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Sony a1 Mirrorless Camera Raw Recording Kit

BH #SOA1BRRK (B&H Kit)
 165 reviews
Sony a1 Mirrorless Camera Raw Recording Kit
Key Features
  • Atomos Ninja V 5" 4K Recording Monitor
  • Power Supply, Monitor Mount, HDMI Cable
  • 50MP Full-Frame Exmor RS BSI CMOS Sensor
  • Up to 30 fps Shooting, ISO 50-102400
This Sony a1 Mirrorless Camera Raw Recording Kit from B&H combines the dynamic 50MP mirrorless camera body with the Atomos Ninja V 5" 4K HDMI Recording Monitor to create a complete raw video shooting solution.
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$6,999.00
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Style
Body Only
With 16-35mm f/2.8 Lens
With 24-70mm f/2.8 Lens
With 70-200mm f/2.8 II Lens
Configuration
Base
With Accessories Kit
With Raw Recording Kit
With Vertical Grip Kit

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Sony A1 Overview

  • 1Description
  • 2Sony a1 Mirrorless Camera
  • 3Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 4Atomos AtomX 5 and 7" Monitor Mount
  • 5Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors
  • 6ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (17.7")
By B&H Photo's
Sony a1 Mirrorless Camera
Alpha Flagship
A flagship in the truest sense, the Sony a1 is the one camera designed to do it all. Built without compromise, this full-frame mirrorless offers high-resolution for stills shooting, impressive 8K video recording, speed and sensitivity, and connectivity for the most demanding professional workflows.
Exmor RS Stacked Sensor and BIONZ XR Processor
50.1MP Full-Frame BSI CMOS Sensor and BIONZ XR
Newly developed 50.1MP Exmor RS full-frame sensor features a stacked back-illuminated design with integrated memory that maintains high image clarity, expandable sensitivity up to ISO 102400, and a 15-stop dynamic range while also enabling fast 30 fps shooting and and phase-detection AF. The sensor also enables recording lossless compressed raw files for flexible editing during post-production while maintaining a relatively lightweight file size. Additionally, the 50.1MP resolution not only benefits stills shooters as it also offers full-frame 8.6K oversampling for 8K video recording.

