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FUJIFILM X-T4 Mirrorless Camera Cine Kit (Silver)

BH #FUXT4SNRK (B&H Kit)
FUJIFILM
FUJIFILM X-T4 Mirrorless Camera Cine Kit (Silver)
Key Features
  • Atomos Ninja V 5" 4K Recording Monitor
  • Power Kit
  • HDMI Cable
  • Monitor Mount
Assembled for the aspiring filmmaker, the silver FUJIFILM X-T4 Mirrorless Camera Cine Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and an HDMI cable.
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FUJIFILM X-T4 Overview

  • 1Description
  • 2FUJIFILM X-T4 Mirrorless Camera (Silver)
  • 3Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 4Watson NP-F770 Lithium-Ion Battery Pack (7.4V, 4400mAh)
  • 5Watson Compact AC/DC Charger for L & M Series Batteries
  • 6ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")
  • 7Vello Multi-Function Ball Head with Removable Bottom Shoe Mount

Assembled for the aspiring filmmaker, the silver FUJIFILM X-T4 Mirrorless Camera Cine Kit from B&H bundles the video-optimized mirrorless camera body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and an HDMI cable.

FUJIFILM X-T4 Mirrorless Camera (Silver)

Addressing the needs of multimedia image-makers, the silver FUJIFILM X-T4 is a versatile mirrorless camera that blends advanced stills and video capabilities along with enhanced workflow and assistive functionality. Utilizing a proven and well-regarded APS-C-format 26.1MP X-Trans CMOS 4 sensor, the X-T4 is capable of high-resolution recording along with support for DCI/UHD 4K video at 60 fps, Full HD recording up to 240 fps, sensitivity from ISO 160-12800, and continuous shooting up to 15 fps with the mechanical shutter. The BSI design of the sensor affords reduced noise and greater overall clarity and is paired with the X-Processor 4 to achieve fast performance and improved responsiveness. The sensor's design also enables a hybrid autofocus system that combines 425 phase-detection points with a contrast-detection system for quick and accurate AF performance. Additionally, complementing all aspects of image production, the X-T4 also incorporates a 6.5 stop-effective sensor-shift image stabilization system to reduce the appearance of camera shake with almost any mounted lens.

Beyond the sensor and processor capabilities, FUJIFILM's cameras are also beloved for their physical design, and the X-T4 has an updated design for improved handling and shooting efficiency. A large, bright 3.69m-dot electronic viewfinder can be set to a 100 fps refresh rate for notable smoothness when panning or tracking subjects. Conversely, the rear 3.0" 1.62m-dot touchscreen LCD now features a vari-angle design to suit working from high, low, and front-facing angles; or it can be closed against the body if just working with the EVF. Dual SD UHS-II memory card slots offer file-saving flexibility and the X-T4 supports the updated, high capacity NP-W235 battery that provides approximately 600 shots per charge. Additionally, built-in Wi-Fi and Bluetooth enables wireless remote camera control and image sharing to a mobile device.

26.1MP APS-C X-Trans BSI CMOS 4 Sensor and X-Processor 4
Revolving around a highly versatile sensor, the X-T4 features an APS-C-format 26.1MP X-Trans CMOS 4 sensor, which has a back-illuminated design to afford smooth tonal rendering, improved low-light performance, and a wide native sensitivity range of ISO 160-12800. As an X-Trans sensor, it utilizes a randomized pixel array, too, which provides a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and tonal transitions, while also reducing moiré and aliasing.

The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers faster, more accurate focusing performance in a variety of lighting conditions down to -6 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, which has a quad-core CPU, and delivers faster, more responsive performance throughout the camera system, including a full-resolution 15 fps shooting rate with the mechanical shutter, 20 fps rate with an electronic shutter, or a 30 fps rate with an electronic shutter and a 1.25x crop.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 6.5 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, 4-axis digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
UHD and DCI 4K Video Recording
Expanding its capabilities beyond stills, the X-T4 offers a versatile array of video capabilities, including internal DCI/UHD 4K recording at up to 60 fps and Full HD recording up to 240 fps for ultra slow-motion playback. Greatly benefitting overall video performance, the speed of the X-Processor 4 enables fast read speeds when recording video and helps to reduce rolling shutter distortion when filming moving subjects. Also, a micro-HDMI port enables 10-bit 4:2:2 recording to an optional external recorder.

In addition to the supported 10-bit color depth, the X-T4 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness.

