The comprehensive Blackmagic Design Pocket Cinema Camera 4K Kit with 12-35mm Zoom from B&H will get you out the door and capturing 4K video in no time. Perfect for students, teachers, and independent creators alike, this kit includes the BMPCC 4K camera, a 12-35mm zoom lens (24-70mm 35mm equivalent), a protective full cage, a wireless mic system, a variable ND filter, a glare guard for the camera's LCD screen, a 512GB SSD with a holder, two 128GB SD cards, and two LP-E6N batteries with a dual charger.
The Blackmagic Design Pocket Cinema Camera 4K features a 4/3" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, and more.
The Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.
Record using the internal CFast 2.0 and SD/UHS-II card slots or employ the USB Type-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5" touchscreen LCD reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or baking in your look when you're ready to commit.
Audio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.
The Watson LP-E6NH Lithium-Ion Battery Pack works with most cameras and camcorders that use the Canon LP-E6NH, LP-E6N, or LP-E6. This replacement battery pack has a 2250mAh capacity, 7.2V of output power, and 16.2 watt-hours. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effect.
- EOS 5D Mk IV
- EOS 5D Mk III
- EOS 5D Mk II
- EOS 5D
- EOS 5Ds R
- EOS 5Ds
- EOS 6D Mk II
- EOS 6D
- EOS 7D Mk II
- EOS 7D
- EOS R6
- EOS R5
- EOS R
- EOS Ra
- EOS 90D
- EOS 80D
- EOS 70D
- EOS 60Da
- EOS 60D
- XC15 4K UHD Camcorder
- XC10 4K Professional Camcorder
Simultaneously charge two Canon LP-E6N & LP-E6NH batteries from USB or AC power sources with the Watson Mini Duo Charger. Thanks to its two independent bays, the Mini Duo Charger allows you to charge one battery or two spares at the same time. The onboard LCD screen clearly shows the charging status of each battery. A micro-USB cable and a USB power adapter are included for versatile charging options.
NOTE: This charger is compatible with third party versions of the LP-E6NH but is NOT compatible with the Canon brand LP-E6NH battery.
The 128GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.
UHS-II cards achieve their speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantee minimum write speeds of 10 MB/s.
To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Image Rescue software that is designed to recover most photo and video files.
A versatile zoom covering wide-angle to portrait-length perspectives, the Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens from Panasonic is designed for Micro Four Thirds cameras, where it provides a convenient 24-70mm equivalent focal length range. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. The sophisticated optical design employs a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for sharp, clean image quality and a Nano Surface Coating has also been applied to reduce ghosting and flare. A POWER Optical Image Stabilizer minimizes the appearance of camera shake to suit handheld shooting, and this O.I.S. system is also compatible with Dual I.S. for enhanced stabilization performance. Additionally, the lens also features a durable all-metal housing that is dust, splash, and freezeproof to enable its use in harsh climates.
The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 - 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want - a real time and money saver.
Simply mount the filter on your lens, set it to "Min" density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn't, switch to manual focus and rotate to the desired degree of filtration.
For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to "Min", you change the shutter speed to 1/125 at the same aperture - thereby losing 2 stops of speed while gaining a hint of "blur" in the image. If that's not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.
A Neutral Density filter is used to create some unusual special effects such as capturing the "blur" of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.
The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.
Firmly secure your SSD on your camera or camera cage using this Universal Holder for External SSD from SmallRig. This holder features a spring-loaded clamp that adjusts to fit a variety of SSDs such as the Samsung T7, and a soft rubber interior to prevent scratches.
Designed for use with cameras that can output to SSD such as the Blackmagic Cinema Camera 6K/4K or Z CAM E2, the compact holder mounts on your camera using the included 1/4"-20 screws or its removable shoe mount. Constructed of stainless steel and aluminum, the SSD holder includes a USB Type-C cable clamp to protect the cable from pulling.
- Angelbird SSD2GO PKT
- G-Technology G-DRIVE Mobile SSD
- Glyph Atom SSD
- SanDisk 1T SSD
- Samsung T7 SSD
- SSD drives from 1.5 to 2.4" wide and 0.2 to 0.6" thick
- Cameras that output to SSD such as BMPCC 6K/4K and Z CAM E2
The Tilta gray Tilta Full Camera Cage for Blackmagic Design Pocket Cinema Camera 4K/6K is a multipart, formfitting cage that you assemble to protect your Blackmagic Pocket Cinema Camera, either the 4K or 6K version. Once the cage is assembled, it holds your camera securely via attachment points at the top and bottom.