A revised BIONZ XR engine greatly benefits image processing capabilities throughout the camera system, including up to 8x faster processing, greatly reduced rolling shutter, and more fluent interface and file management handling speeds.
Up to 30 fps Shooting and Updated Shutter
  • Efficient sensor design and processing enables high-speed shooting up to 30 fps at full 50.1MP resolution, with full AF and AE capabilities, when working with an electronic shutter. When working with the mechanical shutter, speeds are still kept high at 10 fps. Also, a large buffer memory permits recording up to 155 compressed raw frames, or 165 JPEGs, in one single burst at 30 fps.
  • Suiting fast-paced continuous shooting is a blackout-free viewfinder experience, which makes use of a 240 fps refresh rate for fluent eye-level viewing.
  • Updated electronic shutter offers silent, vibration-free performance and also supports anti-flicker shooting for working under fluorescent, LED, or other flicker-prone types of artificial light, even while shooting at 30 fps with 120 fps AF speeds.
  • Due to quickened readout speeds, electronic shutter flash sync is possible up to 1/200 sec. Even faster flash sync speeds are available when using the updated mechanical shutter, too, which can sync at 1/400 sec in full-frame or 1/500 secwith an APS-C crop.
8K 30p and 4K 120p Video
8K 30p and 4K 120p Support
  • Making use of the high-resolution sensor and fast processing capabilities, UHD 8K 30p XAVC HS 10-bit 4:2:2 video recording is possible using the full width of the sensor, offering 8.6K oversampling for impressive sharpness and realism. For easy handling of this high-res recording mode, low bit-rate proxy files with HD resolution can be simultaneously recorded faster for playback. Also, 8K video at 400 Mb/s can be written to a V90-rated UHS-II SD card, or 200 Mb/s to a V60 card, and 8K can be output over HDMI in 8-bit 4:2:0 format.
  • Recording up to UHD 4K is possible with frame rates up to 120p; when recording up to 60p the a1 offers full pixel readout and at 120p it uses a 10% crop. Oversampled 4K recording is also possible, via a 5.8K capture area, with a Super 35 crop. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible from a 4.3K capture for even greater tonal reproduction and post-production flexibility.
Recording Flexibility
  • The a1 employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
  • High-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p or, if moving down to Full HD resolution, an effective 240p frame rate is also available for even greater motion control.
  • No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than 30 minutes for 8K 30p or 4K 60p videos, or recordings done at 10-bit 4:2:0.
Advanced Color Control
  • S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
  • Affording extensive customizable color and gamma controls, the you can adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.
  • HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Fast Hybrid AF System
  • Covering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.
  • Fast sensor readout and improved processing also enables up to 120 AF and AE calculations to be performed per second for faster, more responsive tracking and accurate results.
  • Lock onto subjects quickly using Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject.
  • Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.
  • Dedicated Real-time Eye AF Bird Mode lets you select the bird to be tracked and the camera will automatically detect the bird's eye and track it, regardless if the bird is in flight or still. This mode even works once a sitting bird takes flight.
  • Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
Body Design and Connectivity
Tru-Finder EVF and Tilting Touchscreen LCD
  • An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing.
  • The EVF has a dedicated 240 fps High Quality+ setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
  • A 3.0" 1.44m-dot tilting screen benefits working from high and low angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
  • Updated menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
Versatile and Durable Design
  • Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
  • Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 430 shots/90 minutes of recording per charge when using the viewfinder or 530 shots/95 minutes of recording per charge when using the rear LCD.
  • Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video. Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
  • Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
  • Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
Ports and Interface
  • Full-size HDMI A port offers a more reliable connection when working with external recorders.
  • A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
  • PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
  • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
  • Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
  • Ethernet port supports 1000BASE-T wired LAN connection for transferring files over FTP.
Connectivity
  • Built-in Wi-Fi and NFC enables the a1 to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. Also, the 5 GHz band supports 2x2 MIMO for fast communication speeds and dual antennas ensure a reliable connection.
  • Bluetooth connectivity allows for location data acquisition.
  • Ethernet port offers up to 1000BASE-T speeds for quick wired LAN sharing and remote operation.
  • When working over a wired LAN, the Remote Camera Tool 2.1 app now has been enhanced for a reduced release time lag and live view delays as well as support for remote SD card formatting, FTP server switching, and changes to the still image storage destination. Wired or wireless LAN transfers can also occur in the background, while continuing to shoot.
  • Imaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB Type-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.
  • Transfer & Tagging add-on app can send FTP setting parameters from your mobile device to the camera, offers automatic data upload to an FTP server with attached metadata, and can perform automatic voice-to-text conversion.
Pixel Shift Multi Shooting
This unique compositing mode allows you to achieve even greater resolution than the 50.1MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 199MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite.
Atomos Ninja V 5" 4K HDMI Recording Monitor
Ninja V: Versatile Monitoring and Recording
The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, plus support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
Durable Design with Multiple Imaging Tools
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and is powered using a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.84.1 adds support for Sony a7R ProRes RAW recording.
5" Daylight Viewable Screen
  • The Ninja V features a highly responsive 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood.
  • The screen is also color-calibrated from the factory to ensure accurate image representation.
Recording Codecs Including Raw over HDMI
  • Record Apple ProRes and ProRes RAW with select cameras at rates up to DCI 4K60 and up to 120 fps in HD.
  • Enables ProRes RAW capture with smaller, more cost-effective, mirrorless cameras.
  • Avid DNxHD/HR compatibility enables wide camera and editing software compatibility.
  • HEVC/H.265 dual recording is available when using the Camera to Cloud mode.
Note:
A license is required for H.264 single or dual recording outside Cloud mode.
Bright 5" Display with AtomHDR
  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs
DSLR and Mirrorless Camera Support
Compatible with virtually any HDMI or SDI source, including cameras from ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.
4K60 Capabilities
  • Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with up to 10-bit 4:2:2 chroma subsampling.
  • The Ninja V also supports 5K and 6K RAW and 3.5K anamorphic  RAW using select cameras.
  • A variety of bit rates are available to fit your project and storage needs.
SSD Recording
Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.
Wireless Remote Control
Use the iOS/macOS AtomRemote app to access an array of external controls for the Ninja V. Supporting a range of up to 49' using Bluetooth LE, the AtomRemote enables playback, mode selection, LUT application, imaging tools, and more.
Wireless Timecode
Compatibility with Atomos AirGlu enables the Ninja V to lock together multiple Atomos devices, compatible cameras, audio recorders, and software applications using frame-accurate timecode. AirGlu can also relay recording, battery status, and disk capacity information to whichever Atomos device you're using as a server unit.
Anamorphic De-Squeeze
The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.
Game Capture
Choose the Ninja V as a simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.
Optional Expansion Modules
Atomos CONNECT/Live Streaming
  • The Atomos CONNECT is the ultimate expansion module for the Ninja V, providing an SDI interface that offers compatibility with a range of cameras and 12G-SDI to HDMI cross-conversion that expands your workflow options.
  • Use the Atomos CONNECT to live stream to popular platforms and custom RTMP/S destinations to share your content from almost anywhere.
AtomX CAST
Use the AtomX CAST to transform your Ninja V into a compact, fully featured production studio. This component enables advanced multi-input switching from 4 x 1080p HDMI sources, the application of graphic overlays, and the ability to use a USB UVC webcam output for enhanced web conferencing and live streaming.
LUTs and Supported Log Formats
  • Preserve your images in a 4:2:2, 8- or 10-bit format via your camera's HDMI output, even when the camera is recording compressed 4:2:0 8-bit video internally.
  • Support for an array of industry-standard Log formats enables the Ninja V to capture optimal dynamic range and bypass your camera's internal compression.
  • HDR monitoring is enabled by the Ninja V's compatibility with a wide range of industry-standard gamuts.
  • See the Atomos website for the latest Log compatibility.
Atomos Cloud Studio
  • The Atomos Cloud Studio (ACS) provides a collection of online production services for video creators and streamers. Pair your Ninja V with an Atomos CONNECT to use ACS to live stream to popular platforms and customized RTMP/S destinations.
  • ACS also provides support for Adobe's Camera to Cloud (C2C) service that offers full-resolution capture, proxy file sharing, and real-time collaboration.
  • Seamlessly connect to Premiere Pro, After Effects, Final Cut Pro, DaVinci Resolve, or Media Composer via Adobe C2C.
Firmware Update 10.84.1
The AtomOS 10.84.1 firmware update enables you to record ProRes RAW using your Sony a7R V mirrorless camera.
Atomos AtomX 5 and 7" Monitor Mount

