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Blackmagic Design Pocket Cinema Camera 4K Kit with 12-35mm Zoom, 512GB SSD, Cage & Mic

BH #BL4KPCCKBTSK (B&H Kit)
Blackmagic Design Pocket Cinema Camera 4K Kit with 12-35mm Zoom, 512GB SSD, Cage & Mic
Key Features
  • BMPCC 4K with 4/3"-Sized HDR Sensor
  • DCI 4K60, 2.8K80 Raw in 4:3 Anamorphic
  • Lumix G X Vario 12-35mm f/2.8 II Zoom
  • Wireless Mic, Full Cage with SSD Holder
The comprehensive Blackmagic Design Pocket Cinema Camera 4K Kit with 12-35mm Zoom from B&H will get you out the door and capturing 4K video in no time. Perfect for students, teachers, and independent creators alike, this kit includes the BMPCC 4K camera, a 12-35mm zoom lens (24-70mm 35mm equivalent), a protective full cage, a wireless mic system, a variable ND filter, a glare guard for the camera's LCD screen, a 512GB SSD with a holder, two 128GB SD cards, and two LP-E6N batteries with a dual charger.
Discontinued
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Pocket Cinema Camera 4K Kit with 12-35mm Zoom, 512GB SSD, Cage & Mic Overview

  • 1Description
  • 2Blackmagic Design Pocket Cinema Camera 4K
  • 3Watson LP-E6NH Lithium-Ion Battery Pack (7.2V, 2250mAh)
  • 4Watson Mini Duo Charger for Canon LP-E6N & LP-E6NH Batteries
  • 5Lexar 128GB Professional 1667x UHS-II SDXC Memory Card
  • 6Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens
  • 7Tiffen 58mm Variable Neutral Density Filter
  • 8SmallRig Universal Holder for External SSD
  • 9Tilta Full Camera Cage for Blackmagic Design Pocket Cinema Camera 4K/6K (Tilta Gray)
  • 10Comica Audio BoomX-D D1 Ultracompact Digital Wireless Microphone System for Mirrorless/DSLR Cameras (2.4 GHz)
  • 11Ocean Video GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras
By B&H Photo's

The comprehensive Blackmagic Design Pocket Cinema Camera 4K Kit with 12-35mm Zoom from B&H will get you out the door and capturing 4K video in no time. Perfect for students, teachers, and independent creators alike, this kit includes the BMPCC 4K camera, a 12-35mm zoom lens (24-70mm 35mm equivalent), a protective full cage, a wireless mic system, a variable ND filter, a glare guard for the camera's LCD screen, a 512GB SSD with a holder, two 128GB SD cards, and two LP-E6N batteries with a dual charger.

Blackmagic Design Pocket Cinema Camera 4K

The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.

The Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.

Record using the internal CFast 2.0 and SD/UHS-II card slots or employ the USB Type-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or baking in your look when you're ready to commit.

Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.

4/3" Image Sensor / Dual Native ISO
The Pocket Cinema Camera 4K uses a 4/3" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.
Active Micro Four Thirds Lens Mount
Use lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.
Anamorphic Capture
Blackmagic Raw 4:3 2880 x 2160 (2.8K) anamorphic options with 2x and 1.33x de-squeeze preview functions.
Shooting Resolutions
4096 x 2160 (DCI 4K), 2.4:1 4096 x 1712 (4K), 3840 x 2160 (Ultra HD 4K), Super16 2688 x 1512 (2.6K), 1920 x 1080 (HD).
Aspect Ratio Options
Create customized aspect ratios or choose preset guidelines including 1:1 and 4:5.
Blackmagic Raw and ProRes Options
Choose from Blackmagic Raw and ProRes 422 files options depending on your project's needs.
5" Touchscreen Display
A large 5" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.
CFast 2.0, SD/UHS-II, and USB Type-C Capture
Internally record to CFast 2.0 or SD/UHS-II card slots, or capture longer clips using the USB Type-C output to an external drive.
Flexible Power Options
The Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery, the separately available Pocket Battery Grip, or the included power supply.
DaVinci Resolve Studio
An activation key for DaVinci Resolve Studio is included with the camera.
Watson LP-E6NH Lithium-Ion Battery Pack (7.2V, 2250mAh)

The Watson LP-E6NH Lithium-Ion Battery Pack works with most cameras and camcorders that use the Canon LP-E6NH, LP-E6N, or LP-E6. This replacement battery pack has a 2250mAh capacity, 7.2V of output power, and 16.2 watt-hours. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effect.

