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Panasonic Lumix GH6 Mirrorless Camera

BH #PADCGH6 • MFR #DC-GH6BODY
Panasonic Lumix GH6 Mirrorless Camera
Key Features
  • 25.2MP Live MOS Micro Four Thirds Sensor
  • 4K 60p 4:2:2 10-Bit Unlimited Recording
  • 5.7K 60p, 4K 120p HFR, FHD 300p VFR
  • ProRes 422 HQ, V-Log and DR Boost
A pioneer in the Micro Four Thirds class, the Lumix GH6 Mirrorless Camera from Panasonic is a petite beast that challenges full-frame rivals, a powerful hybrid addition to the video-centric GH series that offers cutting-edge tech to cinematographers and photographers alike. The improved processing power of the Venus Engine enables fast sensor readouts for internal recording of 5.7K 30p in Apple ProRes 422 HQ, FHD 300p, and handheld 100MP photos. The GH6 properly exposes across 13+ stops, features in-body, sensor-shift stabilization, and can be spliced into VariCam footage with its pre-installed V-log image profile. Panasonic has created a compact flagship camera that professionals can choose for stills, as primary workhorse for independent cinema, or as an extra angle on feature productions.
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Panasonic GH6 Overview

  • 1Description
  • 2A New Creative Dimension
  • 3Flagship Imaging Platform
  • 4Professional-Grade High Bitrate Video
  • 5Photography Capabilities
  • 6Professional and Reliable Design
By B&H Photo's
A New Creative Dimension
A pioneer in the Micro Four Thirds class, the Lumix GH6 Mirrorless Camera from Panasonic is a petite beast that challenges full-frame rivals, a powerful hybrid addition to the video-centric GH series that offers cutting-edge tech to cinematographers and photographers alike. The improved processing power of the Venus Engine enables fast sensor readouts for internal recording of 5.7K 30p in Apple ProRes 422 HQ, FHD 300p, and handheld 100MP photos. The GH6 properly exposes across 13+ stops, features in-body, sensor-shift stabilization, and can be spliced into VariCam footage with its pre-installed V-log image profile. Panasonic has created a compact flagship camera that professionals can choose for stills, as primary workhorse for independent cinema, or as an extra angle on feature productions.
Flagship Imaging Platform
High Resolution 25MP Sensor, 5.7K Video
Redesigned from the ground up, this sensor improves upon its predecessors in the GH Series with new silicone and software. It has an improved 13+ stops of dynamic range despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor. Use a CFexpress Type B card to internally record 5.7K Apple Pro Res 422 HQ, or the SD slot to capture 10-bit 4K120p footage. The ability to record high bitrates and an unlimited recording time set this camera apart from any of its predecessors.

For maximum sharpness, the sensor is unhindered by a low-pass filter; it smooths out any moiré through intelligent detail processing from its updated Venus engine. Relying on its next-generation image stabilization, this camera synthesizes eight distinct images into a single 100MP image - all without requiring a tripod.

Lightning-Fast Sensor Readout
The Venus Engine has twice the power of previous generations, which enables 75 fps continuous shooting or 300 fps variable frame rate (VFR) slow motion footage. The Venus Engine's fast sensor readout limits the rolling shutter distortion to keep skyscrapers vertical when shooting from an automobile's action mount or to capture slow motion footage of quickly moving objects.
Stabilization: In-Body, Sensor-Shift
  • In-body, sensor-shift, 5-axis image stabilization is obtained with a high-precision gyro-sensor and a stabilization algorithm. At all focal lengths, this stabilization technology offers 7.5 stops of deviance from the shutter speed dictated by the reciprocal rule.

  • Its in-body, sensor-shift technology works seamlessly with the optical image stabilization of Panasonic lenses. Electronic stabilization is available who those who accept the slight cropping effect it requires. Boost I.S. mode is the most extreme form of electronic stabilization, simulating a shot locked off on a tripod.
  • AF & AE Highlights
    • The processing speed of the autofocus has been tripled, powering the 315-area contrast-detection depth-from-defocus (DFD) system. The updated algorithm calculates the distance to your subject and predicts whether it is moving closer or further away from the camera, anticipating where it will be for the following frame. It functions by collecting data from several focal planes, then creating a 3D, real-time depth map.

