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Panasonic Lumix S5 Mirrorless Camera with 20-60mm Lens and Accessories Kit

BH #PADCS5KAK (B&H Kit)
Panasonic Lumix S5 Mirrorless Camera with 20-60mm Lens and Accessories Kit
Key Features
  • Lumix S 20-60mm f/3.5-5.6 Lens
  • Memory Card
  • Camera Bag
An ideal starter bundle, the Panasonic Lumix S5 Mirrorless Camera with 20-60mm Lens and Accessories Kit from B&H extends the camera's versatility with the addition of a camera bag and a memory card.
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Panasonic S5 Overview

  • 1Description
  • 2Panasonic Lumix S5 Mirrorless Camera
  • 3Panasonic Lumix S 20-60mm f/3.5-5.6 Lens
  • 4Ruggard Hunter 35 DSLR Holster Bag
  • 5SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card

An ideal starter bundle, the Panasonic Lumix S5 Mirrorless Camera with 20-60mm Lens and Accessories Kit from B&H extends the camera's versatility with the addition of a camera bag and a memory card.

Panasonic Lumix S5 Mirrorless Camera

Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.

In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.

24.2MP Full-Frame CMOS Sensor and Venus Engine
Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes.
UHD 4K HDR Video Recording
In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available.

Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.

Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks.
Body Design
  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.
  • Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.
  • Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments.
  • Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
  • DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on.
  • High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec.
Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake.
DFD Autofocus System
For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
6K and 4K PHOTO
Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.
Bluetooth and Wi-Fi
Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.

Other Camera Features
  • By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.
Firmware Version 2.3
Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.
UPC: 885170426290
Panasonic Lumix S 20-60mm f/3.5-5.6 Lens

A unique zoom covering ultra-wide to short portrait-length fields of view, the Panasonic Lumix S 20-60mm f/3.5-5.6 is a sleek and versatile lens designed for full-frame L-mount mirrorless cameras. The distinct range of focal lengths is also complemented by flexible focusing capabilities, which permit working with subjects as close as 5.9" with a 0.43x magnification for near-macro performance. In terms of optics, the lens incorporates a series of aspherical, high refractive index, and low dispersion elements to control a variety of aberrations and realize a high degree of clarity and sharpness. A fluorine coating has been applied to the front element to reduce smudging and make it easier to clean and then lens also features a weather-sealed design for working in harsh environmental conditions. Additionally, suiting both photo and video applications, a stepping motor is featured, which affords fast, precise, and near-silent autofocus performance.

Wide-to-short telephoto zoom is designed for full-frame L-mount mirrorless cameras, however can also be used with APS-C models where it provides a 30-90mm equivalent focal length range.
Two aspherical elements and one ultra high refractive index (UHR) element, help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
Three extra-low dispersion elements greatly reduce chromatic aberrations and color fringing in order to produce a high degree of clarity and color accuracy.
Stepping AF motor delivers quick and quiet focusing performance that benefits both photo and video applications.
Maximum magnification of 0.43x and a minimum focusing distance of 5.9" benefits working with close-up subjects.
AF/MF switch permits quick changing between focusing modes.
Splash, dust, and freezeproof design benefits working in inclement weather conditions down to 14°F.
Fluorine coating has been applied to the front element to prevent dirt and oils from sticking to lens.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
UPC: 885170427280
Ruggard Hunter 35 DSLR Holster Bag

The Hunter 35 DSLR Holster Bag from Ruggard is slightly larger than the Hunter 25 and holds a DSLR (up to semi-pro size) with lens attached, face down, in shooting position. When you're ready to shoot, simply remove your camera, get the shot and replace your camera in the bag. The zippered top of the bag opens away from your body for fast access to your gear. This also serves as a security feature since no one but you will be able to see inside the bag.

The bag has a water-repellent exterior and smooth polyester lining that helps prevent scratches to the finish of your camera/lens combo. Inside, there are two removable touch fastened strips that can be configured to support your gear.

For storage, there is a front zippered organizer panel, mesh side pocket and two side loops that accept optional pouches. On the inside of the quick-release flap, there are two touch fastened memory card pockets. The bag is carried by its removable shoulder strap, top carry handle or belt loop that will leave you hands free. The zippers have yellow pull tabs that make the bag easy to use while you're wearing gloves.

