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Panasonic Lumix S1H Mirrorless Camera with 16-35mm Lens Cine Kit

BH #PADCS1H1635C (B&H Kit)
 57 reviews
Panasonic Lumix S1H Mirrorless Camera with 16-35mm Lens Cine Kit
Key Features
  • Lumix S PRO 16-35mm f/4 Lens
  • Atomos Ninja V 5" 4K Recording Monitor
  • Power Kit
  • Monitor Mount
Assembled for the aspiring filmmaker, the Panasonic Lumix S1H Mirrorless Camera with 16-35mm Lens Cine Kit from B&H bundles the versatile full-frame mirrorless body and wide-angle zoom lens with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, a USB to SATA adapter, an HDMI cable, and a SSDmini.
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Panasonic S1H Overview

  • 1Description
  • 2Panasonic Lumix S1H Mirrorless Camera
  • 3Panasonic Lumix S PRO 16-35mm f/4 Lens
  • 4Atomos Ninja V 5" 4K HDMI Recording Monitor
  • 5Atomos AtomX CAST Switcher Module for Ninja V/Ninja V+
  • 6ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39")
  • 7Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors
  • 8Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors
  • 9Pearstone USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable (19")
  • 10Angelbird 1TB AtomX SSDmini
By B&H Photo's

Assembled for the aspiring filmmaker, the Panasonic Lumix S1H Mirrorless Camera with 16-35mm Lens Cine Kit from B&H bundles the versatile full-frame mirrorless body and wide-angle zoom lens with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a monitor mount, a USB to SATA adapter, an HDMI cable, and a SSDmini.

Panasonic Lumix S1H Mirrorless Camera

Full-frame mirrorless with a serious penchant for video, the Panasonic Lumix S1H is clearly distinguished by its impressive video capabilities, but also features notable flexibility to suit multimedia applications along with an especially durable design. The full-frame 24.2MP CMOS sensor affords versatile performance to suit both video and stills, with a broad 14-stop dynamic range, sensitivity from ISO 100-51200, and adept processing to realize high color accuracy, responsive recording, and a broad array of video capabilities. Using nearly the full sensor, 3:2-format 6K24p video recording is supported, along with 16:9 5.9K30p and both DCI and UHD 4K60p settings with internal 4:2:2 10-bit sampling or external raw recording capabilities with a compatible recorder. Inspired by broadcast cameras, the S1H also uses the updated sensor design to provide Dual Native ISO settings that prioritize either low noise or low sensitivity in order to realize imagery quality with greater color fidelity and reduced noise. Variable Frame Rate (VFR) recording also permits using slow and quick motion effects and High Frame Rate (HFR) settings allow the use of higher frame rates in conjunction with 10-bit sampling. Additionally, V-Log has been pre-installed, and a Hybrid Log Gamma is also available for achieving greater detail when recording, and to benefit color grading during post-production.

In terms of still photography, the S1H isn't lacking with an impressive 9 fps continuous shooting rate with AF-S, or 6 fps with AF-C. In the cases where 24MP isn't quite enough, a specialized High Resolution mode can be used to boost the effective resolution to 96MP by compositing sequential shots together. Also benefitting stills, as well as video, is a 225-area Depth from Defocus (DFD) contrast-detection autofocus system that achieves quick and precise focusing and subject tracking. Additionally, sensor-shift image stabilization helps to minimize the appearance of camera shake by 6 stops for sharper handheld shooting.

Beyond the imaging attributes, the S1H is also characterized by its body design, which incorporates an impressively high resolution 5.76m-dot OLED electronic viewfinder along with a 3.2" 2.33m-dot tilt free-angle touchscreen LCD. The magnesium alloy body is weather-sealed to permit working in harsh conditions and has a 1.8" top status LCD for reviewing shooting settings on the fly. Dual SD memory card slots offer flexible storage capabilities and Bluetooth and Wi-Fi connectivity afford remote camera control along with wireless image transferring to tablets and smartphones.

