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RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter (Black Edition)

BH #RMDI24PROSE • MFR #ADI-2/4 PRO SE
RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter (Black Edition)
Key Features
  • High-Fidelity 32-Bit / 768 kHz Audio
  • 2-Channel A/D, 4-Channel D/A Converter
  • SteadyClock with Femtosecond Technology
  • Supports AES/EBU, ADAT, S/PDIF
Discerning audiophiles and audio engineers in search of a flexible AD/DA will be impressed with the RME ADI-2/4 Pro SE 2-AD/4-DA, a high-performance converter that supports up to 32-bit / 768 kHz conversion with a signal-to-noise ratio of 123 dBA. The interface utilizes reference-quality components throughout with a powerful DSP that adds a ton of useful audio processing, including a 5-band EQ, fast bass/treble adjustment, and Crossfeed—a new concept in loudness sound control.
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RME ADI-2/4 Pro SE Overview

Discerning audiophiles and audio engineers in search of a flexible AD/DA will be impressed with the RME ADI-2/4 Pro SE 2-AD/4-DA, a high-performance converter that supports up to 32-bit / 768 kHz conversion with a signal-to-noise ratio of 123 dBA. The interface utilizes reference-quality components throughout with a powerful DSP that adds a ton of useful audio processing, including a 5-band EQ, fast bass/treble adjustment, and Crossfeed—a new concept in loudness sound control.

For analog I/O, the rear panel offers a pair of combo XLR-1/4" inputs and a pair of XLR outputs as well as a pair of 1/4" outputs. The front panel includes two stereo Extreme Power headphone outputs for easy balanced operation of all headphones, including IEMs via Pentaconn connector. For digital connections, the ADI-2/4 Pro SE includes a pair of optical SPDIF I/O, which also understands ADAT, as well as coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. A wireless remote control, a 9-pin D-sub to dual XLR and dual RCA breakout cable, and a 40W power supply are also included.