This cage features multiple 1/4"-20 and 3/8"-16 threaded mounting holes for accessories. Three cold shoes also allow the mounting of accessories, providing a sturdy frame that won't stress your camera's body. The bottom plate features multiple mounting holes for attaching to a tripod or gimbal. The multiple holes allow you to fine-tune the balance for working with gimbals.
Designed for mobile journalists, videographers, and vloggers, the Comica BoomX-D D1 is an ultracompact, true wireless digital microphone system with one microphone and a dual-channel receiver that can also be used to receive a second microphone (available separately). It offers a complete solution for recording dialogue, interviews, and speech with one person talking—directly to a mirrorless/DSLR camera or a mobile device.
The ultralightweight BoomX-D D1 consists of an ultracompact clip-on transmitter with its own built-in omnidirectional microphone and a separate lavalier microphone. It also comes with a tiny receiver that mounts on and plugs directly into your camera. Additionally, the included TRRS output cable gives you the option to plug the receiver into any smartphone equipped with a headphone jack.
The system delivers reliable transmission with a clear sound at a distance up to 164'. The built-in rechargeable batteries provide up to 5 hours of operation. Versatile and extremely easy to use with simple controls, the BoomX-D D1 is well suited for content creators of any experience level.
- The receiver features a belt clip, which also doubles as a shoemount adapter for your camera.
- In the absence of a smartphone holder, the receiver can also be clamped to your smartphone using the belt clip.
- The transmitter is equipped with a built-in microphone and a 3.5mm mic input that accepts the included lavalier microphone.
- For a truly wireless experience, the transmitter can be clipped on clothing without having to wire yourself or your talent. You can also hold the transmitter in your hand and use it as a handheld microphone.
- The On/Off switch doubles as a mute button.
- For a more discreet setup, use the small lavalier microphone, which can be easily concealed away from the camera's eye.
- This plug-and-play system is easy to use. It comes pre-paired at the factory; connect it to your camera, turn it On, and you're ready to start recording.
- Dedicated gain button on the receiver allows quick and effortless adjustment of the microphone volume.
- The receiver and the transmitter have a display that shows signal strength, audio level, mono/stereo configuration, and battery life.
- The transmitter and the receiver are powered via a built-in lithium-ion rechargeable battery. They can also be powered via USB, even while in use, giving you near unlimited operating time.
- If your camera doesn’t have a headphone jack, you can monitor your sound via the receiver’s 3.5mm headphone output while recording to ensure that you are capturing a clean signal.
- If you need to expand your system with a second microphone, the two-channel receiver allows you to save space on your shooting rig by using a single receiver to simultaneously receive signals from two mic/transmitters.
- You have the option to switch between mono or stereo on the receiver: Recording in mono combines both microphones on both the left and right side of your audio track. Recording in stereo puts one person on the left and the other person on the right, allowing you to isolate each person's dialog and adjust each level individually later in post.
- Whereas typical analog wireless systems are susceptible to interference from TV and radio waves, the BoomX-D digital system avoids that by operating in the 2.4 GHz frequency band, which occupies frequencies beyond those of television, radio transmissions, and UHF wireless microphone systems.
- The system automatic changes transmission frequency to mitigate noise and dropouts at a line-of-sight distance of up to 164 feet. For optimal performance, environments with limited Wi-Fi/2.4 GHz traffic and minimal physical obstructions are recommended.
Glare from direct sun, or even an overcast day, can obscure the details and make viewing your camera's viewscreen difficult, which is why the GlareGuard 5" Video Hood for BMPCC 4K, 6K & 6K Pro Cameras from Ocean Video is such a valuable tool. Designed specifically to mount on your camera, the GlareGuard magnetically attaches to your camera and folds for storage.
The durable yet flexible material folds flat to protect your screen when not in use, and it unfolds to provide shade for your viewing screen when you need it. Rare-earth magnets hold the GlareGuard in place securely yet allow you to remove it when necessary. An included lanyard safety is provided, allowing you to tether the hood to your camera and prevent the GlareGuard from falling to the ground if accidentally dropped or knocked off.