24.2MP Full-Frame CMOS Sensor and Venus Engine
Featuring a full-frame 24.2MP CMOS sensor, along with an updated Venus Engine, the S1H's imaging capabilities have been optimized for high sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor and processor incorporate Multipixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing color moiré, and Color Control further enhances color reproduction, especially in the highlights and shadows. The Venus Engine's processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 60 consecutive raw files.
Video Recording
  • Optimized for video applications, the S1H is distinguished by its ability to record 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using nearly the full area of the full-frame sensor, along with 5.9K (5888 x 3312) video at 29.97p in 16:9. When recording DCI and UHD 4K video, up to 29.97p, internal 4:2:2 10-bit sampling is possible, and when working with a Super 35mm area of the sensor, frame rates up to 59.94p are available. Full HD and Anamorphic 4K recording settings are also supported at up to 119.88p and 48.00p, respectively.
  • Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
  • Optimizing your recording for post-production color adjustment, the S1H features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V and Cinelike D, as well as an in-camera LUT to make monitoring easier.
  • With the Version 2.0 firmware update, raw output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps is possible when used in conjunction with a compatible Atomos recorder, such as the Ninja V.
  • Simultaneous internal recording and external recording via HDMI is possible: DCI/UHD 4K is possible at 59.94p with 4:2:2 10-bit output and 4:2:0 10-bit internal or DCI/UHD 4K is possible at 29.97p/23.98p with 4:2:2 10-bit output and internal recording.
  • Variable Frame Rate (VFR) adjustments can be used to produce slow and quick motion effects from 30x to -7.5x. High Frame Rate (HFR) shooting, in 4:2:0 10-bit, is also supported, with audio recording and autofocus, which enables shooting Full HD video at 180p and DCI/UHD 4K at 59.94p.
  • In-camera time lapse video creation is possible, allowing you to photograph scenes over time with an interval timer, then composite the stills into a 4K60p video with in-camera exposure smoothing.
  • Suitable for worldwide use, selectable system frequencies of 59.94 Hz, 50 Hz, or 24 Hz are available.
  • An SMPTE-compliant time code can be embedded for easier syncing of footage from multiple cameras.
  • Color bars and a 1 kHz test tone can be used as benchmarks for configuring camera settings.
Body Design
  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • An impressive Real View Finder is a high-resolution 5.76m-dot OLED EVF offering a clear 0.78x configurable viewing magnification along with a smooth 60 fps or 120 fps changeable refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio.
  • Large 3.2" 2.33m-dot touchscreen LCD is a bright, clear, and intuitive means for live view shooting as well as playback and menu navigation. The screen features a unique tilt & free-angle design where it can tilt along the lens axis or can be flipped outward to the side and freely adjusted to suit working from more extreme high and low angles. Live View Boost is a dedicated viewing mode for working in low-light conditions, where the viewing sensitivity can be increased to aid in composing your image, and a Night Mode also benefits working in dark conditions by lowering the screen's backlight intensity and overlaying a red filter to better preserve night-adjusted vision.
  • In addition to the rear LCD, a top 1.8" 303 x 230-dot status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off. Additionally, an enhanced graphical user interface can be optimized for video applications and include exposure settings such as shutter angle or shutter speed and ISO or gain, depending on application.
  • Internal heat-dissipating fan helps prevent overheating and enables unlimited video recording times. The fan can be set to Auto 1, where the fan is initiated once a temperature rise is detected; Auto 2, where the fan is kept off for as long as possible to prioritize silence; Normal; and Slow.
  • Durable, weather-sealed magnesium alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments.
  • Front and rear tally lamps can be used to visually indicate recording and standby settings for faster visual recognition by subjects and camera operators.
  • Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, an eight-way joystick, and a refined overall UI design for intuitive use. Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes.
  • Dual UHS-II-compatible SD memory card slots offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, 3.5mm microphone and headphone jacks suit advanced audio recording needs, and a PC sync port can be used for wired flash synchronization.
  • PC flash sync terminal doubles as a TC in/out socket and an included BNC conversion enables syncing time code settings with an external device for multi-camera setups.
  • Optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.
  • DMW-BLJ31 rechargeable lithium-ion battery is rated for approximately 400 shots per charge when working with the rear monitor, 380 shots per charge with the EVF, and 1150 shots per charge when Power Save LVF mode is on.
  • High precision shutter mechanism offers a top mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and has been tested for approximately 400,000 actuations.
5-Axis Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the S1's 6 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization. Additionally, specific to video applications, Boost I.S. is digital image stabilization feature that aids in creating a stable composition when recording from a fixed perspective.
DFD Autofocus System
For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject's pupil. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.
6K and 4K PHOTO
Utilizing the S1H's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.
Bluetooth and Wi-Fi
Bluetooth Low Energy (4.2) provides constant connection between your smartphone or tablet and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.
Other Camera Features
  • By using sensor-shift stabilization technology, the S1H features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
  • HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
  • In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
  • I.S. Status Scope helps to recognize the type of camera shake being caused by displaying an arrow in the viewfinder or on the rear LCD.
  • Flicker Decrease automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
  • Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
  • Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
  • Lumix Tether enables wired, tethered shooting capabilities via USB connection between the camera and a computer. Aside from offering a larger live view preview, this application also permits remotely triggering the shutter, use of 6K and 4K Photo modes, and video recording start/stop.
  • Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.
UPC: 885170364646
Panasonic Lumix S PRO 16-35mm f/4 Lens

