III Reviews

I can't resist anymore

By eduardo
Rated 5 out of 5
Date: 2022-07-28

In the 80's I had a Canon F1 and dreamed of a Leica R3 and Leica optics unattainable in price. a well-known photographer from Prentice Hall suggested that he pay attention to Olympus because their lenses, according to him, were of equivalent quality. Years later I bought the Olympus OM4T with 5 fixed lenses 21-2.0, 28-2.0, 50-1.4, 100-2.0 and 90 macro 2.0, a camera that had incredible 7-point multispot reading, the flash synchronized at all speeds, the body in titanium a small body with dreamlike optics. conclusion I sold the Canon F1 and all its optics. Then I decided to enter the world of autofocus, I bought the Canon EOS 1N, I found myself using the Olympus again despite the Canon's autofocus, conclusion, I sold the Canon and continued with the Olympus. I joined the digital era and bought the Canon 5D and then Mark ll with 6 lenses, I thought of trying the Olympus OMD EM1, again I found myself using the Olympus and staying at home with the Canon. I switched to the Olympus OMD EM1 mark ll, and bought the Sony 7 All, again I was using the Olympus. Now I bought this model, and decided for now not to buy another brand. I am not going to go into technical details, which are abundant everywhere. For some strange reason, or not so strange, I always go back to Olympus and believe me they always try to afford another brand, and even force me to have and use another brand of camera. But naturally and unintentionally, I return to photograph with Olympus, and always the quality of its incredible optics, its comfort, its quality, those great details that you notice when you use and enjoy them and that reading a technical sheet cannot really be perceived . It is incorporated into your body, into your hands and you only think about the photographic shot that is in front of you or what you are going to look for. And despite the passing of the years I continue to experience the same thing, my mind, my eye, the scene and the photographic camera of this manufacturer that is incorporated as a natural extension of the body almost without realizing it and without perceiving it, but when it is not you have with you the longing My colleagues are surprised that I don't have a full frame and I don't understand why they don't have an Olympus. The only exception is that for a certain photograph I have to resort to my Hasselblad H6X, but that's another story.

Olympus leads the way!

By Ron
Rated 5 out of 5
Date: 2022-04-27

Moved to Olympus and their line of high quality lenses. Got rid of all my latest high tech Fuji gear and lenses. The Olympus line is great so far, and should have done this long ago. Extremely good photo quality, and handling. No more hernia's from lugging around the heavy Fuji equipment!

Great Feature Set, Worth the Upgrade

By Belinda
Rated 5 out of 5
Date: 2022-04-03

Moved up from the EM-5 for advanced features that I actually want to use. The AF is noticeably quicker. The larger grip is welcome, the body better balanced with longer lenses. The handheld HHR mode is awesome - more detail and less noise. Built-in ND filters- they work! I shoot landscapes/nature/wildlife. Love having 4 custom modes to switch from birds in flight, macro, HHR to astrophotography with a click of the dial. The menu button is in an awkward spot but that's a quibble. It may not win many FF converts but this is great as a travel camera, hiking, all day shooting, a worthy upgrade from older or budget models. And I have no apologies for enjoying the freedom of a light weight, compact system. Several of my images placed above FF competition at my local camera club. I have fun using it! Don't need more computational bells and whistles. Unless and until O-M seriously improves it's sensor, I can see myself content with this body for a long time.

Very much appreciate the starry sky autofocus feature

By Richard
Rated 5 out of 5
Date: 2022-03-21

Quite happy with this camera. I'm no professional, but I get very respectable results easily. It's paired with an M.Zuiko 12-200mm superzoom from my previous Oly, which makes it convenient for shooting both small birds up in the trees and wide landscapes. I especially like the ability to autofocus night sky shots at our lake house in the north woods, where there's little light pollution and the Milky Way is stunning. Good value, reasonable weight, and great performance for an older amateur who doesn't feel the need for the absolute latest and doesn't want to carry half a dozen lenses around.

Glad I decided to go for it

By Marian
Rated 5 out of 5
Date: 2022-01-31

The Mark III is not a revolution - but it is a kickass revolution. I own the Mark II and love it, and wrestled with buying the III when the II has been so great. But with the III being the last of the Olympus brand, and me being a diehard fan, I decided to go for it. I'm so glad that I did. The processing is noticeably better in this model. I'm excited to have onboard ND filters and the Starry AF (read that anyway you'd like) will be my new fun this spring as I resume my hobby paired with camping. I considered selling my Mark II, but then realized that the only thing better than a OM-D is two of them. Great camera, fun new features, and IBIS is off the charts great.