    • The subject-tracking focusing system also supports face, eye, head, body, and animal recognition. The autofocus will automatically switch from body recognition to face, then eye recognition as the subject approaches the camera for improved sharpness.

    • The Focus Limiter, Manual Focus Assist and an updated joystick enable quick and precise focusing. Zone AF is a less obstructive overlay, and Face Priority in Multi Metering prevents unwanted exposure changes.

    Professional-Grade High Bitrate Video
    Limitless Latitude
  • 5.7K 30p recording is supported in the high-quality Apple ProRes 422 HQ/ProRes 422 codecs for visually lossless, high bitrate footage well-suited for intense manipulation in post-production. ProRes 422 HQ/ProRes 422 is also supported in DCI 4K and FHD at up to 60p.
  • The GH6 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for pristine detail and depth in color grading.
  • Preserve 13+ Stops of Detail
  • Shooting in V-Log and V-Gamut will give you 12+ stops of dynamic range, which can be increased to 13+ stops by activating its dual-analog gain circuits with Dynamic Range Boost Mode. One circuit using ISO 800 absorbs the richness of the visible spectrum while maintaining detail in the highlights, and ISO 2000 captures low-noise gradients of black in the shadows.

  • The well-exposed picture is composited once passing through the Image Synthesis Dedicated Circuit. This makes it different from a dual-native design because you're not selecting one ISO or the other, but both are working in tandem. Dynamic Range Boost Mode is available for footage shot up to 60 fps.
  • Unlimited Recording Times
    Panasonic recognizes the importance of shooting extended clips and has designed the GH6 to not have a maximum record time. Extended takes like interviews and live events can be recorded in their entirety, reducing sync errors, and simplifying data management. This is made possible by a fan-driven active cooling design that radiates heat away from the sensor.
    Intelligent Image Processing
    3D noise reduction is achieved by comparing three sequential frames, then automatically scrubbing the noise which appears in only one of the three frames. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details like hair and wires to minimize moiré patterns.
    Flat Profile & Expansive Color Space
    Edit seamlessly with VariCam cameras with accurate color reproduction and subtle gradations from dark areas to highlights. V-log and Hybrid Log Gamma preserve the maximum amount of data, leaving your colorist with plenty of latitude to shape the aesthetic with creative LUTs. The GH6 supports both .CUBE and .VLT formats for V-Log View Assist in real time to approximate the final look of your deliverable.
    Raw Recording via HDMI
    Added with Firmware Version 2.0, the GH6 supports 12-bit raw video output in 5.7K, DCI 4K, and Anamorphic 5.8K and 4.4K formats via HDMI when recording to Atomos Ninja V and V+ external recorders in ProRes RAW.
    Anamorphic Versatility
  • Record open gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.

  • Store up to 10 anamorphic lenses on the GH6 for quick swaps and ready-to-view, desqueezed footage. Images can be desqueezed in cinescope size. Magnification rate is also selectable from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x.

  • The Image Stabilizer Anamorphic setting is ideal for using an anamorphic lens. To properly interpret the visual information for stabilization processing, select from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x depending on the lens magnification.

  • Super-Slow Motion
    By shooting in high frame rate (HFR) 4K you can boost your frame rate to 120p, or 1080p will give you 240p to play with. If you can do without a scratch track, freeze time with the super-slow 300 fps variable frame rate (VFR) footage in 10-bit FHD. Autofocus remains available to actively make changes while recording up to 200 fps.
    Instant Back-Up
    Simultaneous internal and external recording via the HDMI port broadens your options for redundancy and storage, particularly convenient when shooting live events over an hour long. Record in resolutions up to DCI 4K in 17:9 with a bit depth up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.
    High-Fidelity Sound
    Enhanced audio features enable high quality audio recording. The GH6 is always ready to capture 48kHz 24-bit with built-in mic. Boost that to 96kHz 24-bit with an external mic. For recording interviews with multiple mics, HDMI will output 4-channels of audio data.
    Scopes & Assists
  • The Wave Form Monitor, Vector Scope, and Luminance Spot Meter feed you vital information about your levels.

  • Time lapse video interval capture is customizable for both shooting and playback durations, complete with exposure smoothing.

  • Focus Transition, Frame Indicator, and Frame Marker improve the workflow in both production and post-production.

