FUJIFILM X-T4 Mirrorless Digital Camera Cine Kit (Black)

BH #FUXT4BNRK (B&H Kit)
FUJIFILM
FUJIFILM X-T4 Mirrorless Digital Camera Cine Kit (Black)
Key Features
  • Atomos Ninja V 5" 4K Recording Monitor
  • Power Kit
  • HDMI Cable
  • Monitor Mount
Assembled for the aspiring filmmaker, the black FUJIFILM X-T4 Mirrorless Digital Camera Cine Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and an HDMI cable.
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FUJIFILM X-T4 Overview

  • 1Description
  • 2FUJIFILM X-T4 Mirrorless Digital Camera (Body Only, Black)
  • 3Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 4Atomos Power Kit v2
  • 5ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")
  • 6Vello Multi-Function Ball Head with Removable Bottom Shoe Mount

Assembled for the aspiring filmmaker, the black FUJIFILM X-T4 Mirrorless Digital Camera Cine Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and an HDMI cable.

FUJIFILM X-T4 Mirrorless Digital Camera (Body Only, Black)

Addressing the needs of multimedia image-makers, the black FUJIFILM X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up to 240 fps, sensitivity from ISO 160-12800, and continuous shooting up to 15 fps with the mechanical shutter. The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 to achieve fast performance and improved responsiveness. The sensor's design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance. Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system to reduce the appearance of camera shake with almost any mounted lens.

Beyond the sensor and processor capabilities, FUJIFILM's cameras are also beloved for their physical design, and the X-T4 has an updated design for improved handling and shooting efficiency. A large, bright 3.69m-dot electronic viewfinder can be set to a 100 fps refresh rate for notable smoothness when panning or tracking subjects. Conversely, the rear 3.0" 1.62m-dot touchscreen LCD now features a vari-angle design to suit working from high, low, and front-facing angles; or it can be closed against the body if just working with the EVF. Dual SD UHS-II memory card slots offer file-saving flexibility and the X-T4 supports the updated, high capacity NP-W235 battery that provides approximately 600 shots per charge. Additionally, built-in Wi-Fi and Bluetooth enables wireless remote camera control and image sharing to a mobile device.

26.1MP APS-C X-Trans BSI CMOS 4 Sensor and X-Processor 4

Revolving around a highly versatile sensor, the X-T4 features an APS-C-format 26.1MP X-Trans CMOS 4 sensor, which has a back-illuminated design to afford smooth tonal rendering, improved low-light performance, and a wide native sensitivity range of ISO 160-12800. As an X-Trans sensor, it utilizes a randomized pixel array, too, which provides a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and tonal transitions, while also reducing moiré and aliasing.

The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance in a variety of lighting conditions down to -6 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, which has a quad-core CPU, and delivers faster, more responsive performance throughout the camera system, including a full-resolution 15 fps shooting rate with the mechanical shutter, 20 fps rate with an electronic shutter, or a 30 fps rate with an electronic shutter and a 1.25x crop.

In-Body Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 6.5 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, 4-axis digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

UHD and DCI 4K Video Recording

Expanding its capabilities beyond stills, the X-T4 offers a versatile array of video capabilities, including internal DCI/UHD 4K recording at up to 60 fps and Full HD recording up to 240 fps for ultra slow-motion playback. Greatly benefitting overall video performance, the speed of the X-Processor 4 enables fast read speeds when recording video and helps to reduce rolling shutter distortion when filming moving subjects. Also, a micro-HDMI port enables 10-bit 4:2:2 recording to an optional external recorder.

In addition to the supported 10-bit color depth, the X-T4 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness.

Also, the camera features a 3.5mm microphone jack and 2.5mm remote port with included headphone adapter for more advanced audio solutions.

Body Design

  • Bright, high-resolution 3.69m-dot OLED electronic viewfinder has a 0.75x magnification and the EVF's refresh rate can be pushed to 100 fps to reduce lag for smoother panning and tracking movements.
  • Vari-angle 3.0" 1.62m-dot LCD has a touchscreen design for intuitive operation and playback, and the articulating design greatly benefits working from high and low shooting angles. This vari-angle design also means you can close the screen against the camera body, hiding it from view for distraction-free shooting.
  • The top plate incorporates a series of locking dials and levers for fast, intuitive control over exposure settings, including dedicated shutter speed, ISO, and exposure compensation dials that offer direct settings adjustment, even when the camera is off. This exposure compensation dial also has a C position to afford an expanded +/- 5 EV range when working with the command dials.
  • Front and rear command dials integrate a push function for easier use and settings selection.
  • Rear joystick is available for intuitive selecting and switching of AF points as well as menu navigation and image playback.
  • Redeveloped mechanical shutter has improved durability and is rated for 300,000 actuations.
  • Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.
  • Dual SD memory card slots both support up to the UHS-II standard for fast and flexible file storage.
  • Included NP-W235 battery provides approximately 600 frames per charge when working with the EVF.

