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Sony a7S III Mirrorless Camera with PZ 28-135mm f/4 Lens Kit

BH #SOA7S328135K (B&H Kit)
Sony a7S III Mirrorless Camera with PZ 28-135mm f/4 Lens Kit
Key Features
  • 12MP Full-Frame Exmor R BSI CMOS Sensor
  • UHD 4K 120p Video, 10-Bit 4:2:2 Internal
  • 16-Bit Raw Output, HLG & S-Log3 Gammas
  • 759-Point Fast Hybrid AF
A well-rounded bundle, the Sony a7S III Mirrorless Camera with PZ 28-135mm f/4 Lens Kit from B&H pairs the full-frame video-optimized camera body with the FE PZ 28-135mm f/4 G OSS wide-to-tele zoom.
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Sony A7S III Overview

Sony a7S III Mirrorless Camera
For Visual Trailblazers
Optimized video, optimized sensitivity, optimized speed, the Sony a7S III raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.
12.1MP Exmor RS BSI CMOS Sensor and BIONZ XR Processor
A redesigned 12.1MP full-frame CMOS sensor now features a back-illuminated Exmor RS design in order to achieve improved clarity and reduced noise along with the expectedly impressive sensitivity, from ISO 80-102400 with an extended ISO 40-409600 range. The updated sensor design also yields 2x faster readout speeds than previous generations and, when coupled with the revised BIONZ XR image processor, greatly reduces rolling shutter by 3x and up to 8x faster processing and overall camera handling. The sensor and processor combination also helps to achieve a wide dynamic range, of up to approximately 14 stops for stills and 15 stops for video, and 10 fps continuous shooting for up to 1000 uncompressed raw files for stills.
Video Recording
UHD 4K 120p Video, 10-Bit 4:2:2 Internal Recording
  • UHD 4K recording is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility.
  • Two codecs have also been developed: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
Recording Flexibility
  • The high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control.
  • Suiting long-form recording, the a7S III does not have any recording time limits to allow for unlimited clip lengths. The camera's physical design also features an improved heat-dissipating structure to promote longer possible recording times, up to an approximate 60-minute recording time at 4K60p.
Advanced Color Control
  • S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
  • Affording extensive customizable color and gamma controls, the you can adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
Autofocus and Image Stabilization
Fast Hybrid AF System
Covering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
5-Axis SteadyShot INSIDE Image Stabilization
The a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
Body Design and Connectivity
Tru-Finder EVF and Vari-Angle Touchscreen LCD
  • An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 120 fps High Quality setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
  • A first for a7-series cameras, a side-opening 3.0" 1.44m-dot vari-angle articulating screen benefits working from high and low angles as well as a front-facing position for vlogging or other self-recording needs. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
  • Redesigned menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
Versatile and Durable Design
  • Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
  • Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
  • Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
  • Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 510 shots/80 minutes of recording per charge when using the viewfinder or 600 shots/95 minutes of recording per charge when using the rear LCD.
Ports and Connectivity
  • Full-size HDMI A port offers a more reliable connection when working with external recorders.
  • A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
  • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
  • Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
  • Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control
  • USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.
Sony FE PZ 28-135mm f/4 G OSS Lens

Designed to satisfy 4K production requirements, the Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.

Angle of view variations while focusing (breathing) and axial displacement while zooming have been reduced while five aspherical elements and three ED elements work with advanced multi-coating technology to minimize distortion and chromatic aberrations while also contributing to sharper overall imagery with enhanced contrast and clarity.

Independent control rings for zoom, focus, and iris (aperture) are provided for and the focus mode can be switched from auto to manual by sliding the focus ring forward so control is maintained at all times. All three control rings have been engineered to provide the right amount of torque for comfortable, responsive operation and the pitch of the scalloping on the rings has been designed for comfortable, slip-free control.

A constant f/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefiting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps.

