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FUJIFILM X-H2S Mirrorless Camera

BH #FUXH2S • MFR #16756924
FUJIFILM
FUJIFILM X-H2S Mirrorless Camera
Key Features
  • 26.1MP APS-C X-Trans Stacked BSI Sensor
  • 4K 120p, 6.2K 30p, FHD 240p 10-Bit Video
  • Internal ProRes 422 HQ and F-Log 2
  • 7-Stop In-Body Image Stabilization
Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.
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FUJIFILM X-H2S Overview

  • 1Description
  • 2X-H2S: The New FUJIFILM Hybrid
  • 3Stacked Sensor and 64-Bit Processing
  • 4Powerful Video Capabilities
  • 5Improved Autofocus and Image Stabilization
  • 6Body Design
  • 7Film Simulation Modes
By B&H Photo's

X-H2S: The New FUJIFILM Hybrid

Balancing strong photo and video capabilities, the FUJIFILM X-H2S is a multimedia mirrorless camera featuring a newly developed X-Trans stacked sensor, refined AF and subject detection, and impressive 6.2K video recording. Topping the X System, this camera mixes the intuitiveness, design, and image quality FUJIFILM is known for with a fresh, speedy approach to video and continuous shooting applications.

Stacked Sensor and 64-Bit Processing

X-Trans 5 Stacked BSI Sensor

The first X Series camera to feature a stacked sensor, the X-H2S sports an APS-C-format 26.1MP X-Trans 5 stacked BSI sensor, which ups the readout speeds and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering; next, the BSI design helps reduce noise and improve tonality and clarity; and, finally, the stacked design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo photo applications.

X-Processor 5

Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.

On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.

Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.

Powerful Video Capabilities

4K 120p and 6.2K 30p Internal Recording

With a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the 'hybrid' category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that's suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.

External Raw Recording

Using the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.

Improved Autofocus and Image Stabilization

Hybrid AF with Deep Learning AI

Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S's Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.

In-Body Image Stabilization

Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.

Body Design

Practical and Durable Design

  • Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
  • Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
  • 1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
  • Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.
  • NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.

Connectivity

  • Full-size HDMI Type A port for outputting video to an external recorder or monitor.
  • USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.
  • 3.5mm headphone and external microphone ports for greater control over audio recording.
  • PC sync port for flash sync.
  • 2.5mm remote port for using wired remote controllers.
  • Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.

Film Simulation Modes

Film Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.

FUJIFILM X-H2S Specs

Imaging
Lens MountFUJIFILM X
Sensor ResolutionEffective: 26.16 Megapixel (6240 x 4160)
Sensor Type23.5 x 15.6 mm (APS-C) CMOS
Crop Factor1.5x
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter, Mechanical Focal Plane Shutter
Shutter SpeedMechanical Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Front Curtain Shutter
1/8000 to 900 Seconds
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/32000 to 900 Seconds
1/32000 to 4 Seconds in Program Mode
1/32000 to 30 Seconds in Aperture Priority Mode
Fixed 1 Second in Bulb Mode
1/8000 to 1/4 Second in Movie Mode
Bulb/Time ModeBulb Mode
ISO SensitivityPhoto
160 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
160 to 12,800 in Manual, Auto Mode (Extended: 160 to 25,600)
Metering MethodAverage, Center-Weighted Average, Multi-Zone, Multiple, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-5 to +5 EV (1/3 EV Steps)
White Balance2500 to 10,000K
Presets: Auto, Daylight, Fluorescent, Incandescent, Shade, Underwater
Continuous ShootingMechanical Shutter
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Up to 10 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw)
Up to 8 fps at 26.1 MP for Unlimited Frames (JPEG) / Unlimited Frames (Raw)
Electronic Shutter
Up to 40 fps at 26.1 MP for up to 184 Frames (JPEG) / 140 Frames (Raw)
Up to 30 fps at 26.1 MP for Unlimited Frames (JPEG) / 180 Frames (Raw)
Up to 20 fps at 26.1 MP for Unlimited Frames (JPEG) / 800 Frames (Raw)
Up to 15 fps at 26.1 MP for Unlimited Frames (JPEG) / 1000 Frames (Raw)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Image Sizes3:2 JPEG / Raw / TIFF
6240 x 4160
4416 x 2944
3120 x 2080
16:9 JPEG / Raw / TIFF
6240 x 3512
4416 x 2488
3120 x 1760
1:1 JPEG / Raw / TIFF
4160 x 4160
2944 x 2944
2080 x 2080
Aspect Ratio1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24
Image File FormatHEIF, JPEG, Raw, TIFF
Bit Depth14-Bit
Internal Video Capture
Recording ModesH.265/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [360 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [360 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [360 to 720 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [360 to 720 Mb/s]
H.265/MOV 4:2:0 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [360 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 to 720 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
H.265 Long GOP/MOV 4:2:0 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 720 Mb/s]
MOV/ProRes 422 HQ 4:2:2 10-Bit
6.2K (6240 x 4160) at 23.98p/24.00p/25p/29.97p [2754 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [1877 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [1877 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [440 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [440 Mb/s]
MOV/ProRes 422 4:2:2 10-Bit
6.2K (6240 x 4160) at 29.97p [1840 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [1254 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [1254 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [294 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [294 Mb/s]
MOV/ProRes 422LT 4:2:2 10-Bit
6.2K (6240 x 4160) at 29.97p [1277 Mb/s]
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [870 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [870 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [204 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [204 Mb/s]
H.264 ALL-Intra/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [360 Mb/s]
H.264 Long GOP/MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 360 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 360 Mb/s]
DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 360 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [50 to 360 Mb/s]
Gamma CurveFUJIFILM F-Log, FUJIFILM F-Log 2
Recording LimitUp to 90 Minutes
Video SystemNTSC/PAL
Built-In Microphone TypeStereo
Audio RecordingMOV: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio
External Video Capture
External Recording ModesRaw 12-Bit via HDMI
6.2K (6240 x 4160)
IP StreamingYes
Interface
Media/Memory Card SlotSlot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O1 x HDMI Output
Audio I/O1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input on Camera Body
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output on Camera Body
Other I/O1 x USB Type-C (USB 3.2 / 3.1 Gen 2) Control/Data/Tether Input/Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
1 x PC Sync Socket (Sync) FlashSync Output
Power I/O1 x USB Type-C Input/Output
Wireless2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0"
Resolution1,620,000 Dot
Display TypeFree-Angle Tilting Touchscreen LCD
Secondary DisplayTop: 1.28" LCD Status Display
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5"
Resolution5,760,000 Dot
Eye Point24 mm
Coverage100%
MagnificationApprox. 0.8x
Diopter Adjustment-5 to +3
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhoto, Video
Phase Detection: 425
Flash
Built-In FlashNo
Flash ModesAuto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Maximum Sync Speed1/250 Second
Dedicated Flash SystemTTL
External Flash ConnectionHot Shoe, PC Terminal
Environmental
Operating Temperature14 to 104°F / -10 to 40°C
Operating Humidity10 to 80%
General
Battery Type1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 720 Shots)
Tripod Mounting Thread1 x 1/4"-20 Female (Bottom)
Accessory Mount1 x Hot Shoe Mount on Camera Body
Dimensions (W x H x D)5.4 x 3.7 x 3.3" / 136.3 x 92.9 x 84.6 mm
Weight1.3 lb / 579 g (Body Only)
1.5 lb / 660 g (With Battery, Recording Media)
Packaging Info
Package Weight2.88 lb
Box Dimensions (LxWxH)7.3 x 7.1 x 5.2"