  • Safety Zone Marker, Vertical Position Information, Center Marker Options, and Enlarged Live Display help keep your action properly oriented, centered, and in focus.

  • Photography Capabilities
    Hybrid Strength
    Though Lumix is known for stellar video production, it excels as a hybrid camera with its 100MP stills, a wide dynamic range, 7.5 stops of dual image stabilization, and continuous shooting up to 75 fps with an electronic shutter.
    100MP Shots
    Image stabilization technology enables 8 consecutive stills to be synthesized into one high-resolution, 100MP image without the use of a tripod. Dynamic Range Boost Mode is automatically engaged in all photo modes.
    Clean Details in Low Light
    Details are retained and color noise is reduced, even when shooting in dimly lit conditions that require high ISO. When conditions are less-than-ideal, 2D noise reduction gives your photos a more natural and three-dimensional quality.
    Shutter Flexibility
    Manually select between several shutter modes depending on your needs: a mechanical shutter type, electronic front curtain type, electronic shutter type, electronic shutter type with noise reduction after shooting at a slow shutter speed, or let the camera automatically switch the shutter type depending on the conditions and shutter speed.
    Rapid-Fire for Three Seconds
    Achieve 75 fps burst shooting (AFS, electronic shutter) while maintaining 25.2 megapixels due to the faster readout speed of the GH6 sensor and the superior processing power of the new Venus Engine. The high sensor readout speed reduces rolling shutter distortion. Shoot 75 fps with an electronic shutter and AFS or 14 fps with a mechanical shutter and AFS. With AFC, you can shoot at up to 8 fps with a mechanical shutter or 7 fps with an electronic shutter.
    Ready-to-Share
  • Several picture profiles are included to save time editing, including L. Classic Neo, a film-like effect with a nostalgic, soft coloring. L. Monochrome S is a black and white effect with a gentle touch suited to portraits. Cinelike modes have a film-like finishing touch using a gamma curve to prioritize dynamic range or contrast.

  • For professional control, V-Log's flat profile is available when taking stills. Manually adjust the contrast, saturation and sharpness and save it as My Photo Style 1-10 for a detailed profile down to the ISO and white balance.
  • Professional and Reliable Design
    High-Definition LCD
    The free-angle 3.0-inch 1.84m-dot LCD screen tilts toward the shooter, enabling high- and low-angle shots, as well as positions in tight corners that would otherwise be extremely difficult to properly frame and focus your camera. It is high contrast, high brightness, and high visibility even under strong sunlight. Its intuitive design uses static touch control and has an improved locking mechanism for easier use.
    Intelligent Eyepiece
    The 3.68m-dot OLED Live Viewfinder has a 0.76x-equivalent magnification for bright, realistic eye-level monitoring.
    CFexpress Type B & SD
    The dual card slot provides options dependent on the bitrate of your shoot. The CFexpress Type B slot is necessary to record higher bitrate formats like Apple Pro Res 422 HQ and 800 Mb/s 4:2:2 10-bit ALL-Intra footage. The SD card slot records bitrates up to 600 Mb/s when using high performance UHS-II U3 Class 10 SD cards.
    SSD Recording Over USB
    Both video and stills can be recorded and played back using an external SSD when connected via the USB-C port. This enables saving to larger capacity drives and working with media that's immediately compatible with most post-production workflows.
    Danger: High Voltage
    The GH6 takes DMW-BLK22 lithium-ion battery and provides approximately 360 shots per charge.
    Weatherproof Below Freezing
    The body of the GH6 is engineered to keep out precipitation and dust down to 14°F. Despite its sealed design, heat dispersal is attained through an electric fan, heat sink, and frame that radiates heat away from the sensor, engine, and memory card.
    Ergonomic Optimization
  • Spend less time rummaging through digital menus by using its dual ring selectors find your preferred shooting mode. The design of the camera incorporates dedicated buttons for key features like the zoomed-in manual focus assist box and audio information button for quick adjustments of the levels.

  • An additional video record button on the face of the GH6 is more accessible when mounted on a shoulder rig. The camera is designed to be as small and lightweight as possible, increasing its compatibility with motorized gimbals and commercial drones (available separately).
  • Wireless & Remote Control
  • To expand the flexibility of data transfers and remote control, wireless options are built into the design. Wi-Fi 5GHz and Bluetooth v5.0 enable the transfer of photos and footage to a cell phone, which can then be beamed to a news station. Updating the camera's firmware can be accomplished wirelessly via a smartphone.