Also, the camera features a 3.5mm microphone jack and 2.5mm remote port with included headphone adapter for more advanced audio solutions.
Body Design
  • Bright, high-resolution 3.69m-dot OLED electronic viewfinder has a 0.75x magnification and the EVF's refresh rate can be pushed to 100 fps to reduce lag for smoother panning and tracking movements.
  • Vari-angle 3.0" 1.62m-dot LCD has a touchscreen design for intuitive operation and playback, and the articulating design greatly benefits working from high and low shooting angles. This vari-angle design also means you can close the screen against the camera body, hiding it from view for distraction-free shooting.
  • The top plate incorporates a series of locking dials and levers for fast, intuitive control over exposure settings, including dedicated shutter speed, ISO, and exposure compensation dials that offer direct settings adjustment, even when the camera is off. This exposure compensation dial also has a C position to afford an expanded +/- 5 EV range when working with the command dials.
  • Front and rear command dials integrate a push function for easier use and settings selection.
  • Rear joystick is available for intuitive selecting and switching of AF points as well as menu navigation and image playback.
  • Redeveloped mechanical shutter has improved durability and is rated for 300,000 actuations.
  • Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.
  • Dual SD memory card slots both support up to the UHS-II standard for fast and flexible file storage.
  • Included NP-W235 battery provides approximately 600 frames per charge when working with the EVF.
Film Simulation Modes
    Taking advantage of FUJIFILM's vast history in traditional film-based photography, the X-T4 integrates several Film Simulation modes, which mimic the look and feel of some of FUJIFILM's classic film types:

    • Provia: The standard contrast and normal saturation color transparency film
    • Velvia: High contrast, high color saturation, and vivid color transparency film
    • Astia: Subdued contrast and color saturation with a look that is ideal for portraits
    • Classic Chrome: Delivers muted tones and deep color reproduction, similar to a dated slide film
    • Classic Neg: Muted contrast but vibrant colors with a vintage filmic feel
    • PRO Neg—Available with both Hi and Std. contrast options, this mimics the punchy-but-natural feeling of their professional-grade color negative film
    • Eterna: For a cinematic look, this provides a flat color, low saturation look well-suited to post-production color grading
    • Eterna Bleach Bypass: Refines the standard Eterna look with a higher key, higher contrast feeling while maintaining the overall desaturated look
    • Acros: Based on the popular B&W film, this monochrome mode has a distinct tonality and graininess and can be used along with Yellow, Red, and Green contrast filter effects
    • B&W: Straightforward and classic black and white effect with Yellow, Red, and Green contrast filter options
    • Sepia: Everyone's favorite old-timey look mimicking the popular alternative process

    In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing. Color Chrome and Color Chrome Blue effects are also available to deepen color, tonal response, and gradation with higher saturation colors.
UPC: 074101201789
Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.76 supports Apple ProRes RAW over HDMI with the Olympus OM-1 Micro Four Thirds camera.

5" Daylight Viewable Screen
The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.
Recording Codecs Including Raw over HDMI
  • Record Apple ProRes and ProRes RAW with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
  • Enables ProRes RAW capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility 
Bright 5" Display with AtomHDR
  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs
DSLR and Mirrorless Camera Support
Compatible with virtually any HDMI or SDI source including cameras from ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.
4K60 Capabilities
Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
SSD Recording
Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.
User Calibration
Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.
Anamorphic De-Squeeze
The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.
Selectable Markers
A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.
Game Capture
Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.
Audio Input/Output
Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.
Optional Expansion Modules
  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.
Supported Log Formats
  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3
HDR Recording (Gamut)
  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600 
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3
HDR Monitoring (Gamma)
  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
  • Sony SLog2, SLog3
HDR Monitoring (Gamut)
  • ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
  • BT.2020
  • Canon Cinema
  • DCI-P3, DCI-P3+ 
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
Firmware Update 10.76
OM-1 ProRes RAW
It supports recording of Apple ProRes RAW over HDMI with the new Olympus OM-1 Micro Four Thirds camera from OM SYSTEM. With the new AtomOS 10.76 update, the NINJA V/V+ will record 12-bit ProRes RAW video in DCI 4K at rates up to 60 fps. Support for ProRes RAW on the OM-1 requires that the camera firmware be updated to v1.1. AtomOS 10.76 is available for download at the AtomOS website.
Firmware Update 10.61
Time-Lapse
  • Record a time-lapse video as a single file
  • Available in ProRes, DNx, and ProRes RAW over HDMI or SDI
  • Time-lapse sequence options include:
    • Number of frames/seconds captured
    • Intervals between frames/seconds/minutes/hours
    • Duration of sequence in frames/seconds/minutes/hours
Compatibility Mode for HDMI and SDI Inputs
  • Increases stability of input/output locking for 12G-SDI
  • Improves signal locking from select cameras, including:
    • Z CAM
    • Canon EOS 1D X Mk II on 4Kp50/60 video
Monitor Leica L-Log Gamma in BT2020 Gamut
  • Supports Leica SL 25 only
  • Support for other models available in future updates
UPC: 814164021074
Watson NP-F770 Lithium-Ion Battery Pack (7.4V, 4400mAh)