A staple of wide-angle versatility, the Lumix S PRO 16-35mm f/4 from Panasonic is an L-mount wide zoom featuring an f/4 constant maximum aperture. An optimized optical design incorporates a series of aspherical, low dispersion, and high refractive index elements, to control a variety of aberrations, color fringing, and distortion for sharp, clear, well-corrected imagery throughout the zoom range. Complementing the optics is a unique double-magnet linear motor focus system, which provides high-speed response and power while remaining compact in size. The lens also sports a rounded nine-blade diaphragm, which contributes to the quality of bokeh, and a weather-sealed construction to suit working in a variety of weather conditions.

Wide-angle zoom is designed for full-frame L-mount mirrorless cameras, however can also be used with APS-C models where it provides a 24-52.5mm equivalent focal length range.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
Three aspherical elements and one ultra-high refractive index element help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.
One extra-low dispersion element greatly reduces chromatic aberrations and color fringing in order to produce a high degree of clarity and color accuracy.
The autofocus focus system employs both a double-magnet linear motor to deliver impressively fast and precise focusing performance while remaining compact. A focus clutch mechanism has also been incorporated, which allows for near-instant AF/MF switching.
Splash, dust, and freezeproof design benefits working in inclement weather conditions down to -14°F.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
UPC: 885170371750
Atomos Ninja V 5" 4K HDMI Recording Monitor
Ninja V: Versatile Monitoring and Recording
The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, plus support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
Durable Design with Multiple Imaging Tools
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and is powered using a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.84.1 adds support for Sony a7R ProRes RAW recording.
5" Daylight Viewable Screen
  • The Ninja V features a highly responsive 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood.
  • The screen is also color-calibrated from the factory to ensure accurate image representation.
Recording Codecs Including Raw over HDMI
  • Record Apple ProRes and ProRes RAW with select cameras at rates up to DCI 4K60 and up to 120 fps in HD.
  • Enables ProRes RAW capture with smaller, more cost-effective, mirrorless cameras.
  • Avid DNxHD/HR compatibility enables wide camera and editing software compatibility.
  • HEVC/H.265 dual recording is available when using the Camera to Cloud mode.
Note:
A license is required for H.264 single or dual recording outside Cloud mode.
Bright 5" Display with AtomHDR
  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs
DSLR and Mirrorless Camera Support
Compatible with virtually any HDMI or SDI source, including cameras from ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM.
4K60 Capabilities
  • Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with up to 10-bit 4:2:2 chroma subsampling.
  • The Ninja V also supports 5K and 6K RAW and 3.5K anamorphic  RAW using select cameras.
  • A variety of bit rates are available to fit your project and storage needs.
SSD Recording
Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.
Wireless Remote Control
Use the iOS/macOS AtomRemote app to access an array of external controls for the Ninja V. Supporting a range of up to 49' using Bluetooth LE, the AtomRemote enables playback, mode selection, LUT application, imaging tools, and more.
Wireless Timecode
Compatibility with Atomos AirGlu enables the Ninja V to lock together multiple Atomos devices, compatible cameras, audio recorders, and software applications using frame-accurate timecode. AirGlu can also relay recording, battery status, and disk capacity information to whichever Atomos device you're using as a server unit.
Anamorphic De-Squeeze
The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.
Game Capture
Choose the Ninja V as a simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.
Optional Expansion Modules
Atomos CONNECT/Live Streaming
  • The Atomos CONNECT is the ultimate expansion module for the Ninja V, providing an SDI interface that offers compatibility with a range of cameras and 12G-SDI to HDMI cross-conversion that expands your workflow options.
  • Use the Atomos CONNECT to live stream to popular platforms and custom RTMP/S destinations to share your content from almost anywhere.
AtomX CAST
Use the AtomX CAST to transform your Ninja V into a compact, fully featured production studio. This component enables advanced multi-input switching from 4 x 1080p HDMI sources, the application of graphic overlays, and the ability to use a USB UVC webcam output for enhanced web conferencing and live streaming.
LUTs and Supported Log Formats
  • Preserve your images in a 4:2:2, 8- or 10-bit format via your camera's HDMI output, even when the camera is recording compressed 4:2:0 8-bit video internally.
  • Support for an array of industry-standard Log formats enables the Ninja V to capture optimal dynamic range and bypass your camera's internal compression.
  • HDR monitoring is enabled by the Ninja V's compatibility with a wide range of industry-standard gamuts.
  • See the Atomos website for the latest Log compatibility.
Atomos Cloud Studio
  • The Atomos Cloud Studio (ACS) provides a collection of online production services for video creators and streamers. Pair your Ninja V with an Atomos CONNECT to use ACS to live stream to popular platforms and customized RTMP/S destinations.
  • ACS also provides support for Adobe's Camera to Cloud (C2C) service that offers full-resolution capture, proxy file sharing, and real-time collaboration.
  • Seamlessly connect to Premiere Pro, After Effects, Final Cut Pro, DaVinci Resolve, or Media Composer via Adobe C2C.
Firmware Update 10.84.1
The AtomOS 10.84.1 firmware update enables you to record ProRes RAW using your Sony a7R V mirrorless camera.
Atomos AtomX CAST Switcher Module for Ninja V/Ninja V+
Convert your Ninja V or Ninja V+ 5" monitor into a full multi-camera broadcast studio switcher with the AtomX CAST from Atomos. The AtomX CAST takes its name from "broadcast", and it allows you to switch up to four HDMI video sources and output it to a variety of destinations such as an external monitor, a recorder, a separate switcher, or to a live streaming computer. Applications include corporate, house of worship, event, family, or studio production environments.
The CAST is specially designed to mount onto the back of the Ninja V/V+ monitor, and it provides four HDMI inputs that support a mix of different resolutions up to 1080p60. The touchscreen monitor can view a single image, Picture-in-Picture, or 4-Up modes, and you can also add logos and graphic overlays. It can send Program, Preview, Picture-in-Picture, and 4-Up displays to the HDMI output. You can select the source for monitor/output using the four source buttons, and you can also select the source using the monitor touchscreen. There are also four programmable function buttons to perform specific shortcuts.
The monitor allows you to preview your broadcast while simultaneously outputting to a recorder, a monitor, a projector, or when using the optional AtomX Connect for live streaming using a computer. It also supports recording output to ProRes and Avid DNx formats. It is compatible with most streaming platforms such as Skype, Zoom, Teams, and more using UVC with the included USB Type-C cable. The CAST is powered using the power adapter included with your Ninja V/V+, and it passes the power on to the monitor through the battery mount.
ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39")

