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FUJIFILM GFX 100S Medium Format Mirrorless Camera

BH #FUGFX100S • MFR #600022058
FUJIFILM GFX 100S Medium Format Mirrorless Camera
Key Features
  • 102MP 43.8 x 32.9mm BSI CMOS Sensor
  • X-Processor 4 Image Processor
  • 4K30 Video; F-Log Gamma, 12-Bit Raw Out
  • 3.69m-Dot OLED EVF
Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.
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FUJIFILM GFX 100S Overview

  • 1Description
  • 2102MP BSI CMOS Sensor and X-Processor 4
  • 3UHD and DCI 4K Video Recording
  • 4Sensor-Shift Image Stabilization
  • 5Body Design
  • 6Hybrid Autofocus System
  • 7Other Camera Features
By B&H Photo's

Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.

At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to an ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.

Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.

102MP BSI CMOS Sensor and X-Processor 4
Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.
UHD and DCI 4K Video Recording
Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.
Sensor-Shift Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.
Body Design
  • Updated body shape is noticeably more compact and lightweight than previous GFX 100 models, making it especially well-suited for handheld shooting on location and in studio environments.
  • Magnesium alloy body construction is both lightweight and durable, and the camera system is weather sealed to render it moisture- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Fixed 3.69m-dot OLED electronic viewfinder is featured for high-resolution, 0.77x-magnification eye-level viewing.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique three-way tilting design that moves both upward and downward for shooting from high and low angles, and also tilts to the side to benefit shooting in the vertical orientation when in live view.
  • Single NP-W235 rechargeable lithium-ion battery is rated to provide approximately 460 shots per charge.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • A 1.8" sub-LCD monitor on the top plate can be used to quickly view shooting settings and exposure data.
  • Exposure mode dial on the top plate also incorporates six custom positions for quickly switching between pre-configured exposure settings.
  • Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.
Hybrid Autofocus System
The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers fast and accurate focusing performance along with low-light sensitivity down to -5.5 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.
Other Camera Features
  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including the newly introduced Nostalgic Neg. effect, along with Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Pixel-Shift Multi-Shot mode is capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
  • Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
UPC: 074101204735

FUJIFILM GFX 100S Specs

Key Specs
Lens Mount
FUJIFILM G
Sensor Resolution
Effective: 102 Megapixel (11,648 x 8736)
Image Sensor
43.8 x 32.9 mm (Medium Format) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity Range
Photo
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600)
Continuous Shooting
Mechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Internal Recording Modes
H.265/MOV 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps
Raw 12-Bit via HDMI
4096 x 2160 at 23.98/24.00/25/29.97 fps
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input
Other I/O
1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
1x PC Sync Socket Input
Wireless
Wi-Fi 4 (802.11n), Bluetooth 4.2
Display Type
3-Way Tilting Touchscreen LCD
Battery Type
1x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 460 Shots)
Imaging
Lens Mount
FUJIFILM G
Sensor Resolution
Effective: 102 Megapixel (11,648 x 8736)
Image Sensor
43.8 x 32.9 mm (Medium Format) CMOS
Sensor Crop (35mm Equivalent)
Crop Factor: 0.79x
*Additional Crop Occurs in Select Video Modes
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/16000 to 3600 Seconds
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
Photo
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600)
Metering Method
Average, Center-Weighted Average, Multi-Zone, Spot
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
White Balance
Presets: Auto, Color Temperature, Custom, Fine, Fluorescent, Incandescent, Shade, Underwater
Continuous Shooting
Mechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Still Image Capture
Image Sizes
4:3
101 MP (11,648 x 8736)
51 MP (8256 x 6192)
12 MP (4000 x 3000)
3:2
90 MP (11,648 x 7768)
45 MP (8256 x 5504)
10 MP (4000 x 2656)
16:9
76 MP (11,648 x 6552)
38 MP (8256 x 4640)
9 MP (4000 x 2248)
1:1
76 MP (8736 x 8736)
38 MP (6192 x 6192)
9 MP (2992 x 2992)
Aspect Ratio
1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File Format
DNG, JPEG, Raw, TIFF
Bit Depth
16-Bit
Video Capture
Internal Recording Modes
H.265/MOV 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps
Raw 12-Bit via HDMI
4096 x 2160 at 23.98/24.00/25/29.97 fps
Fast-/Slow-Motion Support
Slow-Motion Only
Recording Limit
No
IP Streaming
No
Built-In Microphone
Stereo
Audio Recording
2-Channel LPCM Audio
Interface
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input
Other I/O
1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
1x PC Sync Socket Input
Wireless
Wi-Fi 4 (802.11n), Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: FUJIFILM XApp
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Size
3.2"
Resolution
2,360,000 Dot
Display Type
3-Way Tilting Touchscreen LCD
Secondary Display
Top: Status Display
Viewfinder
Type
Built-In Electronic (OLED)
Size
0.5"
Resolution
3,690,000 Dot
Eye Point
23 mm
Coverage
100%
Magnification
Approx. 0.77x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 425
Flash
Built-In Flash/Light
No
Flash Modes
Auto, First-Curtain Sync, Hi-Speed Sync, Manual, Off, Second-Curtain Sync, Slow Sync, TTL Auto
Maximum Sync Speed
1/125 Second (Focal Plane Shutter)
Dedicated Flash System
TTL
External Flash Connection
PC Terminal
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
Operating Humidity
10 to 80%
General
Battery Type
1x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 460 Shots)
Shoe Mount
1x Hot Shoe
Tripod Mounting Thread
1x 1/4"-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.9 x 4.1 x 3.4" / 150 x 104.2 x 87.2 mm
Weight
2 lb / 900 g (With Battery, Recording Media)
Packaging Info
Package Weight
3.425 lb
Box Dimensions (LxWxH)
9.8 x 7.7 x 5.6"