The Watson NP-F770 Lithium-Ion Battery Pack works with the same cameras as the Sony NP-F770 and NP-F750. This replacement battery pack features a capacity of 4400mAh and 7.4V of output power. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.

Compatible Cameras
Sony
  • DCR-SD1000
  • DCR-SR40
  • DCR-TRV900
  • DCR-VX2000
  • DCR-VX2100
  • DCR-VX2200
  • HDR-AX2000
  • HDR-FX1
  • HDR-FX7
  • HDR-FX1000
  • HVR-HD1000
  • HVR-V1
  • HVR-Z1
  • HVR-Z5
  • HVR-Z7
  • HXR-MC1500
  • HXR-MC2000
  • HXR-NX5
  • HXR-NX5R
  • NEX-EA50
  • NEX-FS100
  • NEX-FS700
UPC: 847628541061
Watson Compact AC/DC Charger for L & M Series Batteries

This versatile Compact AC/DC Charger from Watson charges all Sony L & M series type lithium-ion batteries via the included dedicated battery plate. The charger runs on 100 to 240 VAC power, allowing for worldwide use. It features a fold-out 2-prong US plug and is supplied with a European plug adapter as well as a 12 VDC car charger that plugs into a cigarette lighter. This makes the charger ideal for use both at home and on the road.

The Compact AC/DC Charger features a USB power output that allows you to charge and power MP3 players, phones, digital cameras, and other devices with a USB power input--even while charging your camera or camcorder batteries. With its easily interchangeable plate, the charger can also be used for other battery models via the purchase of an additional battery adapter plate.

Compatibility
Compatible with any Sony NP-F550, NP-F570, NP-F730H, NP-F750, NP-F770, NP-F930, NP-F950, NP-F960, NP-F970, NP-FM30, NP-FM50, NP-FM500H, NP-FM55H, NP-FM70, NP-FM90, NP-FM91, NP-QM71, NP-QM71D, NP-QM91, NP-QM91D type batteries.
Compact
Charger features a fold-out AC plug for easy storage and travel.
Versatile
  • Comes with an included Euro plug adapter for charging in Europe.
  • Included DC adapter with car lighter plug lets you charge while on the road.
USB Output
Charge or supply power for MP3 devices, mobile phones, digital cameras, and other related devices with a USB power input.
Safety Features
The charger features protection against overcharging and overheating.
UPC: 847628541566
ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")

Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin Ultra-High Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback.

Supports DCI 4K @ 60 Hz
Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.
Perfect for Mirrorless Cameras
Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.
HDR: Color the Way it Was Intended
Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.
Hyper-Thin with No Compromise
The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
UPC: 743815949644
Vello Multi-Function Ball Head with Removable Bottom Shoe Mount

The Multi-Function Ball Head with Removable Bottom Shoe Mount from Vello can mount directly to a DSLR shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread with a supplied 1/4"-20 bushing. The head itself allows for 90º vertical articulation.

Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
Single locking knob for safe and fast operation
Fits most standard shoe mounts (except for Sony/Minolta type flash shoe)
UPC: 847628539303

