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Nikon Z9 Mirrorless Camera

BH #NIZ9 • MFR #1669
Nikon Z9 Mirrorless Camera
Key Features
  • 45.7MP FX-Format Stacked CMOS Sensor
  • EXPEED 7 Image Processor
  • 8.3K 60p N-RAW, 4.1K 60p ProRes RAW
  • 8K30p and 4K120p Video, 10-Bit Internal
Delivering speed, image quality, and connectivity, the Nikon Z9 is a professional-grade camera characterized by its newly developed sensor, advanced AF performance, and high-resolution 8K video recording. Their first mirrorless flagship camera, the Z9 stands out as a camera that appeals to photographers and filmmakers working across a wide variety of applications.
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Nikon Z9 Overview

  • 1Description
  • 2
  • 3Stacked Sensor and Powerful Processing Engine
  • 4Fast and Intelligent AF
  • 58K and 4K Video Recording
  • 6Professional Body Design
By B&H Photo's
Nikon Z9: Unstoppable
Delivering speed, image quality, and connectivity, the Nikon Z9 is a professional-grade camera characterized by its newly developed sensor, advanced AF performance, and high-resolution 8K video recording. Their first mirrorless flagship camera, the Z9 stands out as a camera that appeals to photographers and filmmakers working across a wide variety of applications.
Stacked Sensor and Powerful Processing Engine
45.7MP Stacked BSI CMOS Sensor
The core of the Z9 is the newly developed FX-format 45.7MP BSI stacked CMOS sensor. Its stacked design offers fast readout speeds and helps to reduce rolling shutter, and the BSI design contributes to impressive clarity and minimal noise when working at higher sensitivities. At 45.7MP, it's also a high-resolution chip that benefits landscape, portraiture, and other detail-oriented genres, as well as enables recording video at resolutions up to 8K. The full-frame BSI design is known for exquisite color and detail rendering, too, and this sensor offers a native ISO 64-25600 range, that can be expanded to ISO 32-102400.
EXPEED 7 Image Processor
Complementing the sensor is an advanced processing engine, the EXPEED 7, which offers speeds approximately 10x faster than a Z 7II. This engine works in conjunction with the stacked sensor design to realize impressively fast AF speeds, burst shooting rates, a high buffer capacity, fluid video performance, and quick all-around handling.

  • Top continuous shooting speeds of 20 fps when shooting in raw, 30 fps when shooting in JPEG, and an impressive 120 fps shooting rate when recording 11MP stills, with all rates supporting full AF/AE performance.
  • Able to buffer over 1000 raw images in a burst, meaning raw image sequences can be recorded for approximately 50 seconds continuously. Also, during playback, you can skip to the first shot of a given burst to expedite the on-camera review process.
  • Pre-Release Capture helps make decisive moment shots easier by recording frames in a burst for up a second prior to actually releasing the shutter. When this feature is activated, burst shooting will commence when the shutter is half-pressed and the buffer will retain up to a second's worth of frames prior to fully pressing the shutter.
  • Electronic shutter affords a top shutter speed of 1/32,000 sec for working in the brightest conditions with wider apertures.
  • Stacked sensor design reduces rolling shutter distortion so fast-moving subjects, like a golf club, tennis racket, or baseball bat, do not appear distorted when working with shutter speeds up to 1/32,000 sec.
  • AF calculations are done at a 120 fps rate to keep up with fast continuous shooting speeds.
  • New High Efficiency RAW file format maintains image quality akin to uncompressed raw files but with file sizes approximately 30% smaller for faster reading/writing to the memory card.
  • Motion Blend Retouch feature can be used to produce an in-camera composite that depicts a series of subject movements within a single frame.
  • Added with Firmware 2.0, an enhanced Long Exposure display includes a live exposure timer on the rear LCD, along with the ability to dim the viewfinder to better preserve your night-adjusted vision.
Electronic Shutter-Only Design
Relying on the speed and stacked design of the sensor, the Z9 completely forgoes a mechanical shutter and uses just an electronic shutter for all capture modes. The speed of the sensor enables recording at up to 1/32,000 sec and the stacked structure reduces motion distortion for accurate depiction of fast-moving subjects, like golf clubs, baseball bats, and automobiles. Also, despite the absence of a mechanical shutter, flash sync up to 1/200 sec. is still supported as well as high speed sync functions.

