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RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF)

BH #REKOMB • MFR #710-0333
RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera (Canon RF)
Key Features
  • 19.9MP Super35 Global Shutter CMOS
  • Compact, 2.1 lb All-in-One Design
  • Canon RF Lens & ARRI CFast 2.0 Support
  • 16+ Stops Dynamic Range
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.
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RED DIGITAL CINEMA Komodo RF-Mount Overview

  • 1Description
  • 2Firmware Update v.1.5.5
  • 36K S35 Sensor
  • 4Global Shutter
  • 5Compact Form, Versatile Power
  • 6CFast Recording
  • 7REDCODE RAW
  • 8REDCODE Options
  • 9Apple ProRes Formats
  • 10Color Management
  • 11Touchscreen Display
By B&H Photo's

RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.

Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.

The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.

A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.

Getting back to image quality, the KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.

Being a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock/timecode/GPIO/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots, which can be hot-swapped for practically unlimited recording in the field.

The RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.

Firmware Update v.1.5.5

  • Fixed playback stuttering at high frame rates, German SLA causing a camera shutdown, and RFB raw metering in 6K full frame
  • Improved LCD sync issues in playback with anamorphic formats
  • Improved general stability

6K S35 Sensor

6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160

Global Shutter

The KOMODO 6K's global shutter produces crisp images while reducing motion artifacts

Compact Form, Versatile Power

Weighing just over 2 lb, the KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply

CFast Recording

Capture at rates up to 280 MB/s on RED PRO or qualified third-party CFast 2.0 cards

REDCODE RAW

The robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time

REDCODE Options

  • HQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion
  • MQ is great for cinema and high-end TV projects
  • LQ is ideal for TV, online content, documentaries, interviews, and long takes

Apple ProRes Formats

For proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K)

Color Management

Supports 3D LUTs and RED color science

Touchscreen Display

Integrated 2.9" touchscreen LCD screen for video preview and camera control
UPC: 810016941491

RED DIGITAL CINEMA Komodo RF-Mount Specs

Imaging
Lens MountCanon RF
Included Lens Mount AdapterCanon EF
Lens CommunicationYes, with Autofocus Support
Sensor ResolutionEffective: 19.9 Megapixel (6144 x 3240)
Sensor Type27.03 x 14.26 mm (Super35) CMOS
Image StabilizationNone
Built-In ND FilterNone
Exposure Control
Shutter TypeElectronic Global Shutter
Advertised Dynamic Range16 Stops
Internal Video Capture
Raw RecordingREDCODE RAW
6144 x 3240 up to 40 fps [280 MB/s]
5120 x 2700 up to 48 fps [280 MB/s]
4096 x 2160 up to 60 fps [280 MB/s]
2048 x 1080 up to 119.88 fps [280 MB/s]
Recording ModesProRes 422/ProRes 422 HQ
4096 x 2160 up to 59.94p
ProRes 422
2048 x 1080 up to 119.88p
Sensor Crop While Recording5K (5120 x 2700) in 17:9 When Recording in Raw
4K (4096 x 2160) in 17:9 When Recording in Raw
2K (2048 x 1080) in 17:9 When Recording in Raw
Built-In Microphone TypeStereo
Audio Recording2-Channel 24-Bit 48 kHz
External Video Capture
External Recording Modes4:2:2 10-Bit via SDI/BNC
4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
3840 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
2048 x 1080 at 23.98p/24.00p/25p/29.97p/50p/59.94p
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50p/59.94p
IP StreamingNone
Interface
Media/Memory Card SlotSingle Slot: CFast (CFast 2.0)
Video I/O1 x BNC (12G-SDI) Monitor Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O1 x LEMO 2-Pin (7 to 17 VDC) Input
Other I/O1 x 9-Pin (GPI, Genlock, RS-232, Timecode)
Wireless2.4 / 5 GHz Wi-Fi 5 (802.11ac) Video Output, Control
Monitor
Size2.9"
Resolution1440 x 1440
Display TypeFixed Touchscreen LCD
Viewfinder
TypeOptional, Not Included
General
Battery TypeCanon BP-9 Series
Power Consumption45 W
Tripod Mounting Thread1/4"-20 Female (Bottom)
3/8"-16 Female (Bottom)
Netflix ApprovedYes
Material of ConstructionAluminum
Dimensions (W x H x D)4 x 4 x 4" / 10.2 x 10.2 x 10.2 cm
Weight2.1 lb / 1 kg
Packaging Info
Package Weight4.9 lb
Box Dimensions (LxWxH)12 x 8.6 x 5.7"

RED DIGITAL CINEMA Komodo RF-Mount Reviews

Better than expected

By Richard
Rated 5 out of 5
Date: 2022-04-25

I thought this camera was going to be really good but it still impressed me. The picture quality is amazing and the traffic light system is amazingly easy to get used to. Editing RED raw is pretty easy and I have no issues at all on my M1 max MacBook Pro. I was surprised how usable the autofocus is with EF lenses and I use the Canon EF to RF adapter with ND to control exposure. The down sides are as expected in startup time, audio quality, black shading but in the end it's worth it for the image quality. I still grab my C70 for quick run and gun but for a thought out project with the highest quality image I'll use the Komodo with my Sound Designs MixPre 3 MK II and I'm happy with the results. I'm using the 7 Atomos Shinobi monitor with both cameras and absolutely love it.