FUJIFILM X-T4 Mirrorless Camera (Silver) Specs

Imaging
Lens MountFUJIFILM X
Sensor ResolutionEffective: 26.1 Megapixel (6240 x 4160)
Sensor Type23.5 x 15.6 mm (APS-C) CMOS
Crop Factor1.5x
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter, Mechanical Focal Plane Shutter
Shutter SpeedMechanical Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 4 Seconds in Program Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 900 Seconds in Manual Mode
1/32000 to 900 Seconds in Shutter Priority Mode
1/32000 to 30 Seconds in Aperture Priority Mode
1/32000 to 4 Seconds in Program Mode
Fixed 1 Second in Bulb Mode
Electronic Front Curtain Shutter
1/8000 to 900 Seconds in Manual Mode
1/8000 to 900 Seconds in Shutter Priority Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 4 Seconds in Program Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 1/4 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
160 to 12,800 in Auto Mode (Extended: 80 to 51,200)
Video
160 to 12,800 in Auto Mode (Extended: 160 to 25,600)
Metering MethodAverage, Center-Weighted Average, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
White BalancePresets: Auto, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Continuous ShootingMechanical Shutter
Up to 15 fps at 26.1 MP for up to 38 Frames (Raw) / 110 Frames (JPEG)
Up to 10 fps at 26.1 MP for up to 44 Frames (Raw) / 164 Frames (JPEG)
Up to 8 fps at 26.1 MP for up to 49 Frames (Raw) / 200 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 26.1 MP for up to 36 Frames (Raw) / 79 Frames (JPEG)
Up to 30 fps at 20.9 MP for up to 35 Frames (Raw) / 60 Frames (JPEG)
Up to 20 fps at 20.9 MP for up to 37 Frames (Raw) / 114 Frames (JPEG)
Up to 10 fps at 20.9 MP for up to 48 Frames (Raw) / 500 Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 Raw / TIFF
6240 x 4160
3:2
6240 x 4160
4416 x 2944
3120 x 2080
16:9
6240 x 3512
4416 x 2488
3120 x 1760
1:1
4160 x 4160
2944 x 2944
2080 x 2080
Aspect Ratio1:1, 3:2, 16:9
Image File FormatJPEG, Raw, TIFF
Bit Depth16-Bit
Internal Video Capture
Recording ModesH.264/H.265/MOV 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/240p [50 to 200 Mb/s]
Recording LimitUp to 30 Minutes
Broadcast OutputNTSC/PAL
Built-In Microphone TypeStereo
Audio Recording AAC Audio
2-Channel LPCM Audio
External Video Capture
External Recording Modes10-Bit via HDMI
DCI 4K (4096 x 2160)
IP StreamingNone
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Other I/O1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Output
Power I/O1 x USB Type-C Input/Output
WirelessWi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0"
Resolution1,620,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5"
Resolution3,690,000 Dot
Eye Point23 mm
Coverage100%
MagnificationApprox. 0.75x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 425
Flash
Built-In FlashNo
Flash ModesCommander, Manual, Off, Slow Sync, TTL Auto
Maximum Sync Speed1/250 Second
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature22 to 72°F / -10 to 40°C
Operating Humidity10 to 80%
General
Battery Type1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 600 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Dimensions (W x H x D)5.3 x 3.65 x 2.51" / 134.6 x 92.8 x 63.8 mm
Weight1.16 lb / 526 g (Body Only)
Packaging Info
Package Weight3.525 lb
Box Dimensions (LxWxH)7.9 x 6.7 x 5.7"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Display
Panel TypeIPS-Type LCD
Display Size5.0" / 12.7 cm
Resolution1920 x 1080
Aspect Ratio16:9
TouchscreenYes
Maximum Brightness1000 cd/m2
Bit Depth / Color Support8-Bit+FRC (1.07 Billion Colors)
HDR CompatibilityHDR10, Hybrid Log Gamma
Pixels Per Inch (ppi)423 ppi
Color Gamut100% Rec. 709
Real-Time LUT MonitoringSDR
Image ControlsAnamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
Inputs / Outputs
Video1 x HDMI Type A (HDMI 2.0) Input
1 x HDMI Type A (HDMI 2.0) Output
Embedded AudioHDMI: 2-Channel
HDMI: 8-Channel
Audio I/O1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In SpeakerNone
Power I/O1 x D-Tap Input
Other I/O1 x 2.5 mm (LANC)
Media/Memory Card SlotSingle Slot: SSDmini/SSD with Master Caddy II
Wi-FiNone
Format Support
Video FormatHDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma CurveRec709
Video Signal ConversionHDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion2:2, 3:2
Camera TriggerHDMI
Pre-Roll Record4K: 2 Seconds
Full HD: 8 Seconds
Encoding FormatsUp to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks12
Metadata Tagging10
Power
DC Input Power5.8 to 7.2 VDC
Built-In BatteryNone
Battery Type1 x L-Series
Power Consumption10 W (Typical)
22 W (Maximum)
Mounting
Mounting2 x 3/8"-16 Female
Environmental
Operating Temperature104°F / 40°C
General
Material of ConstructionAluminum, Polycarbonate
Dimensions5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight12.7 oz / 360 g
Packaging Info
Package Weight2.425 lb
Box Dimensions (LxWxH)7.8 x 5.8 x 4.2"

