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FUJIFILM X-H2S Mirrorless Camera

BH #FUXH2S • MFR #16756924
FUJIFILM
FUJIFILM X-H2S Mirrorless Camera
Key Features
  • 26.1MP APS-C X-Trans Stacked BSI Sensor
  • 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
  • Internal ProRes 422 HQ and F-Log 2
  • 7-Stop In-Body Image Stabilization
Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.
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FUJIFILM X-H2S Overview

  • 1Description
  • 2X-H2S: The New FUJIFILM Hybrid
  • 3Stacked Sensor and 64-Bit Processing
  • 4Powerful Video Capabilities
  • 5Improved Autofocus and Image Stabilization
  • 6Body Design
  • 7Film Simulation Modes
By B&H Photo's
X-H2S: The New FUJIFILM Hybrid
Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.
Stacked Sensor and 64-Bit Processing
X-Trans 5 Stacked BSI Sensor
The first X Series camera to feature a stacked sensor, the X-H2S sports an APS-C-format 26.1MP X-Trans 5 stacked BSI sensor, which ups the readout speeds and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the stacked design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo photo applications.
X-Processor 5
Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.

On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.

Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.

Powerful Video Capabilities
4K 120p and 6.2K 30p Internal Recording
With a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the 'hybrid' category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that's suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.
External Raw Recording
Using the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.
Improved Autofocus and Image Stabilization
Hybrid AF with Deep Learning AI
Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S's Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Body Design
Practical and Durable Design
  • Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
  • Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
  • 1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
  • Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
  • NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.
Connectivity
  • Full-size HDMI Type A port for outputting video to an external recorder or monitor.
  • USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
  • 3.5mm headphone and external microphone ports for greater control over audio recording.
  • PC sync port for flash sync.
  • 2.5mm remote port for using wired remote controllers.
  • Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.
Film Simulation Modes
Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.

FUJIFILM X-H2S Specs

Imaging
Lens MountFUJIFILM X
Sensor ResolutionEffective: 26.16 Megapixel (6240 x 4160)
Sensor Type23.5 x 15.6 mm (APS-C) CMOS
Crop Factor1.5x
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter, Mechanical Focal Plane Shutter
Shutter SpeedMechanical Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
Fixed 1 Second in Bulb Mode
1/8000 to 1/4 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600)
Metering MethodAverage, Center-Weighted Average, Multi-Zone, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
White Balance2500 to 10,000K
Presets: Auto, Daylight, Fluorescent, Incandescent, Shade, Underwater
Continuous ShootingMechanical Shutter
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Up to 10 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw)
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw)
Electronic Shutter
Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw)
Up to 30 fps at 26.1 MP for Unlimited Frames (JPEG) / 180 Frames (Raw)
Up to 20 fps at 26.1 MP for Unlimited Frames (JPEG) / 800 Frames (Raw)
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 JPEG / Raw / TIFF
6240 x 4160
4416 x 2944
3120 x 2080
16:9 JPEG / Raw / TIFF
6240 x 3512
4416 x 2488
3120 x 1760
1:1 JPEG / Raw / TIFF
4160 x 4160
2944 x 2944
2080 x 2080
Aspect Ratio1:1, 3:2, 16:9
Image File FormatHEIF, JPEG, Raw, TIFF
Bit Depth14-Bit
Video Capture
Internal Recording ModesH.265/MOV 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [360 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/119.88 fps [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/119.88 fps [360 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94/100/119.88/200/239.76 fps [360 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/119.88/200/239.76 fps [360 to 720 Mb/s]
H.265/MOV 4:2:0 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [360 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [360 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
DCI 2K (2840 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
MOV/ProRes 422/ProRes 422 HQ/ProRes 422LT 4:2:2 10-Bit
6240 x 4160 at 23.98/24.00/25/29.97 fps [1277 to 2754 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [870 to 1877 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [870 to 1877 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [204 to 440 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [204 to 440 Mb/s]
External Recording Modes4:2:2 10-Bit via HDMI
6240 x 4160 at 23.98/24.00/25/29.97 fps
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/119.88 fps
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/119.88 fps
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/119.88 fps
Raw via HDMI
6240 x 4160 at 23.98/24.00/25/29.97 fps
4848 x 2728 at 23.98/24.00/25/29.97/50/59.94 fps
Fast-/Slow-Motion SupportYes
Gamma CurveFUJIFILM F-Log, FUJIFILM F-Log 2
Recording LimitNone
Broadcast OutputNTSC/PAL
IP StreamingYes
Built-In Microphone TypeStereo
Audio RecordingMOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio
Interface
Media/Memory Card SlotSlot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O1 x HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body
Power I/O1 x USB-C Input/Output
Other I/O1 x USB-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket (Sync) FlashSync Output
Wireless2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0"
Resolution1,620,000 Dot
Display TypeFree-Angle Tilting Touchscreen LCD
Secondary DisplayTop: 1.28" LCD Status Display
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5"
Resolution5,760,000 Dot
Eye Point24 mm
Coverage100%
MagnificationApprox. 0.8x
Diopter Adjustment-5 to +3
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhoto, Video
Phase Detection: 425
Flash
Built-In FlashNo
Flash ModesAuto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Maximum Sync Speed1/250 Second
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature22 to 72°F / -10 to 40°C
Operating Humidity10 to 80%
General
Battery Type1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 720 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount on Camera Body
Dimensions (W x H x D)5.4 x 3.7 x 3.3" / 136.3 x 92.9 x 84.6 mm
Weight1.3 lb / 579 g (Body Only)
1.5 lb / 660 g (With Battery, Recording Media)
Packaging Info
Package Weight2.845 lb
Box Dimensions (LxWxH)8.3 x 6.9 x 5.2"