Malfunctioned outdoors in the cold

By Dipanka
Rated 3 out of 5
Date: 2022-02-08

I traveled to videograph Snowy Owls in the wild at -16 C (around 3F) in Ontario, Canada. The camera would not record (error writing to media card) and prompted me to secure format the card. After formatting 2 times, and calibrating the camera 2 times in the cold, it recorded short periods erratically. It randomly stopped recording after a few seconds. The trip was a disaster. I bought the camera after reading media reports that it has been tested in extremely harsh winter conditions by Matt Tremblay from RED. However it is always prudent to read the fine print and not rely on media reports or advertisements. RED support informed me that the recommended operating range is only 0 -40 C (32 - 104 F). Which means the Komodo would be pretty much useless outdoors all through the Canadian winter. Something to consider before you buy if you ever wish to shoot in cold weather.

Magical

By Anthony
Rated 5 out of 5
Date: 2022-01-25

The Red Komodo was sculpted by God himself. The first time I shot in Red Raw was like listening to the Beatles for the first time. It was well worth the wait! 10/10 would recommend this beauty.

It finally arrived

By Brent
Rated 5 out of 5
Date: 2021-12-30

After waiting 3 months for my Komodo I was excited when it finally came and I have to say the wait was well worth it. The size and weight are fantastic for such a powerful camera and I love the easy to use menus. But the best part of this camera is the amazing images. I can't believe what I am able to shoot for the price. It is a giant leap forward in cameras.

Brief review of the RED Komodo 6K

By Martin
Rated 5 out of 5
Date: 2021-12-02

Pros: Image quality, post-production workflow, build, easy menu, wireless options, and exceptional RED customer service. Cons: Considerable components are needed to make it shoot-ready, not ideal for shoots requiring audio. We tested the Komodo alongside a Sony FX6. The Komodo produced a better image and featured a better build than the FX6. We are not sure what Sony was thinking when they designed the FX6 viewfinder system which is quite flimsy. By comparison, the Komodo and RED components feel tougher and more industrial. We added the RED outrigger handle and a PortKeys display as well as Core SWX batteries. The camera features an RF mount which is Canon's version of the Sony E-mount. This allows a lot of flexibility with lenses. A Canon RF-EF adapter comes with the camera but there are several RF-PL adapters available as well. Overall, pleased with the system. Something not talked about as much as it should be is the exceptional customer service RED offers. Ask them any question and they will respond quickly with a solution. They are well-trained and compassionate about their brand.

In LOVE with RED KOMODO

By Olayinka
Rated 5 out of 5
Date: 2021-11-12

One of the best Super35

Awesome camera

By Jamale
Rated 5 out of 5
Date: 2022-04-24

The video which comes out of it is simply amazing to look at. Worth it.

RED all the way

By Chase
Rated 5 out of 5
Date: 2022-02-21

Love the small form factor of this camera. The image pairs well with my RED Epic Dragon. I have been using RED cameras for 10 years now and absolutely recommend to anyone wanting durability, versatility and quality.

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YOUR RECENTLY VIEWED ITEMS

Does the Komodo have variable frame rates? I ...

Does the Komodo have variable frame rates? I havne't seen it in any video.
Asked by: Lorenzo
Yes, the RED Komodo has variable frame rates. Depending on the resolution you are shooting in will depend on what frame rates you can select.
Answered by: Peterm
Date published: 2022-02-14

how much card slots are there?

how much card slots are there?
Asked by: Zachariah
Single Slot: CFast (CFast 2.0)
Answered by: hectorm
Date published: 2022-01-09

Does this camera have anamorphic support?

Does this camera have anamorphic support?
Asked by: Maxwell
Not yet
Answered by: German
Date published: 2021-03-31

I see that it records ProRes HQ 4096 x 2160p up ...

I see that it records ProRes HQ 4096 x 2160p up to 60 fps, but can it also record 1920x1080 ProRes HQ internally?
Asked by: Richard
The lowest ProRes resolution you will be able to record is 2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps.
Answered by: Nicholas
Date published: 2021-03-23

What is the native ISO and ISO range of the ...

What is the native ISO and ISO range of the Komodo?
Asked by: Greg
The base ISO is 800.
Answered by: Greg
Date published: 2021-08-13

Can the Convergent Design Odyssey 7Q+ monitor / ...

Can the Convergent Design Odyssey 7Q+ monitor / Recorder work with the Red Komodo?
Asked by: Clyde
Yes, The SDI output of the RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera would send a 1080p signal that could be used with any display that supports SDI input like the Odyssey 7Q+. As for recording it would work. But only at 1080p and no RAW support.
Answered by: Chris H
Date published: 2022-02-16

Does the lens mount adapter included with the ...

Does the lens mount adapter included with the body-only configuration support electronic control and lens metadata? Will it work with (EF mount) Zeiss CPs or Xeen Cines?
Asked by: Jay
The RED DIGITAL CINEMA KOMODO 6K Digital Cinema Camera comes with Canon RF mount. And to mount EF lenses please add this adapter that will communicate with EF lenses. https://bhpho.to/3qSL49f
Answered by: Chris H
Date published: 2022-01-05

can I sync with external recorder via time code?

can I sync with external recorder via time code?
Asked by: Peter
you will need the RED DIGITAL CINEMA KOMODO Expander Module for external time code synch
Answered by: Sean
Date published: 2020-12-14
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