Watson NP-F770 Lithium-Ion Battery Pack (7.4V, 4400mAh) Specs

Mount / Series TypeSony L-Series
ChemistryLithium-Ion
Battery Capacity4400 mAh
Output Voltage7.4 VDC
Dimensions (W x H x D)2.75 x 1.5 x 1.56" / 70 x 38 x 40 mm
Weight7.2 oz / 204 g
Packaging Info
Package Weight0.5 lb
Box Dimensions (LxWxH)5.35 x 2.95 x 1.95"

Watson Compact AC/DC Charger for L & M Series Batteries Specs

Compatible Battery SeriesSony L
Sony M
Recharge Time2 to 6 Hours
USB Output Ports1 x USB Type-A (5 VDC at 1 A)
Output Voltage4.2 to 8.4 VDC at 800 mA
DC Power InputCar Adapter: 12 to 24 VDC
AC Input Power100 to 240 VAC, 50 / 60 Hz at 100 mA
Operating Temperature32 to 104°F / 0 to 40°C
Storage Temperature-4 to 140°F / -20 to 60°C
Dimensions2 x 1.3 x 3.5" / 5.1 x 3.3 x 9 cm
Weight3.1 oz / 88 g
Packaging Info
Package Weight0.365 lb
Box Dimensions (LxWxH)7.05 x 4.15 x 2.9"

ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7") Specs

General
Connector 11 x Micro-HDMI Male
Connector 21 x HDMI Male
Cable Length17.7" / 45 cm
HDMI Version2.0b
HDCP SupportVersion 2.2
Outer Diameter0.138" / 3.5 mm
Connector PlatingGold
Weight0.56 oz / 16 g
Electrical
Maximum Resolution Support4096 x 2160 at 60 Hz
Bandwidth18 Gbps
ComplianceHDCP
Packaging Info
Package Weight0.23 lb
Box Dimensions (LxWxH)6.1 x 3.1 x 1.6"

Vello Multi-Function Ball Head with Removable Bottom Shoe Mount Specs

Load Capacity4.4 lb / 2 kg
Mounting
Top Mount1 x 1/4"-20 Male Screw
Bottom Mount1 x 3/8"-16 Female Thread, 1 x Accessory Foot
Included Adapter1 x 3/8"-16 Thread to 1/4"-20 Thread Reducer Bushing
General
Dimensions2.6 x 2 x 1.2" / 6.7 x 5 x 3 cm
Weight3.8 oz / 108 g
Packaging Info
Package Weight0.295 lb
Box Dimensions (LxWxH)6.7 x 4.6 x 1.3"

FUJIFILM X-T4 Reviews

The digital camera I always wanted

By Ray
Rated 5 out of 5
Date: 2022-09-01

I was debating on whether to save money with the XT3 or just go with the XT4. I bit the bullet & bought the XT4. I wanted this model because I believe it's the only brand that has old school knobs for the ISO & shutter speed which is what I mostly change during photo outings so it really comes in handy. I'm sort of delving into the video world & I thought the IBIS would come in handy. I did some test footage & the stabilization is good enough for my needs. I'm just a hobbyist so I can't speak for professional people. I think this will be the last camera that I will buy for a while (unless it breaks of course).

Great step up from the X-T3!

By Steven
Rated 5 out of 5
Date: 2022-08-11

We have an X-T3 with an 18-55mm lens and grabbed one of these with the 16-80mm. It's been awesome!

FUJIFILM X-T4 Mirrorless Camera with Battery Grip Kit

By Max
Rated 5 out of 5
Date: 2022-08-05

I do a lot of travel and restoration documentation photos. I have a X-T1 that I have used in a large wooden boat restoration shop for years, not treated all that kindly. It remains clean, as does the kit lens...and has never failed me. This was a wonderful upgrade that demonstrates the same environmental sealing and quality workmanship. A great value.

Garage image maker

By John
Rated 5 out of 5
Date: 2022-07-25

I used to have the X-T1, this is an amazing upgrade. I'm glad Fuji decided to keep the dials - there's something to be said for the tactile feel of dialing in shutter speed or exposure compensation. Paired with the 16-80 lens I can shoot all day! The image quality exceeds expectations. Overall I'm super happy with this purchase

A Good Camera!

