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Panasonic Lumix S5 Mirrorless Camera

BH #PADCS5 • MFR #DC-S5BODY
Panasonic
Panasonic Lumix S5 Mirrorless Camera
Key Features
  • 24.2MP Full-Frame CMOS Sensor
  • UHD 4K60 Video,10-Bit Internal Recording
  • V-Log, HDR, and Dual Native ISO
  • 2.36m-Dot 0.74x-Magnification OLED LVF
Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.

Panasonic DC-S5 Overview

  • 1Description
  • 224.2MP Full-Frame CMOS Sensor and Venus Engine
  • 3UHD 4K HDR Video Recording
  • 4Body Design
  • 5Sensor-Shift Image Stabilization
  • 6DFD Autofocus System
  • 76K and 4K PHOTO
  • 8Bluetooth and Wi-Fi
  • 9Other Camera Features
  • 10Firmware Version 2.3

Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.

In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.

24.2MP Full-Frame CMOS Sensor and Venus Engine

Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes.

UHD 4K HDR Video Recording

In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.

Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.

Body Design

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.
  • Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.
  • Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments.
  • Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
  • DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on.
  • High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec.

Sensor-Shift Image Stabilization

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.

DFD Autofocus System

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

6K and 4K PHOTO

Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Bluetooth and Wi-Fi

Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.

Other Camera Features

  • By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.

Firmware Version 2.3

Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.
UPC: 885170426290

Panasonic DC-S5 Specs

Imaging
Lens MountLeica L
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Sensor Type35.6 x 23.8 mm (Full-Frame) CMOS
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeMechanical Focal Plane Shutter, Electronic Shutter
Shutter SpeedMechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Metering MethodCenter-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 18 EV
White BalancePresets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Continuous ShootingMechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 30 fps at 8 MP
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 Raw
6000 x 4000
4:3 JPEG
5328 x 4000
3792 x 2848
2688 x 2016
3:2 JPEG
6000 x 4000
4272 x 2848
3024 x 2016
16:9 JPEG
6000 x 3368
4272 x 2400
3024 x 1704
1:1 JPEG
4000 x 4000
2848 x 2848
2016 x 2016
65:24 JPEG
6000 x 2208
2:1 JPEG
6000 x 3000
Aspect Ratio1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File FormatJPEG, Raw
Bit Depth14-Bit
Internal Video Capture
Recording ModesH.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/25p/29.97p [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/25p/29.97p/50p [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/179.82p [20 to 28 Mb/s]
Recording LimitUp to 30 Minutes for UHD 4K (3840 x 2160) at 23.98p/25p/29.97p (4:2:2 10-Bit)
Up to 30 Minutes for UHD 4K (3840 x 2160) at 50p/59.94p (4:2:0 10-Bit)
Unlimited for UHD 4K (3840 x 2160) at 23.98p/25p/29.97p (4:2:0 8-Bit)
Video SystemNTSC/PAL
Built-In Microphone TypeStereo
Audio Recording AAC Audio
LPCM Audio
External Video Capture
Raw OutputHDMI In Raw Mode:
5888 x 3312 12-Bit at 23.98/25/29.97 fps 
4128 x 2176 12-Bit at 23.98/25/29.97/50/59.94 fps 
3536 x 2656 12-Bit at 23.98/25/29.97/50 fps 
External Recording Modes4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) up to 50p/59.94p
IP StreamingNone
Interface
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Other I/O1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
Power I/O1 x USB Type-C Input/Output
WirelessBluetooth, Wi-Fi
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0"
Resolution1,840,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Resolution2,360,000 Dot
Eye Point20 mm
Coverage100%
MagnificationApprox. 0.74x
Diopter Adjustment-4 to +4
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsContrast Detection: 225
Autofocus Sensitivity-6 to +20 EV
Flash
Built-In FlashNo
Flash ModesAuto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
Operating Humidity10 to 80%
General
Battery Type1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh (Approx. 440 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)5.22 x 3.82 x 3.22" / 132.6 x 97.1 x 81.9 mm
Weight1.57 lb / 714 g (With Battery, Recording Media)
1.39 lb / 630 g (Body Only)
Packaging Info
Package Weight3.1 lb
Box Dimensions (LxWxH)7.5 x 6 x 5.75"

Panasonic DC-S5 Reviews

Amazing body, value, and AF works

By Sefe
Rated 5 out of 5
Date: 2022-07-02

I sold my Fuji XT4 and went full frame. I have to say this has been one of the best purchases I've made considering the value. I not only got $100 discounted and I also got a free 85 1.8 Lumix lens!!!!!! Whoever does that? Lol. I purchased this camera for when my family and I go out, so it's just personal work and occasional video work too. The menu is perfect. The auto focus does work. It's just different from my other camera (canon). But I am not going to compare the auto focus since that's not what I bought it for. I just needed a nice, not too expensive body, and this fits my need. No regrets. The colors are beautiful out of camera in the raw files are easy to work with. If you need a nice camera to take out with your family or just on an adventure and don't need the perfect, pristine auto focus then go for this camera. I tried other cameras like the Nikon Z6 II, but I prefer the Lumix S5 over that body.