  • Remotely control up to 12 GH6 cameras via and LUMIX Tether app via USB. Adjust settings like the metering mode, recording quality, and focus mode, then transfer the footage to the computer after recording. When prepping those cameras, save time and reduce errors by using the Lumix SYNC app to wirelessly match the recording settings.

  • In/Out
    • This camera provides options to connect to external devices. The USB 3.2 Gen2 Type-C enables data transfers of 10Gb/s, powers the camera, or charges the battery. The HDMI Type-A port feeds the footage to an external recorder, or the hot shoe mount connects to an XLR expansion device like the DMW-XLR1 (available separately).

    • A 3.5mm headphone jack is located on the side of the camera, above the 3.5mm headphone jack. On the front of the camera, a flash synchro socket doubles as a timecode in/out when using the included BNC converter cable.

    Panasonic GH6 Specs

    Key Specs
    Lens Mount
    Micro Four Thirds
    Sensor Resolution
    Actual: 26.52 Megapixel
    Effective: 25.2 Megapixel (5776 x 4336)
    Image Sensor
    17.3 x 13 mm (Four Thirds) MOS
    Image Stabilization
    Sensor-Shift, 5-Axis
    ISO Sensitivity
    Photo
    100 to 25,600 in Auto Mode (Extended: 50)
    Video
    100 to 12,800 (Extended: 50)
    Continuous Shooting
    Mechanical Shutter
    Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
    Electronic Shutter
    Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
    Internal Recording Modes
    H.264/MOV/MPEG-4 AVC/ProRes 422/ProRes 422 HQ 4:2:2 10-Bit
    5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s]
    H.264 ALL-Intra/MOV 4:2:2 10-Bit
    4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
    3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
    1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s]
    1920 x 1080i at 50/59.94 fps [100 Mb/s]
    H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
    4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
    3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
    1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s]
    1920 x 1080i at 50/59.94 fps [50 Mb/s]
    H.265 Long GOP/MOV 4:2:0 10-Bit
    5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
    5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s]
    4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
    4096 x 2160 [150 to 300 Mb/s]
    3840 x 2160 [72 to 300 Mb/s]
    1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s]
    External Recording Modes
    4:2:2 10-Bit via HDMI
    DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
    UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
    1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
    1920 x 1080i at 50/59.94 fps
    Raw 12-Bit via HDMI
    5760 x 4320
    5744 x 3024
    DCI 4K (4096 x 2160)
    Media/Memory Card Slot
    Slot 1: CFexpress Type B
    Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
    Video I/O
    1 x HDMI (Unspecified Signal) Output
    Audio I/O
    1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
    1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
    Power I/O
    1 x USB-C Input/Output
    Other I/O
    1 x USB-C Data/Monitor/Tether/Video
    Wireless
    5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
    Display Type
    Free-Angle Tilting Touchscreen LCD
    Battery Type
    1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
    Imaging
    Lens Mount
    Micro Four Thirds
    Sensor Resolution
    Actual: 26.52 Megapixel
    Effective: 25.2 Megapixel (5776 x 4336)
    Image Sensor
    17.3 x 13 mm (Four Thirds) MOS
    Crop Factor
    2x
    Image Stabilization
    Sensor-Shift, 5-Axis
    Built-In ND Filter
    None
    Capture Type
    Stills & Video
    Exposure Control
    Shutter Type
    Electronic Shutter
    Shutter Speed
    Electronic Front Curtain Shutter
    1/2000 to 60 Seconds
    Up to 30 Minutes in Bulb Mode
    Electronic Shutter
    1/32000 to 1 Second
    to 60 Seconds in Bulb Mode
    1/25,000 to 1/8 Second in Movie Mode
    Bulb/Time Mode
    Bulb Mode, Time Mode
    ISO Sensitivity
    Photo
    100 to 25,600 in Auto Mode (Extended: 50)
    Video
    100 to 12,800 (Extended: 50)
    Metering Method
    Center-Weighted Average, Highlight Weighted, Multiple, Spot
    Exposure Modes
    Aperture Priority, Manual, Program, Shutter Priority
    Exposure Compensation
    -5 to +5 EV (1/3 EV Steps)
    Metering Range
    0 to 18 EV
    White Balance
    Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
    Continuous Shooting
