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Assembled for the aspiring filmmaker, the Panasonic Lumx S5 Mirrorless Camera with Cine Kit from B&H bundles the versatile full-frame mirrorless body with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, and an HDMI cable.
Panasonic Lumix S5 Mirrorless Camera
Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.
In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.
24.2MP Full-Frame CMOS Sensor and Venus Engine
Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes.
UHD 4K HDR Video Recording
In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.
Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
Body Design
- Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
- High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.
- Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.
- Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments.
- Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
- A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
- DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on.
- High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec.
Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.
DFD Autofocus System
For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.
Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
6K and 4K PHOTO
Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
- Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
- Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
- Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.
Bluetooth and Wi-Fi
Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.
Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.
Other Camera Features
- By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
- HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
- In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
- Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
- Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
- Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.
Firmware Version 2.3
Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.
UPC: 885170426290
Atomos Ninja V 5" 4K HDMI Recording Monitor
The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.76 supports Apple ProRes RAW over HDMI with the Olympus OM-1 Micro Four Thirds camera.
5" Daylight Viewable Screen
The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.
Recording Codecs Including Raw over HDMI
- Record Apple ProRes and ProRes RAW with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
- Enables ProRes RAW capture with smaller, more cost-effective, mirrorless cameras
- Avid DNx compatibility enables wide camera and editing software compatibility
Bright 5" Display with AtomHDR
- Display ten+ stops of dynamic range of your camera's log image with AtomHDR
- 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
- 10-bit color processing and user calibration
- Supports custom LUTs
DSLR and Mirrorless Camera Support
Compatible with virtually any HDMI or SDI source including cameras from ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.
4K60 Capabilities
Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
SSD Recording
Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.
User Calibration
Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.
Anamorphic De-Squeeze
The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.
Selectable Markers
A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.
Game Capture
Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.
Audio Input/Output
Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.
Optional Expansion Modules
- AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
- SDI Raw activation key
- AtomX SYNC for wirelessly synced, timecoded multicamera capture
- Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.
Supported Log Formats
- ARRI Log C
- Canon C-Log, C-Log 2
- FUJIFILM F-Log
- JVC J-Log
- Nikon N-Log
- Panasonic V-Log
- RED LogFilm
- Sony SLog2, SLog3
HDR Recording (Gamut)
- ARRI Log CEI160, CEI200, CEI250, CEI320,
- ARRI LogCEI400, CEI500, CEI640, CEI800
- ARRI LogCEI1000, CEI1280, CEI1600
- Canon C-Log, C-Log 2, C-Log3
- FUJIFILM F-Log
- HLG
- JVC J-Log1
- Nikon N-Log PQ10K
- Panasonic V-Log
- RED LogFilm, RG310, RG312
- Sony SLog2, SLog3
HDR Monitoring (Gamma)
- ARRI ALEXA Wide Gamut
- BT.2020
- Canon Cinema, DCI P3, DCI P3+, BT2020
- JVC LS300
- Nikon N-Log PQ10K
- Panasonic V-Gamut
- Rec.709
- RED DRAGONcolor, DRAGONcolor2
- REDcolor2, REDcolor3, REDcolor4
- REDWideGamut
- Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
- Sony SLog2, SLog3
HDR Monitoring (Gamut)
- ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
- BT.2020
- Canon Cinema
- DCI-P3, DCI-P3+
- Panasonic V-Gamut
- Rec.709
- RED DRAGONcolor, DRAGONcolor2
- REDcolor2, REDcolor3, REDcolor4
- REDWideGamut
- Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
Firmware Update 10.76
OM-1 ProRes RAW
It supports recording of Apple ProRes RAW over HDMI with the new Olympus OM-1 Micro Four Thirds camera from OM SYSTEM. With the new AtomOS 10.76 update, the NINJA V/V+ will record 12-bit ProRes RAW video in DCI 4K at rates up to 60 fps. Support for ProRes RAW on the OM-1 requires that the camera firmware be updated to v1.1. AtomOS 10.76 is available for download at the AtomOS website.
Firmware Update 10.61
Time-Lapse
- Record a time-lapse video as a single file
- Available in ProRes, DNx, and ProRes RAW over HDMI or SDI
- Time-lapse sequence options include:
- Number of frames/seconds captured
- Intervals between frames/seconds/minutes/hours
- Duration of sequence in frames/seconds/minutes/hours
Compatibility Mode for HDMI and SDI Inputs
- Increases stability of input/output locking for 12G-SDI
- Improves signal locking from select cameras, including:
- Z CAM
- Canon EOS 1D X Mk II on 4Kp50/60 video
Monitor Leica L-Log Gamma in BT2020 Gamut
- Supports Leica SL 25 only
- Support for other models available in future updates
UPC: 814164021074
Atomos Power Kit v2
The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.
UPC: 814164022101
Atomos AtomX 5 and 7" Monitor Mount
Mount your monitor with the AtomX 5 and 7" Monitor Mount from Atomos. The mount is compatible with the Atomos Shinobi, Ninja V, Flame, and Inferno series. It features a quick release plate, as well as 360° pan and 180° tilt functionality.
UPC: 814164021296
ZILR Hyper-Thin High-Speed Micro-HDMI to HDMI Cable with Ethernet (17.7")
Connect your DCI 4K photo or video camera to your compatible monitor or display with the 17.7" ZILR Hyper-Thin Ultra-High Speed Micro-HDMI to HDMI Cable. It supports HDR10 and resolutions up to DCI 4K at 60 Hz for vibrant, ultra-high resolution playback.
Supports DCI 4K @ 60 Hz
Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.
Perfect for Mirrorless Cameras
Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.
HDR: Color the Way it Was Intended
Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.
Hyper-Thin with No Compromise
The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
UPC: 743815949644