Excellent mini budget cine cam

By Everett
Rated 5 out of 5
Date: 2022-06-26

I picked an S5 up from B&H after a lot of reading and comparing different models. The S5 is hardly perfect. No camera is, really. But for what I need and want, it's as close to perfect as you can get. The camera produces excellent images, clarity, color, dynamic range is hard to beat at the price point, and the in camera pre amps are the best I've ever had. I shoot in all weather, lots of different lighting conditions, and in lots of fast paced settings where it's run and gun shooting, as well as planned out shots. I shoot tripod shots, gimbal ,and handheld on the S5, and it is suited to all very well thanks to the stellar IBIS. Sometimes the handheld shots make me wonder why I brought the gimbal. The cameras weakest point is the autofocus, as most people agree. However, autofocus is hardly a feature I need, and the S5s actually does work better than the Nikon D7500 I use to shoot photos with, and has, so far, has never failed me when I have used it. But when looking at the S5 in the context of a mini budget cinema camera, as I use it, the autofocus is stellar. Most cinema cameras and lenses don't have autofocus, they rely on manual. So saying that this budget cinema oriented camera has autofocus, well it's useless on most cine lenses anyway, and when you use it with a Lumix or other lens that does have autofocus, it's a mini cinema oriented camera that has autofocus. I personally see no reason to complain about that when most lack it entirely. While I don't like the mini HDMI port is has, and wish it had the full HDMI like the S1H, it's not the end of the world, and I do find the in camera 10 bit 4:2:2 4K to be more than enough for my YouTube and professional work.

Wonderful camera!

By jordan
Rated 5 out of 5
Date: 2022-06-20

I received my S5 a few weeks ago and have been testing it with the 20-60 and more recently, the sigma 100-400 lens. This is a wonderful camera. Coming from the G9, the controls feel intuitive, menus are great, ergonomics is awesome. The 20-60 lens is a very good range and sharp. AF is fast and quiet. The OOC colors are great and the high ISO is fantastic. There seems to be a brilliant quality to the images, some sort of pop, different from the G9. I just love the images this camera produces.

best value for money on the market

By Joel
Rated 5 out of 5
Date: 2022-06-17

the camera delivers a lot for its price, 10 bits are incredible, I use the lumix system with blackmagic assist, for me the perfect set

I Adore This Camera

By Kyle
Rated 5 out of 5
Date: 2022-06-15

I love everything about this camera. I'm a big fan of Panasonic's colors, so I was primarily using the GH5 before buying this. I am glad I went straight to this and didn't jump in to the S1H. I am convinced the S5 is the best you can get out of a camera of a similar caliber. I have some colleagues that prefer the A7s, but I will stand by the S5 every day of the week.

Something special

By Brian
Rated 5 out of 5
Date: 2022-06-07

not sure what it is but there is definitely something special about the way the Lumix s5 and S1R renders photos! great system

So cool

By Josh
Rated 5 out of 5
Date: 2022-06-29

Sold my Fujifilm for the Panasonic and I couldn't be happier. Pros - Fantastic low light, IBIS, High Res mode, Dials, and video. Cons - Bad menu with no explanations for the settings, so I don't know what to use, and it freezes when I shut off my gimbal first. The Ninja V is also great, does everything I need in a simple way.

Best video camera

By Mustafa
Rated 5 out of 5
Date: 2022-06-27

On of my best camera I got

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YOUR RECENTLY VIEWED ITEMS

What about micro HDMI?? This is so fragile...

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Asked by: mateo
The micro HDMI is an epic fail on Panasonic's part. I've had 2 of them fail on Panasonic GH3 and GH4 cameras, and another one fail on a Tascam recorder. The micro HDMI on the S5 is a total deal breaker for me.
Answered by: David
Date published: 2021-03-22

Can you auto bracket one click your favorite art ...

Can you auto bracket one click your favorite art filters the way you can on Olympus?
Asked by: Tim
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Is segmented file recording an option?

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Asked by: Ad
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Will the Lumix S5 be getting a 150-400 MB/S ...

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Does S5 have the monochrome d film simulation?

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would this be good for deep sky imageing?

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Asked by: Tyler
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Can we NOW use two SD UHS-II cards?

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Date published: 2022-03-07
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