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Panasonic Lumix S5 Mirrorless Camera with Cine Kit

BH #PADCS5CRK (B&H Kit)
Panasonic
Panasonic Lumix S5 Mirrorless Camera with Cine Kit
Key Features
  • Atomos Ninja V 5" 4K Recording Monitor
  • Monitor Power Kit
  • Monitor Mount
  • HDMI Cable
Assembled for the aspiring filmmaker, the Panasonic Lumx S5 Mirrorless Camera with Cine Kit from B&H bundles the versatile full-frame mirrorless body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and an HDMI cable.

Panasonic DC-S5 Overview

  • 1Description
  • 2Panasonic Lumix S5 Mirrorless Camera
  • 3Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 4Atomos Power Kit v2
  • 5Atomos AtomX 5 and 7" Monitor Mount
  • 6ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")

Assembled for the aspiring filmmaker, the Panasonic Lumx S5 Mirrorless Camera with Cine Kit from B&H bundles the versatile full-frame mirrorless body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and an HDMI cable.

Panasonic Lumix S5 Mirrorless Camera

Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.

In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.

24.2MP Full-Frame CMOS Sensor and Venus Engine

Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes.

UHD 4K HDR Video Recording

In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.

Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.

Body Design

  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.
  • Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.
  • Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments.
  • Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
  • DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on.
  • High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec.

Sensor-Shift Image Stabilization

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.

DFD Autofocus System

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

6K and 4K PHOTO

Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Bluetooth and Wi-Fi

Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.

Other Camera Features

  • By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.

Firmware Version 2.3

Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.
UPC: 885170426290

Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5" Daylight Viewable Screen

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

  • Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
  • Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility 

Bright 5" Display with AtomHDR

  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3

HDR Recording (Gamut)

  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600 
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3

HDR Monitoring (Gamma)

  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
  • Sony SLog2, SLog3

HDR Monitoring (Gamut)

  • ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
  • BT.2020
  • Canon Cinema
  • DCI-P3, DCI-P3+ 
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Firmware Update 10.61

Time-Lapse

Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:

  • Number of frames/seconds captured
  • Intervals between frames/seconds/minutes/hours
  • Duration of sequence in frames/seconds/minutes/hours

Compatibility Mode for HDMI and SDI Inputs

Increases stability of input/output locking for 12G-SDI
Improves signal locking from select cameras including:

  • Z CAM
  • Canon EOS 1D X Mk II on 4Kp50/60 video

Monitior Leica L-Log Gamma in BT2020 Gamut

  • Supports Leica SL 25 only
  • Support for other models available in future updates
UPC: 814164021074

Atomos Power Kit v2

The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.

UPC: 814164022101

Atomos AtomX 5 and 7" Monitor Mount

Mount your monitor with the AtomX 5 and 7" Monitor Mount from Atomos. The mount is compatible with the Atomos Shinobi, Ninja V, Flame, and Inferno series. It features a quick release plate, as well as 360° pan and 180° tilt functionality.

UPC: 814164021296

ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")

Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin Ultra-High Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback.

Supports DCI 4K @ 60 Hz

Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.

Perfect for Mirrorless Cameras

Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.

HDR: Color the Way it Was Intended

Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.

Secure Type-A Connection

Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.