By removing the mechanical shutter, the Z9 can also operate completely silently and there is no worry over mechanical shutter wear or breakdown. A shutter release sound can be added for awareness when a photo is being taken, and the volume can be adjusted to suit different working scenarios.
Fast and Intelligent AF
493-Point Phase-Detection AF
Covering the full sensor area, the Z9 uses a 493-point phase-detection AF system to realize fast and accurate focusing performance. This system is benefitted by the high-speed communication of the Z interface along with the speed of the sensor that enables AF readings to occur at up to 120 fps. This focusing system also supports working in low-light conditions with a Starlight mode that permits focusing down to -8.5 EV to greatly benefit astrophotography, concert, and other nighttime shooting applications.
Subject Detection with Deep Learning Technology
Utilizing a new algorithm and deep learning technology, automatic Subject Detection can now recognize nine distinct subject types, ranging from humans to animals to airplanes to bicycles. When working in Auto-Area AF, these subjects will automatically be detected, focused on, and tracked to ensure sharp focus when the subject is moving across the frame. Eye-Detection AF, specifically, has been tuned for improved accuracy and refined recognition of eyes in the scene regardless of how small or large they are within the image frame.
The Z9 also sees the debut of the 3D Tracking mode in a Nikon mirrorless camera. This popular focusing mode from Nikon's DSLRs pairs with subject detection to lock onto fast, erratically moving subjects that move parallel and perpendicular to the camera. Additionally, there are three Dynamic-Area AF modes, with a range of focus area sizes, for capturing a broad variety of moving subject types.

Firmware 2.0 has also introduced 20 types of custom Wide-Area AF selection patterns, 12 of which are supported during video recording, for more precise AF and subject detection within a given area of the frame.
8K and 4K Video Recording
Up to 8K Recording Supported
Matching the high-end photo attributes, the Z9 is Nikon's most capable video camera as well, with a variety of resolutions and frame rates available up to 8K. Using full pixel readout, UHD 8K 30p video can be recorded with continuous shooting possible for approximately 2 hours 5 minutes.