Mount your monitor with the AtomX 5 and 7" Monitor Mount from Atomos. The mount is compatible with the Atomos Shinobi, Ninja V, Flame, and Inferno series. It features a quick release plate, as well as 360° pan and 180° tilt functionality.

UPC: 814164021296
Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors

Outfit your 5" monitor with power options and travel accessories with this 5" Accessory Kit from Atomos. It's compatible with Ninja V, Shinobi, or Shinobi SDI monitor with two L-series batteries, a fast charger, a DC power supply, a sun hood, a screen protector, and a plastic travel case.

UPC: 814164021241
ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (17.7")

The 17.7" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

High Resolution at 4Kp60
Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC monitors, and video game capture devices.

Unlock full 4K resolution in mirrorless cameras, cinema cameras, and external video recorders for up to 4Kp60 DCI (4096 x 2160) on supported devices for video professionals.
HDR Compatibility
Experience movies and TV shows in stunning HDR with compatible Ultra HD TVs and content.

Creative professionals can monitor on set with HDR displays and external recorders to view camera Log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and the secure Type-A connection will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals this means that you can trust this connection throughout the production.
Hyper-Thin Cable
With a 3.5mm diameter cable diameter and 24mm low-profile Type-A connectors, this cable enables 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
Ideal for a Variety of Devices
The cable is ideal for devices such as the C200/C300/C700, GH5/GH5S, FS5/FS7, URSA, Pocket CC, RED, ARRI, Pico projectors, and Z Cam.
UPC: 743815949637