FUJIFILM GFX 100S Reviews

See any errors on this page? Let us know

Are there full frame 35 and super 35 video modes ...

Are there full frame 35 and super 35 video modes for this camera that accommodate both of these respective smaller lens formats?
Asked by: Jordan
There are no full frame or super 35mm modes in the camera at the moment.
Answered by: Stephen M
Date published: 2021-12-19

Can you shoot a smaller RAW file? or do you have ...

Can you shoot a smaller RAW file? or do you have to shoot the full res all the time?
Asked by: Sang
No, the FUJIFILM GFX 100S Medium Format Mirrorless Camera does not have options for lower resolution RAW files.
Answered by: Yaakov
Date published: 2023-10-18

Can the camera focus stack and pixel shift at the ...

Can the camera focus stack and pixel shift at the same time?
Asked by: Lenny
Just manually focus stack. Shoot in manual focus, when doing so a helpful hyperfocal gage pops up on the lcd so you can overlap the focus areas. Do that and pixel shift each image, then combine all the images in photoshop. Not sure why you would want to do this though...100mp is plenty resolution for massive prints. Plus the file you would be stacking would be stupid large...you would need a crazy powerful computer to combine something like that. Its possible, just do it manually in camera.
Answered by: Raynor
Date published: 2022-01-08

IS THERE A TELECONVERTER FOR THIS CAMERA BODY?

IS THERE A TELECONVERTER FOR THIS CAMERA BODY?
Asked by: alan
Yes. The Fujifilm GF 1.4X TC WR teleconverter exists for use with the GFX-series of cameras as well as the 100-200mm f/5.6 R LM OIS WR and 250mm f/4 R LM OIS WR GFX lenses. https://bhpho.to/3cAIJsY
Answered by: Jeremy
Date published: 2023-05-07

Is there any options for using a external ...

Is there any options for using a external intervalometer for time-lapse photography
Asked by: Ian
At the moment there isn't a compatible intervalometer for the X100s.
Answered by: Stephen G
Date published: 2021-05-10

Does it come with a stand-alone battery charger?

Does it come with a stand-alone battery charger?
Asked by: T Pique
A stand-alone charger is not included. What is included is a USB cable and the AC-5VJ AC Power Adapter to charge the battery in-camera.
Answered by: Kirk
Date published: 2023-05-30

Are there any macro lens options that can ...

Are there any macro lens options that can producce greater than 1:1 magnification on this camera? Thanks.
Asked by: Satyakanth
The below Staff answer is incorrect (1:2 is lesser magnification than 1:1). There are no native options that go beyond 1:1 - however you can use the Fuji GF 120mm Macro with the MCEX-45G WR extension tube to achieve 1:1. If you add the MCEX-18G WR in addition, you can go beyond 1:1.
Answered by: Matt
Date published: 2021-06-14

Does prores raw out to atomos do open gate 4:3?

Does prores raw out to atomos do open gate 4:3?
Asked by: William
If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.
Answered by: Dan W
Date published: 2021-09-25
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