Powered 8-speed zoom provides a 28-135mm focal length range, covering wide-angle to telephoto perspectives
Power zoom designed for cinema productions and full frame cameras
Features Sony's original Nano AR Coating technology designed to effectively suppress reflections that can cause flare and ghosting. The precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure
Three control rings (for zoom, focus, iris) offer manual control for demanding large format productions. The focus mode can be switched from auto to manual simply by sliding the focus ring forward so control is maintained at all times. Zoom speed can be precisely controlled over a wide range, with zoom rotation direction reversal capability. All three control rings have been engineered to provide ideal torque for comfortable, responsive operation. Even the pitch of the scalloping on the rings has been designed for comfortable, slip-free control
Sony's advanced iris control and linear AF motor drive system achieve quiet focusing that is also extremely responsive. Part of the reason that focus control is so quiet is that original Sony linear motors are contactless, with no gears or mechanical coupling to generate noise
The world's first SSM (Super Sonic wave Motor) drive in a cinema lens for quiet zoom and smooth iris control
Maintains plane of focus while zooming and maintains field of view while focusing (important for video)
Delivers smooth tracking throughout the zoom range at any speed and eliminates any axial image shifting. Zooming is quiet as well as responsive thanks to advanced mechanical actuator design
Features an optical design and control technology inherited from Sony's professional camcorders that ensure no breathing while focusing
Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions with longer focal lengths
Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting and with greater zoom magnifications
Three extra-low dispersion elements and five aspherical elements helps to reduce chromatic aberrations and distortion throughout the zoom range while also contributing to overall image sharpness and clarity
UPC: 027242884915

Sony a7S III Mirrorless Camera Specs

Imaging
Lens MountSony E
Sensor ResolutionActual: 12.9 Megapixel
Effective: 12.1 Megapixel (4240 x 2832)
Sensor Type35.6 x 23.8 mm (Full-Frame) CMOS
Crop FactorNone
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed1/8000 to 30 Second
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
80 to 102,400 (Extended: 40 to 409,600)
Video
80 to 102,400 (Extended: 80 to 409,600)
Metering MethodCenter-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range-3 to 20 EV
White Balance2500 to 9900K
Presets: Auto, Cloudy, Custom, Daylight, Flash, Fluorescent, Incandescent, Shade, Underwater
Continuous ShootingUp to 10 fps at 12.1 MP for up to 1000 Frames (Raw) / 1000 Frames (JPEG)
Up to 8 fps at 12.1 MP
Up to 6 fps at 12.1 MP
Up to 3 fps at 12.1 MP
Interval RecordingYes
Self-Timer2/5/10-Second Delay
Still Image Capture
Image Sizes3:2
11 MP (3776 x 2832)
4.6 MP (2464 x 1848)
2.7 MP (1888 x 1416)
1.1 MP (1232 x 920)
8 MP (2832 x 2832)
3.4 MP (1840 x 1840)
2 MP (1408 x 1408)
0.8 MP (912 x 912)
10 MP (4240 x 2384)
4.3 MP (2768 x 1560)
2.6 MP (2128 x 1200)
4.3 MP (2768 x 1560)
1.1 MP (2128 x 1416)
12 MP (4240 x 2832)
5.1 MP (2768 x 1848)
3 MP (2128 x 1416)
5.1 MP (2768 x 1848)
1.3 MP (1376 x 920)
Aspect Ratio1:1, 3:2, 4:3, 16:9
Image File FormatHEIF, JPEG, Raw
Bit Depth14-Bit
Internal Video Capture
Recording ModesH.265/XAVC HS 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p/100p/119.88p [50 to 280 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/50p/59.94p/100p/119.88p [30 to 200 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 280 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 Mb/s]
H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [60 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [16 to 100 Mb/s]
Sensor Crop ModesSuper35 / APS-C
Gamma CurveSony S-Log 2, Sony S-Log 3
Recording LimitUnlimited
Broadcast OutputNTSC/PAL
Built-In Microphone TypeStereo
Audio RecordingXAVC: 2-Channel 16-Bit 48 kHz LPCM Audio
XAVC: 2-Channel 24-Bit 48 kHz LPCM Audio
XAVC: 4-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio
External Video Capture
External Recording ModesRaw 16-Bit via HDMI
4.2K (4264 x 2408) up to 59.94p
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p
Full HD (1920 x 1080) at 23.98p/50p/59.94p
Full HD (1920 x 1080) at 50i/59.94i
IP StreamingNone
Interface
Media/Memory Card SlotDual Slot: CFexpress Type A / SD (UHS-II)
Video I/O1 x HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Other I/O1 x USB-C (Gigabit Ethernet, USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x Sony Multi/Micro-USB Control
Power I/O1 x USB Type-C Input
WirelessWi-Fi, Bluetooth
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0"
Resolution1,440,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.64"
Resolution9,437,184 Dot
Eye Point25 mm
Coverage100%
MagnificationApprox. 0.9x
Diopter Adjustment-4 to +3
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity-6 to +20 EV
Flash
Built-In FlashNo
Flash ModesAuto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionIntelligent Hot Shoe
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
General
Battery Type1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 600 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female
Accessory Mount1 x Intelligent Hot Shoe
Dimensions (W x H x D)5.07 x 3.81 x 2.74" / 128.9 x 96.9 x 69.7 mm
Weight1.35 lb / 614 g (Body Only)
Packaging Info
Package Weight3.195 lb
Box Dimensions (LxWxH)10.5 x 6.1 x 5.5"