Full-frame 4K recording is available, too, up to 120p for slow-motion playback. Using an 8K area, oversampled UHD 4K recording is possible at up to 60p for increased sharpness and detail. Also, high-resolution frame grabs can be recorded in camera from 8K and 4K videos, for producing 33MP or 11MP stills, respectively.
Internal N-RAW and ProRes RAW Video
Added with Firmware 2.0, the Z9 is capable of internal 12-bit raw recording at up to 8.3K 60p in the N-RAW format, as well as support for ProRes RAW recording. Raw recording offers greater tonal and color latitude and can improve dynamic range, benefitting color grading needs and post-production flexibility.
  • N-RAW is Nikon's own raw recording format that offers impressively small file sizes compared to other raw formats as well as the ability to create MP4 proxies for more efficient previewing or transferring.
  • N-RAW recording is available at up to 8.3K at 60p or 24p; 4.1K at up to 120p; 5.3K at up to 60p with a 1.5x crop; and 3.8K at 120p with a 2.3x crop.
  • ProRes RAW recording is also available at up to 4.1K and 60p.
ProRes and H.265 10-Bit Internal Recording
Internal recording with 10-bit color and 4:2:2 sampling is possible in the ProRes 422 HQ and H.265 codecs, and H.264 and 4:2:0 color can be used depending on workflow needs. For more latitude when color grading in post, there is also a 10-bit N-Log setting as well as a Flat color profile. Additionally, HLG (Hybrid Log Gamma) can be used for creating HDR-ready content straight from the camera.
Firmware 2.0 Video Upgrades
Elevating the cinema capabilities of the Z9, Firmware 2.0 introduced a series of production-related updates for the camera:
  • Red REC frame indicator on EVF and LCD during recording to easily recognize when recording is being captured.
  • Waveform monitor for realtime exposure analysis.
  • Dedicated video info display indicates various recording settings, such as frame size, frame rate, audio settings, codec, bit depth, and HDMI output settings. Some of these settings will also be visible on the camera's top control panel.
  • Fine ISO control in Manual mode for adjusting exposure in 1/6-stop increments.
  • Fast AF-ON function can be assigned to Fn buttons; it is now possible to assign two different AF speeds to different buttons.
  • Slow shutter speed video is supported, slower than 1/frame rate, for working in extreme low-light conditions or for creating intentionally blurred effects.
Professional Body Design
Real-Live Viewfinder
  • Real-Live Viewfinder is a an advanced EVF utilizing a 3.69m-dot OLED panel with adjustable luminance up to 3000 cd/m2 for clear visibility in bright conditions. This EVF also works in conjunction with dual-stream technology for blackout-free viewing when shooting continuously. Firmware 2.0 has further improved the finder's performance with a high fps function, which ups the EVF's refresh rate to 120 fps for even smoother, lifelike viewing.
Four-Axis Tilting LCD
  • A first for Nikon, the Z9 incorporates a 3.2" 2.1m-dot four-axis tilting touchscreen LCD that better supports working from high and low angles, regardless if shooting in the horizontal or vertical orientation. This screen's four-way tilting design allows for easier viewing from a variety of positions and the user interface orientation will also shift depending on how the camera is held.
Tough, Durable Construction
  • Dual CFexpress Type B memory card slots allow for flexible file saving and promote high-speed reading and writing to keep up with the fast continuous shooting and high-resolution 8K video recording. Both slots are also compatible with XQD memory cards.
  • Optimized for a professional workflow, the Z9 is characterized by its ergonomic form factor and inclusion of a vertical grip for easy switching between horizontal and vertical shooting orientations.
  • Built to the same dust and moisture resistance standards as the D6, the Z9 has a highly durable and rigid magnesium alloy chassis that manages to be 20% smaller than the former flagship DSLR body.
  • Included EN-EL18d battery offers approximately 700 frames per charge. The Z9 is also compatible with other EN-EL18-series batteries.
  • In-body Vibration Reduction now supports Synchro VR to achieve up to 6 stops of camera shake compensation when used with select Z lenses.
  • VR safety lock secures the sensor and VR mechanism in place to prevent damage caused by movement while traveling.
  • Helping to cut down on dust reaching the sensor, the Z9 incorporates a sensor shield that protects the sensor surface when changing lenses. For additional dust prevention, there is also a dual electro-conductive and fluorine coating on the optical filter covering the sensor.
  • Kensington security slot helps protect against theft when the camera is left unattended.
  • Backlit buttons offer easier navigation and button recognition when working in low-light conditions.
  • Voice memo function for recording short spoken notes while shooting.
Versatile Connectivity
Matching the professional build quality, the Z9 is fitted with a variety of connectivity options to suit various workflow needs:
  • Full-size HDMI port for outputting video to an external recorder or monitor
  • USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging
  • Ethernet port supports 1000BASE-T wired LAN connection for transferring files over FTP
  • 10-pin port offers wide accessories and remote connectivity
  • PC sync port for flash sync
  • Bluetooth and Wi-Fi (2.4 and 5 GHz) permit wireless transferring of files, remote camera control via a mobile device, and works in conjunction with the NX Mobile Air app for file management
  • GNSS for in-camera geotagging and recording of location info while shooting