RME's Latest AD/DA Converter
  • High-end AD/DA converter in professional studio quality
  • Double headphone amplifier in true high-end quality
  • USB DAC
  • High-end AD/DA frontend and headphone amp for iPad and iPhone
  • AD/DA frontend for measurement systems at up to 768 kHz sample rate
  • Multiformat converter (AES, SPDIF, ADAT) with monitoring
  • SPDIF/ADAT playback system
  • DSD record and playback solution
  • Vinyl player digitizing solution on highest level
New Technology
  • Newly developed circuit board
  • Improved specs and faster DSP for an outstanding transparent sound signature
  • Extreme power headphone amplifiers, including IEM power setting
  • Super low-noise 4.4mm Pentaconn balanced connection
  • Trigger out function for powering on/off external devices
  • RIAA mode for directly digitizing vinyl discs in highest quality
A Multitude of Devices
  • The ADI-2/4 Pro SE is a 2-channel analog input to digital and 4-channel digital to analog output converter in a half-rack (9.5") enclosure of 1 RU height. Latest 32-bit / 768 kHz converters offer up to 123 dBA signal-to-noise ratio. Reference class tech specs throughout are combined with an unprecedented feature set. A powerful DSP adds all kinds of useful audio processing, including 5-band parametric EQ, fast Bass/Treble adjustment, Crossfeed, and a new concept in Loudness sound control.
  • The ADI-2/4 Pro includes two servo-balanced analog inputs on combo XLR-1/4" jacks, two separate balanced and unbalanced outputs on XLR and TRS, two stereo Extreme Power headphone outputs on the front for easy balanced operation of all headphones, including IEMs via Pentaconn connector.
  • Also available are optical SPDIF I/O, which also understands ADAT as well as coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable.
  • With independent balanced outputs for Line and Phones, balanced phones no longer mute the rear outputs. Balanced Line and Balanced Phones outputs can be used simultaneously, even with different sources/signals. The balanced TRS in the back can be fed from Line 1/2 or Phones 3/4 signal path, perfect for handling insert effects during the mastering process.
  • A high-resolution IPS panel for the graphical operation surface eases operation even more and displays further functions provided by the DSP, namely Peak level meters, a 30-band analyzer in DIGICheck biquad filter technology, and a State Overview screen, listing the current states of SPDIF, AES, USB, and clock.
  • The USB 2.0 port is fully Class Compliant (UAC 2.0) a standard that is natively supported by operating systems like iOS, macOS, Linux, and Windows 10 (since 1709), and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2/4 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
  • As a computer interface, the ADI-2/4 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with macOS comes right out of the box. Under Windows, the ADI-2/4 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.
Extreme Power Headphones
  • RME’s developed Extreme Power headphone stage is now further improved and delivers incredible more powerful headphone outputs (2.1W unbalanced, 3.4W balanced at 32 ohms, per channel). With a Special IEM mode, the Lower Noise Extreme Power design adds additional IEM power states (High Power, Low Power, IEM) for full IEM compatibility.
  • All three phones outputs feature mute relay, overcurrent detection, DC protection, plug detection, and DSP control, like auto assigning volume, volume ramp up, auto balanced mode, dual phones mode, user interaction at overload detection, and low-impedance level meter auto scaling.
  • RME’s latest True Balanced mode realizes balanced phones operation independent from the XLR outputs. The device now features 2 balanced input channels and 4 balanced output channels. Balanced headphones only use DAC channels 3/4, and the rear outputs can still output an independent signal via DAC 1/2. In True Balanced mode, the ADI-2/4 Pro SE’s maximum output level rises to +7 dBu for IEM, +13 dBu for Low Power, +25 dBu for High Power. The signal-to-noise ratio stays unchanged.
Power and Flexibility
  • The new Trigger Out socket provides a 12V switching signal via 3.5mm mono jack plug, which can be used e.g. to switch power amps with Trigger In on and off together with the ADI-2/4 Pro.
  • In order to make operating the ADI-2/4 Pro SE as flexible as possible, the unit has a universal DC input socket, accepting voltages from 9.5 up to 15 Volts. An internal switching regulator of the latest technology with high efficiency (>90%) prevents internal hum noise by operating above audible frequencies. Internally, the switching regulator is followed by standard linear regulators, followed by super low-noise linear regulators. 
  • Shortly after the release of the original ADI-2 Pro, RME received many requests for digitizing vinyl records. Thanks to MM (Moving Magnet) compatibility, the ADI-2/4 Pro SE does not require an external preamplifier anymore and can directly connected to turntables. It has suitable input impedance, RIAA equalization, and the necessary preamplification.
Multi-Remote Support (MRC)
The ADI-2/4 Pro remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble, and EQ. In addition, there are four programmable buttons that provide access to 52 different functions and commands for maximum flexibility. To control the ADI-2/4 Pro SE, code table 3 needs to be activated, so that the SEL LED lights up in red color.
Additional Features
SteadyClock FS—reference class digital clocking

  • Excellent performance in all clock modes and high-quality analog conversion to hear your mix as it is, with lowest jitter and highest jitter immunity.

DigiCheck—The secret weapon of high-resolution audio measurements

  • RME audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring, and analyzing digital audio streams.