The 39" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

High Resolution at 4Kp60
Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC monitors, and video game capture devices.

Unlock full 4K resolution in mirrorless cameras, cinema cameras, and external video recorders for up to 4Kp60 DCI (4096 x 2160) on supported devices for video professionals.
HDR Compatibility
Experience movies and TV shows in stunning HDR with compatible Ultra HD TVs and content.

Creative professionals can monitor on set with HDR displays and external recorders to view camera Log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and the secure Type-A connection will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals this means that you can trust this connection throughout the production.
Hyper-Thin Cable
With a 3.5mm diameter cable diameter and 24mm low-profile Type-A connectors, this cable enables 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
Ideal for a Variety of Devices
The cable is ideal for devices such as the C200/C300/C700, GH5/GH5S, FS5/FS7, URSA, Pocket CC, RED, ARRI, Pico projectors, and Z Cam.
UPC: 743815949651
Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors

Add a monitor to your video recording system with this aluminum Heavy-Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

Note:
Due to its compact design, this ball head should not be used to support a camera.
Removable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
Single locking knob for safe and fast operation
Head itself allows for 90º vertical articulation
Fits most standard shoe mounts
UPC: 847628578029
Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors

Outfit your 5" monitor with power options and travel accessories with this 5" Accessory Kit from Atomos. It's compatible with Ninja V, Shinobi, or Shinobi SDI monitor with two L-series batteries, a fast charger, a DC power supply, a sun hood, a screen protector, and a plastic travel case.

UPC: 814164021241
Pearstone USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable (19")

Connect an internal 2.5" SATA hard drive to your system's USB Type-A port using the 19" USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable from Pearstone. This cable allows you to use an internal hard drive externally, without the need for a drive enclosure. On one end, there is a 5 Gb/s USB 3.1 Gen 1 Type-A interface, while the other end has a SATA interface that supports SATA III 6 Gb/s, SATA II 3 Gb/s, and SATA I 1.5 Gb/s drives. All power is provided over the USB bus, meaning that no external power cables or adapters are required for use. Also featured is UASP and TRIM support. UASP, or USB Attached SCSI Protocol, is a computer protocol used to move data to and from USB storage devices such as hard drives, solid-state drives, and thumb drives. TRIM allows an operating system to inform a solid-state drive (SSD) which blocks of data are no longer considered in use and can be wiped internally.