FUJIFILM X-H2S Reviews

It's a beast - comparison against Canon

By Grant
Rated 5 out of 5
Date: 2022-11-21

I love that I can confidently take this camera into any situation and get workable files out of it for both photo and video. As a photo camera it's great. Compared to my R5 system, the autofocus is 75 percent of the way there, but I enjoy using it more, and I enjoy the work I make with it more. File quality is more than enough if the subject is worth photographing, except for maybe product photography, and really the limitations are more in the lens world, since this system has lenses from nearly 10 years ago. Pick the lenses carefully to tell the story you want to tell, and the camera can do it. For video, it blows canon away in my opinion. Good battery life, fantastic dynamic range. F-log2 is wonderful to grade, and gives me more flexibility than canon clog3. I love the open gate option for a different look as well. No overheating that I've experienced, and I've done 90 min takes on one battery. This camera makes it fun again. Canon is more perfect, but honestly It's almost boring in its perfection. I find myself looking for different photos with Fuji, and pushing a camera to the limits gets me different results. With that in mind, I love pushing this camera to its limits. It's capable in all the ways I need it to be and it makes me work for things I want to work for. So I have a full Canon system and a full fuji system now. Which one do I reach for? 10 percent of the time it's Canon (and that's for agency jobs where people are snobs about expensive looking systems to justify their investment, or sometimes for situations where I will absolutely not get a second chance, like weddings for other people who prefer nailing it over personality.) 90 percent of the time it's Fujifilm. If I could only shoot the things that I want to shoot, it would be Fujifilm 100 percent of the time.

Almost a Cinema Camera

By Francisco
Rated 4 out of 5
Date: 2022-11-07

The XH2s is a way out there leap higher from the XH1 and the XT line. This is built like a tank, for professional everyday use. It is not your traditional "Just wana have fun" camera. As a former owner of an XH1, the only thing I miss are the ergonomics. I could find anything on that camera just by touch. The elephant in the room is the APSc vs Full Frame vs the price tag. In my case, I do more video than pictures and since APSc is more like a Super35 format, I am fine with it. Considering that; to have the XH2s specs in a full frame body the cost will be more than double and with some fast lenses, you can get the full frame look that most of you love. I love the open gate 6.2K format and since I will be shooting anamorphic next year, this is awesome (as soon as I can buy anamorphic lenses). The camera is not perfect (like any other). There are some details that be really cool to ad in a firmware updates: 1. The stepping stops when zooming in or out. 2. The capability to shoot 6.2K in DCI and UHD, because I will not always be shooting anamorphic. 3. Anamorphic stabilization (like in the GH5, GH5II and GH6). 4. Timecode signal out. 5. I really think that sensor can do 6.2K @60.