Film Simulation Modes

    Taking advantage of FUJIFILM's vast history in traditional film-based photography, the X-T4 integrates several Film Simulation modes, which mimic the look and feel of some of FUJIFILM's classic film types:

    • Provia: The standard contrast and normal saturation color transparency film
    • Velvia: High contrast, high color saturation, and vivid color transparency film
    • Astia: Subdued contrast and color saturation with a look that is ideal for portraits
    • Classic Chrome: Delivers muted tones and deep color reproduction, similar to a dated slide film
    • Classic Neg: Muted contrast but vibrant colors with a vintage filmic feel
    • PRO Neg—Available with both Hi and Std. contrast options, this mimics the punchy-but-natural feeling of their professional-grade color negative film
    • Eterna: For a cinematic look, this provides a flat color, low saturation look well-suited to post-production color grading
    • Eterna Bleach Bypass: Refines the standard Eterna look with a higher key, higher contrast feeling while maintaining the overall desaturated look
    • Acros: Based on the popular B&W film, this monochrome mode has a distinct tonality and graininess and can be used along with Yellow, Red, and Green contrast filter effects
    • B&W: Straightforward and classic black and white effect with Yellow, Red, and Green contrast filter options
    • Sepia: Everyone's favorite old-timey look mimicking the popular alternative process

    In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing. Color Chrome and Color Chrome Blue effects are also available to deepen color, tonal response, and gradation with higher saturation colors.
UPC: 074101202137

Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5" Daylight Viewable Screen

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

  • Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
  • Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility 

Bright 5" Display with AtomHDR

  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3

HDR Recording (Gamut)

  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600 
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3

HDR Monitoring (Gamma)

  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
  • Sony SLog2, SLog3

HDR Monitoring (Gamut)

  • ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
  • BT.2020
  • Canon Cinema
  • DCI-P3, DCI-P3+ 
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Firmware Update 10.61

Time-Lapse

Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:

  • Number of frames/seconds captured
  • Intervals between frames/seconds/minutes/hours
  • Duration of sequence in frames/seconds/minutes/hours

Compatibility Mode for HDMI and SDI Inputs

Increases stability of input/output locking for 12G-SDI
Improves signal locking from select cameras including:

  • Z CAM
  • Canon EOS 1D X Mk II on 4Kp50/60 video

Monitior Leica L-Log Gamma in BT2020 Gamut

  • Supports Leica SL 25 only
  • Support for other models available in future updates
UPC: 814164021074

Atomos Power Kit v2

The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.

UPC: 814164022101

ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")

Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin Ultra-High Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback.

Supports DCI 4K @ 60 Hz

Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.

Perfect for Mirrorless Cameras

Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.

HDR: Color the Way it Was Intended

Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.

Secure Type-A Connection

Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.

Hyper-Thin with No Compromise

The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
UPC: 743815949644

Vello Multi-Function Ball Head with Removable Bottom Shoe Mount

The Multi-Function Ball Head with Removable Bottom Shoe Mount from Vello can mount directly to a DSLR shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread with a supplied 1/4"-20 bushing. The head itself allows for 90º vertical articulation.

Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
Single locking knob for safe and fast operation
Fits most standard shoe mounts (except for Sony/Minolta type flash shoe)
UPC: 847628539303