Hyper-Thin with No Compromise

The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
UPC: 743815949644

Panasonic Lumix S5 Mirrorless Camera Specs

Imaging
Lens MountLeica L
Sensor Type35.6 x 23.8 mm (Full-Frame) CMOS
Sensor ResolutionActual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Crop FactorNone
Aspect Ratio1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File FormatJPEG, Raw
Bit Depth14-Bit
Image StabilizationSensor-Shift, 5-Axis
Exposure Control
ISO SensitivityAuto, 100 to 51200 (Extended: 50 to 204800)
Shutter SpeedMechanical Shutter
1/8000 to 60 Second
0 to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Second
0 to 30 Minute
Electronic Shutter
1/8000 to 60 Second
0 to 60 Second in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Metering MethodCenter-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
Metering Range0 to 18 EV
White BalanceAuto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Continuous ShootingMechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Up to 30 fps at 8 MP
Interval RecordingYes
Self-Timer2/10-Second Delay
Video
Recording ModesH.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/25p/29.97p [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [100 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/25p/29.97p/50p [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 50p [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p/179.82p [20 to 28 Mb/s]
External Recording Modes4:2:2 10-Bit via
UHD 4K (3840 x 2160) up to 50p/59.94p
Recording LimitUp to 30 Minutes for UHD 4K (3840 x 2160) at 23.976p/25p/29.97p (4:2:2 10-Bit)
Up to 30 Minutes for UHD 4K (3840 x 2160) at 50p/59.94p (4:2:0 10-Bit)
Unlimited for UHD 4K (3840 x 2160) at 23.976p/25p/29.97p (4:2:0 8-Bit)
Video SystemNTSC/PAL
Audio RecordingBuilt-In Microphone (Stereo)
External Microphone Input
Audio File FormatAAC, Linear PCM
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus PointsContrast Detection: 225
Autofocus Sensitivity-6 to +20 EV
Viewfinder
TypeBuilt-In Electronic (OLED)
Resolution2,360,000 Dot
Eye Point20 mm
Coverage100%
MagnificationApprox. 0.74x
Diopter Adjustment-4 to +4
Monitor
Size3.0"
Resolution1,840,000 Dot
Display TypeArticulating Touchscreen LCD
Flash
Built-In FlashNo
Flash ModesAuto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3 EV Steps)
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe
Interface
Media/Memory Card SlotSlot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
ConnectivityUSB Type-C (USB 3.1), HDMI D (Micro), 3.5mm Microphone, 3.5mm Headphone, 2.5mm Sub-Mini
WirelessBluetooth
Wi-Fi
GPSNo
Environmental
Operating Temperature32 to 104°F / 0 to 40°C
Operating Humidity10 to 80%
Physical
Battery Type1 x DMW-BLK22 Rechargeable Lithium-Ion, 2200 VDC, 7.2 mAh (Approx. 440 Shots)
Dimensions (W x H x D)5.22 x 3.82 x 3.22" / 132.6 x 97.1 x 81.9 mm
Weight1.57 lb / 714 g (Body with Battery and Memory)
1.39 lb / 630 g (Body Only)
Packaging Info
Package Weight3.1 lb
Box Dimensions (LxWxH)7.5 x 6 x 5.75"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Display
Panel TypeIPS-Type LCD
Display Size5.0" / 12.7 cm
Resolution1920 x 1080
Aspect Ratio16:9
TouchscreenYes
Maximum Brightness1000 cd/m2
Bit Depth / Color Support8-Bit+FRC (1.07 Billion Colors)
Pixels Per Inch (ppi)423 ppi
Color Gamut100% Rec. 709
Real-Time LUT MonitoringSDR
Image ControlsAnamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
I/O
Video1 x HDMI Type A (HDMI 2.0) Input
1 x HDMI Type A (HDMI 2.0) Output
Embedded AudioHDMI: 2-Channel
HDMI: 8-Channel
Audio1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In SpeakerNone
Power1 x D-Tap Input
Other I/O1 x LANC (2.5 mm)
Wi-FiNone
Format Support
Video FormatHDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma CurveRec709
Video Signal ConversionHDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion2:2, 3:2
Camera TriggerHDMI
Pre-Roll Record4K: 2 Seconds
Full HD: 8 Seconds
Encoding FormatsUp to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks12
Metadata Tagging10
Power
DC Input Power6.2 to 16.8 VDC
Battery Type1 x L-Series
Power Consumption10 W (Typical)
22 W (Maximum)
Mounting
Mounting2 x 3/8"-16 Female
Environmental
Operating Temperature104°F / 40°C
General
Material of ConstructionAluminum, Polycarbonate
Dimensions5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight12.7 oz / 360 g
Warranty LengthLimited 1-Year Warranty
Packaging Info
Package Weight2.385 lb
Box Dimensions (LxWxH)7.85 x 5.8 x 4.15"