Sony a1 Mirrorless Camera Specs

Key Specs
Lens Mount
Sony E
Sensor Resolution
Actual: 50.5 Megapixel
Effective: 50.1 Megapixel (8640 x 5760)
Image Sensor
35.9 x 24 mm (Full-Frame) Stacked CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Video
100 to 32,000 in Manual Mode
100 to 12,800 in Auto Mode
Continuous Shooting
Electronic Shutter
Up to 30 fps at 50.1 MP for up to 155 Frames (Raw) / 165 Frames (JPEG)
Up to 20 fps at 50.1 MP for up to 238 Frames (Raw) / 400 Frames (JPEG)
Up to 15 fps at 50.1 MP
Up to 5 fps at 50.1 MP
Mechanical Shutter
Up to 10 fps at 50.1 MP
Up to 8 fps at 50.1 MP
Up to 6 fps at 50.1 MP
Up to 3 fps at 50.1 MP
Internal Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [260 to 520 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/50/59.94/100/120 fps [50 to 280 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [200 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/50/59.94/100/120 fps [30 to 200 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100/200/240 fps [50 Mb/s]
H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120/200/240 fps [16 to 100 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
4:2:0 8-Bit via HDMI
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
Raw 16-Bit via HDMI
4332 x 2446 at 23.98/25/29.97/50/59.94 fps
Media/Memory Card Slot
Dual Slot: CFexpress Type A / SD (UHS-II)
Video I/O
1 x HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C Input
Other I/O
1 x USB-C Data Output (Shared with Power Input)
1 x PC Sync Socket Output
1 x RJ45
1 x Sony Multi/Micro-USB
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
2.4 GHz Bluetooth 5.0
Display Type
Tilting Touchscreen LCD
Battery Type
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 430 Shots)
Imaging
Lens Mount
Sony E
Sensor Resolution
Actual: 50.5 Megapixel
Effective: 50.1 Megapixel (8640 x 5760)
Image Sensor
35.9 x 24 mm (Full-Frame) Stacked CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
None
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed
Mechanical Shutter
1/8000 to 30 Seconds
1/32000 to 30 Seconds in Auto Mode
Electronic Shutter
1/32000 to 30 Seconds
1/8000 to 1/4 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 32,000 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Video
100 to 32,000 in Manual Mode
100 to 12,800 in Auto Mode
Metering Method
Average, Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range
-3 to 20 EV
White Balance
2500 to 9900K
Presets: Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent, Incandescent, Shade, Underwater
Continuous Shooting
Electronic Shutter
Up to 30 fps at 50.1 MP for up to 155 Frames (Raw) / 165 Frames (JPEG)
Up to 20 fps at 50.1 MP for up to 238 Frames (Raw) / 400 Frames (JPEG)
Up to 15 fps at 50.1 MP
Up to 5 fps at 50.1 MP
Mechanical Shutter
Up to 10 fps at 50.1 MP
Up to 8 fps at 50.1 MP
Up to 6 fps at 50.1 MP
Up to 3 fps at 50.1 MP
Interval Recording
Yes
Self-Timer
2/5/10-Second Delay
Still Image Capture
Image Sizes
3:2
49.7 MP (8640 x 5760)
21 MP (5616 x 3744)
12.4 MP (4320 x 2880)
4:3
44.2 MP (7680 x 5760)
18.6 MP (4992 x 3744)
11 MP (3840 x 2880)
16:9
42 MP (8640 x 4864)
18 MP (5616 x 3160)
11 MP (4320 x 2432)
1:1
44.2 MP (5760 x 5760)
14 MP (3744 x 3744)
8.2 MP (2880 x 2880)
Aspect Ratio
1:1, 3:2, 4:3, 16:9
Image File Format
HEIF, JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording Modes
H.265/XAVC HS 4:2:2 10-Bit
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [260 to 520 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/50/59.94/100/120 fps [50 to 280 Mb/s]
H.265/XAVC HS 4:2:0 10-Bit
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [200 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/50/59.94/100/120 fps [30 to 200 Mb/s]
H.264/XAVC S-I 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
H.264/XAVC S 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [100 to 280 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100/200/240 fps [50 Mb/s]
H.264/XAVC S 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [60 to 200 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100/120/200/240 fps [16 to 100 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
4:2:0 8-Bit via HDMI
