Vienna Symphonic Library Synchron Orchestral Percussion III Full Library Upgrade is for owners of the Synchron Orchestral Percussion III Standard Library who want to access the Full Library.
Upgrading to the 22.5GB Full Library provides you with up to 47,691 samples recorded simultaneously with seven separate phase-coherent microphone configurations and with every nuanced detail to provide a broad range of room-sound options. All mic configurations can be mixed to create stereo, 5.1 surround, or 9.1 Auro-3D mixes, each with different levels of ambience and stereo panorama, from close and focused to broad and epic.
Note:
Software requires a ViennaKey USB protection device or other USB eLicenser (available separately), if one is not already on your system.
Synchron Orchestral Percussion III Full Library
- 22.5GB library with more than 47,691 samples of instruments and effects like car horns, whistles, birdcalls, and more, plus Latin percussion instruments with MIDI loops
- Recorded using 12 microphones—select from seven different microphone setups including Decca tree
- Includes presets of well-balanced microphone setups
- Immersive 3D sound—multi library offers samples ready for 5.1 surround and compatible with Auro-3D technologies (available separately)
- Outstanding acoustics—recorded at Stage A, Synchron Stage Vienna
- Runs in standalone mode with included Vienna Synchron Player
- Operates within VST, AU, and AAX formats
Articulations Groups
Flexatones
- Large and small flexatones
- Single hits
- Steady open and muted
- Fifth and octave glissandos up and down, 1/2/4 sec
- Performances
Car Horns
- Honks F4-F5
Whistles, Bird Calls, and Flutes
- Shrill whistles: samba whistle, small and large whistle
- Special whistles: steamship large and small, twotone, police, bosun's pipe, wind effect
- Birdcalls: cuckoo, duck, crow, dove, nightingale, cricket
- Warning signals: warning horn, siren horn, siren whistle
- Slide flutes large and small
Jingle Ring
- Single hits
- Rolls
- Dynamics 1/2/4 sec
- Repetitions steady and with accents
Congas—Meinl
- Tumba, conga, and quinto played with hands and sticks
- Open and muffled tones
- Manoteo heel and tip
- Slaps normal and open
- Flams slapped and open
- Bass tones closed and open
- Rolls normal, dynamics 2/4/6/8 sec
- Sticks: single strokes, rim, mallets, rimshots
Bongos—Meinl
- High and low bongos played with hands and sticks
- Open and muffled tones
- Manoteo heel and tip
- Rimshots open and closed
- Slaps
- Flams open
- Rolls normal, dynamics 1/2/4/6 sec
- Sticks: single strokes, rim, mallets, rimshots
Timbales—LP
- 14 and 15" timbales played with sticks and mallets
- Offcenter (normal), coperto, muted, side, rimshot shaft and tip
- 1-4 upbeats normal and rim
- Rim hits, X-stick, stick on stick, shell shaft and tip
- Rolls static
- Rolls dynamics, strong and light 2/4/6/8 sec
- Mallets: offcenter, coperto, side, rim, 1-4 upbeats rim, static rolls
Cow Bells
- Low, medium, and high cowbells
- Played with sticks, timbales sticks, mallets, rasping stick, and bowed
- Top and edge, open and muted
- Rasping stick: slow and fast
- Bow: variants 1-4
Agogo Bells
- Low and high agogo bells
- Played with sticks, mallets, a rasping stick, and bowed
- Open and muted normal and with click release
- Rasping stick: slow and fast
- Bow: variants 1-4
Guiros
- Small and large guiros
- Single hits
- Short and long rasps fast and slow
- fpf fast and slow
- Long rasp and fp very slow
Sandpaper Blocks
- Single hits
- Short and long rasps fast and slow
- fpf fast and slow
- Rolls normal, dynamics 1/2/4 sec
Claves
- Low, medium, and high claves
- Single hits
- Secco
- 1-3 upbeats
Cabasas
- Small and large cabasa
- Single shake
- Turnaround
- Shake tremolo
- Short and long move
Wind Chimes
- Wind chimes Meinl, LP, and LP pentatonic
- Up and down strokes
- Tremolo low, mid, high
- Set upright
Microphone Setups
Stereo Mixing
- Close Mic—mono
- Mid Layer Mic—stereo (L/R)
- Main/Room Mic—Decca tree stereo (L/R)
- Main/Room Mic—Decca tree mono (Center)
Stereo, 5.1 Surround, and Auro-3D 9.1 Mixing
- Main Surround—stereo (L/R), may also be used instead of the main stereo room mics to achieve a wider, and more ambient mix
- High Stereo (3D)—stereo (L/R)
- High Surround (3D)—stereo (L/R)