Compatible Cameras
Canon EOS DSLRs:
  • EOS 5D Mk IV
  • EOS 5D Mk III
  • EOS 5D Mk II
  • EOS 5D
  • EOS 5Ds R
  • EOS 5Ds
  • EOS 6D Mk II
  • EOS 6D
  • EOS 7D Mk II
  • EOS 7D
  • EOS R6
  • EOS R5
  • EOS R
  • EOS Ra
  • EOS 90D
  • EOS 80D
  • EOS 70D
  • EOS 60Da
  • EOS 60D

Canon Camcorders:

  • XC15 4K UHD Camcorder
  • XC10 4K Professional Camcorder

 

UPC: 847628036765
Watson Mini Duo Charger for Canon LP-E6N & LP-E6NH Batteries

Simultaneously charge two Canon LP-E6N & LP-E6NH batteries from USB or AC power sources with the Watson Mini Duo Charger. Thanks to its two independent bays, the Mini Duo Charger allows you to charge one battery or two spares at the same time. The onboard LCD screen clearly shows the charging status of each battery. A micro-USB cable and a USB power adapter are included for versatile charging options.

NOTE: This charger is compatible with third party versions of the LP-E6NH but is NOT compatible with the Canon brand LP-E6NH battery.

Independent and Simultaneous Charging
The Watson MD-1544 Mini Duo Charger accepts two Canon LP-E6N & LP-E6NH type batteries (available separately) for independent or simultaneous charging. So, power up both batteries for your next shoot, or charge your backups while you're out in the field.
LCD Charging Status
An LCD displays the independent charging status for each battery, allowing you to easily determine the progress of your batteries. This way, you can quickly select the fully charged battery for work and leave the other for continued charging.
Micro-USB Power
The charger includes a USB power adapter and micro-USB cable for portable and convenient charging. Use the micro-USB cable with a portable battery pack, or plug the USB power adapter into the office, hotel, or airport outlets.
Circuit Protections
With built-in overcharge, short-circuit, and power surge protections, the Mini Duo Charger ensures the safety of your batteries.
UPC: 847628027718
Lexar 128GB Professional 1667x UHS-II SDXC Memory Card

The 128GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.

UHS-II cards achieve their speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantee minimum write speeds of 10 MB/s.

To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Image Rescue software that is designed to recover most photo and video files.

General Features
High-speed performance-leverages UHS-II technology (U3) for a data read speed up to 1667x (250 MB/s)
Captures high-quality images and extended lengths of enhanced 1080p Full HD, 3D, and 4K video with a DSLR camera, HD camcorder, or 3D camera
A large capacity of up to 128GB lets you shoot longer without changing cards
High-speed file transfer from card to computer to dramatically accelerate workflow
Backwards compatible with UHS-I and Class 10 devices
UPC: 843367114856
Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens

A versatile zoom covering wide-angle to portrait-length perspectives, the Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens from Panasonic is designed for Micro Four Thirds cameras, where it provides a convenient 24-70mm equivalent focal length range. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. The sophisticated optical design employs a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for sharp, clean image quality and a Nano Surface Coating has also been applied to reduce ghosting and flare. A POWER Optical Image Stabilizer minimizes the appearance of camera shake to suit handheld shooting, and this O.I.S. system is also compatible with Dual I.S. for enhanced stabilization performance. Additionally, the lens also features a durable all-metal housing that is dust, splash, and freezeproof to enable its use in harsh climates.

Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-70mm equivalent focal length range.
Bright constant f/2.8 maximum aperture maintains consistent performance throughout the zoom range.
Four aspherical elements, one ultra extra-low dispersion element, and one ultra high refractive index element all contribute to minimizing chromatic and spherical aberrations and various aberrations in order to produce a high degree of clarity, sharpness, and color accuracy.
Nano Surface Coating has been applied to individual elements to reduce flare and ghosting for improved contrast and color neutrality.
POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality.
UPC: 885170310797
Tiffen 58mm Variable Neutral Density Filter

The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 - 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want - a real time and money saver.

Simply mount the filter on your lens, set it to "Min" density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn't, switch to manual focus and rotate to the desired degree of filtration.

For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to "Min", you change the shutter speed to 1/125 at the same aperture - thereby losing 2 stops of speed while gaining a hint of "blur" in the image. If that's not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.

A Neutral Density filter is used to create some unusual special effects such as capturing the "blur" of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.

Thin Profile Ring (9mm) - The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops
Neutral Density Filters Have Four Main Uses
To enable slow shutter speeds to be used, especially with high speed ISOs, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situation
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure
ColorCore Technology
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration
Tiffen, a leader in the filter industry, proudly makes its filters in the USA and backs up its products with a solid 10-year warranty
UPC: 884613012595
SmallRig Universal Holder for External SSD

Firmly secure your SSD on your camera or camera cage using this Universal Holder for External SSD from SmallRig. This holder features a spring-loaded clamp that adjusts to fit a variety of SSDs such as the Samsung T7, and a soft rubber interior to prevent scratches.

Designed for use with cameras that can output to SSD such as the Blackmagic Cinema Camera 6K/4K or Z CAM E2, the compact holder mounts on your camera using the included 1/4"-20 screws or its removable shoe mount. Constructed of stainless steel and aluminum, the SSD holder includes a USB Type-C cable clamp to protect the cable from pulling.

Compatibility
Including but not limited to:

  • Angelbird SSD2GO PKT
  • G-Technology G-DRIVE Mobile SSD
  • Glyph Atom SSD
  • SanDisk 1T SSD
  • Samsung T7 SSD
  • SSD drives from 1.5 to 2.4" wide and 0.2 to 0.6" thick
  • Cameras that output to SSD such as BMPCC 6K/4K and Z CAM E2
Note:
The USB-C cable clamp should be removed before using the Angelbird SSD2GO PKT SSD.
Tilta Full Camera Cage for Blackmagic Design Pocket Cinema Camera 4K/6K (Tilta Gray)

The Tilta gray Tilta Full Camera Cage for Blackmagic Design Pocket Cinema Camera 4K/6K is a multipart, formfitting cage that you assemble to protect your Blackmagic Pocket Cinema Camera, either the 4K or 6K version. Once the cage is assembled, it holds your camera securely via attachment points at the top and bottom.

This cage features multiple 1/4"-20 and 3/8"-16 threaded mounting holes for accessories. Three cold shoes also allow the mounting of accessories, providing a sturdy frame that won't stress your camera's body. The bottom plate features multiple mounting holes for attaching to a tripod or gimbal. The multiple holes allow you to fine-tune the balance for working with gimbals.

For Blackmagic 4K/6K
The cage works with both the 4K and 6K versions of the Blackmagic Design Pocket Cinema Camera as the horizontal and vertical dimensions of the camera are the same
Durable Construction
Formfitting aluminum and stainless steel cage
Accessory Mounting Threads
Multiple 1/4"-20 and 3/8"-16 threaded mounting holes for accessory mounting
Cold Shoes
Three cold shoes are integrated into the cage for mounting accessories
Anti-Twist Design
Top and bottom mounting points help keep the camera secure in the cage and prevent twisting
UPC: 709016727795
Comica Audio BoomX-D D1 Ultracompact Digital Wireless Microphone System for Mirrorless/DSLR Cameras (2.4 GHz)

Designed for mobile journalists, videographers, and vloggers, the Comica BoomX-D D1 is an ultracompact, true wireless digital microphone system with one microphone and a dual-channel receiver that can also be used to receive a second microphone (available separately). It offers a complete solution for recording dialogue, interviews, and speech with one person talking—directly to a mirrorless/DSLR camera or a mobile device.