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/50/59.94 fps
1920 x 1080i at 50/59.94 fps
Raw 16-Bit via HDMI
4332 x 2446 at 23.98/25/29.97/50/59.94 fps
Sensor Crop Modes
Super35 / APS-C
4K (3840 x 2160)
1080p (1920 x 1080)
Fast-/Slow-Motion Support
Yes
Gamma Curve
HDR-HLG, Sony S-Log 2, Sony S-Log 3
Recording Limit
None
Broadcast Output
NTSC/PAL
IP Streaming
None
Built-In Microphone Type
Stereo
Audio Recording
XAVC: 2-Channel 16-Bit 48 kHz LPCM Audio
MPEG4: 2-Channel AAC Audio
Interface
Media/Memory Card Slot
Dual Slot: CFexpress Type A / SD (UHS-II)
Video I/O
1 x HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C Input
Other I/O
1 x USB-C Data Output (Shared with Power Input)
1 x PC Sync Socket Output
1 x RJ45
1 x Sony Multi/Micro-USB
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
2.4 GHz Bluetooth 5.0
Mobile App Compatible
Yes: Android & iOS
App Name: Imaging Edge Mobile
Functionality: Access Stored Files, Remote Control
*As of January, 2023: Check with manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Size
3.0"
Resolution
1,440,000 Dot
Display Type
Tilting Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Size
0.64"
Resolution
9,437,184 Dot
Eye Point
25 mm
Coverage
100%
Magnification
Approx. 0.9x
Diopter Adjustment
-4 to +3
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 759
Contrast Detection: 425
Autofocus Sensitivity
-4 to +20 EV
Flash
Built-In Flash/Light
No
Flash Modes
Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync
Maximum Sync Speed
1/400 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
PC Terminal
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
Storage Temperature
-4 to 131°F / -20 to 55°C
General
Battery Type
1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 430 Shots)
Shoe Mount
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Accessory Mounting Thread
1 x on Camera Body
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.07 x 3.81 x 2.74" / 128.9 x 96.9 x 69.7 mm
Weight
1.6 lb / 737 g (With Battery, Recording Media)
1.4 lb / 652 g (Body Only)
Packaging Info
Package Weight
3.22 lb
Box Dimensions (LxWxH)
11.8 x 6.3 x 5.4"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Key Specs
Display Size
5.0" / 12.7 cm
Resolution
1920 x 1080
Touchscreen
Yes
HDR Compatibility
HDR10, Hybrid Log Gamma
Video I/O
1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
Media/Memory Card Slot
Single Slot: SSDmini/SSD with Master Caddy II/III
Power Consumption
10 W (Typical)
22 W (Maximum)
Display
Panel Type
IPS-Type LCD
Display Size
5.0" / 12.7 cm
Resolution
1920 x 1080
Aspect Ratio
16:9
Touchscreen
Yes
Maximum Brightness
1000 nits / cd/m2
Bit Depth / Color Support
8-Bit+FRC (1.07 Billion Colors)
HDR Compatibility
HDR10, Hybrid Log Gamma
Pixels Per Inch (ppi)
423 ppi
Color Gamut
100% Rec. 709
Real-Time LUT Monitoring
SDR
Image Controls
Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
Inputs / Outputs
Video I/O
1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
Embedded Audio
HDMI: 2-Channel
HDMI: 8-Channel
Audio I/O
1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In Speaker
None
Power I/O
1 x D-Tap Input
Other I/O
1 x 2.5 mm (LANC)
Media/Memory Card Slot
Single Slot: SSDmini/SSD with Master Caddy II/III
Wi-Fi
None
Bluetooth
Yes
Mobile App Compatible
Yes: iOS Only
App Name: AtomRemote
Functionality: Adjust Settings, Remote Control
*As of August, 2021: Check with manufacturer for the most up-to-date compatibility
Format Support
Video Format
HDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma Curve
Rec709
Video Signal Conversion
HDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion
2:2, 3:2
Camera Trigger
HDMI
Pre-Roll Record
4K: 2 Seconds
Full HD: 8 Seconds
Encoding Formats
Up to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks
12
Metadata Tagging
10
Power
DC Input Power
5.8 to 7.2 VDC
Built-In Battery
None
Battery Type
1 x L-Series
Power Consumption
10 W (Typical)
22 W (Maximum)
Mounting
Mounting
2 x 3/8"-16 Female
Environmental
Operating Temperature
104°F / 40°C
General
Material of Construction
Aluminum, Polycarbonate
Dimensions
5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight
12.7 oz / 360 g
Packaging Info
Package Weight
2.39 lb
Box Dimensions (LxWxH)
8.2 x 5.8 x 4.3"