Carry-on Form Factor
FAA and airline carry-on specifications are subject to change without notice. Please check with your airline before designating this case as a carry-on item. Most airlines require carry-on items to have an external linear measurement that is equal to or less than 45.0" (114.3 cm). The external dimensions of this case add up to 20.9" (53.1 cm)
UPC: 847628559004
SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card

Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 64GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 200 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.

While this card has been designed for cameras that are UHS-I / V30 / U3 compatible, it may be used in devices that do not support UHS-I / V30 / U3. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-I and U1, which supports minimum write speeds of 10 MB/s, or Class 10, which also supports minimum write speeds of 10 MB/s.

As with most SanDisk cards, this memory card is shockproof, X-ray proof, waterproof, while also being able to withstand temperatures from -13 to 185°F, allowing you to take this card with you into extreme environments, such as snow, deserts, and pools. Should the card's data become compromised, you also benefit from the option to download RescuePRO Deluxe software as well as a limited lifetime warranty.

Highlights
Save time with card offload speeds of up to 200 MB/s powered by SanDisk QuickFlow Technology
Pair with the SanDisk Professional PRO-READER SD and microSD Card Reader to achieve maximum speeds
Write speeds up to 90 MB/s and read speeds up to 200 MB/s
Good for shooting 4K UHD video and sequential burst mode photography
Capture uninterrupted video with UHS Speed Class 3 (U3) and Video Speed Class 30 (V30)
Built for and tested in harsh conditions, this card is resistant to water, shock, X-rays, and temperatures ranging from -13 to 185°F.
UPC: 619659188801

Panasonic Lumix S5 Mirrorless Camera Specs

Key Specs
Lens Mount
Leica L
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity Range
Photo
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Continuous Shooting
Mechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Internal Recording Modes
H.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
3328 x 2496 at 23.98/25/29.97 fps [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
3328 x 2496 at 23.98/25/29.97/50 fps [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50/59.94 fps [200 Mb/s]
3328 x 2496 at 50 fps [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 28 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) up to 50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
3536 x 2656 at 23.98/25/29.97/50 fps
Media/Memory Card Slot
Slot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O
1x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input
Other I/O
1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
Wireless
Wi-Fi, Bluetooth
Display Type
Articulating Touchscreen LCD
Battery Type
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 440 Shots)
Imaging
Lens Mount
Leica L
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor
35.6 x 23.8 mm (Full-Frame) CMOS
Sensor Crop (35mm Equivalent)
Crop Factor: 1x
Additional Modes: 1.5x
*Additional Crop Occurs in Select Video Modes
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes
Electronic Shutter
1/8000 to 60 Seconds
Up to 60 Seconds in Bulb Mode
1/16000 to 1/25 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
Photo
100 to 51,200 in Auto Mode (Extended: 50 to 204,800)
Video
100 to 51,200
Metering Method
Center-Weighted Average, Highlight Weighted, Multi-Zone, Multiple, Spot
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
Metering Range
0 to 18 EV
White Balance
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set
Continuous Shooting
Mechanical Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Electronic Shutter
Up to 7 fps at 24.2 MP for up to 24 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Still Image Capture
Image Sizes
3:2 Raw
24 MP (6000 x 4000)
4:3 JPEG
21.5 MP (5328 x 4000)
10.5 MP (3792 x 2848)
5.5 MP (2688 x 2016)
3:2 JPEG
24 MP (6000 x 4000)
12 MP (4272 x 2848)
6 MP (3024 x 2016)
16:9 JPEG
20 MP (6000 x 3368)
10 MP (4272 x 2400)
5 MP (3024 x 1704)
1:1 JPEG
16 MP (4000 x 4000)
8 MP (2848 x 2848)
4 MP (2016 x 2016)
65:24 JPEG
13 MP (6000 x 2208)
2:1 JPEG
18 MP (6000 x 3000)
Aspect Ratio
1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File Format
JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording Modes
H.264/MOV 4:2:2 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
3328 x 2496 at 23.98/25/29.97 fps [150 Mb/s]
H.264/MOV 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
3328 x 2496 at 23.98/25/29.97/50 fps [100 to 150 Mb/s]
H.265/MOV 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 50/59.94 fps [200 Mb/s]
3328 x 2496 at 50 fps [200 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 28 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
UHD 4K (3840 x 2160) up to 50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
4128 x 2176 at 23.98/25/29.97/50/59.94 fps
3536 x 2656 at 23.98/25/29.97/50 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
HDR-HLG, Panasonic V-Log
Recording Limit
Up to 30 Minutes
IP Streaming
No
Built-In Microphone
Stereo
Audio Recording
AAC Audio
LPCM Audio
Interface
Media/Memory Card Slot
Slot 1: SD/SDHC/SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-I)
Video I/O
1x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input
Other I/O
1x USB-C (USB 3.2 / 3.1 Gen 1) Data Output (Shared with Power Input)
1x 2.5 mm Sub-Mini Control Input
Wireless
Wi-Fi, Bluetooth
Mobile App Compatible
Yes: Android & iOS
App Name: Panasonic LUMIX Sync
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, Setup, View Live Feed
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Size
3.0"
Resolution
1,840,000 Dot
Display Type
Articulating Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Resolution
2,360,000 Dot
Eye Point
20 mm
Coverage
100%
Magnification
Approx. 0.74x
Diopter Adjustment
-4 to +4
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Contrast Detection: 225
Autofocus Sensitivity
-6 to +20 EV
Flash
Built-In Flash/Light
No
Flash Modes
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
Operating Humidity
10 to 80%
General
Battery Type
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 440 Shots)
Shoe Mount
1x Hot Shoe
Tripod Mounting Thread
1x 1/4"-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.22 x 3.82 x 3.22" / 132.6 x 97.1 x 81.9 mm
Weight
1.57 lb / 714 g (With Battery, Recording Media)
1.39 lb / 630 g (Body Only)
Packaging Info
Package Weight
2.935 lb
Box Dimensions (LxWxH)
9.2 x 6.1 x 5.6"