The ultralightweight BoomX-D D1 consists of an ultracompact clip-on transmitter with its own built-in omnidirectional microphone and a separate lavalier microphone. It also comes with a tiny receiver that mounts on and plugs directly into your camera. Additionally, the included TRRS output cable gives you the option to plug the receiver into any smartphone equipped with a headphone jack.

The system delivers reliable transmission with a clear sound at a distance up to 164'. The built-in rechargeable batteries provide up to 5 hours of operation. Versatile and extremely easy to use with simple controls, the BoomX-D D1 is well suited for content creators of any experience level.

Ultracompact Receiver
  • The receiver features a belt clip, which also doubles as a shoemount adapter for your camera.
  • In the absence of a smartphone holder, the receiver can also be clamped to your smartphone using the belt clip.
Built-In Mic for True Wireless
  • The transmitter is equipped with a built-in microphone and a 3.5mm mic input that accepts the included lavalier microphone.
  • For a truly wireless experience, the transmitter can be clipped on clothing without having to wire yourself or your talent. You can also hold the transmitter in your hand and use it as a handheld microphone.
  • The On/Off switch doubles as a mute button.
Lavalier Mic Included
  • For a more discreet setup, use the small lavalier microphone, which can be easily concealed away from the camera's eye.
Plug-and-Play and Easy-to-Operate Wireless
  • This plug-and-play system is easy to use. It comes pre-paired at the factory; connect it to your camera, turn it On, and you're ready to start recording.
  • Dedicated gain button on the receiver allows quick and effortless adjustment of the microphone volume.
  • The receiver and the transmitter have a display that shows signal strength, audio level, mono/stereo configuration, and battery life.
  • The transmitter and the receiver are powered via a built-in lithium-ion rechargeable battery. They can also be powered via USB, even while in use, giving you near unlimited operating time.
Monitor in Real Time
  • If your camera doesn’t have a headphone jack, you can monitor your sound via the receiver’s 3.5mm headphone output while recording to ensure that you are capturing a clean signal.
Two Microphones into One Receiver
  • If you need to expand your system with a second microphone, the two-channel receiver allows you to save space on your shooting rig by using a single receiver to simultaneously receive signals from two mic/transmitters.
  • You have the option to switch between mono or stereo on the receiver: Recording in mono combines both microphones on both the left and right side of your audio track. Recording in stereo puts one person on the left and the other person on the right, allowing you to isolate each person's dialog and adjust each level individually later in post.
Easy 2.4 GHz Digital Wireless
  • Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, the BoomX-D digital system avoids that by operating in the 2.4 GHz frequency band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems.
  • The system automatic changes transmission frequency to mitigate noise and dropouts at a line-of-sight distance of up to 164 feet. For optimal performance, environments with limited Wi-Fi/2.4 GHz traffic and minimal physical obstructions are recommended.
Ocean Video GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras

Glare from direct sun, or even an overcast day, can obscure the details and make viewing your camera's viewscreen difficult, which is why the GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras from Ocean Video is such a valuable tool. Designed specifically to mount on your camera, the GlareGuard magnetically attaches to your camera and folds for storage.

The durable yet flexible material folds flat to protect your screen when not in use, and it unfolds to provide shade for your viewing screen when you need it. Rare-earth magnets hold the GlareGuard in place securely yet allow you to remove it when necessary. An included lanyard safety is provided, allowing you to tether the hood to your camera and prevent the GlareGuard from falling to the ground if accidentally dropped or knocked off.