Please note that this cable with only work with 2.5" SATA drives. It will not work with 3.5" SATA drives.

General Features
Plug-In Drive Accessibility
The USB 3.1 Gen 1 to 2.5" SATA III Adapter Cable connects an internal 2.5" SSD or HDD to your computer's USB Type-A port. If you're using a laptop computer, you can connect a SATA SSD or HDD without placing it in a bulky enclosure.
USB 3.1 Gen 1 Speeds
With USB 3.1 Gen 1 speeds, you can transfer data up to 5 Gb/s. Swap or back up movies, photos, music, and graphics in no time. This adapter will reduce time and interruptions to your workflow when you're copying or backing up large projects like video or audio sessions.
Bus-Powered Portability and Convenience
This adapter lets you travel without extra cables and power cords that clutter up your bag. It's also small enough to stash in your pocket. The 19" cable length gives you room to connect your drive but won't get in the way.
UASP and TRIM Support
UASP and TRIM support helps ensure you're getting the maximum performance through USB to and from your SSD and HDD drives. Less bandwidth bottlenecking and faster read and write speeds mean you can move your data quickly.
UPC: 847628010437
Angelbird 1TB AtomX SSDmini

This 1TB Angelbird AtomX SSDmini is custom-designed to fit into a variety of Atomos products while maintaining high data throughput rates necessary for a 4K workflow. It fits perfectly into the Atomos Ninja V, Ninja Flame, Ninja Inferno, and Shogun Inferno. An optional adapter handle enables using this SSD with the Shogun Studio, Sumo 19, and Sumo 19M.

Although 20% smaller than an average SSD, the SSDmini makes no concession to size, and it features formidable up to 560 MB/s sequential read speed with 520 MB/s sustained read speed, and up to 540 MB/s sequential write speed with 500 MB/s sustained write speed. Incorporating Stable Stream technology, you don't drop any frames. The SATA III connector enables connecting to a standard SATA III port when it is time to transfer your footage.

To receive the full limited 3-year warranty, the product needs to be registered on the Angelbird Personal Service Portal within 30 days after purchase. If not registered within this period, the market-specific legal guarantee period comes into force.

Supported Capture
  • CDNG up to 4k30p
  • ProRes RAW HQ 5.7K up to 30p
  • 4k60p and 2k240p
Supported Codecs
  • Apple ProRes: 4k60p and 2k240p
  • Avid DNx: 4k60p and 2k240p
  • Apple ProRes RAW: 5.7k30p, 4k60p and 2k240p
  • CDNG: 4k30p
Performance
  • Up to 560 MB/s sequential read speed with 520 MB/s sustained read speed
  • Up to 540 MB/s sequential write speed with 500 MB/s sustained write speed
Features
  • Shock, temperature, X-ray, and magnetic proof
  • Supports the entire Atomos range of Ninja and Shogun devices, and with the use of an adapter handle, even the Sumo19, Sumo19M, and Shogun Studio
UPC: 812937023010

