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RED DIGITAL CINEMA RED RANGER MONSTRO 8K VV (Battle-Tested, Gold Mount)

BH #RERNMON8KGBT • MFR #710-0335-BT
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RED DIGITAL CINEMA RED RANGER MONSTRO 8K VV (Battle-Tested, Gold Mount)
Key Features
  • RED-Certified Refurbished Camera Body
  • PL Lens Mount with Shim Set
  • 8K Full-Frame CMOS Sensor
  • 8192 x 4320 Recording up to 60 fps
Designed for demanding use in the studio and on location, this refurbished, Battle-Tested all-in-one RED RANGER MONSTRO 8K VV from RED DIGITAL CINEMA features a unibody design with integrated inputs and outputs, a shimmed PL mount, 24V power output, a 5-pin XLR audio input, and a larger built-in fan for improved thermal performance. With a unibody aluminum design and an integrated Gold mount battery plate, this 8K capture solution is ideal for rental houses and high-end production use as well as for individual users. The MONSTRO 8K VV full-frame sensor boasts up to 17 stops of dynamic range and can record the full image circle of full-frame 35mm lenses. You can also use Super35 lenses with a windowed capture area for high frame rate recording.
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RED DIGITAL CINEMA RANGER Overview

Designed for demanding use in the studio and on location, this refurbished, Battle-Tested all-in-one RED RANGER MONSTRO 8K VV from RED DIGITAL CINEMA features a unibody design with integrated inputs and outputs, a shimmed PL mount, 24V power output, a 5-pin XLR audio input, and a larger built-in fan for improved thermal performance. With a unibody aluminum design and an integrated Gold mount battery plate, this 8K capture solution is ideal for rental houses and high-end production use as well as for individual users. The MONSTRO 8K VV full-frame sensor boasts up to 17 stops of dynamic range and can record the full image circle of full-frame 35mm lenses. You can also use Super35 lenses with a windowed capture area for high frame rate recording.

RED's versatile REDCODE RAW codec uses wavelet compression to reduce data rates while maintaining a visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding, though if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.

Note:
Battle-Tested products may include some minor cosmetic blemishes.
8K MONSTRO VV Sensor
RED's MONSTRO 8K 40.96 x 21.6mm sensor can take advantage of full-frame 35mm lenses, recording at rates up to 60 fps at full resolution. Higher frame rates, up to 300 fps, can be made available by windowing the sensor to lower resolutions. RED measured the MONSTRO sensor as having 17 stops of dynamic range, able to represent both deep shadows and bright highlights in the same frame.
All-in-One Form Factor with Gold Mount Plate
Unibody aluminum design with integrated inputs and outputs, 24V power out, 5-pin audio input, a shimmed PL mount, and a larger, built-in fan for improved thermal performance. The built-in plate enables you to use longer-lasting Gold mount batteries.
REDCODE RAW
The cornerstone of RED's workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.

Note: Not all compression ratios are available at all resolutions and frame rates.

Apple ProRes and Avid DNx Formats
For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.
Color Management
Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
PL Lens Mount
The PL lens mount comes with a set of shims for adjusting the camera's flange focal distance to ensure accurate back focus. Flange focal distance can differ minutely according to different lens styles and changes in temperature and humidity; the shims enable you to correct for these differences.