    Mechanical Shutter
    Up to 14 fps for up to 65 Frames (Raw) / 95 Frames (JPEG)
    Electronic Shutter
    Up to 75 fps for up to 200 Frames (Raw) / 200 Frames (JPEG)
    Interval Recording
    Yes
    Self-Timer
    2/3/10-Second Delay
    Still Image Capture
    Image Sizes
    4:3 JPEG / Raw
    25.2 MP (5776 x 4336)
    3:2 JPEG / Raw
    5776 x 3848
    16:9 JPEG / Raw
    5776 x 3242
    1:1 JPEG / Raw
    4336 x 4336
    Aspect Ratio
    1:1, 3:2, 4:3, 16:9
    Image File Format
    JPEG, Raw
    Bit Depth
    14-Bit
    Video Capture
    Internal Recording Modes
    H.264/MOV/MPEG-4 AVC/ProRes 422/ProRes 422 HQ 4:2:2 10-Bit
    5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s]
    H.264 ALL-Intra/MOV 4:2:2 10-Bit
    4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
    3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s]
    1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s]
    1920 x 1080i at 50/59.94 fps [100 Mb/s]
    H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit
    4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
    3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s]
    1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s]
    1920 x 1080i at 50/59.94 fps [50 Mb/s]
    H.265 Long GOP/MOV 4:2:0 10-Bit
    5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s]
    5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s]
    4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s]
    4096 x 2160 [150 to 300 Mb/s]
    3840 x 2160 [72 to 300 Mb/s]
    1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s]
    External Recording Modes
    4:2:2 10-Bit via HDMI
    DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
    UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
    1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps
    1920 x 1080i at 50/59.94 fps
    Raw 12-Bit via HDMI
    5760 x 4320
    5744 x 3024
    DCI 4K (4096 x 2160)
    Fast-/Slow-Motion Support
    Yes
    Gamma Curve
    Panasonic V-Gamut, Panasonic V-Log
    Recording Limit
    None
    Broadcast Output
    NTSC/PAL
    IP Streaming
    None
    Built-In Microphone Type
    Stereo
    Audio Recording
    MOV: 2/4-Channel 24-Bit 96 kHz LPCM Audio
    MOV: 2/4-Channel 24-Bit 48 kHz LPCM Audio
    MP4: 2-Channel 16-Bit 48 kHz AAC Audio
    Interface
    Media/Memory Card Slot
    Slot 1: CFexpress Type B
    Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
    Video I/O
    1 x HDMI (Unspecified Signal) Output
    Audio I/O
    1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input
    1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
    Power I/O
    1 x USB-C Input/Output
    Other I/O
    1 x USB-C Data/Monitor/Tether/Video
    Wireless
    5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
    Mobile App Compatible
    Yes: Android & iOS
    App Name: Panasonic LUMIX Sync
    Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
    *As of August, 2023: Check with manufacturer for the most up-to-date compatibility
    Global Positioning (GPS, GLONASS, etc.)
    GPS
    *Via Connected Smartphone
    Monitor
    Display Size
    3"
    Resolution
    1,840,000 Dot
    Display Type
    Free-Angle Tilting Touchscreen LCD
    Viewfinder
    Type
    Built-In Electronic (OLED)
    Resolution
    3,680,000 Dot
    Eye Point
    21 mm
    Coverage
    100%
    Magnification
    Approx. 0.76x
    Diopter Adjustment
    -4 to +3
    Focus
    Focus Type
    Auto and Manual Focus
    Focus Mode
    Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
    Autofocus Points
    Photo, Video
    Contrast Detection: 315
    Autofocus Sensitivity
    -4 to +18 EV
    Flash
    Built-In Flash/Light
    No
    Flash Modes
    Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
    Maximum Sync Speed
    1/250 Second
    Flash Compensation
    -3 to +3 EV (1/3 EV Steps)
    Dedicated Flash System
    TTL
    External Flash Connection
    Shoe Mount
    Environmental
    Operating Temperature
    14 to 104°F / -10 to 40°C
    Storage Humidity
    10 to 80%
    General
    Battery Type
    1 x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
    Shoe Mount
    1 x Hot Shoe
    Tripod Mounting Thread
    1 x 1/4"-20 Female
    Material of Construction
    Magnesium Alloy
    Dimensions (W x H x D)
    5.45 x 3.95 x 3.92" / 13.84 x 10.03 x 9.96 cm
    Weight
    1.8 lb / 823 g (With Battery, Recording Media)
    1.63 lb / 739 g (Body Only)
    Packaging Info
    Package Weight
    3.125 lb
    Box Dimensions (LxWxH)
    8 x 6.4 x 6.1"

    Panasonic GH6 Reviews

    It's a M43 S1H.