By Tony
Rated 5 out of 5
Date: 2022-07-14

This is a good camera. Easy to use if you're getting started, but lots of options if you're more experienced. In fact, there are so many options it can take a while to learn which ones suit you the best. You can pretty much do anything you like with camera and the excellent Fuji lenses. Portraits, black & white, and so on. It will keep you busy!

Love this camera

By Richard
Rated 5 out of 5
Date: 2022-07-13

Absolutely love it.

A needed improvement over the XT-3, but...

By Rick
Rated 5 out of 5
Date: 2022-08-24

First off, the improved battery alone almost makes it worth it. Secondly, IBIS does make it worth it. My only regret is that the new rear screen is not as handy as the previous design. Unfurling the screen and moving it to the side to take a low photo (for example) inevitably ends up in a conflict with the neck strap. Hey Fuji-- I understand that the world is going to video, but not everyone is a vlogger. Let's not forget still photographers on this march to the future. B&H was, once again, showing that they are on top of this game. The XT-4 and pretty much all Fuji products was hard to get, so I had to get on a waiting list. I was notified, I bought the camera and and extra battery, and both were on my doorstep in a matter of days. That is top notch service.

Perfect for me

By Robert
Rated 5 out of 5
Date: 2022-08-13

I have used Fujifilm X series cameras for a few years because my old frame needs lighter equipment. It takes a while to get used to FF controls if you are accustomed to PASM systems but once you get the hang of it, it is clear that the shooter has full, easy control. The buttons, dials and stick are not bumped accidentally by my arthritic hands (a problem on the X-S10). Image quality is superb even at high ISO. FF's film simulations for JPGs can't be beat.

See any errors on this page? Let us know

YOUR RECENTLY VIEWED ITEMS

In photography mode .. Color bit is 14 or 16 ...

In photography mode .. Color bit is 14 or 16 please confirm
Asked by: Tariq
The raw files are 14 bit.
Answered by: Stephen
Date published: 2020-09-06

What lens model?

What lens model?
Asked by: Sergey
This comes with the FUJIFILM XF 16-80mm f/4 R OIS WR Lens (https://bhpho.to/2Nyu1sL)
Answered by: Kevin
Date published: 2022-05-31

Doe the X-T4 allow for shooting both jpeg and raw ...

Doe the X-T4 allow for shooting both jpeg and raw at the same time?
Asked by: Domenic
Yes. With two SD cards installed RAW will be saved to one and JPEG to the other. Provides a bit of a safety net.
Answered by: Jared
Date published: 2020-06-18

I see that there are many film profiles to select ...

I see that there are many film profiles to select from. Can I create my own profile in the camera? In other words, can I make up a profile with my own settings for contrast, sharpness, color intensity, etc.?
Asked by: Michael
Yes, you can definitely make your own "recipe" as it's called in the Fujifilm Community. You would use one of the built in profiles as your base and then add your own touches to everything. It's pretty flexible and fun to experiment with different looks.
Answered by: Kevin
Date published: 2020-12-17

Is the x-t3 battery compatible with the x-t4?

Is the x-t3 battery compatible with the x-t4?
Asked by: Anonymous
Hi--the X-T4 uses a different battery: https://www.bhphotovideo.com/c/product/1548399-REG/fujifilm_16651409_np_w235_li_ion_battery_pack.html
Answered by: Boyd
Date published: 2020-02-27

I use the X-T2 flip LCD often with L-bracket from ...

I use the X-T2 flip LCD often with L-bracket from a tripod for portraits and landscapes with camera at waist level. Is this possible with the articulated LCD positioning - can I get the same functionality from the articulation as I can from the X-T2 flip?
Asked by: Roger L.
What l-bracket do you use that doesn’t interfere with the full range of this screen articulation.
Answered by: Roger L.
Date published: 2020-11-17

does the xt-4 have a double exposure mode the ...

does the xt-4 have a double exposure mode the same as the xt-2?
Asked by: Leslie
Yes. Fuji calls it multiple exposure, and allows the user to blend the image in 4 different ways.
Answered by: Patrick
Date published: 2020-07-03

What codec XT-4 uses for 240fps? 10 bit .H265 ...

What codec XT-4 uses for 240fps? 10 bit .H265 4:2:0 internaly, and 10 bit ProRes 4:2:2 externally?
Asked by: Pavel
The answer is exactly as you typed. H265 internally is the most efficient, and you have the ProRes option if recording externally. Both H.265 and Prores are codecs.
Answered by: Patrick
Date published: 2020-07-08
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