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FUJIFILM GFX 100S Medium Format Mirrorless Camera

BH #FUGFX100S • MFR #600022058
FUJIFILM
FUJIFILM GFX 100S Medium Format Mirrorless Camera
Key Features
  • 102MP 43.8 x 32.9mm BSI CMOS Sensor
  • X-Processor 4 Image Processor
  • 4K30 Video; F-Log Gamma, 12-Bit Raw Out
  • 3.69m-Dot OLED EVF
Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.
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FUJIFILM GFX 100S Overview

  • 1Description
  • 2102MP BSI CMOS Sensor and X-Processor 4
  • 3UHD and DCI 4K Video Recording
  • 4Sensor-Shift Image Stabilization
  • 5Body Design
  • 6Hybrid Autofocus System
  • 7Other Camera Features

Redefining medium format, the FUJIFILM GFX 100S pairs an ultrahigh resolution 102MP sensor with an impressively compact and portable mirrorless camera body design. Appealing to both photo and video needs, too, this camera is further rounded out by a durable construction, in-body image stabilization, and apt autofocus to make the camera more accessible and applicable for a variety of shooting needs.

At the heart of the GFX 100S platform is the 102MP 44 x 33mm BSI CMOS sensor, which offers the ultra-high resolution coveted by stills photographers as well impressive 4K video recording options, too. The sensor pairs with the X-Processor 4 in order to output 16-bit raw imagery with a broad dynamic range, low noise levels, and sensitivity to an ISO 12800, and the BSI design of the sensor contributes to high clarity and accurate color rendering when working in a variety of lighting conditions. In terms of video, DCI and UHD 4K video recording is possible at 4:2:0 10-bit internally, 4:2:2 10-bit via HDMI, or raw 12-bit if recording externally, and an F-log gamma setting can also be used for more advanced color grading during post-production. Beyond high-resolution shooting, the unique sensor design also incorporates a sophisticated hybrid AF system that features 425 selectable phase-detection points, which cover nearly the entire frame, and aid with precise face and eye-detection modes.

Balancing the awesome sensor design is a notably compact form factor, which opens up a range of new working scenarios for this high-res platform. Sleek and lightweight, the portability of the GFX 100S is backed up by capable in-body image stabilization that compensates for up to 6 stops of camera shake for improved handheld shooting. Conversely, this stabilization system also enables making 400MP files using Pixel Shift Multi-Shot mode for extreme detail of still subjects. Also contributing to the sleek form factor is a fixed 3.69m-dot EVF for bright eye-level viewing and a rear 3.2" touchscreen LCD with a three-way tilting design.

102MP BSI CMOS Sensor and X-Processor 4

Utilizing a large and exceedingly high 102MP resolution 43.8 x 32.9mm BSI CMOS sensor and X-Processor 4, the GFX 100S is capable of delivering 16-bit stills with wide dynamic range as well as a broad sensitivity range of ISO 100-12800, which can be extended to ISO 50-102400. The large size of each pixel allows for more efficient light gathering, too, for smoother tonal and color transitions to produce a characteristic three-dimensional "medium format look." Also contributing to several medium format looks, a variety of traditional medium and large format aspect ratios can be used in addition to the standard 4:3, including 1:1, 65:24, 5:4, 7:6, 3:2, and 16:9.

The image processor and sensor also lend a versatile edge to the system, and permit shooting continuously up to 5 fps or for recording DCI and UHD 4K30 video.

UHD and DCI 4K Video Recording

Utilizing the large sensor size for more than just stills, the GFX 100S also offers an enticing array of video capabilities, including internal UHD and DCI 4K30p video recording at up 4:2:0 10-bit, as well as 4K30p 4:2:2 10-bit via HDMI output, both at up to 400 Mb/s-and simultaneous external and internal recording is possible. If working with an Atomos Ninja V, then UHD 4K30p raw 12-bit output is also possible using the Apple ProRes RAW format.

Greatly benefitting overall video performance, the speed of the quad-CPU X-Processor 4 enables fast read speeds when recording 4K video, which helps to reduce rolling shutter distortion when filming moving subjects.

In addition to the supported 10-bit color depth, the GFX 100 also includes the F-Log gamma setting, which provides a flat picture for use in advanced color grading software during editing. This maximizes the potential dynamic range in difficult scenes and image adjustments can be made, as well, to highlight tone, shadow tone, color, and sharpness. HLG recording is supported, too, for HDR applications, and F-Log, HLG, and Film Simulations can all be used simultaneously with raw external output.

Also, the camera features a 3.5mm microphone jack and 3.5mm headphone jack for more advanced audio solutions.