Panasonic Lumix S1H Mirrorless Camera Specs

Key Specs
Lens Mount
Leica L
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor
35.6 x 23.8 mm (Full-Frame) CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity Range
Photo/Video
100 to 51,200 (Extended: 50 to 204,800)
Continuous Shooting
Up to 9 fps at 24.2 MP for up to 60 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Internal Recording Modes
H.265/MOV 4:2:0 10-Bit
5952 x 3968 at 23.98/24.00 fps [200 Mb/s]
5376 x 3584 at 25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
DCI 4K (4096 x 2160) at 47.95/48.00/50/59.94 fps [200 Mb/s]
UHD 4K (3840 x 2160) at 47.95/48.00/50/59.94 fps [200 Mb/s]
3328 x 2496 at 47.95/48.00/50 fps [200 Mb/s]
1920 x 1080p at 47.95/48.00/100 fps [100 to 150 Mb/s]
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s]
3328 x 2496 at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080i at 50/59.94 fps [50 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) from 2 to 59.94 fps [100 to 150 Mb/s]
UHD 4K (3840 x 2160) from 2 to 59.94 fps [100 to 150 Mb/s]
3328 x 2496 from 2 to 50 fps [100 to 150 Mb/s]
1920 x 1080p [100 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [20 to 28 Mb/s]
AVCHD 4:2:0 8-Bit
1920 x 1080p at 23.98/50/59.94 fps [17 to 28 Mb/s]
1920 x 1080i at 50/59.94 fps [17 to 28 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/24.00/50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
4096 x 2960 at 23.98/25/29.97/50/59.94 fps
3536 x 2656 at 23.98/25/29.97/50 fps
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Output
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Mic/Line Input
Power I/O
1 x USB-C Input
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
Wireless
Wi-Fi 5 (802.11ac), Bluetooth 4.2
Display Type
Free-Angle Tilting Touchscreen LCD
Battery Type
1 x DMW-BLJ31 Rechargeable Lithium-Ion, 7.4 VDC, 3050 mAh (Approx. 400 Shots)
Imaging
Lens Mount
Leica L
Sensor Resolution
Actual: 25.28 Megapixel
Effective: 24.2 Megapixel (6000 x 4000)
Image Sensor
35.6 x 23.8 mm (Full-Frame) CMOS
Crop Factor
1x
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/8000 to 60 Seconds
Up to 30 Minute in Bulb Mode
Electronic Front Curtain Shutter
1/2000 to 60 Seconds
Up to 30 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 60 Seconds
1/16000 to 1/125 Second in Movie Mode
Up to 60 Seconds in Bulb Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
Photo/Video
100 to 51,200 (Extended: 50 to 204,800)
Metering Method
Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3 EV Steps)
Metering Range
0 to 18 EV
White Balance
2500 to 10,000K
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting
Up to 9 fps at 24.2 MP for up to 60 Frames (Raw) / 999 Frames (JPEG)
Up to 30 fps at 18 MP
Up to 60 fps at 8 MP
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Still Image Capture
Image Sizes
4:3
10,656 x 8000 *Via In-Camera Pixel-Shift
5328 x 4000
3792 x 2848
2688 x 2016
3:2
12,000 x 8000 *Via In-Camera Pixel-Shift
6000 x 4000
4272 x 2848
3024 x 2016
16:9
12,000 x 6736 *Via In-Camera Pixel-Shift
6000 x 3368
4272 x 2400
3024 x 1704
1:1
8000 x 8000 *Via In-Camera Pixel-Shift
4000 x 4000
2848 x 2848
2016 x 2016
65:24
6000 x 2208
2:1
6000 x 3000
Aspect Ratio
1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Image File Format
JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording Modes
H.265/MOV 4:2:0 10-Bit
5952 x 3968 at 23.98/24.00 fps [200 Mb/s]
5376 x 3584 at 25/29.97 fps [200 Mb/s]
5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s]
DCI 4K (4096 x 2160) at 47.95/48.00/50/59.94 fps [200 Mb/s]
UHD 4K (3840 x 2160) at 47.95/48.00/50/59.94 fps [200 Mb/s]
3328 x 2496 at 47.95/48.00/50 fps [200 Mb/s]
1920 x 1080p at 47.95/48.00/100 fps [100 to 150 Mb/s]
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s]
3328 x 2496 at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps [50 to 200 Mb/s]
1920 x 1080i at 50/59.94 fps [50 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) from 2 to 59.94 fps [100 to 150 Mb/s]
UHD 4K (3840 x 2160) from 2 to 59.94 fps [100 to 150 Mb/s]
3328 x 2496 from 2 to 50 fps [100 to 150 Mb/s]
1920 x 1080p [100 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [20 to 28 Mb/s]
AVCHD 4:2:0 8-Bit
1920 x 1080p at 23.98/50/59.94 fps [17 to 28 Mb/s]
1920 x 1080i at 50/59.94 fps [17 to 28 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/24.00/50/59.94 fps
Raw 12-Bit via HDMI
5888 x 3312 at 23.98/25/29.97 fps
4096 x 2960 at 23.98/25/29.97/50/59.94 fps
3536 x 2656 at 23.98/25/29.97/50 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
HDR-HLG
Recording Limit
No
Broadcast Output
NTSC/PAL
IP Streaming
RTP, RTSP
3840 x 2160
Built-In Microphone Type
Stereo
Audio Recording
MOV: 2-Channel 16-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio
AVCHD: 2-Channel AC-3 Audio
Interface
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Output
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Mic/Line Input
Power I/O
1 x USB-C Input
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Output (Shared with Power Input)
1 x 2.5 mm Sub-Mini Control Input
Wireless
Wi-Fi 5 (802.11ac), Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: Panasonic LUMIX Sync
Functionality: Access Stored Files, Remote Control
*As of August, 2023: Check with manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Size
3.2"
Resolution
2,330,000 Dot
Display Type
Free-Angle Tilting Touchscreen LCD
Secondary Display
Top: Status Display
Viewfinder
Type
Built-In Electronic (OLED)
Resolution
5,760,000 Dot
Eye Point
21 mm
Coverage
100%
Magnification
Approx. 0.78x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Contrast Detection: 225
Autofocus Sensitivity
-6 to +20 EV
Flash
Built-In Flash/Light
No
Flash Modes
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed
1/320 Second
Flash Compensation
-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
PC Terminal
Environmental
Operating Temperature
14 to 104°F / -10 to 40°C
Operating Humidity
10 to 80%
General
Battery Type
1 x DMW-BLJ31 Rechargeable Lithium-Ion, 7.4 VDC, 3050 mAh (Approx. 400 Shots)
PoE Support
Yes
Netflix Approved
Yes
Shoe Mount
1 x Hot Shoe
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
5.94 x 4.5 x 4.35" / 151 x 114.2 x 110.4 mm
Weight
2.56 lb / 1164 g (With Battery, Recording Media)
Packaging Info
Package Weight
6.6 lb
Box Dimensions (LxWxH)
19 x 9.5 x 7"