Atomos AtomX 5 and 7" Monitor Mount Specs

Pan
360°
Roll
180°
Packaging Info
Package Weight
0.28 lb
Box Dimensions (LxWxH)
4.1 x 3.9 x 2.15"

Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors Specs

Compatibility
Atomos Shinobi, Shinobi SDI, Ninja V Monitors
Material of Construction
Case: EVA Plastic
Battery Type
L-Series NP-F750
Hood
5" Monitor
Packaging Info
Package Weight
2.8 lb
Box Dimensions (LxWxH)
10.5 x 6.75 x 4"

ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (17.7") Specs

General
Connector 1
1 x HDMI Male
Connector 2
1 x HDMI Male
Cable Length
17.7" / 44.96 cm
HDMI Version
2.0
Ethernet Channel
Yes
HDCP Support
Yes, Version 2.2
Outer Diameter
0.138" / 3.5 mm
Connector Plating
Gold
Weight
0.74 oz / 21 g
Electrical
Maximum Resolution Support
4096 x 2160 at 60 Hz
Bandwidth
18 Gbps
Compliance
HDCP, HDR
Packaging Info
Package Weight
0.2 lb
Box Dimensions (LxWxH)
5.6 x 2.9 x 1.6"

Sony A1 Reviews

Does not last long. Not worth investment

By Kenneth
Rated 1 out of 5
Date: 2023-09-15

Ive had this camera for 2 years now. Its been good besides the fact the wifi, wireless tethering options are non existent. Now the problem I have is the camera not working at all, after a firmware update that was recommended by Sony itself. Since the camera was purchased over a year ago, it is now out of warranty so BH will not help neither will Sony. It is out of pocket to fix a $6500 camera that worked fine until updating with new firmware. Would have never bought this camera. Not worth the investment. Does not last!

Superb camera

By Byron
Rated 5 out of 5
Date: 2023-06-13

Best camera I have ever owned. Excellent auto focus. Brilliant EVF and LCD screen. Works well in low light situations. I shoot mostly still rather than video. The battery will last through a day, but would carry an extra. I recommend getting the optional service contract. I needed to have the sensor cleaned and the Allstate Protection Plan that I bought with the camera arranged to get the camera back to me in time for an international trip. The Imaging Edge iPhone program for this camera is important if you like to have the GPS data on the photos.

So close

By Jack
Rated 4 out of 5
Date: 2023-06-09

We have been shooting for 30 years and have been in the Canon, Nikon and Sony ecosystems. The Sony A1 is the first camera I've used that I thought was fun to shoot and not just a tool. It is fantastic in low light, autofocus is quick accurate and sticky. The files are great, needing minimal processing in raw. Everything really came together in terms of photography in this camera. BUT, the A1 is billed as a hybrid camera and not just a stills camera. How Sony got a pass on the overheating issues in the A1 is amazing. On a recent trip to Rwanda, we got 7 and 9 minutes respectively at 8k/24. Then less than 20 minutes when switching directly to 4k. We ended up recording the last 30 minutes of our time with gorillas using iPhones. While the A1s don't always overheat that quickly they do invariably overheat, making them unusable as an A cam or even a B cam on anything long form. We do have the temperature set to high and occasionally catch the odor of burning plastic about the time the high temperature warning goes off in the viewfinder. Slog is still Slog in video, but PP OFF is so strong and accurate we regularly shoot with that. The A1 is at least a full stop better than the R5 in low light and probably two stops better in DR. At double the price it should be better. The last negative: AF tracking in video is not very good with wildlife and any type of interference (like sagebrush in the foreground) and the camera AF just will not stay with a moving subject such as a grizzly bear. It's the best single camera on the market, but, at this price point should have been better.