UPC: 657768480256

Blackmagic Design Pocket Cinema Camera 4K Specs

Imaging
Lens MountMicro Four Thirds
Lens CommunicationYes
Sensor Type18.96 x 10 mm (Four Thirds) CMOS
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Rolling Shutter
ISO Sensitivity100 to 25,600
Advertised Dynamic Range13 Stops
Internal Video Capture
Raw RecordingRaw
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94/60 fps [21 to 203 MB/s]
4096 x 1712 at 23.98/24.00/25/29.97/50/59.94/60/75 fps
2880 x 2160 at 23.98/24.00/25/29.97/50/59.94/60/80 fps
2688 x 1512 at 23.98/24.00/25/29.97/50/59.94/60/75/119.88 fps
Recording ModesProRes 422 HQ
4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [117.88 MB/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [110 Mb/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50p/59.94p/119.88p [27.5 MB/s]
ProRes 422
4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [78.63 MB/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [73.6 MB/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50p/59.94p/119.88p [18.4 MB/s]
ProRes 422LT
4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [54.63 MB/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [51 MB/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50p/59.94p/119.88p [12.75 MB/s]
ProRes 422 Proxy
4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [24.25 MB/s]
3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p [22.4 MB/s]
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50p/59.94p/119.88p [5.6 MB/s]
Sensor Crop ModesFour Thirds
Variable Frame RatesUp to 119.88 fps
Recording LimitUp to 877 Minutes
Broadcast OutputNTSC/PAL
Built-In Microphone TypeStereo
External Video Capture
Raw OutputUSB:
4096 x 2160 12-Bit at 23.98/24.00/25/29.97/50/59.94/60 fps 
3840 x 2160 12-Bit at 23.98/24.00/25/29.97/50/59.94/60 fps 
1920 x 1080 12-Bit at 23.98/24.00/25/29.97/50/59.94/60 fps 
External Recording Modes4:2:2 10-Bit via HDMI
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50p/59.94p
IP StreamingYes
Still Image Capture
Aspect Ratio2:1, 16:9, 4:3, 1:1, 4:5
Interface
Video I/O1 x HDMI Output
Audio I/O1 x Mini XLR Mic/Line (+48 V Phantom Power) Input
1 x 1/8" / 3.5 mm TRS Stereo Mic/Line Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O1 x Weipu SF610/S2 Input
Other I/O1 x USB-C Video Output
1 x 1/8" / 3.5 mm (Timecode) Input (Shared with Mic/Line Input)
WirelessBluetooth Control
Monitor
Size5"
Resolution1920 x 1080
Display TypeFixed Touchscreen LCD
Viewfinder
TypeOptional, Not Included
Focus
Focus TypeAuto and Manual Focus
Focus ModeAutomatic, Manual Focus
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
Storage Temperature-4 to 113°F / -20 to 45°C
Operating Humidity0 to 90%
General
Battery TypeCanon LP-E6
Tripod Mounting Thread1/4"-20 Female
Accessory Mount1 x 1/4"-20 Female
Material of ConstructionCarbon Fiber
Dimensions (W x H x D)7 x 3.8 x 3.4" / 177.8 x 96.5 x 86.4 mm
Weight1.5 lb / 680.38 g
Packaging Info
Package Weight3.085 lb
Box Dimensions (LxWxH)12.4 x 8 x 6.9"

Watson LP-E6NH Lithium-Ion Battery Pack (7.2V, 2250mAh) Specs

Battery Capacity2250 mAh / 16.2 Wh
ChemistryLithium-Ion
Output Voltage7.2 VDC
Packaging Info
Package Weight0.24 lb
Box Dimensions (LxWxH)5.2 x 3 x 1.4"

Watson Mini Duo Charger for Canon LP-E6N & LP-E6NH Batteries Specs

Charger
AC Input Power100 to 240 VAC, 50 / 60 Hz at 0.4 A
DC Input Power VDC at 2 A
Output Voltage8.4 VDC at 0.6 A
Number of Battery Bays2
Multi-Bay Charging ModesIndependent, Simultaneous
IndicatorLCD Display
USB Port1 x Micro-USB (Micro-B)
Operating Temperature-4 to 113°F / -20 to 45°C
Dimensions (W x H x D)0.9 x 3.4 x 2.1" / 2.3 x 8.6 x 5.3 cm
Weight1.25 oz / 35 g
Packaging Info
Package Weight0.245 lb
Box Dimensions (LxWxH)5.8 x 4.1 x 1.1"