Panasonic Lumix S PRO 16-35mm f/4 Lens Specs

Key Specs
Focal Length
16 to 35mm
Maximum Aperture
f/4
Lens Mount
Leica L
Lens Format Coverage
Full-Frame
Focus Type
Autofocus
Image Stabilization
No
Filter Size
77 mm (Front)
Maximum Aperture
f/4
Minimum Aperture
f/22
Lens Mount
Leica L
Lens Format Coverage
Full-Frame
Angle of View
107° to 63°
Minimum Focus Distance
9.84" / 25 cm
Maximum Magnification
0.23x
Optical Design
12 Elements in 9 Groups
Diaphragm Blades
9, Rounded
Focus Type
Autofocus
Image Stabilization
No
Filter Size
77 mm (Front)
Dimensions (ø x L)
3.35 x 3.92" / 85 x 99.6 mm
Length at Maximum Extension
4.25" / 107.9 mm
Weight
1.1 lb / 500 g
Packaging Info
Package Weight
2.27 lb
Box Dimensions (LxWxH)
10.7 x 5.7 x 5.5"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Key Specs
Display Size
5.0" / 12.7 cm
Resolution
1920 x 1080
Touchscreen
Yes
HDR Compatibility
HDR10, Hybrid Log Gamma
Video I/O
1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
Media/Memory Card Slot
Single Slot: SSDmini/SSD with Master Caddy II/III
Power Consumption
10 W (Typical)
22 W (Maximum)
Display
Panel Type
IPS-Type LCD
Display Size
5.0" / 12.7 cm
Resolution
1920 x 1080
Aspect Ratio
16:9
Touchscreen
Yes
Maximum Brightness
1000 nits / cd/m2
Bit Depth / Color Support
8-Bit+FRC (1.07 Billion Colors)
HDR Compatibility
HDR10, Hybrid Log Gamma
Pixels Per Inch (ppi)
423 ppi
Color Gamut
100% Rec. 709
Real-Time LUT Monitoring
SDR
Image Controls
Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
Inputs / Outputs
Video I/O
1 x HDMI 2.0 Input
1 x HDMI 2.0 Output
Embedded Audio
HDMI: 2-Channel
HDMI: 8-Channel
Audio I/O
1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In Speaker
No
Power I/O
1 x D-Tap Input
Other I/O
1 x 2.5 mm (LANC)
Media/Memory Card Slot
Single Slot: SSDmini/SSD with Master Caddy II/III
Wi-Fi
No
Bluetooth
Yes
Mobile App Compatible
Yes: iOS Only
App Name: AtomRemote
Functionality: Adjust Settings, Remote Control
*As of August, 2021: Check with manufacturer for the most up-to-date compatibility
Format Support
Video Format
HDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma Curve
Rec709
Video Signal Conversion
HDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion
2:2, 3:2
Camera Trigger
HDMI
Pre-Roll Record
4K: 2 Seconds
Full HD: 8 Seconds
Encoding Formats
Up to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks
12
Metadata Tagging
10
Power
DC Input Power
5.8 to 7.2 VDC
Built-In Battery
No
Battery Type
1 x L-Series
Power Consumption
10 W (Typical)
22 W (Maximum)
Mounting
Mounting
2 x 3/8"-16 Female
Environmental
Operating Temperature
104°F / 40°C
General
Material of Construction
Aluminum, Polycarbonate
Dimensions
5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight
12.7 oz / 360 g
Packaging Info
Package Weight
2.39 lb
Box Dimensions (LxWxH)
8.2 x 5.8 x 4.3"

