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Sony a7 IV Mirrorless Camera with 16-35mm f/2.8 II Lens and Basic Bundle

BH #SOA741635LAK (B&H Kit)
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Sony a7 IV Mirrorless Camera with 16-35mm f/2.8 II Lens and Basic Bundle
Key Features
  • Basic Accessories to Start Shooting
  • Bag, Spare Battery & Memory Card
  • FE 16-35mm f/2.8 GM II Lens
  • 33MP Full-Frame Exmor R CMOS BSI Sensor
Comprising the core accessories needed to begin shooting, the Sony a7 IV Mirrorless Camera with 16-35mm f/2.8 II Lens and Basic Bundle from B&H combines the full-frame camera with the FE 16-35mm f/2.8 GM II lens, a memory card, a camera bag, and a spare battery.
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Sony A7 IV Overview

Sony a7 IV Mirrorless Camera
Sony a7 IV: Beyond Basic
An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.
Sensor and Processor
33MP Exmor R BSI CMOS Sensor
Newly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.
BIONZ XR Processor
Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.

In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.
Video Recording
4K 60p Video Recording in 10-Bit
  • Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.
  • There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.
  • No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.
  • The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
S-Cinetone, S-Log3, and Other Color and Gamma Controls
  • S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
  • HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
  • S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Fast Hybrid AF System
AI-Based Autofocus
Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.
Real-time Tracking and Real-time Eye AF
Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:
  • Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.
  • Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.
AF During Video Recording and Additional Focusing Modes
  • Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
  • For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
  • Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
  • A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.
  • A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check Breathing Compensation lens compatibility here.
Body Design, Connectivity, and Streaming
Viewfinder and LCD Screen
  • An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.
  • Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
Ports and Interface
  • Full-size HDMI A port offers a more reliable connection when working with external recorders.
  • A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
  • Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
  • Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
  • USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.
5-Axis SteadyShot INSIDE Image Stabilization
  • Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.
  • For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
  • Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
Advanced External Flash Control
Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.
Wireless Connectivity and Streaming
  • Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
  • Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
  • Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.
  • Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.
  • 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.
  • Internal recording is supported to a memory card while live streaming.
  • UVC and UAC standards are supported for improved picture and sound quality during streaming.
UPC: 027242923577
Sony FE 16-35mm f/2.8 GM II Lens (Sony E)
Wide-Angle Versatility for Stills & Video
Combining G Master performance with the lightest and smallest form factor in its class, Sony rounds out its trinity of f/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the FE 16-35mm f/2.8 GM II Lens, which boasts a variety of optical, focusing, and handling upgrades.
G Master Image Quality
Designed to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.
  • Bright f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.
  • One Super ED (extra-low dispersion) and Two ED elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.
  • Five aspherical elements, including three extreme aspherical elements (XA), minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh.
Faster AF and Floating Focus Mechanism
Faster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.
  • Four XD (extreme dynamic) linear motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both video and stills.
  • Faster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.
  • Floating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.6" and a maximum magnification of 0.32x across the entire zoom range.
  • Internal focusing design promotes snappier, more responsive focusing performance and maintains the same center of gravity during lens extension and retraction.
Improved Control and Video Capabilities
Just as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.
  • Focus breathing, focus shift, and axial shift during zooming have all been minimized to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.
  • Supports the Breathing Compensation function in select cine-line and Alpha cameras.
  • Linear Response MF provides natural, intuitive manual focus control.
  • Manual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.
Compact, Lightweight, and Robust Design
The smallest and lightest f/2.8 wide-angle zoom in its class, this lens doesn't lose sight of its professional attributes and remains a weather-sealed, durable lens for use in trying working conditions.
  • Approximately 20% lighter and 10% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.
  • Now fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.
  • Two programmable focus hold buttons and a focus mode switch for intuitive focus control.
  • Hybrid construction uses both metal and plastic components to maximize both durability and a low weight design.
  • Dust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.
  • Front lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.
  • Included lens hood has been redesigned to complement the lens' sleek design by reducing both its diameter and length.
UPC: 027242928763
Think Tank Photo Retrospective 7M Shoulder Bag for DSLR/Mirrorless Cameras (Pinestone)

The Retrospective 7M Shoulder Bag from Think Tank Photo stores and protects a DSLR or mirrorless camera with an attached 24-70mm lens, plus an additional 70-200mm lens, a flash, and additional accessories. Alternatively, you can fit a small drone with its controller and accessories in place of your camera equipment. The bag is designed to look like a shoulder bag rather than a camera bag, but it offers dedicated compartments for camera gear.