Sensor-Shift Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake to better suit handheld shooting. This system works in conjunction with any lens, including non-stabilized ones, but when used with OIS-enabled lenses offers up to approximately 6 stops of shake reduction.

Body Design

  • Updated body shape is noticeably more compact and lightweight than previous GFX 100 models, making it especially well-suited for handheld shooting on location and in studio environments.
  • Magnesium alloy body construction is both lightweight and durable, and the camera system is weather sealed to render it moisture- and dust-resistant, as well as freezeproof down to 14°F, for use in inclement conditions.
  • Fixed 3.69m-dot OLED electronic viewfinder is featured for high-resolution, 0.77x-magnification eye-level viewing.
  • A 3.2" 2.36m-dot touchscreen LCD is also available for image playback, menu navigation, and live view shooting. This LCD features a unique three-way tilting design that moves both upward and downward for shooting from high and low angles, and also tilts to the side to benefit shooting in the vertical orientation when in live view.
  • Single NP-W235 rechargeable lithium-ion battery is rated to provide approximately 460 shots per charge.
  • Dual UHS-II SD memory card slots are featured, and permit saving imagery in a sequential manner, backup/duplicate manner, or in a sorted manner to segregate JPEG and raw files.
  • The FUJIFILM G lens mount features a short focal flange distance of just 26.7mm to better facilitate adapting lenses and to allow for reduced back focusing distances to better prevent vignetting and promote edge-to-edge sharpness with the GF series of lenses.
  • A 1.8" sub-LCD monitor on the top plate can be used to quickly view shooting settings and exposure data.
  • Exposure mode dial on the top plate also incorporates six custom positions for quickly switching between pre-configured exposure settings.
  • Integrated Bluetooth 4.2 low energy and Wi-Fi allows you to wirelessly share images to a mobile device or use the device to remotely control the camera.

Hybrid Autofocus System

The sensor's design also includes an expanded phase-detection autofocus system, which has 425 selectable points that cover nearly the entire sensor area. This AF system delivers fast and accurate focusing performance along with low-light sensitivity down to -5.5 EV. Complementing the imaging and focusing capabilities, an updated X-Processor 4 is also featured, and delivers fast focus response for subject tracking and also supports Face- and Eye-Detection AF when working in AF-C mode and when recording video.

Other Camera Features

  • Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including the newly introduced Nostalgic Neg. effect, along with Provia, Velvia, Astia, Classic Chrome, Classic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Classic Chrome effect to fine-tune the look of imagery.
  • Pixel-Shift Multi-Shot mode is capable of producing massive, 400MP images by combining 16 raw images using FUJIFILM's Pixel Shift Combiner software, which can then be output as a DNG file for further processing using most popular editing software.
  • Interval shooting is possible for up to 999 consecutive frames with a 1 sec to 24-hour delay between exposures, as well as up to a 24-hour shutter delay.
  • Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
  • A variety of file formats are available depending on your workflow needs and include uncompressed and compressed raw file types; Super Fine, Fine, and Normal JPEG settings; and TIFF files can be output via in-camera raw file development.
UPC: 074101204735

FUJIFILM GFX 100S Specs

Imaging
Lens MountFUJIFILM G
Sensor ResolutionEffective: 102 Megapixel (11,648 x 8736)
Sensor Type43.8 x 32.9 mm (Medium Format) CMOS
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter, Mechanical Focal Plane Shutter
Shutter SpeedMechanical Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/16000 to 3600 Seconds
1/16000 to 4 Seconds in Program Mode
1/16000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/4000 to 3600 Seconds
1/4000 to 4 Seconds in Program Mode
1/4000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
1/4000 to 1/24 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
100 to 12,800 in Auto Mode (Extended: 50 to 102,400)
Video
200 to 12,800 (Extended: 200 to 25,600)
Metering MethodAverage, Center-Weighted Average, Multi-Zone, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
White BalancePresets: Auto, Color Temperature, Custom, Fine, Fluorescent, Incandescent, Shade, Underwater
Continuous ShootingMechanical Shutter
Up to 5 fps at 102 MP for up to 16 Frames (Raw) / 42 Frames (JPEG)
Up to 2 fps at 102 MP for up to 45 Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 2.9 fps at 102 MP for up to 23 Frames (Raw) / 64 Frames (JPEG)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes4:3
11,648 x 8736
8256 x 6192
4000 x 3000
3:2
11,648 x 7768
8256 x 5504
4000 x 2656
16:9
11,648 x 6552
8256 x 4640
4000 x 2248
1:1
8736 x 8736
6192 x 6192
2992 x 2992
Aspect Ratio1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File FormatDNG, JPEG, TIFF
Bit Depth16-Bit
Internal Video Capture
Recording ModesH.265/MOV 4:2:0 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94i [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [100 to 400 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Video SystemNTSC/PAL
Built-In Microphone TypeStereo
Audio Recording2-Channel LPCM Audio
External Video Capture
Raw OutputHDMI In Raw Mode:
4096 x 2160 12-Bit at 23.98/24.00/25/29.97 fps 
External Recording Modes4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p
IP StreamingNone
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
Other I/O1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket Input
Power I/O1 x USB Type-C Input/Output
WirelessWi-Fi, Bluetooth
Monitor
Size3.2"
Resolution2,360,000 Dot
Display Type3-Way Tilting Touchscreen LCD
Secondary DisplayTop: Status Display
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5"
Resolution3,690,000 Dot
Eye Point23 mm
Coverage100%
MagnificationApprox. 0.77x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 425
Flash
Built-In FlashNo
Flash ModesAuto, First-Curtain Sync, Hi-Speed Sync, Manual, Off, Second-Curtain Sync, Slow Sync, TTL Auto
Maximum Sync Speed1/125 Second (Focal Plane Shutter)
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity10 to 80%
General
Battery Type1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 460 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)5.9 x 4.1 x 3.4" / 150 x 104.2 x 87.2 mm
Weight2 lb / 900 g (With Battery, Recording Media)
Packaging Info
Package Weight3.46 lb
Box Dimensions (LxWxH)9.7 x 7.8 x 5.7"