FUJIFILM X-H2S Reviews

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I have several Canon EF lenses, Is it possible to ...

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For Canon EF lenses you can use this Fringer EF-FX adapter. https://www.bhphotovideo.com/c/product/1486631-REG/venus_optics_fr_fx2_canon_ef_lens_to.html
Answered by: Daniel
Date published: 2022-06-02

Hi, Does it record 4K 16:9 ProRes Raw externally ...

Hi, Does it record 4K 16:9 ProRes Raw externally via HDMI or only 6.2K ProRes Raw? How much space will 1 minute of ProRes Raw video at 6.2K take up? Thank you
Asked by: Anonymous
So I have the option for both 6.2k 3:2 and and 4.8k 16:9 for both Blackmagic and Atmos raw output. Both can be set up to 30fps. (23.97, 24, 25, 29.97)
Answered by: Perry
Date published: 2022-06-24

Why is there a cooling fan accessory? Does this ...

Why is there a cooling fan accessory? Does this camera heat up? Or only when recording the max at 6.2k ProResHQ internally? More importantly, does the image degrade over time while recording for long periods because of heart build up?!? How loud is the fan?
Asked by: s
The job of the FUJIFILM FAN-001 Cooling Fan is to keep the camera cool when shooting extended takes or when working in a warm climate, where heat can become an issue. Being that the X-HS was just announced, there haven't been reports regarding the images being degraded over time when recording for longer periods. Additionally, Fuji has not released any information regarding the decibels that are produced by the FAN-001. Generally how loud it would be can depend on the position of your microphones in proximity to the camera.
Answered by: Kirk
Date published: 2022-06-01

Which of the Film Simulation Modes will give the ...

Which of the Film Simulation Modes will give the best results for video?
Asked by: Frank
The term "best results" is quite relative, of course, to your desired aesthetic, but Fujifilm recommends Eternal (muted tonal range with lowered contrast levels) or shooting in F-log/F-log2 flat profiles in video.
Answered by: Jeremy
Date published: 2022-07-03

Can I record BRAW externally with blackmagic ...

Can I record BRAW externally with blackmagic video Assist and internally with ProRes at the same time?
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Does this support in-camera luts?

Does this support in-camera luts?
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JW does the Drive/Trash button work? Option in menu or double click, or maybe switches automatically when you're in Playback.
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Answered by: John S
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Camera sensor is different then other XT (XT1, ...

Camera sensor is different then other XT (XT1, XT2, XT3 & XT4) cameras? I mean in terms of low pass filter. All other XT cameras are excellent in "Astro photography" because no low pass filter in XT cameras. If this camera also have no low pass filter then it will behave same way in Astro photography?
Asked by: Jawwad
The FUJIFILM X-H2S does not have a Optical low-pass (anti-aliasing) filter.
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