First Fuji I think I could use for my professional work.

By Grant
Rated 5 out of 5
Date: 2022-11-04

I shoot a pair of Canon R5's for my regular work, but I started my photography journey with the original x100 and I've always had a soft spot for FUJIFILM. Since then I've tried fuji a few times and the autofocus was always a dealbreaker, but this time I think it's close enough. The weakest part of it so far is close up people that are facing sideways or away from the camera. It will find people all the way across the room instead though, so hopefully a few firmware tweaks will fix this. In a portrait session, where there aren't multiple options, it's fantastic and a huge huge step over the x-t4. I'll probably grab a second one of these and use them primarily for video (which it is unbelievable at. I love the files that come out of this camera, and I'm selling a Canon r5c because of how much I like them), and photo sessions where I prefer feel over perfection. Canon will be used for photos for my corporate work, and any job with stuffy art directors who only understand full-frame. Things that need fixed without question: The fact that I can't use the the back dial for ISO is maddening. Why the eff would fuji have an aperture ring on every lens, and then not let me access all of the exposure triangle on first level controls? We have the technology. Canon does it beautifully. I did it with the x-t4 and it just makes sense. Everything else can be customized 100 ways. Fix this Fuji, and maybe demote the guy who thought this was a good idea. Overall, minus the previous complaints, this camera makes me want to shoot. Considering my workload right now, that's a feat, and a testament to the Fuji spirit, even if some of the implementation can represent them better than it currently is.

A Content Creator's Dream

By Jordan
Rated 5 out of 5
Date: 2022-10-20

This camera Is a jack of all trades, and while it is not truly exceptional at very much, it is at least very good at pretty much everything. It has good egos, a pretty easy to navigate menu system, my favorite SOOC color science, good enough autofocus, excellent dynamic range in video, plus it has a few features that carry it above the pack like the open gate 3x2 6.2k video recording make it awesome for content creation where I need to deliver vertical and horizontal versions of the same content (which is increasingly requested). Accessories like the optional Tascam audio unit give me more flexibility for capturing high quality audio. All in all, I'd say this is the best camera on the market in terms of every day content creation flexibility.

Fuji's first real video camera

By Robert
Rated 5 out of 5
Date: 2022-10-19

read the specs. Only reason I see not to buy is if you need object tracking. Hopefully that comes in future firmware update.

H.265 Looks Great!

By Joel
Rated 5 out of 5
Date: 2022-10-08

I was skeptical but the images for video are great!

Best Hybrid Camera I've Ever Used

By Brian
Rated 5 out of 5
Date: 2022-11-11

I came to this camera from Nikon and Canon. It's the first Fujifilm camera I've ever owned. I've been blown away by its performance. The autofocus is better than any of the Nikon or Canon cameras that I've personally ever used and the IQ is on par with my full frame bodies - not counting my D850, which has close to twice the resolution. The video performance is amazing and the build quality is incredible!