    By Roger
    Rated 5 out of 5
    Date: 2023-08-31

    I was hoping the GH6 would be a M43 S1H. I have not been disappointed. User context: Professional DP, videographer, photographer (less so these days), former video photojournalist. Clients include healthcare, corporate, industrial, Doc, some event work. B-roll, sit down interviews, green screen etc. Fwiw, I've been doing this since 1989. Video: So far I've used the GH6 for several healthcare related b-roll / doc-type shoots, including a surgery. I shot the surgery in Boost DR, V-LOG, @ iso 2000 and 4000. Surgery suites can be quite dark and yet have very high contrast with the operating table lighting. I shot this all handheld, tripods are typically a no-no in a surgery suite. I used the 10-25 1.7. The IS is quite nice, definitely improved over the GH5. DR boost worked very well for this situation, I was able to maintain highlights while getting a good exposure for the (mids and lows) rest of the room. In this scenario the required high iso of 2000 worked like a charm. I feel very comfortable using iso 4000 with this camera for appropriate subject matter. It's pretty darn clean all things considering. Whatever noise issues there may or may not be, Neat Video will fix. Boost DR- It has it's place and it's effective at what it does. I'll definitely use it where appropriate, low light/ high contrast interiors, such as the aforementioned surgeryThe downside is with exterior situations: the massive amount of ND required to get the iris opened up in the larger apertures with my 10-25 (1.7-2.0) . I have a 10 stop fixed ND and I plan to get a 8 stop in addition to other fixed ND's currently owned. AF for video... I vastly prefer rolling my own focus. IMO there are three reasons why the video AF thing is such a fixation for the masses: 1) Lack of experience manually focusing (and possible laziness), 2) typical fly by wire photo lenses are hard to manually focus, and 3), AF makes shooting motion footage less painful within the mirrorless form factor. The hybrid form factor is a huge bag of hurt for shooting video/ motion. It's brutal compared to using a shoulder mount or camcorder configuration. Ergonomically, manually focusing or otherwise operating the camera smoothly or quickly is not the hybrids strong suit. I can appreciate how "Auto" could make this a less painful experience. For me, I'm content with using the quick focus feature to get initial focus and then go manual from there. The GH6 AF is a significant improvement over previous Lumix video AF implementations. I would never use it for an interview, just b-roll or on a gimbal. Although not to the level of some of the competition, Panasonic has definitely upped their game in the video AF realm. It's quite usable in the right situation. IQ, video and stills: ProRes, enough said. The color science is significantly improved over the GH5. Skin tones are much improved, as is tonality. I would go higher in a pinch, but I feel very comfortable going up to ISO 4k for corporate b-roll, journalistic or doc situations. Photos: The detail, color and tonality makes me very, very happy. I shot at ISO 100-250, I'm no seeing the low Iso shadow noise that one photo site complained about. I cranked the shadow recovery up in Photos as far as it would go, didn't see anything to be concerned about at all. Maybe another program with larger adjustment parameters might cause this to occur- I dunno. On occasion I do corporate headshots and some product-shot work. I'd happily use this camera for these jobs. Ergonomics/ functionality: In the months leading up to the GH6 release, it dawned on me that what I was really hoping for was a M43 S1H. Of course an improvement in IQ was needed, I assumed there would be improvement there. I wish the boost DR was more flexible to use (lower iso settings= less ND), but otherwise it's a solid step up (or two) from the GH5 in terms of DR capability. I was envious of the operational features on the S1H. Recording red frame indicator, tally lights, front recording trigger, adjustable waveforms, V-log and the full swivel up screen are critically important features for me. Usability enhancements and professional tools were the features that would cause me to purchase yet another hybrid camera. The one major disappointment was the lack of a S1H level viewfinder... . I would have paid more for that. That said, the GH6 viewfinder is better than the GH5's . I'm puzzled as to why, as they have the same resolution specs, but It's just a better and more immersive user experience. Maybe the magnification specs have been increased? Even though it's not S1H level, I'm pleasantly surprised. I do wish that Panasonic would allow for more customization of info in the VF. Also, the card capacity warning indicator needs to be far more obvious. It's easy to run out of card capacity due to this indicators anemic size and function. It's Chunky. That's a good thing: As a motion shooter, The previous GH series cameras have been too fiddly for me. The quality of the button and dial interfaces was lacking, the buttons were too small, often times poorly located, and not enough of them for camera operation. The dedicated audio button and lock switch are awesome, as is the display button, the size of the grip and the angled top where the WB/ISO buttons are. I like the chunkier body for motion work. For stills, certainly not ideal but definitely usable. I'm not sure why folks think every M43 camera has to be svelte and tiny- function and form. For video, the GH6 size is an improvement in function IMO. Conclusion: I purchased the GH6 as a concession to the lack of there being a successor to the AF100 or even the DVX200 which I own. The hybrid form factor has its strengths, but the cons are significant for professional motion work. If there was an updated AF100, I'd take it in a heart beat over the GH6 as a video tool. My hope is that Panasonic would really start to diverge from the hybrid concept and introduce a professional M43 video-only camera. The mirrorless form factor is gimped in so many ways for video/motion. Limited real estate for controls, limited VF and LCD function/ size, no internal ND's, the necessity for cages, audio adapters and other work arounds. Panasonic's continuation of the GH line without bringing back a dedicated M43 ILC video/cinema style camera is a huge misstep IMO- not playing to the formats technical or market differentiation advantages. They really dropped the ball in releasing excellent glass like the 10-25 and 25-50 as late as they did. If they are serious about continuing to develop M43 as pro or prosumer video creation tools, they should release a pro version of something like the 14-140 lens. Honestly, I have wondered for some time how committed Panasonic is to continuing M43 as a pro/prosumer video format. Their marketing material and corporate statements would indicate that they consider M43 as "pro-ish" or "not too pro" compared to FF. It is an artificial distinction that they seem intent on making for marketing reasons. It's a shame. They have created a self inflicted wound. As much as I have gushed about the GH6, this could be my last hybrid/mirrorless for pro video. The limitations and wacked ergos have me beating my head against the wall some days. Although the release of this camera would seem to indicate otherwise, I have my doubts about how seriously they are committed to M43 as a professional video production format. I adore the sensor format- maybe more than Panasonic does.