The bag is made of durable cotton canvas that has been treated for water resistance. It has a large flap with dual turn buckles to keep it securely closed and an interior nylon lining padded with closed-cell foam for protection. The main compartment has padded touch-fastening PE-reinforced dividers for organizing your gear. A large pocket under the flap will hold and organize memory cards, cables, your wallet, keys, and other smaller gear.

A pocket on the back of the bag holds papers and documents like boarding passes safely and securely with fast access to them. A water bottle/accessory pocket on the exterior can be collapsed and strapped tight to further minimize the profile. A simple webbing rail accommodates modular pouches or a carabineer, so you can further customize the bag to your needs and gear. Carry the Retrospective 7M by the padded removable top handle, or wear it with the adjustable padded shoulder strap. You can also attach it to the handle of a rolling carry-on bag. To further protect your valuable gear, a seam-sealed rain cover is included for wet weather conditions.

UPC: 874530007187
Lexar 128GB Professional 1667x UHS-II SDXC Memory Card

The 128GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.

UHS-II cards achieve their speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantee minimum write speeds of 10 MB/s.

To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Image Rescue software that is designed to recover most photo and video files.

General Features
High-speed performance-leverages UHS-II technology (U3) for a data read speed up to 1667x (250 MB/s)
Captures high-quality images and extended lengths of enhanced 1080p Full HD, 3D, and 4K video with a DSLR camera, HD camcorder, or 3D camera
A large capacity of up to 128GB lets you shoot longer without changing cards
High-speed file transfer from card to computer to dramatically accelerate workflow
Backwards compatible with UHS-I and Class 10 devices
UPC: 843367114856
Watson NP-FZ100 V3 Lithium-Ion Battery Pack (7.2V, 2250mAh, 16.2Wh)

The Watson NP-FZ100 V3 Lithium-Ion Battery Pack is compatible with the same camera models as the Sony NP-FZ100 battery, and also supports the latest generation camera models. This replacement battery pack features a capacity of 2250mAh, 7.2V of output power, and 16.2 watt-hours. Small and lightweight, lithium-ion batteries can be charged or discharged at any time in their load cycle without developing memory effect.

Compatibility
  • Sony Alpha a1
  • Sony Alpha a9
  • Sony Alpha a9 II
  • Sony Alpha a7 III
  • Sony Alpha a7R III
  • Sony Alpha a7R IV
  • Sony Alpha a7S III
  • Sony Alpha a7C
  • Sony Alpha a6600
  • UPC: 847628039186
    Kit Contains:

    Sony a7 IV Mirrorless Camera

    Key Specs
    Lens Mount
    Sony E
    Sensor Resolution
    Actual: 34.1 Megapixel
    Effective: 33 Megapixel (7008 x 4672)
    Image Sensor
    35.9 x 23.9 mm (Full-Frame) CMOS
    Image Stabilization
    Sensor-Shift, 5-Axis
    ISO Sensitivity Range
    Photo
    100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
    100 to 12,800 in Auto Mode
    Video
    100 to 51,200 in Manual Mode (Extended: 100 to 102,400)
    100 to 51,200 in Auto Mode
    Internal Recording Modes
    H.264/XAVC S-I 4:2:2 10-Bit
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
    H.265/XAVC HS 4:2:2 10-Bit
    UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s]
    H.265/XAVC HS 4:2:0 10-Bit
    UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s]
    XAVC S 4:2:2 10-Bit
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
    XAVC S 4:2:0 8-Bit
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [60 to 150 Mb/s]
    1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [16 to 100 Mb/s]
    External Recording Modes
    4:2:0 8-Bit via HDMI
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
    1920 x 1080p at 23.98/50/59.94 fps
    1920 x 1080i at 50/59.94 fps
    4:2:2 10-Bit via HDMI
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
    1920 x 1080p at 23.98/50/59.94 fps
    1920 x 1080i at 50/59.94 fps
    Media/Memory Card Slot
    Slot 1: CFexpress Type A / SD (UHS-II)
    Slot 2: SD/SDHC/SDXC (UHS-II)
    Video I/O
    1x HDMI Output
    Audio I/O
    1x 1/8" / 3.5 mm TRS Stereo Headphone Output
    1x 1/8" / 3.5 mm TRS Stereo Microphone Input
    Power I/O
    1x USB-C Input
    Other I/O
    1x Sony Multi/Micro-USB Remote Input
    1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
    Wireless
    Wi-Fi 4 (802.11n), Bluetooth 4.1
    Display Type
    Free-Angle Tilting Touchscreen LCD
    Battery
    1x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Included)
     • Approx. 520 Shots
    Imaging
    Lens Mount
    Sony E
    Sensor Resolution
    Actual: 34.1 Megapixel
    Effective: 33 Megapixel (7008 x 4672)
    Image Sensor
    35.9 x 23.9 mm (Full-Frame) CMOS
    Sensor Crop (35mm Equivalent)
    Crop Factor: 1x
    Additional Modes: 1.5x
    *Additional Crop Occurs in Select Video Modes
    Image Stabilization
    Sensor-Shift, 5-Axis
    Built-In ND Filter
    No
    Capture Type
    Stills & Video
    Exposure Control
    Shutter Type
    Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
    Shutter Speed
    1/8000 to 30 Seconds
    1/8000 to 1/4 Second in Movie Mode
    Bulb/Time Mode
    Bulb Mode
    ISO Sensitivity Range
    Photo
    100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
    100 to 12,800 in Auto Mode
    Video
    100 to 51,200 in Manual Mode (Extended: 100 to 102,400)
    100 to 51,200 in Auto Mode
    Metering Method
    Center-Weighted Average, Highlight Weighted, Multi-Zone, Spot
    Exposure Modes
    Aperture Priority, Auto, Manual, Program, Shutter Priority
    Exposure Compensation
    -5 to +5 EV (1/3, 1/2 EV Steps)
    Metering Range
    -3 to 20 EV
    White Balance
    2500 to 9900K
    Presets: ATW, AWB, Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
    Continuous Shooting
    Up to 10 fps at Maximum Resolution for up to 1000 Frames (Raw, JPEG)
    Interval Recording
    Yes
    Self-Timer
    2/5/10-Second Delay
    Still Image Capture
    Aspect Ratio
    1:1, 3:2, 4:3, 16:9
    Image File Format
    HEIF, JPEG, Raw
    Bit Depth
    14-Bit
    Video Capture
    Internal Recording Modes
    H.264/XAVC S-I 4:2:2 10-Bit
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
    H.265/XAVC HS 4:2:2 10-Bit
    UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [50 to 200 Mb/s]
    H.265/XAVC HS 4:2:0 10-Bit
    UHD 4K (3840 x 2160) at 23.98/50/59.94 fps [30 to 150 Mb/s]
    XAVC S 4:2:2 10-Bit
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 200 Mb/s]
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps [50 Mb/s]
    XAVC S 4:2:0 8-Bit
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [60 to 150 Mb/s]
    1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [16 to 100 Mb/s]
    External Recording Modes
    4:2:0 8-Bit via HDMI
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
    1920 x 1080p at 23.98/50/59.94 fps
    1920 x 1080i at 50/59.94 fps
    4:2:2 10-Bit via HDMI
    UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
    1920 x 1080p at 23.98/50/59.94 fps
    1920 x 1080i at 50/59.94 fps
    Fast-/Slow-Motion Support
    Yes
    Gamma Curve
    HDR-HLG, Sony S-Log 2, Sony S-Log 3
    Recording Limit
    No
    IP Streaming
    No
    Built-In Microphone
    Stereo
    Audio Recording
    XAVC S: 2-Channel 16-Bit 48 kHz LPCM Audio
    MPEG4: 2-Channel AAC LC Audio
    Interface
    Media/Memory Card Slot
    Slot 1: CFexpress Type A / SD (UHS-II)
    Slot 2: SD/SDHC/SDXC (UHS-II)
    Video I/O
    1x HDMI Output
    Audio I/O
    1x 1/8" / 3.5 mm TRS Stereo Headphone Output
    1x 1/8" / 3.5 mm TRS Stereo Microphone Input
    Power I/O
    1x USB-C Input
    Other I/O
    1x Sony Multi/Micro-USB Remote Input
    1x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
    Wireless
    Wi-Fi 4 (802.11n), Bluetooth 4.1
    Mobile App Compatible
    Yes: Android & iOS
    App Name: Creators' App
    Functionality: Access Stored Files, Adjust Settings, Remote Control, Setup
    Global Positioning (GPS, GLONASS, etc.)
    GPS
    *Via Connected Smartphone
    Monitor
    Display Size
    3.0"
    Resolution
    1,036,800 Dot
    Display Type
    Free-Angle Tilting Touchscreen LCD
    Viewfinder
    Type
    Electronic (OLED)
    Size
    0.5"
    Resolution
    3,680,000 Dot
    Eye Point
    23 mm
    Coverage
    100%
    Magnification
    Approx. 0.78x
    Diopter Adjustment
    -4 to +3
    Focus
    Focus Type
    Auto and Manual Focus
    Focus Mode
    Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
    Autofocus Points
    Phase Detection: 759
    Contrast Detection: 425
    Autofocus Sensitivity
    -4 to +20 EV
    Flash
    Built-In Flash/Light
    No
    Flash Modes
    Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync
    Maximum Sync Speed
    1/250 Second
    Flash Compensation
    -3 to +3 EV (1/3, 1/2 EV Steps)
    Dedicated Flash System
    TTL
    External Flash Connection
    Shoe Mount
    General
    Battery
    1x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Included)
     • Approx. 520 Shots
    Shoe Mount
    1x Intelligent Hot Shoe
    Tripod Mounting Thread
    1x 1/4"-20 Female (Bottom)
    Material of Construction
    Magnesium Alloy
    Operating Conditions
    32 to 104°F / 0 to 40°C 
    Storage Conditions
    -4 to 131°F / -20 to 55°C 
    Dimensions (W x H x D)
    5.2 x 3.8 x 3.1" / 131.3 x 96.4 x 79.8 mm
    Weight
    1.4 lb / 658 g (With Battery, Recording Media)
    Packaging Info
    Package Weight
    2.48 lb
    Box Dimensions (LxWxH)
    10.2 x 7.2 x 6.4"