FUJIFILM GFX 100S Reviews

If you pixel peep this is your camera

By Brian
Rated 5 out of 5
Date: 2022-07-31

I rented this camera for a few weddings, I thought it was alittle over kill for my type of work. Love it so much I decided to buy it because it was not just about resolution, the dynamic range is on another level and i love what I can do with the raw images color and cropping wise. It's a little slow but to be expected since it's medium format but for most parts of a wedding day its doable, the results make the trade off worth it. The lens I use at 45mm, 80mm and 32-64mm.

Great Camera

By Jiading
Rated 5 out of 5
Date: 2022-05-19

Very good camera

Lightroom problem - update to January review

By Nathan
Rated 5 out of 5
Date: 2022-05-16

I'm still amazed by the wonderful sharpness I get with this camera, but I encountered a problem in Lightroom others may need to know about. Fuji apparently expects users to shoot in jpg using film simulations etc with this camera. I certainly choose otherwise; I process, sometimes heavily, in Lightroom. And I did that without any problem with 50 mp files, 40-50 mb each, from my Nikon D850. But when I uploaded 102 mp images in Raw, file sizes around 150 mb, my iMac balked. The color wheel kept spinning and spinning and when it finally stopped almost any edit restarted it. In addition to making my workflow excruciatingly slow, the process also made the fan come on, indicating that the system was overheating. After much research I discovered two problems. First, Adobe told me to be sure that I had a large enough cache; I enlarged it and that improved things a bit. But the real source of the problem showed up when I opened Activity Monitor and discovered that LR was sometimes using over 300% of the CPU, occasionally even more. Apple told me the CPU couldn't be upgraded but that adding memory might help. So I added 16 GB of memory. That has helped considerably. I still get occasional pops into the high CPU usage but they are brief enough that the color wheel doesn't seem to start spinning and the fan doesn't come on. If anybody can suggest other fixes I would really appreciate hearing them. I still give the camera 5 stars, but unless you have a pretty powerful computer you may not be able to edit in LightRoom as easily as with smaller image files.

A Marvelous Tool With Great Flexibility

By STANLEY J
Rated 5 out of 5
Date: 2022-04-03

I'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is normally used with a large format camera, the 100S's manual focusing zoom feature makes the focusing process with the 4x5 camera a piece of cake. I also use that feature for manual focusing of landscapes with the native lens. The ability of the 100S to shoot very long exposures is also handy and the most capable system of its kind I've ever seen, displaying the countdown timer on the back lcd. The upright bass photo was a two minute exposure while the city lights photo was a four minute exposure. My only real complaints about this camera are that the joystick is a bit finicky and therefore less precise than the D pad used on other cameras, and the back focus button is too small and not ideally placed. But, I'm getting used to the joystick, and the ability to program another button as back focus as well has made these largely non-issues. And, having used a Fuji X100S for many years, the menu and Q systems that some folks complain about were not all that unfamiliar to me and there have not been much of a problem at all. Frankly, there is so much to like about this camera that the positives far outweigh the relatively minor negatives. I highly recommend this camera for anyone wanting to experience photography at an elevated level.