Great Hybrid Camera but missing video features

By Lucien
Rated 4 out of 5
Date: 2022-11-09

First time Fuji user, I'm loving the photos coming from this camera. They really pop and I can see why there's so much hype around fuji colors. The only gripe I have is mostly on the video side. I wish the camera had a waveform, automated focus stacking, false color, and ability to live view your own luts - things you can do on a cheaper gh6. It's not the biggest deal but it certainly keeps this thing from being a video powerhouse. You would need an external monitor if you want consistent/professional results(which goes without saying for most cameras of this size) - or be really good at reading a histogram (the only helpful exposure assist tool for video this camera has). Dynamic range is pretty amazing too and the look you can achieve can be quite filmic. 4k 120 looks good. I also wish you could do subject auto focus tracking too. Click on a person or object and have the auto focus track it. If it did all of these things, this camera could truly shake up the market. I heard Fuji sends out firmware pretty routinely but I have a feeling these features might be too big to release for firmware releases. I'm sure they'll wait to include it in an x-h3s or something. Oh well..

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YOUR RECENTLY VIEWED ITEMS

Are both memory cards slots for type B?

Are both memory cards slots for type B?
Asked by: John
The unit offers the following slots. Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II)
Answered by: hectorm
Date published: 2022-08-15

How many minutes does the internal battery last ...

How many minutes does the internal battery last when recording in 4K and 6K ProRes HQ?
Asked by: James
According to Fujifilm, the battery life for the X-H2S is approximately 90 minutes when shooting 6.2K video at 30 fps and approximately 70 minutes when shooting in 4K at 60 FPS.
Answered by: Kirk
Date published: 2022-07-29

Does it have smth like "Clear zoom" as Sony a7s3 ...

Does it have smth like "Clear zoom" as Sony a7s3 have?
Asked by: sergey
The Fujifilm X-H2S has its Focus Check mode which is similar to the Clear Zoom option of the Sony A7S III.
Answered by: Kirk
Date published: 2022-10-26

I have several Canon EF lenses, Is it possible to ...

I have several Canon EF lenses, Is it possible to mount Canon lenses to this camera?
Asked by: Robert
For Canon EF lenses you can use this Fringer EF-FX adapter. https://www.bhphotovideo.com/c/product/1486631-REG/venus_optics_fr_fx2_canon_ef_lens_to.html
Answered by: Daniel
Date published: 2022-06-23

Hi, Does it record 4K 16:9 ProRes Raw externally ...

Hi, Does it record 4K 16:9 ProRes Raw externally via HDMI or only 6.2K ProRes Raw? How much space will 1 minute of ProRes Raw video at 6.2K take up? Thank you
Asked by: Anonymous
So I have the option for both 6.2k 3:2 and and 4.8k 16:9 for both Blackmagic and Atmos raw output. Both can be set up to 30fps. (23.97, 24, 25, 29.97)
Answered by: Perry
Date published: 2022-06-25

Dynamic Range of the XH2S?

Dynamic Range of the XH2S?
Asked by: s
Fuji does not list the Dynamic range in the FUJIFILM X-H2S Mirrorless Camera in numbers. Some say it is around 12 stops. But that is not official.
Answered by: Robert
Date published: 2022-10-02

Why is there a cooling fan accessory? Does this ...

Why is there a cooling fan accessory? Does this camera heat up? Or only when recording the max at 6.2k ProResHQ internally? More importantly, does the image degrade over time while recording for long periods because of heart build up?!? How loud is the fan?
Asked by: s
The job of the FUJIFILM FAN-001 Cooling Fan is to keep the camera cool when shooting extended takes or when working in a warm climate, where heat can become an issue. Being that the X-HS was just announced, there haven't been reports regarding the images being degraded over time when recording for longer periods. Additionally, Fuji has not released any information regarding the decibels that are produced by the FAN-001. Generally how loud it would be can depend on the position of your microphones in proximity to the camera.
Answered by: Kirk
Date published: 2022-07-29

Dear Sir or Madam! Can I use the fujifilm x-h 1 ...

Dear Sir or Madam! Can I use the fujifilm x-h 1 charger to charge fufifilm X-H2s battery or not? Thank you
Asked by: Do
No, the charger for the X-H1 is for the FUJIFILM NP-W126S battery. And the FUJIFILM X-H2S Mirrorless Camera uses a different battery the, FUJIFILM NP-W235 Lithium-Ion Battery.
Answered by: Robert
Date published: 2022-08-01
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