Nikon Z9 Specs

Imaging
Lens MountNikon Z
Sensor ResolutionActual: 52.37 Megapixel
Effective: 45.7 Megapixel (8256 x 5504)
Sensor Type35.9 x 23.9 mm (Full-Frame) CMOS
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter
Shutter SpeedElectronic Shutter
1/32000 to 30 Seconds
0 to 900 Seconds in Manual Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto/Video
64 to 25,600 (Extended: 32 to 102,400)
Metering MethodCenter-Weighted Average, Highlight Weighted, Matrix, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range-3 to 17 EV
White Balance2500 to 10,000K
Presets: Auto, Cloudy, Custom, Direct Sunlight, Flash, Fluorescent, Incandescent, Preset Manual, Shade
Continuous ShootingElectronic Shutter
Up to 20 fps at 45.7 MP for up to 1000 Frames (Raw)
Up to 30 fps at 45.7 MP
Up to 120 fps at 11 MP
Interval RecordingYes
Self-Timer2/5/10/20-Second Delay
Still Image Capture
Image Sizes3:2
8256 x 5504
6192 x 4128
4128 x 2752
Aspect Ratio1:1, 3:2, 16:9
Image File FormatJPEG, Raw
Bit Depth14-Bit
Internal Recording ModesH.265 4:2:2 10-Bit
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/ fps
ProRes 422 HQ 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
H.265 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
H.264 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/ fps
Raw 12-Bit
7680 x 4320 at 59.94 fps
External Recording ModesHDMI
UHD 8K (7680 x 4320) up to 29.97 fps
UHD 4K (3840 x 2160) up to fps
Sensor Crop ModesSuper35 / APS-C
4K (3840 x 2160)
1080p (1920 x 1080)
Gamma CurveHDR-HLG
Recording LimitNone
Broadcast OutputNTSC/PAL
IP StreamingNone
Built-In Microphone TypeStereo
Audio Recording2-Channel LPCM Audio
2-Channel AAC Audio
Interface
Media/Memory Card SlotDual Slot: CFexpress Type B / XQD
Video I/O1 x HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRS Stereo Headphone Input
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input/Output
Power I/O1 x USB-C Input
Other I/O1 x USB-C Data Output (Shared with Power Input)
1 x RJ45
1 x Nikon 10-Pin Control Input
1 x PC Sync Socket Output
Wireless2.4 / 5 GHz Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g)
Bluetooth
Global Positioning (GPS, GLONASS, etc.)GPS, GLONASS, QZSS
Monitor
Size3.2"
Resolution2,100,000 Dot
Display Type4-Axis Tilting Touchscreen LCD
Secondary DisplayTop: Status Display
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5"
Resolution3,690,000 Dot
Eye Point21 mm
Coverage100%
MagnificationApprox. 0.8x
Diopter Adjustment-4 to +3
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhase Detection: 493
Autofocus Sensitivity-8.5 to +20 EV
Flash
Built-In FlashNo
Flash ModesFirst-Curtain Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed1/200 Second
Flash Compensation-3 to +1 EV (1/3, 1/2 EV Steps)
Dedicated Flash SystemiTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity0 to 85%
General
Battery Type1 x EN-EL18d Rechargeable Lithium-Ion, 10.8 VDC, 3300 mAh (Approx. 700 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount
Material of ConstructionMagnesium Alloy
Dimensions (W x H x D)5.9 x 5.9 x 3.6" / 149 x 149.5 x 90.5 mm
Weight2.9 lb / 1340 g (With Battery, Recording Media)
2.6 lb / 1160 g (Body Only)
Packaging Info
Package Weight5.255 lb
Box Dimensions (LxWxH)13 x 7.7 x 5.8"

Nikon Z9 Reviews

Absolutely the best!

By Pat
Rated 5 out of 5
Date: 2023-02-17

Waited over a year before taking the plunge to spend the money and buy this camera (and it wasn't available for awhile). I have the Z7 and Z6II but this is so much more! I am still learning it's features but I used it in Cuba a week after I bought it and had no issues. I would recommend taking a class on using it - Santa Fe Photographic Workshops has a great 4 session workshop that goes over everything in detail and with this powerful and complex a camera it is a must.

Even better than I expected.

By Ron
Rated 5 out of 5
Date: 2023-01-30

Having read the 948-page Users Manual cover to cover twice, I feel like I have only a tenuous grasp on this camera's potential. A multi-page review wouldn't do this camera justice. Quick observation - color noise at ISO 3200 and 30 seconds is essentially absent. It focuses instantly in low light scenes in which my other Nikon's would choke.

Amazing Camera

By Paul
Rated 5 out of 5
Date: 2023-01-24

I've had for over 2 months now and still learning about features and functions. Amazing machine. I went from D800/D750 to this single body. Adding to my lens collection now.

Excellent Fast Wildlife Action Camera

By David
Rated 5 out of 5
Date: 2023-01-20

This has quickly become my go-to camera for fast action wildlife photography. The auto-focus tracking and frame rate have definitely improved my keeper rate compared to my previous Nikon D5 and D850 cameras. Battery life is impressive. Handling and ergonomics are also excellent. The only challenge I have had is obtaining focus on small foreground objects when pulling in from a busy background at infinity. This is not really just a Z9 issue, though, as I have had the same issues with other mirrorless brands. I seriously considered Sony when switching to mirrorless. Performance-wise, the Sony A1 is very similar but with maybe a slight advantage in overall AF tracking. The differences, however, were hard to really quantify. The main differences for me ultimately came down lenses and build. Nikon's new super telephotos with built in TCs and the lightweight PF lens options have no equivalent in the Sony lineup. Since lenses are by far my biggest investment, it is a big factor for me. I also feel that the Z9 is a more robust design. In most situations, the differences are not significant but for more rigorous field use, my experience is that Nikons have held up exceedingly well. Incidentally, Canon was not really a consideration as they do not really have anything that is fully competitive with the Z9 yet. The bottom line is that for fast action wildlife photography in tough environments, the Z9 is definitely my personal choice.