Panasonic Lumix S 20-60mm f/3.5-5.6 Lens Specs

Key Specs
Focal Length
20 to 60mm
Maximum Aperture
f/3.5 to 5.6
Lens Mount
Leica L
Lens Format Coverage
Full-Frame
Focus Type
Autofocus
Image Stabilization
No
Filter Size
67 mm (Front)
Maximum Aperture
f/3.5 to 5.6
Minimum Aperture
f/22
Lens Mount
Leica L
Lens Format Coverage
Full-Frame
Angle of View
94° to 40°
Minimum Focus Distance
5.91" / 15 cm
Maximum Magnification
0.43x
Optical Design
11 Elements in 9 Groups
Diaphragm Blades
9, Rounded
Focus Type
Autofocus
Image Stabilization
No
Filter Size
67 mm (Front)
Dimensions (ø x L)
3.05 x 3.43" / 77.4 x 87.2 mm
Length at Maximum Extension
4.71" / 119.7 mm
Weight
12.35 oz / 350 g
Packaging Info
Package Weight
1.485 lb
Box Dimensions (LxWxH)
10.3 x 4.5 x 4.5"

Ruggard Hunter 35 DSLR Holster Bag Specs

Key Specs
Color
Black
Carry/Transport Options
Belt Loop, Handle, Shoulder Strap
Type of Closure
Zipper
Dimensions
Exterior
8.25 x 7.3 x 5.3" / 21 x 18.5 x 13.5 cm
Interior
7 x 6.5 x 4.5" / 17.8 x 16.5 x 11.4 cm
Weight
10.3 oz / 292 g
Carry/Transport Options
Belt Loop, Handle, Shoulder Strap
Type of Closure
Zipper
Features
ATA Compliant
No
Bottle Pocket
No
Pressure/Purge Valve
No
General
Materials
Exterior: Nylon
Interior: Polyester
Dimensions
Exterior
8.25 x 7.3 x 5.3" / 21 x 18.5 x 13.5 cm
Interior
7 x 6.5 x 4.5" / 17.8 x 16.5 x 11.4 cm
Weight
10.3 oz / 292 g
Packaging Info
Package Weight
0.62 lb
Box Dimensions (LxWxH)
8.6 x 8.15 x 6.15"