Sony FE PZ 28-135mm f/4 G OSS Lens Specs

Focal Length28 to 135mm
Lens MountSony E
Lens Format CoverageFull Frame
Maximum Aperturef/4
Minimum Aperturef/22
Diagonal Angle of ViewSuper35: 54 to 12°
Full Frame: 75 to 18°
Minimum Focus DistanceFrom : 1.31' / 0.40 m
Optical Design18 Elements in 12 Groups
Diaphragm Blades9
Filter Thread95 mm
Zoom Ratio4.8x
Electronic CommunicationYes
Maximum Magnification Ratio1:6.67
Image StabilizationNo
Dimensions (W x H)4.13 x 4.13" / 104.9 x 104.9 mm
Length6.4" / 162.5 mm
Weight42.9 oz / 1215 g
Packaging Info
Package Weight4.86 lb
Box Dimensions (LxWxH)12.05 x 7.1 x 6.95"

Sony A7S III Reviews

Still the best at this price.

By kai
Rated 5 out of 5
Date: 2022-09-29

I have a7IV before purchase this one. I would say just for overall video quality, they are neck to neck. Both produce high quality image. The a7sIII win at 4k 60p at no crop and 4k 120p at 1.1x crop.Both looks just as detail as 4k 24p, so no complain at all. I do miss the crop mode from a7IV at 4k 24p. But I know if they make a7sIII a 24mp sensor, we will have a lot worse rolling shutter and likely a heavy crop in 4k 120p. I dislike that you can not assign video format and video quality to quick menu which a7IV can do it. That is not convenient. I thought that is a easy firmware fix but no they never address this. Still one of the best camera for video under $4000.

AF is out of this world

By Trevor
Rated 5 out of 5
Date: 2022-09-14

I'm coming from Panasonic GH5, and the colors in Cine 11 ppp are matching very nicely. The AF is so good, but scared of relying on it too much....

What's not to like?

By Ian
Rated 5 out of 5
Date: 2022-09-06

I like this camera.

Perfect kit to get me back

By Cory
Rated 5 out of 5
Date: 2022-09-05

It's been a while since I bought a new camera and this was a good bag and SD card to go with the Sony body. I already had a 50mm manual lens waiting for it.

Ridiculously good!

By michael
Rated 5 out of 5
Date: 2022-08-22

You've heard it all before. It's an absolute beast. I a straight side by side nobody is going to be able to tell the footage apart from a Venice or other top end cinema camera. Stunning quality images.

A beast of a camera

By Fled
Rated 5 out of 5
Date: 2022-08-18

The best camera I ever owned. Image quality is just gorgeous and does not overheat. Pair this with the Phantom Luts and you are golden.

Love it

By Hansel
Rated 5 out of 5
Date: 2022-09-22

you already know you gonna love it if you plan to buy it.

Great choice

By Joshua
Rated 5 out of 5
Date: 2022-09-14

Super sharp, clear, and it doesn't overheat. Best camera in the world.

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