Favorite Nikon of all time

By David
Rated 5 out of 5
Date: 2023-01-20

My first Nikon was a Nikkormat FTN which I acquitted in the early 1970s. Since that time, I have been the proud owner of the following models....F3HP, D70, D80, D300, D500, and finally the Nikon Z9. I am not a professional (although some of my photos have been sold and hang in commercial buildings), but I am definitely passionate about photography and my Nikon gear. Each time I upgraded by equipment, I felt the new camera in my hands was the absolute greatest I'd ever shot with. I feel the same about the new Z9 except that this camera is opening up new frontiers for me. I have never felt that I had the control over my work as deeply as I do now. With the FTZ adapter, I can still use some of my favorite F mount lenses like the 500 mm F 5.6 PF which pairs beautifully with the new mirrorless body via the FTZ. I have no second thoughts about purchasing the new Z9 and look forward to every new day I'm out shooting wildlife, landscapes, sports, or family portraits. By far my favorite camera of all time!

Impressively fast and accurate, the best I've owned so far

By Mariano
Rated 5 out of 5
Date: 2023-01-18

I'm a 30 year full time working pro. I started during film age, used Nikon FM-2, F4, F5, D70, D200, D300, D700, D750, Z6 and many more from Nikon and occasionally some Canon cameras. I shoot weddings, portraits, products, food and the performance of this camera in all of these task is excellent. I've never had a such high keeper rate, specially on weddings and events where I shoot action in very dark/night environments with only dj lights. Don't listen to reviewers saying that the AF of this camera is flawed or not live up to expectations. I shot a wedding last Sunday from 8 Pm to 4 PM, outside during the night, with only a few DJ lights. I used some adapted lenses (Nikon 50 f1.8, Sigma 85 f1.4 art, Sigma 24-35 f2) and the Z 24-120 f4. To my surprise all except a couple of images were in focus, and probably was my mistake or lack of practice with the camera, it was really amazing. The image quality, the viewfinder, the shutterless design, the battery capacity it's all beyond my expectations. I was afraid to have the flicker bands I had with the Z6's electronic shutter and DJ/led lights, so I was prepared to use the anti-flicker reduction function, but there was no need, it performed like a mechanical shutter or better. If you are someone who make a living out of photography go for it, you won't regret it.

Awesome

By David
Rated 5 out of 5
Date: 2023-02-13

So glad I waited for the Z9. Best camera ever for wildlife and sports. great AF, 10-30 fps.

Rumors of Nikon's demise were greatly exaggerated.

By Jeff
Rated 5 out of 5
Date: 2023-02-02

For brevity, I won't restate all that has been said in other 5 star reviews. In my case, I finally upgraded from my beloved D700, which I still use as a second body. I almost went with the D6 due to all the negativity I was reading and seeing on YouTube, but after extensive research, I took the chance on the Z9. Buying from B&H, I figured I had nothing to lose as I could send it back if I didn't like it. Well, I've been using my Z9 for 5 months now and it's the most amazing camera I've ever used. Mine was delivered with firmware version 2.0. The first thing I have to say is that the learning curve was huge! I look back now and can say with certainty that much, but certainly not all, of the criticism of the Z9 was due to users not reading the manual, and definitely not understanding the auto focus system, settings and limitations. But the Pros saw a winner. That being said, version 1.0 was definitely lacking, but Nikon has been listening and has been quick with Firmware upgrades. Most if not all of the actual quirks and shortcomings, particularly in the AF system were corrected with Firmware 2.0, and especially 3.0 and 3.01. These updates were extensive and not only cleaned up the quirks, but practically created a Z9II for free. The AF is now nothing short of amazing, and I am still using mostly F mount lenses with the FTZII adapter. The Z lenses are pricey, but function at a whole new level. Definitely moving to more Z lenses as $'s permit. The AF choices are overwhelming at first but once you learn them, your keeper rate soars to new levels. I have found Subject Recognition and 3D to be particularly effective for field sports, motor sports, air shows and equestrian. Large, (at least 512gb), very fast CF type B cards are a must. Shooting Raw files at 20-30 frames/sec or high def video eats up a lot of space quickly. I'm using AngelBird and Delkin Black cards and not having any issues with buffering or overheating. I did have a READ problem with my first Angelbird card but they replaced it and all has been well since. The Z9 is a true flagship camera, arguably the current best sports camera platform ever. It proves to me that Nikon is far from dead and back with a vengeance. What could Nikon possibly deliver in a Z10?

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