Thinking of making it my interview camera

By Leonard
Rated 5 out of 5
Date: 2022-03-21

After taking some photos and being blown away by the pleasant skin tones and detail, and how quickly the background melts away when used with my 110/2.0 lens, I have ordered the SmallRig cage, and hope to mount my Ninja V on top. I think this could possibly replace my FX9 for my sit down interviews.

Love it!

By Pedro
Rated 5 out of 5
Date: 2022-03-02

The GFX 100S renders beautifully the colors, the DR is great. The AF works good enough for portraits and landscapes, even for street photography, not for sports and wildlife. Great update coming from Nikon D850

Quality control seems to be an issue

By Robert
Rated 2 out of 5
Date: 2022-06-24

I received my gfx 100s this afternoon and have discovered that the Mode button is off. When I put it on M for manual it goes to Aperture Priority mode, when I put the Mode dial into P for Program it puts the camera in C6 custom mode, when I move the Mode button to S for shutter priority mode I puts the camera into P for Program mode. Now I have to decide whether I can live with a $6000 camera that can't even be assembled correctly. Unamused, and not looking forward to the hassle of sending this back.

Beautiful images

By Siwalee
Rated 4 out of 5
Date: 2022-05-22

So far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing. My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber hinges that just don't look very secure or sturdy. The door just kind of flops around. Another issue I have is that it does not come with a wall charger for the battery. So if you want to charge a battery while still using your camera you need to purchase a battery charger separately. For the price of this camera one would think a battery charger would be included. I know these few issues I have may seem small but I do think they need to be mentioned. Especially the minuscule thumb stick. But as far as purchasing the Fuji GFX 100S, I would say absolutely. The image quality you get from this camera is outstanding and outshines any little faults that it may have.

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Are there full frame 35 and super 35 video modes ...

Are there full frame 35 and super 35 video modes for this camera that accommodate both of these respective smaller lens formats?
Asked by: Jordan
There are no full frame or super 35mm modes in the camera at the moment.
Answered by: Stephen
Date published: 2021-12-19

Can you shoot a smaller RAW file? or do you have ...

Can you shoot a smaller RAW file? or do you have to shoot the full res all the time?
Asked by: Sang
How is the rolling shutter effect in video? And how obvious is it when using electronic shutter is stills? I already own a GFX50R which I love but this is important for me since I need my camera to operate in silent mode.
Answered by: Nikos
Date published: 2022-01-12

Can the camera focus stack and pixel shift at the ...

Can the camera focus stack and pixel shift at the same time?
Asked by: Lenny
Just manually focus stack. Shoot in manual focus, when doing so a helpful hyperfocal gage pops up on the lcd so you can overlap the focus areas. Do that and pixel shift each image, then combine all the images in photoshop. Not sure why you would want to do this though...100mp is plenty resolution for massive prints. Plus the file you would be stacking would be stupid large...you would need a crazy powerful computer to combine something like that. Its possible, just do it manually in camera.
Answered by: Raynor
Date published: 2022-01-08

What is the image size when recording video? Can ...

What is the image size when recording video? Can the Fuji GFX100S record Medium Format image size at 4k? Medium Format at 1080p?
Asked by: s
Shooting 4K or 1080P video on the GFX100S does not utilize the entire sensor.
Answered by: Kirk
Date published: 2021-07-08

IS THERE A TELECONVERTER FOR THIS CAMERA BODY?

IS THERE A TELECONVERTER FOR THIS CAMERA BODY?
Asked by: alan
Yes. The Fujifilm GF 1.4X TC WR teleconverter exists for use with the GFX-series of cameras as well as the 100-200mm f/5.6 R LM OIS WR and 250mm f/4 R LM OIS WR GFX lenses. https://bhpho.to/3cAIJsY
Answered by: Jeremy
Date published: 2021-11-22

Is there any options for using a external ...

Is there any options for using a external intervalometer for time-lapse photography
Asked by: Ian
At the moment there isn't a compatible intervalometer for the X100s.
Answered by: Stephen G
Date published: 2021-05-10

Does it come with a stand-alone battery charger?

Does it come with a stand-alone battery charger?
Asked by: Peter
A stand-alone charger is not included. What is included is a USB cable and the AC-5VJ AC Power Adapter to charge the battery in-camera.
Answered by: Kirk
Date published: 2021-06-17

Are there any macro lens options that can ...

Are there any macro lens options that can producce greater than 1:1 magnification on this camera? Thanks.
Asked by: Satya
The below Staff answer is incorrect (1:2 is lesser magnification than 1:1). There are no native options that go beyond 1:1 - however you can use the Fuji GF 120mm Macro with the MCEX-45G WR extension tube to achieve 1:1. If you add the MCEX-18G WR in addition, you can go beyond 1:1.
Answered by: Matt
Date published: 2021-06-14
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