RED DIGITAL CINEMA RANGER Specs

Key Specs
Lens Mount
ARRI PL
Sensor Resolution
Effective: 35.4 Megapixel (8192 x 4320)
Image Sensor
40.96 x 21.6 mm (Vistavision) CMOS
Image Stabilization
No
Internal Recording Modes
REDCODE RAW
8192 x 4320 up to 59.94 fps
7168 x 3780 up to 59.94 fps
8192 x 3456 up to 75 fps
6144 x 3240 up to 75 fps
7168 x 3024 up to 75 fps
5120 x 2700 up to 96 fps
6144 x 2592 up to 100 fps
5120 x 2160 up to 120 fps
4096 x 2160 up to 120 fps
4096 x 1728 up to 150 fps
3072 x 1620 up to 150 fps
3072 x 1296 up to 200 fps
2048 x 1080 up to 240 fps
2048 x 864 up to 300 fps
ProRes 422
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422 HQ
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422LT
4098 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 4444
2048 x 1080 up to 120 fps
ProRes 4444XQ
2048 x 1080 up to 120 fps
External Recording Modes
SDI/BNC
1920 x 1080p
Media/Memory Card Slot
Single Slot: RED MINI-MAG
Video I/O
2x BNC (3G-SDI) Output
1x BNC (Unspecified SDI) Output
Mobile App Compatible
No
Battery Type
Gold Mount
Imaging
Lens Mount
ARRI PL
Lens Communication
Yes
Sensor Resolution
Effective: 35.4 Megapixel (8192 x 4320)
Image Sensor
40.96 x 21.6 mm (Vistavision) CMOS
Image Stabilization
No
Built-In ND Filter
No
Internal Filter Holder
Yes
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Rolling Shutter 
Advertised Dynamic Range
17 Stops
Video Capture
Internal Recording Modes
REDCODE RAW
8192 x 4320 up to 59.94 fps
7168 x 3780 up to 59.94 fps
8192 x 3456 up to 75 fps
6144 x 3240 up to 75 fps
7168 x 3024 up to 75 fps
5120 x 2700 up to 96 fps
6144 x 2592 up to 100 fps
5120 x 2160 up to 120 fps
4096 x 2160 up to 120 fps
4096 x 1728 up to 150 fps
3072 x 1620 up to 150 fps
3072 x 1296 up to 200 fps
2048 x 1080 up to 240 fps
2048 x 864 up to 300 fps
ProRes 422
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422 HQ
4096 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 422LT
4098 x 2160 up to 29.97 fps
2048 x 1080 up to 120 fps
ProRes 4444
2048 x 1080 up to 120 fps
ProRes 4444XQ
2048 x 1080 up to 120 fps
External Recording Modes
SDI/BNC
1920 x 1080p
Recording Sensor Crop
Crops to Output Resolution in All Recording Modes
Fast-/Slow-Motion Support
Yes
Built-In Microphone
Stereo
Audio Recording
2-Channel 24-Bit 48 kHz
IP Streaming
Yes
Still Image Capture
Aspect Ratio
4:3, 16:9
Interface
Media/Memory Card Slot
Single Slot: RED MINI-MAG
Video I/O
2x BNC (3G-SDI) Output
1x BNC (Unspecified SDI) Output
Audio I/O
1x XLR 5-Pin Mic/Line (+48 V Phantom Power) Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1x LEMO 2-Pin (11.5 to 17VDC at 3 A) Output
1x XLR 4-Pin Input
1x USB-A (5VDC at 1.5 A) Output
1x D-Tap (11.5 to 17VDC at 3 A) Output
1x LEMO 2-Pin (11.5 to 17VDC at 1.5 A) Output
2x Fischer 3-Pin (24VDC at 2.5 A) Output
Other I/O
1x LEMO 4-Pin (RS-232) Control Input/Output
1x 9-Pin (Gigabit Ethernet) Input/Output
1x BNC (Genlock) Control Input/Output
1x LEMO 5-Pin (Timecode) Input/Output
Wireless
2.4 GHz Wi-Fi (802.11b/g) Control
Mobile App Compatible
No
Global Positioning (GPS, GLONASS, etc.)
No
Viewfinder
Type
Optional, Not Included
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Automatic, Manual Focus
General
Operating Conditions
32 to 104°F / 0 to 40°C up to 85% Humidity
Storage Conditions
-4 to 122°F / -20 to 50°C 
Battery Type
Gold Mount
Shoe Mount
No
Tripod Mounting Thread
1/4"-20 Female
3/8"-16 Female
Accessory Mounting Thread
17x 1/4"-20
Netflix Approved
Yes
Material of Construction
Aluminum
Dimensions (W x H x D)
7.77 x 6.3 x 6" / 197.27 x 160.6 x 152.35 mm
Weight
7.3 lb / 3.31 kg (Body Only)

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