FUJIFILM X-T4 Mirrorless Digital Camera (Body Only, Black) Specs

Imaging
Lens MountFUJIFILM X
Sensor Type23.5 x 15.6 mm (APS-C) CMOS
Sensor ResolutionEffective: 26.1 Megapixel (6240 x 4160)
Crop Factor1.5x
Aspect Ratio1:1, 3:2, 16:9
Image File FormatJPEG, Raw, TIFF
Bit Depth16-Bit
Image StabilizationSensor-Shift, 5-Axis
Exposure Control
ISO SensitivityAuto, 160 to 12800 (Extended: 80 to 51200)
Shutter SpeedMechanical Shutter
1/8000 to 900 Second in Manual Mode
1/8000 to 900 Second in Shutter Priority Mode
1/8000 to 30 Second in Aperture Priority Mode
1/8000 to 4 Second in Program Mode
0 to 60 Minute in Bulb Mode
Electronic Shutter
1/32000 to 900 Second in Manual Mode
1/32000 to 900 Second in Shutter Priority Mode
1/32000 to 30 Second in Aperture Priority Mode
1/32000 to 4 Second in Program Mode
1 to 1 Second in Bulb Mode
Electronic Front Curtain Shutter
1/8000 to 900 Second in Manual Mode
1/8000 to 900 Second in Shutter Priority Mode
1/8000 to 30 Second in Aperture Priority Mode
1/8000 to 4 Second in Program Mode
0 to 60 Minute in Bulb Mode
Electronic Shutter
1/8000 to 1/4 Second in Movie Mode
Metering MethodAverage, Center-Weighted Average, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
White BalanceAuto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous ShootingMechanical Shutter
Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG)
Up to 10 fps at 26.1 MP for up to 44 Frames (Raw) / 164 Frames (JPEG)
Up to 8 fps at 26.1 MP for up to 49 Frames (Raw) / 200 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 36 Frames (Raw) / 79 Frames (JPEG)
Up to 30 fps at 20.9 MP for up to 35 Frames (Raw) / 60 Frames (JPEG)
Up to 20 fps at 20.9 MP for up to 37 Frames (Raw) / 114 Frames (JPEG)
Up to 10 fps at 20.9 MP for up to 48 Frames (Raw) / 500 Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Video
Recording ModesMOV/H.264/H.265 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/240p [50 to 200 Mb/s]
External Recording Modes10-Bit
DCI 4K (4096 x 2160)
Recording LimitUp to 30 Minutes
Video EncodingNTSC/PAL
Audio RecordingBuilt-In Microphone (Stereo)
External Microphone Input (Stereo)
Audio File FormatAAC, Linear PCM (Stereo)
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus PointsPhase Detection: 425
Viewfinder
Viewfinder TypeElectronic (OLED)
Viewfinder Size0.5"
Viewfinder Resolution3,690,000 Dot
Viewfinder Eye Point23 mm
Viewfinder Coverage100%
Viewfinder MagnificationApprox. 0.75x
Diopter Adjustment-4 to +2
Monitor
Size3.0"
Resolution1,620,000 Dot
Display TypeArticulating Touchscreen LCD
Flash
Built-In FlashNo
Flash ModesCommander, Manual, Off, Slow Sync, TTL Auto
Maximum Sync Speed1/250 Second
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
ConnectivityUSB Type-C (USB 3.1), HDMI D (Micro), 3.5mm Microphone, 2.5mm Sub-Mini, PC Sync Socket
WirelessBluetooth
Wi-Fi
GPSNo
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity10 to 80%
Physical
Battery1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 600 Shots)
Dimensions (W x H x D)5.3 x 3.65 x 2.51" / 134.6 x 92.8 x 63.8 mm
Weight1.16 lb / 526 g (Body Only)
Packaging Info
Package Weight3.52 lb
Box Dimensions (LxWxH)7.9 x 6.7 x 5.7"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Display
Panel TypeIPS-Type LCD
Display Size5.0" / 12.7 cm
Resolution1920 x 1080
Aspect Ratio16:9
TouchscreenYes
Maximum Brightness1000 cd/m2
Bit Depth / Color Support8-Bit+FRC (1.07 Billion Colors)
Pixels Per Inch (ppi)423 ppi
Color Gamut100% Rec. 709
Real-Time LUT MonitoringSDR
Image ControlsAnamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
I/O
Video1 x HDMI Type A (HDMI 2.0) Input
1 x HDMI Type A (HDMI 2.0) Output
Embedded AudioHDMI: 2-Channel
HDMI: 8-Channel
Audio1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In SpeakerNone
Power1 x D-Tap Input
Other I/O1 x LANC (2.5 mm)
Wi-FiNone
Format Support
Video FormatHDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma CurveRec709
Video Signal ConversionHDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion2:2, 3:2
Camera TriggerHDMI
Pre-Roll Record4K: 2 Seconds
Full HD: 8 Seconds
Encoding FormatsUp to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks12
Metadata Tagging10
Power
DC Input Power6.2 to 16.8 VDC
Battery Type1 x L-Series
Power Consumption10 W (Typical)
22 W (Maximum)
Mounting
Mounting2 x 3/8"-16 Female
Environmental
Operating Temperature104°F / 40°C
General
Material of ConstructionAluminum, Polycarbonate
Dimensions5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight12.7 oz / 360 g
Warranty LengthLimited 1-Year Warranty
Packaging Info
Package Weight2.385 lb
Box Dimensions (LxWxH)7.85 x 5.8 x 4.15"