SanDisk 64GB Extreme PRO UHS-I SDXC Memory Card Specs

Quantity
1
Card Type
SDXC
Storage Capacity
64 GB
Bus Type
UHS-I
Speed Class
10
UHS Speed Class
U3
Video Speed Class
V30
Read Speed
Maximum: 200 MB/s
Write Speed
Maximum: 90 MB/s
Minimum: 30 MB/s
Operating Temperature
-13 to 185°F / -25 to 85°C
Storage Temperature
-40 to 185°F / -40 to 85°C
Built-in Write-Protect Switch
Yes
Packaging Info
Package Weight
0.04 lb
Box Dimensions (LxWxH)
6 x 4 x 0.25"

Panasonic S5 Reviews

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With M-mount Leica lens will this be a manual ...

With M-mount Leica lens will this be a manual focus camera?
Asked by: Mike
Yes, adapting Leica M-mount lenses to the Panasonic Lumix S5 would limit them to manual focus only.
Answered by: Kirk
Date published: 2022-08-22

Is the Sony clear image zoom so magical that ...

Is the Sony clear image zoom so magical that Panasonic and other manufacturers cannot come up with a comparable system?
Asked by: Denis
While it may be unfortunate that the Panasonic camera do not have Clear Image Zoom like the Sony. They do have a lot of strengths in other areas that make them very worth their while. The S5 does have a pretty good digital zoom.
Answered by: Stephen M
Date published: 2021-03-02

what cable is required to record raw from S5 to ...

what cable is required to record raw from S5 to ninja v?
Asked by: Vincent
The recommended cable will not support ProresRaw... It is not just a matter of micro HDMI but ultra high-speed cable to handle raw.
Answered by: Vincent
Date published: 2021-10-23

What about micro HDMI?? This is so fragile...

What about micro HDMI?? This is so fragile...
Asked by: mateo
The micro HDMI is an epic fail on Panasonic's part. I've had 2 of them fail on Panasonic GH3 and GH4 cameras, and another one fail on a Tascam recorder. The micro HDMI on the S5 is a total deal breaker for me.
Answered by: David
Date published: 2021-03-22

Do I need anamorphic lenses to record in ...

Do I need anamorphic lenses to record in anamorphic mode or Can I record in anamorphic mode with (for example) de 24-105mm F4?
Asked by: Danny
We do not think there would be a benefit/advantage in working this way. Since if you use the Anamorphic mode it would be best to work with Anamorphic lenses. The other 4k modes in camera would produce a better image with the 24-105mm.
Answered by: Chris H
Date published: 2022-09-21

Can you auto bracket one click your favorite art ...

Can you auto bracket one click your favorite art filters the way you can on Olympus?
Asked by: Tim
Thank you for reaching out. This particular model does not have this function available.
Answered by: Panasonic Team
Date published: 2020-12-30

Does the DMW XLR 1 work with the S5?

Does the DMW XLR 1 work with the S5?
Asked by: Sam
It will not. The DMW XLR is specifically for the Panasonic GH-5.
Answered by: Luis L
Date published: 2021-02-14

I'm a film student looking for my first camera. ...

I'm a film student looking for my first camera. Do you think this would be a good starter? I'm between the Lumix s5 or a black magic cinema cam
Asked by: Shannen
The Panasonic Lumix S5 Mirrorless Camera (B&H# PADCS5), like any camera, has several strengths to be considered. The primary standout advantages of this camera are its low light performance due to its large sensor, support for anamorphic video recording, and mirrorless L-mount to which so many lenses with so many mounts may be adapted. While the mounts on Blackmagic cameras vary, many offer what is considered an especially convenient interface, easy integration with Davinci Resolve Studio software (which is included with their purchase in many cases), and their active heat management which allows them to be used for longer periods without overheating. Naturally, there's no one right choice for everyone, so please feel free to add your own criteria and discuss them and any other cameras of interest in a call (800-606-6969), chat, video chat (https://bhpho.to/3OhjwFU), or email ([email protected]) with us at your convenience.
Answered by: Yoni
Date published: 2022-11-18
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