RME ADI-2/4 Pro SESpecs

Key Specs
Form Factor
Desktop
Converter Type
AD/DA Converter
Number of Channels
2x A/D
4x D/A
Maximum Sampling Rate
768 kHz / 32-Bit
Number of Microphone Inputs
No
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced Line Input
2x XLR 3-Pin Line Output
2x 1/4" TS Unbalanced Line Output
2x 1/4" TRS Headphone Output
1x 4.4 mm TRRRS Headphone Output
Digital Audio I/O
1x XLR 3-Pin AES3 Input (on Included Breakout Cable)
1x XLR 3-Pin AES3 Output (on Included Breakout Cable)
1x RCA Coaxial S/PDIF Input (on Included Breakout Cable)
1x RCA Coaxial S/PDIF Output (on Included Breakout Cable)
1x TOSLINK Optical ADAT / S/PDIF Input
1x TOSLINK Optical ADAT / S/PDIF Output
Converter Type
AD/DA Converter
Number of Channels
2x A/D
4x D/A
Conversion Formats
ADAT, AES3, S/PDIF (Coaxial), TOSLINK
Display
Color IPS
Maximum Sampling Rate
768 kHz / 32-Bit
Number of Microphone Inputs
No
Gain/Trim Range
XLR Inputs:
0 to +6 dB (in 0.5 dB Steps)
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced Line Input
2x XLR 3-Pin Line Output
2x 1/4" TS Unbalanced Line Output
2x 1/4" TRS Headphone Output
1x 4.4 mm TRRRS Headphone Output
Phantom Power
No
Digital Audio I/O
1x XLR 3-Pin AES3 Input (on Included Breakout Cable)
1x XLR 3-Pin AES3 Output (on Included Breakout Cable)
1x RCA Coaxial S/PDIF Input (on Included Breakout Cable)
1x RCA Coaxial S/PDIF Output (on Included Breakout Cable)
1x TOSLINK Optical ADAT / S/PDIF Input
1x TOSLINK Optical ADAT / S/PDIF Output
Host Connection
1x USB-B (Class-Compliant)
Host Connection Protocol
USB 2.0
Sync I/O
No
Network I/O
No
MIDI I/O
No
Expansion Slots
No
Wireless
No
Performance
Frequency Response
Combo XLR-1/4" Inputs:
0.4 Hz to 20.4 kHz +0/-0.1 dB (at 44.1 kHz)
0.2 Hz to 45.5 kHz +0/-0.5 dB (at 96 kHz)
0.1 Hz to 90.9 kHz +0/-1 dB (at 192 kHz)
0.1 Hz to 182 kHz +0/-1 dB (at 384 kHz)
0.1 Hz to 348 kHz +0/-1 dB (at 768 kHz)
XLR Outputs:
0 Hz to 21 kHz +0/-0.1 dB (at 44.1 kHz)
0 Hz to 44.9 kHz +0/-0.5 dB (at 96 kHz)
0 Hz to 90 kHz +0/-1 dB (at 192 kHz)
0 Hz to 181 kHz +0/-1 dB (at 384 kHz)
0 Hz to 285 kHz +0/-3 dB (at 768 kHz)
Maximum Input Level
Combo XLR-1/4" Line Inputs:
+24 dBu for 0 dBFS (Selectable)
+19 dBu for 0 dBFS (Selectable)
+13 dBu for 0 dBFS (Selectable)
+7 dBu for 0 dBFS (Selectable)
+1 dBu for 0 dBFS (Selectable)
Maximum Output Level
XLR Outputs:
+24 dBu at 0 dBFS (Switchable)
+19 dBu at 0 dBFS (Switchable)
+13 dBu at 0 dBFS (Switchable)
+7 dBu at 0 dBFS (Switchable)
+1 dBu at 0 dBFS (Switchable)
1/4" Headphone Outputs:
+21.5 dBu at 0 dBFS
4.4 mm Balanced Headphone Outputs:
+27.5 dBu at 0 dBFS
Headphone Output Power
1/4":
2100 mW per Channel (Max, 0.001% THD, Unbalanced)
4.4 mm:
4000 mW per Channel (Max, 0.001% THD, Balanced)
Impedance
Combo XLR-1/4" Inputs:
90 Kilohms (Balanced)
45 Kilohms (Unbalanced)
1/4" Outputs:
100 Ohms
XLR Outputs:
113 to 213 Ohms
1/4" Line Outputs:
106 to 213 Ohms (Balanced, Unbalanced, 1 kHz)
Headphone Outputs:
0.1 Ohms (Unbalanced)
0.2 Ohms (Balanced)
SNR
Balanced Headphone:
120 dB RMS (AES17, Gain: +25 dBu)
122 dBA (Gain: +25 dBu)
119 dB RMS (AES17, Gain +13/7 dBu)
121 dBA (Gain: +13/7 dBu)
Combo XLR-1/4" Inputs:
> 120 dB RMS (AES17)
123 dBA (A-Weighted)
1/4" Line Inputs:
92 dBA (RIAA Mode: 20 Hz to 20 kHz, Gain 88 dB)
85 dBA (RIAA Mode: 20 Hz to 20 kHz, Gain 80.5 dB)
78.5 dBA (RIAA Mode: 20 Hz to 20 kHz, Gain 74 dB)
73 dBA (RIAA Mode: 20 Hz to 20 kHz, Gain 68 dB)
XLR Outputs:
120 dB (AES17, Gain: 7, 13, 19, 24)
123 dBA (Gain: 7, 13, 19, 24)
119 dB (AES17, Gain 1 dB)
120 dBA (Gain: 1 dB)
1/4" Line Outputs:
120 dB (AES17, Gain: 19, 13 dBu)
123 dBA (Gain: 19, 13 dBu)
119 dB (AES17, Gain: 7 dBu)
121 dBA (Gain: 7 dBu)
118 dB (AES17, Gain 1 dBu)
118 dBA (Gain 1 dBu)
1/4" Headphone Outputs:
120 dB RMS (AES17, at +19 dBu, Unbalanced)
122 dBA (A-Weighted, at +19 dBu, Unbalanced)
119 dB RMS (AES17, at +7 dBu, Unbalanced)
121 dBA (A-Weighted, at +7 dBu, Unbalanced)
118 dB RMS (AES17, at +1 dBu, Unbalanced)
120 dBA (A-Weighted, at +1 dBu, Unbalanced)
THD
Combo XLR-1/4" Inputs:
> -130 dB / 0.00029% (at -1 dBFS)
XLR Outputs:
> -120 dB / 0.0001% (at 0 dBFS)
Headphone Outputs:
-124 dB / 0.000057% (Unbalanced: at +20 dBu, 32 Ohm Load)
THD+N
XLR Inputs:
-119 dB / 0.000112% (at -0.5 dBFS)
XLR Outputs:
-116 dB / 0.00016% (at 0 dBFS)
1/4" Line Inputs:
-88 dB / 0.004% (RIAA: 20 Hz to 20 kHz, Gain: +14/20 dB)
-81.5 dB / 0.0084% (RIAA: 20 Hz to 20 kHz, Gain: +26 dB)
-74 dB / 0.019% (RIAA: 20 Hz to 20 kHz, Gain: +32 dB)
-69 dB / 0.035% (RIAA: 20 Hz to 20 kHz, Gain: +38 dB)
Headphone Outputs:
-118 dB / 0.00011% (at + 20 dBu, 32 Ohm Load)
Channel Separation
XLR Inputs:
> 130 dB (at 1 kHz)
XLR Outputs:
> 130 dB
1/4" Headphone Outputs:
80 dB (at 32 Ohms, 20 Hz to 20 kHz)
Digital Audio
Sample Rates
Internal:
Up to 768 kHz
AES3 Output:
28 to 200 kHz (Single-Wire Mode)
Coaxial S/PDIF:
28 to 200 kHz (Single-Wire Mode)
Optical S/PDIF:
28 to 200 kHz
Bit Depths
16 / 24 / 32-Bit
Sync Sources
ADAT, AES3, Internal, S/PDIF
Clocking
Internal:
Lock Range: 44.1 to 768 kHz

External:
Lock Range: 32 to 200 kHz
Jitter Suppression: > 50 dB (above 700 Hz)
Compatibility
OS Compatibility
Computer: macOS 10.6 or Later / Windows 7 or Later
Mobile: iOS Only
Processor Requirement
Intel Core i5 or Better
Required Hardware
Available USB 2.0 Port (USB 3.0 / 3.1 Gen 1 Port [or])
Power
Power Requirements
AC/DC Power Adapter (Included)
AC Input Power
100 to 240 VAC, 50 / 60 Hz
DC Input Power
12 VDC at 3.3A
AC/DC Power Adapter
12 VDC at 3.3 A (Included)
Power Consumption
170 mW (Standby)
14 W (Idle)
30 W (Maximum)
Physical
Operating Conditions
41 to 122°F / 5 to 50°C up to 75% Humidity
Packaging Info
Package Weight
5.605 lb
Box Dimensions (LxWxH)
13.9 x 8.6 x 3.4"

RME ADI-2/4 Pro SE Reviews

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