Atomos AtomX CAST Switcher Module for Ninja V/Ninja V+ Specs

General
Compatibility
Atomos Ninja V
Atomos Ninja V+
Display
Panel Type
LCD
Size
Not Specified by Manufacturer
USB I/O
1 x USB-C Female Output
Video I/O
4 x HDMI Input
1 x HDMI Output
Power
Power Source
AC Input
DC Input Power
6.2 to 16.8 VDC
Physical
Mounting
Bottom: 1 x 1/4"-20
Bottom: 1 x 3/8"-16
Material of Construction
Plastic
Dimensions
6.3 x 5.1 x 1.9" / 160 x 129 x 49 mm
Weight
1.1 lb / 485 g
Packaging Info
Package Weight
1.98 lb
Box Dimensions (LxWxH)
9.5 x 6.8 x 2.8"

ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39") Specs

General
Connector 1
1 x HDMI Male
Connector 2
1 x HDMI Male
Cable Length
39" / 99.06 cm
HDMI Version
2.0
Ethernet Channel
Yes
HDCP Support
Yes, Version 2.2
Outer Diameter
0.138" / 3.5 mm
Connector Plating
Gold
Weight
1.06 oz / 30 g
Electrical
Maximum Resolution Support
4096 x 2160 at 60 Hz
Bandwidth
18 Gbps
Compliance
HDCP, HDR
Packaging Info
Package Weight
0.25 lb
Box Dimensions (LxWxH)
5.7 x 2.9 x 1.6"

Elvid Heavy-Duty Camera Shoe Mount Adapter with Ball Head for Monitors Specs

Load Capacity
15 lb / 6.8 kg
General
Materials
Aluminum
Weight
0.3 lb / 136 g
Packaging Info
Package Weight
0.315 lb
Box Dimensions (LxWxH)
3.95 x 3.8 x 1.55"

Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors Specs

General
Compatibility
Atomos Shinobi, Shinobi SDI, Ninja V Monitors
Material of Construction
Case: EVA Plastic
Battery Type
L-Series NP-F750
Hood
5" Monitor
Packaging Info
Package Weight
2.8 lb
Box Dimensions (LxWxH)
10.5 x 6.75 x 4"

Pearstone USB 3.1 Gen 1 Type-A to 2.5" SATA III Adapter Cable (19") Specs

General
Connector 1
1 x USB Type-A USB 3.1 / USB 3.2 Gen 1 (5 Gb/s)
Connector 2
1 x SATA III (6 Gb/s)
Cable Length
19" / 48.3 cm
Supported Technologies
TRIM, UASP
Environmental
Operating Temperature
32 to 158°F / 0 to 70°C
Storage Temperature
14 to 131°F / -10 to 55°C
Operating Humidity
5 to 90%
Physical
Certifications
RoHS
Weight
1.4 oz / 41.0 g
Packaging Info
Package Weight
0.12 lb
Box Dimensions (LxWxH)
9 x 6.35 x 0.5"

Angelbird 1TB AtomX SSDmini Specs

Storage Capacity
1 TB
Performance
Inputs/Outputs
1 x SATA (SATA III)
Interface
SATA III (6 Gb/s)
Maximum Read Speed
560 MB/s
520 MB/s
Maximum Write Speed
540 MB/s
500 MB/s
Endurance (Total Bytes Written)
3000 TB
Mean Time Between Failures (MTBF)
2,400,000 Hours
Power
Power Consumption
0.35 W (Idle)
3.5 W (Maximum)
Environmental
Certifications
CE, FCC, REACH, RoHS
Operating Temperature
-4 to 158°F / -20 to 70°C
Storage Temperature
-40 to 185°F / -40 to 85°C
Operating Humidity
5 to 95%
Operating Shock
1000 G / 0.5 ms
Operating Vibration
2.17 G
Physical
Dimensions
3.15 x 2.97 x 0.37" / 80 x 75.5 x 9.3 mm
Weight
3.17 oz / 90 g
Packaging Info
Package Weight
0.32 lb
Box Dimensions (LxWxH)
4.85 x 4.45 x 0.8"

Panasonic S1H Reviews

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