    Sony A7 IV Reviews

    Good gear

    By Anonymous
    Rated 5 out of 5
    Date: 2025-04-23

    This is my second Sony mirrorless camera. It was without a doubt an upgrade from A7iii. I use mostly for Birdwatching with Sigma 150-600 Sports and I'm thinking on a future Sony FE200-600 upgrade. So the rolling shutter is bad... all high-speed videos suffer from it. If you want to try sharp and detailed hummingbird wings forget it. I use the custom settings C1, C2, C3 dial a lot... and I can quickly change to BIF settings. I use one to perched birds, BIF and darker places. It helps. This is the best camera I've ever had.

    Excellent!!!

    By Shelby
    Rated 5 out of 5
    Date: 2025-03-11

    So impressed! Arrived within 24 hours in absolute perfect condition! Love my new camera!

    See any errors on this page?

    Does this camera have a port for a PC Sync Cord ...

    Does this camera have a port for a PC Sync Cord for studio lights? If not, what do u recommend?
    Asked by: Susan
    The Sony A7IV does not have a PC sync port. I wireless flash trigger such as this Vello would be recommended instead: https://bhpho.to/3szS3FZ In my opinion the Vello trigger is a better option even for cameras that have a PC sync port because it is safer and no cable gets in the way.
    Answered by: Dan W
    Date published: 2022-05-17

    is there a timelapse present?

    is there a timelapse present?
    Asked by: Roma
    The camera does have the Interval Shoot Func. that will allow you to manually make your own timelapse. If you're looking for a way to make Timelapses (and not have to convert images to a video) alternatively you can use S&Q mode to make short timelapses in camera.
    Answered by: Stephen M
    Date published: 2022-08-21

    Would this be a good camera to use the aps c mode

    Would this be a good camera to use the aps c mode
    Asked by: Anonymous
    Yes, the Sony a7 IV Mirrorless Camera (B&H# SOA74) allows for use in cropped (APS-C) mode both during video and still shooting. That cropping increases the effective focal length by 50%, something that video shooters in particular will especially appreciate.
    Answered by: Yoni S
    Date published: 2021-11-17

    Will the EVF go black if the sun is directly ...

    Will the EVF go black if the sun is directly behind you, as in the A1? Is the sensor placed at the bottom of the viewfinder?
    Asked by: Stanley
    The sensor for the EVF is at the bottom of the viewfinder. You can use only the monitor or only the EVF, as well.
    Answered by: Boyd H
    Date published: 2021-11-11

    Will it have pixel shift multi shooting?

    Will it have pixel shift multi shooting?
    Asked by: MJ
    Unfortunately, pixel shift is not available on the A7 IV.
    Answered by: Kirk R
    Date published: 2022-02-26

    Can I get it on December 30th?

    Can I get it on December 30th?
    Asked by: Kunze
    We can not guarantee any type of receiving date for newly released products. The item is going to start shipping on December 30th and will not be available before or even on this date. Your best course of action will be to place an order as soon as possible if you haven't already.
    Answered by: Ryan
    Date published: 2021-12-10

    Can the color of the focus point be changed, or ...

    Can the color of the focus point be changed, or is it grey and very difficult to find, like in the A7iii?
    Asked by: amy
    No, There is no possibility to change it's color.
    Answered by: hectorm
    Date published: 2021-11-08

    Sony A7 IV does not output RAW Video. Why does ...

    Sony A7 IV does not output RAW Video. Why does this kit suggest possibility of the RAW video recording?
    Asked by: Roman
    Sony a7 IV mirrorless camera can record 4:2:2 10-Bit via HDMI UHD 4K at 60p when connected to an external recorder like Atomos Ninja V 5" 4K HDMI Recording Monitor BH #ATNINJAV.
    Answered by: Samik G
    Date published: 2022-07-22
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