Atomos Power Kit v2 Specs

Mount / Series TypeSony L-Series
ChemistryLithium-Ion
Amp-Hours5200 mAh
Packaging Info
Package Weight1.865 lb
Box Dimensions (LxWxH)6.9 x 4.4 x 3.8"

Atomos AtomX 5 and 7" Monitor Mount Specs

Physical
CompatibilityAtomos Shinobi, Ninja V, Flame, and Inferno Series
Pan360°
Tilt180°
Packaging Info
Package Weight0.28 lb
Box Dimensions (LxWxH)4.1 x 3.9 x 2.15"

ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7") Specs

General
Connector 11 x Micro-HDMI Male
Connector 21 x HDMI Male
Cable Length17.7" / 45 cm
HDMI Version2.0b
HDCP SupportVersion 2.2
Outer Diameter0.138" / 3.5 mm
Connector PlatingGold
Weight0.56 oz / 16 g
Electrical
Maximum Resolution Support4096 x 2160 at 60 Hz
Bandwidth18 Gbps
ComplianceHDCP
Environmental
Packaging Info
Package Weight0.23 lb
Box Dimensions (LxWxH)6.1 x 3.1 x 1.6"
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From your experience of external recording, how long can the camera stay on before having the concern of overheating? Thanks.
Asked by: Steve K
Hi Steve! A symbol will appear on the screen if the camera has overheated. -A
Answered by: Panasonic Team
Date published: 2021-11-17

Is the Sony clear image zoom so magical that ...

Is the Sony clear image zoom so magical that Panasonic and other manufacturers cannot come up with a comparable system?
Asked by: Denis
While it may be unfortunate that the Panasonic camera do not have Clear Image Zoom like the Sony. They do have a lot of strengths in other areas that make them very worth their while. The S5 does have a pretty good digital zoom.
Answered by: Stephen
Date published: 2021-03-02

what cable is required to record raw from S5 to ...

what cable is required to record raw from S5 to ninja v?
Asked by: Vincent
We would be more than happy to look into it further. Please contact our Customer Service Team via Live Chat on the Panasonic Website, Contact Us option, Mon-Fri, 9am-5pm EST. -M
Answered by: Panasonic Team
Date published: 2021-09-13

What about micro HDMI?? This is so fragile...

What about micro HDMI?? This is so fragile...
Asked by: mateo
The micro HDMI is an epic fail on Panasonic's part. I've had 2 of them fail on Panasonic GH3 and GH4 cameras, and another one fail on a Tascam recorder. The micro HDMI on the S5 is a total deal breaker for me.
Answered by: David
Date published: 2021-03-22

Can you auto bracket one click your favorite art ...

Can you auto bracket one click your favorite art filters the way you can on Olympus?
Asked by: Tim
Thank you for reaching out. This particular model does not have this function available.
Answered by: Panasonic Team
Date published: 2020-12-30

Does the DMW XLR 1 work with the S5?

Does the DMW XLR 1 work with the S5?
Asked by: Sam
It will not. The DMW XLR is specifically for the Panasonic GH-5.
Answered by: Luis L
Date published: 2021-02-14

Is segmented file recording an option?

Is segmented file recording an option?
Asked by: Ad
Yes, segmented file recording is available: http://help.panasonic.ca/viewing/ALL/DC-S1HP/OI/dvqp2021za/dvqp2021za.pdf#322
Answered by: Panasonic Team
Date published: 2020-09-09

Can you take high res photos 96meg in raw and ...

Can you take high res photos 96meg in raw and jpeg?
Asked by: Jeffrey
Yes
Answered by: Panasonic Team
Date published: 2021-08-19
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