A1 is not just for steaks

By Raymond
Rated 5 out of 5
Date: 2023-04-14

The camera is phenomenal. The price is extreme. It's my go-to camera when shooting wildlife and street Photography. I also own the 7R5 for Landscapes. I get more usable photos with this body because of its awesome tracking and speed. 50mp really helps to crop small images.

Worth it

By Geoff
Rated 5 out of 5
Date: 2023-01-10

Yes, it costs a fortune. Yes, it's worth it if you are using the camera in your work. I do sports photography for a local newspaper chain. The ability to capture 30 fps is invaluable. The 50 megapixel sensor enables image cropping that results in more than acceptable images. I haven't done it yet, but I'm eager to see if I can use my 200-600 5.6-6.3 lens in outdoor/night games. If so it'll be icing on the cake.

Amazing but Compromised

By Troy
Rated 3 out of 5
Date: 2022-12-21

After years using this camera it continues to perform well; however, the issue with all Sony cameras is the terrible attention to firmware updates. This camera has the hardware capability to do more but since there has been almost no SIGNIFICANT firmware updates, it is lagging behind other less expensive Sony cameras (A7c, A7rV). I hope that influential readers of B&H can push Sony to action, maybe?

EXCELLENT! Immediate professional lol

By Alex Hinson
Rated 5 out of 5
Date: 2023-08-03

The cost IS worth it. I'm a beginner - mid level videographer, who is maybe 2-3 years into filming and shooting. The A1 makes me better !!! I get so many clients and love for the content the A1 has helped me achieve . As far as the overheating, I film outdoors a lot, I'm in the Texas summer sun year 2023. I was able to video for 9 hours outside in the heat! Any cam would overheat under this condition and This camera is no different but it needed a short break and it was good to go again. STAY IN SHADE TO AVOID OVERHEATING. This camera will has not disappointed me ever.. I never have wrote a review for anything that I liked before. The feeling to write a review for this camera was a great feeling. This was a MAJOR investment for me and it was one of my best decisions I ever made. Thank you for your time in reading my review

Excellent but price may not be justified for some.

By Arnold
Rated 5 out of 5
Date: 2023-07-14

I had nothing but good experiences with my beloved Sony A7RIII, but since I love astrophotography and learned about the Sony A1's low light capabilities despite the ~50 mp sensor size, I could not resist buying it. First impressions: The build quality does not seem to be any better than the Sony A7RIII or A7IV cameras. However, this camera claims to be more weather proof. I like the shutter down function when changing lenses but wished Sony had implemented it like Nikon did with with the Z8 using a curtain down method. The shutter down function on the A1 protects the sensor from dust and particles but it has the potential to be damaged should the lens slip out of your hands while mounting the lens. The addition of the dials on the top left of the camera body seems almost like as if Sony realized that this side of the camera looks too empty for the price and added functions that used to be easily programmed in the Memory settings. Just move the right hand dial to M1, 2, or 3 and done. It does give the camera a more balanced appearance, but now there are three steps needed rather than just one. The shutter action is very quite and one can hardly feel any repercussions during shooting. This camera also has no longer any banding issues in Silence mode. The attached image I shot was with ISO 4000. In terms of noise, I can not find a noticeable, or worth mentioning difference to the Milky Way images I shot with the excellent Sony 7R3 or, in astrophotography context, the excellent Nikon Z6, but perhaps that is too early to tell. So for $6500 I got: - Shutter down function. - No banding in silence mode. - Higher shooting through put 30fps (which I never will use). - 200mp high resolution shots which is basically unless nothing is moving during the shot. - 1/400 sec Flash sync,- OK. - Beautiful bright, high resolution view finder. - Even more improved AF, especially for eye detection. Is the cost justified? Perhaps for those that welcome the 30fps rate and other features that are very useful for action photography, but even those photographers will think hard if it is really worth $6500. Don't get me wrong, I think the Sony A1 is one of the leading flag ships in the camera world, but it is also one of the most expensive ones. I really don't regret having bought this fine piece of engineering and will consider this my last camera purchase for a long time to come, my only grudge is the left side dials which have made a simple thing more complicated. This, and my impression that the camera doesn't feel more solidly made than other Sony A7xxx models.

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