Lexar 128GB Professional 1667x UHS-II SDXC Memory Card Specs

Quantity1
Card TypeSDXC
Storage Capacity128 GB
Bus TypeUHS-II
Speed Class10
UHS Speed ClassU3
Video Speed ClassV60
Speed (X-rating)1667x
Read SpeedMaximum: 250 MB/s
Write SpeedMaximum: 120 MB/s
Minimum: 60 MB/s
Operating Temperature32 to 158°F / 0 to 70°C
Storage Temperature-13 to 185°F / -25 to 85°C
Built-in Write-Protect SwitchYes
Wireless CapabilityNone
CertificationsC-Tick, CE, FCC, RoHS, VCCI, WEEE
*as per Manufacturer
Packaging Info
Package Weight0.03 lb
Box Dimensions (LxWxH)5.95 x 4.65 x 1.75"

Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens Specs

Focal Length12 to 35mm (35mm Equivalent Focal Length: 24 to 70mm)
Maximum Aperturef/2.8
Minimum Aperturef/22
Lens MountMicro Four Thirds
Lens Format CoverageMicro Four Thirds
Angle of View84° to 34°
Minimum Focus Distance9.8" / 25 cm
Maximum Magnification0.17x
Optical Design14 Elements in 9 Groups
Diaphragm Blades7, Rounded
Focus TypeAutofocus
Image StabilizationYes
Filter Size58 mm (Front)
Dimensions (ø x L)2.7 x 2.9" / 67.6 x 73.8 mm
Length at Maximum Extension3.8" / 97.5 mm
Weight10.8 oz / 305 g
Packaging Info
Package Weight1.14 lb
Box Dimensions (LxWxH)7.6 x 4.5 x 4.5"

Tiffen 58mm Variable Neutral Density Filter Specs

Filter TypeVariable ND
Density0.6 (2-Stop) to 2.4 (8-Stop)
Circular Size58 mm Filter Thread
Front Accessory Thread / BayonetUnthreaded
CoatingsNone
Filter Thickness0.35" / 9 mm
Filter MaterialGlass
Packaging Info
Package Weight0.2 lb
Box Dimensions (LxWxH)4.7 x 4.5 x 1"

SmallRig Universal Holder for External SSD Specs

General
CompatibilitySamsung T7 SSD
Supported Drive SizeWidth: 1.5 to 2.4" / 38 to 60 mm
Physical
Mounting2 x 1/4"-20 Screws
1 x Shoe Mount
Material of ConstructionAluminum, Stainless Steel, Rubber
Dimensions2.7 x 2.1 x 1.8" / 68.5 x 54 x 46.5 mm
Weight4.1 oz / 115 g
Packaging Info
Package Weight0.38 lb
Box Dimensions (LxWxH)4.7 x 4 x 1.8"

Tilta Full Camera Cage for Blackmagic Design Pocket Cinema Camera 4K/6K (Tilta Gray) Specs

Mounting
Battery Plate TypeNone
Accessory MountingMultiple x 1/4"-20 Thread, Multiple x 3/8"-16 Thread
Camera Mounting1/4"-20 Screw
Shoe MountingTop: 3 x Cold Shoe
RosettesNone
General
Support TypeCage
Grip TypeNone
Camera CompatibilityBlackmagic Pocket Cinema Camera 4K, Blackmagic Pocket Cinema Camera 6K
MaterialsAluminum, Steel
DimensionsNot Specified by Manufacturer
Weight12.1 oz / 342.9 g
Packaging Info
Package Weight0.985 lb
Box Dimensions (LxWxH)9.15 x 6 x 3.45"