The EM-1 III does a great job

By James
Rated 5 out of 5
Date: 2022-01-25

Upgraded from an EM-1 II and very happy with the upgrade. Faster focus, Hand Held High Rez, ND Filter, 4 Custom focus modes , and greatly improved Eye detect. Tried the new HHHR mode and was shocked even at 81 years old I could do it if I braced myself. It's a dream to use with the 12-100/F4 Pro Lens. Able to print very large (16x20) with excellent resolution from a HHHR shot. Love the software ND filter to slow down shutter speed to shoot moving water. Even though it has the same sensor it feels like quite a step up with all the new features Olympus has added. I feel like the upgraded was well worth it. JKA

Love it!

By Dany
Rated 5 out of 5
Date: 2022-07-26

This camera is great! I've only scratched the surface of all the features. Much prefer the ergonomics of this camera over the Sony A6000 that it's replacing. The colors are amazing. Focus is fast with the 12-40 Pro lens and it all makes for a good carry around kit. I might even sell my Nikon D750 and lenses.

great camera in good lighting

By Brian
Rated 5 out of 5
Date: 2022-06-07

If the lighting is good then this camera is stellar, low light is another story but you can not overcome physics.

See any errors on this page? Let us know

YOUR RECENTLY VIEWED ITEMS

This or the m5 miii

This or the m5 miii
Asked by: chauna
The Olympus OM-D E-M1 Mark III Mirrorless Camera has quite a few advantages over the Olympus OM-D E-M5 Mark III Mirrorless Camera. The E-M1 has a more professional build quality with better ergonomics for direct camera control. It is a faster camera with the ability to shoot at up to 15 fps as opposed to 10 fps. It has a pc sync port to connect to lights. It has 2 card slots and uses a larger battery. It also has a headphone jack for monitoring audio while recording. Depending on the use of the camera, these features may be beneficial.
Answered by: Yaakov
Date published: 2022-05-15

Why the 29 minute video recording limit ?

Why the 29 minute video recording limit ?
Asked by: Edgardo
With the exception of a few models across the industry (the number of which is growing quite quickly), most digital cameras have a 29 min and 59 second limit on video recording. The reason for this is based on laws around digital cameras and camcorders and imposed on the manufacturers unless circumvented by them.
Answered by: Jeremy
Date published: 2021-11-26

Where is this camera manufactured?

Where is this camera manufactured?
Asked by: Anonymous
Our internal information says made in Vietnam.
Answered by: roman
Date published: 2020-11-10

can the image stabilization be turned off? Need ...

can the image stabilization be turned off? Need it for Intentional camera movement.
Asked by: larry
Yes, you can turn off the stabilization in the camera's menu.
Answered by: Rob
Date published: 2020-12-20

Why FL- LM3 flash is not included in the box??

Why FL- LM3 flash is not included in the box??
Asked by: Kaustav
The E-M1 Mark III will be compatible with a number of different flashes. Not including a flash, which could bring up the price of the camera, gives the customer the option of choosing a different flash if they prefer.
Answered by: Joseph
Date published: 2022-09-26

Does Olympus E-M1 Mark III have continuous ...

Does Olympus E-M1 Mark III have continuous shooting connected to AC and a SSD card?
Asked by: Ben
High speed sd card required for pro capture mode.
Answered by: Edward
Date published: 2021-07-17

Since the battery is the same as for the Mk ii, ...

Since the battery is the same as for the Mk ii, will the Battery grip be usable on both bodies?
Asked by: Glen
Yes, one can use the same battery grip for the Olympus EM-1 II, and the EM-1 III
Answered by: Lenny
Date published: 2020-04-02

Is the EVF any improvement over the EVF on the ...

Is the EVF any improvement over the EVF on the Mark II? I understand it's an OLED versus an LCD, but am wondering if that translates into a more OVF-like (i.e., high dynamic range) experience.
Asked by: Barry
Olympus folks made a printing error in stating the EVF was OLED. They have since corrected that. The EVF in both the EM1 MKII and the EM1 MKIII are the same.
Answered by: Thomas
Date published: 2021-11-23
  • y_2022, m_9, d_29, h_21CST
  • bvseo_bulk, prod_bvqa, vn_bulk_3.0.34
  • cp_1, bvpage1
  • co_hasquestionsanswers, tq_59
  • loc_en_US, sid_1565942, prod, sort_[SortEntry(order=HAS_STAFF_ANSWERS, direction=DESCENDING)]
  • clientName_bhphotovideo
036