    Great Cam

    By Dylan
    Rated 5 out of 5
    Date: 2023-06-26

    Loving this camera so far! Have been mostly shooting in Vlog, at this price point the amount of play in the you can get in the colors shooting in log combined with the frame rate options there's not a better deal out there. Bought the camera "open box" and couldn't tell the box was ever opened. Very happy with my purchase.

    Awesome Video.

    By Richard
    Rated 5 out of 5
    Date: 2023-05-24

    The rear screen is so versatile. Handheld High Rez works great, So many video features. little soft on preset I just add sharpening and all good.

    Loving it so far!

    By Michael
    Rated 5 out of 5
    Date: 2023-04-14

    Have had the GH6 about a month. So far I am loving it. Lots to learn about this camera. The 5.7K mode is amazing, but eats up memory card quickly. The 12-600mm lens is awesome. Love the range it provides.

    I upgraded from a GH4

    By Paul
    Rated 5 out of 5
    Date: 2023-03-30

    So far I have zero complaints for this camera. Still need to put some stress on it and shoot some more to see how well it performs but so far, the specs and reviews on this cam are what I expected.

    Awesome Camera

    By Richard
    Rated 5 out of 5
    Date: 2023-03-10

    Great WPPI Deal. GH6 is fantastic. No problems with autofocus.

    A great camera for serious video production

    By Juyi
    Rated 5 out of 5
    Date: 2023-07-04

    True 24p, DCI 4K, 120fps

    If Only It Had Auto Focus

    By Michael
    Rated 4 out of 5
    Date: 2023-06-28

    Love it. Lightweight with small lenses make M4T superior to full-frame for me but why sell such a fine camera (10bit prores in camera for G*d's sake) that essentially needs be used in manual focus.

    See any errors on this page? Let us know

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