Comica Audio BoomX-D D1 Ultracompact Digital Wireless Microphone System for Mirrorless/DSLR Cameras (2.4 GHz) Specs

System
Wireless TechnologyDigital 2.4 GHz
Included Transmitters1 x Clip-On with Microphone
DiversityNon-Diversity
RF Frequency Band 2400 to 2483.5 MHz
RF Channel ScanningAuto-Scan
Max Operating Range164' / 50 m (Line of Sight)
Max Transmitters per Band2
Sample Rate/Resolution48 kHz / 16-Bit
Latency< 20 ms (Maximum)
Receiver
Receiver TypeCamera-Mount
Mounting OptionsBelt Clip, Shoe-Mount (with Included Hardware)
Antenna1 x Internal
Number of Audio Channels2
Audio I/O1 x 1/8" / 3.5 mm TRS Female Unbalanced Mic Output
1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
Gain Range0 to 12 dB
USB/Lightning Connectivity1 x USB Type-C (Bus Power, Charging)
Approximate RF Sensitivity-86 dBm
RF Output Power10 mW
Power RequirementsBattery
Battery Type1 x Built-In Rechargeable
Internal Battery Capacity300 mAh
Approx. Battery Life5 Hours (Lithium Rechargeable)
Display & Indicators1 x LCD (AF Level, Battery Status, Output Level)
HousingPlastic
Operating Temperature32 to 122°F / 0 to 50°C
Dimensions1.5 x 0.9 x 2.2" / 39 x 22 x 55 mm
Weight1 oz / 29 g
Transmitter
Transmitter TypeClip-On with Microphone
RF Output Power10 mW
Audio I/O1 x 1/8" / 3.5 mm TRS Female Unbalanced Input
MutingOff/On Switch
Auto-Level ControlNo
Frequency Response80 Hz to 20 kHz
Antenna1 x Internal
Approximate RF Sensitivity-86 dBm
Power RequirementsBattery, Bus Power (USB)
Battery Type1 x Built-In Rechargeable
Internal Battery Capacity300 mAh
Approx. Battery Life5 Hours (Lithium Rechargeable)
USB/Lightning Connectivity1 x USB-C (Bus Power, Charging)
Display & Indicators1 x LCD (Audio Level, Battery Status, Mute, Signal Strength)
HousingPlastic
Operating Temperature32 to 122°F / 0 to 50°C
Dimensions1.5 x 0.9 x 2.2" / 39 x 22 x 55 mm
Weight1 oz / 29 g
Microphone
Microphone TypeIntegrated
Sound FieldMono
Polar PatternOmnidirectional
Microphone 2
Microphone TypeLavalier
Sound FieldMono
Polar PatternOmnidirectional
Output Connectors1 x 1/8" / 3.5 mm TRS Male Unbalanced
Packaging Info
Package Weight0.715 lb
Box Dimensions (LxWxH)5.4 x 4.3 x 2.7"

Ocean Video GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras Specs

Electrical
MaterialsRubberized Elastomer, Rare-Earth Magnets
Dimensions12 x 4 x 0.2" / 30.48 x 10.16 x 0.51 cm
Packaging Info
Package Weight0.18 lb
Box Dimensions (LxWxH)6.75 x 4.75 x 1"

Pocket Cinema Camera 4K Kit with 12-35mm Zoom, 512GB SSD, Cage & Mic Reviews

amazing camera...

By marcel
Rated 5 out of 5
Date: 2022-07-12

This camera is everything it's hyped up to be. low light BRAW quality is amazing. Even at 12:1 compression!! THE TOUCH SCREEN IS SOO EASY TO USE!

Best budget camera

By Nicole
Rated 5 out of 5
Date: 2022-05-30

Worked with this camera for years now and I always come back to it. Perfect camera for the price.