Atomos Power Kit v2 Specs

Physical
Mount / Series TypeSony L-Series
ChemistryLithium-Ion
Amp-Hours5200 mAh
Packaging Info
Package Weight1.865 lb
Box Dimensions (LxWxH)6.9 x 4.4 x 3.8"

ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7") Specs

General
Connector 11 x Micro-HDMI Male
Connector 21 x HDMI Male
Cable Length17.7" / 45 cm
HDMI Version2.0b
HDCP SupportVersion 2.2
Outer Diameter0.138" / 3.5 mm
Connector PlatingGold
Weight0.56 oz / 16 g
Electrical
Maximum Resolution Support4096 x 2160 at 60 Hz
Bandwidth18 Gbps
ComplianceHDCP
Environmental
Packaging Info
Package Weight0.23 lb
Box Dimensions (LxWxH)6.1 x 3.1 x 1.6"

Vello Multi-Function Ball Head with Removable Bottom Shoe Mount Specs

Bottom Mount2 x 1/4"-20 Female
1 x Accessory Foot
Top Mount1 x 1/4"-20 Male
Load Capacity4.4 lb / 2 kg
Dimensions2.6 x 2 x 1.2" / 6.7 x 5 x 3 cm
Weight3.8 oz / 108 g
Packaging Info
Package Weight0.295 lb
Box Dimensions (LxWxH)6.7 x 4.6 x 1.3"
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What lens model?

What lens model?
Asked by: Sergey
This comes with the FUJIFILM XF 16-80mm f/4 R OIS WR Lens (https://bhpho.to/2Nyu1sL)
Answered by: Kevin
Date published: 2020-07-03

Doe the X-T4 allow for shooting both jpeg and raw ...

Doe the X-T4 allow for shooting both jpeg and raw at the same time?
Asked by: Domenic
Yes. With two SD cards installed RAW will be saved to one and JPEG to the other. Provides a bit of a safety net.
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I see that there are many film profiles to select from. Can I create my own profile in the camera? In other words, can I make up a profile with my own settings for contrast, sharpness, color intensity, etc.?
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Is the x-t3 battery compatible with the x-t4?

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Hi--the X-T4 uses a different battery: https://www.bhphotovideo.com/c/product/1548399-REG/fujifilm_16651409_np_w235_li_ion_battery_pack.html
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I use the X-T2 flip LCD often with L-bracket from a tripod for portraits and landscapes with camera at waist level. Is this possible with the articulated LCD positioning - can I get the same functionality from the articulation as I can from the X-T2 flip?
Asked by: Roger L.
What l-bracket do you use that doesn’t interfere with the full range of this screen articulation.
Answered by: Roger L.
Date published: 2020-11-17

does the xt-4 have a double exposure mode the ...

does the xt-4 have a double exposure mode the same as the xt-2?
Asked by: Leslie
Yes. Fuji calls it multiple exposure, and allows the user to blend the image in 4 different ways.
Answered by: Patrick
Date published: 2020-07-03

What codec XT-4 uses for 240fps? 10 bit .H265 ...

What codec XT-4 uses for 240fps? 10 bit .H265 4:2:0 internaly, and 10 bit ProRes 4:2:2 externally?
Asked by: Pavel
The answer is exactly as you typed. H265 internally is the most efficient, and you have the ProRes option if recording externally. Both H.265 and Prores are codecs.
Answered by: Patrick
Date published: 2020-07-08

Is there a way to unlock the 30min record limit? ...

Is there a way to unlock the 30min record limit? I’m willing to pay more for a license for an unlimited record time.
Asked by: s
The problem is a legal one. Video cameras are charged a higher duty than still cameras. A camera that can record more than 30 minutes at a time is deemed a video camera.
Answered by: J Thomas
Date published: 2021-08-23
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