I'm thinking it's niche

By Chris
Rated 4 out of 5
Date: 2022-03-14

My professional experience with the BMPCC 4k has been filming interviews and it's exceptional for that. Most of my work has been indoors though and has power nearby to run off of, just in case. The build quality of the camera is pretty good and I love that it's compact and user friendly. The sensor is where it shines and shooting in RAW has been excellent - it appears to be a significant step up from shooting on my Nikon D750 raw via a Ninja. The on board mini xlr is a plus though the internal gain can be a bit noisy and sometimes needs to run on batteries to eliminate the electronic noise picked up over the Lav. The monitor doesn't articulate or match the quality of the video being recorded, which makes me want to invest in a second monitor - but haven't. The batteries are small and last about 30 minutes, so it's important to carry a lot of batteries or get a power bank. My recommendation is to get a quality MFT lens - start with the Olympus 12-40mm f2.8 pro, there's a reason everyone recommends it. My experience with the Metabones XL .64x for Nikon is poor. It seriously degrades the quality of my Nikon glass, with significant chromatic aberration, soft comers and an off axis focal plane! I've heard it could be a quality control issue but I haven't tested other lens adapters. Besides, for only a few hundred dollars more you can buy the Olympus zoom instead of the speedbooster. The BMPCC 4k is excellent for the cost but expect to pay $500-$1000 more on batteries, an additional monitor and an MFT lens(es). Another thought is if you've got a great camera that outputs RAW over HDMI and invested in great lenses already, consider getting an external recorder monitor instead - you'll know if you need to have a BMPCC 4k. Try one out first. P.S. the BMPCC 4k does not have any internal image stabilization and it's auto focus is very simple, no focus tracking or servo. It's pretty bare bones - all about the quality of it's sensor and it's recording formats.

Pretty Good for the Price

By Giovanni
Rated 4 out of 5
Date: 2022-02-23

If you want to get serious about videography but don't want to fork over couple of grand this is a good starting point. Having said that, I wish I spent the extra $700 on the 6k version. Unless you got some MFT lens already, I'd say it's not worth getting this version. Pros - Price is great for what you're getting - Good picture quality - Easy to use - Well built - Shoots in RAW which makes a HUGE difference when grading - Comes with Resolve Studio Cons - Terrible battery life. If you are shooting outside, bring A LOT of batteries with you. - Having to get a MFT adapter can be a pain and costly. - You'll need to spend a few hundred more to take this camera to the next level.

Good camera, good value, two flaws that should be addressed

By Owen
Rated 3 out of 5
Date: 2022-02-22

My main purpose in this purchase was a good camera to attach to my ATEM Mini Pro. This camera is very good for that. But I also want to use this for outdoor run and gun situations where mobility is key, including the ability to literally run (for example, to film wildcat marches). In many ways, the camera suits that second purpose - ability to mount an XLR mic, the fact that the camera body is lightweight. But there are two issues that BlackMagic should have addressed by now in a hardware update of this model: 1) The screen is not very bright, and has a reflective surface, making it very difficult to use this camera outdoors on a bright day. (Mounting a SmallRig hood partially mitigates this issue.) 2) The camera accommodates a tiny battery that lasts only 30-40 minutes.

Amazing

By Quincy
Rated 5 out of 5
Date: 2022-02-19

I'm a film student at Howard University and I bought these saving up a lot of money and I 100% don't regret it. I've made short films, music videos etc.

Great Camera low battery life

By Richard
Rated 4 out of 5
Date: 2022-07-05

I love this camera. This is a perfect camera for beginners with cinema cameras. You will definitely need more batteries or a battery grip. Looks amazing for the price.

I can't control the focus and iris of my BMPCC 4K

By Darwin
Rated 1 out of 5
Date: 2022-06-29

I write from Peru, very decpcionado because the purchase of my first camera black magic 4k has a problem of focus and iris with native lenses mft of panasonic, I have read that more people have also happened the same problem, and unfortunately, a friend brought me the camera from NY to PERU, and I do not know what to do to resort to some type of guarantee. Please if you could help me, preferably if I could solve this here from Peru. Thank you.

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