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Leica SL2-S Mirrorless Camera with 50mm f/2 Lens

BH #LESL2S502K • MFR #10848
 21 reviews
Leica SL2-S Mirrorless Camera with 50mm f/2 Lens
Key Features
  • 24.6MP Full-Frame BSI CMOS Sensor
  • Maestro III Image Processor
  • DCI 4K Video; HLG & 10-Bit Recording
  • ISO 50-100000, Up to 25 fps Shooting
Bundling an advanced camera body with a versatile prime lens, the SL2-S Mirrorless Camera with 50mm f/2 Lens from Leica pairs the full-frame camera body with the fast, normal prime Summicron-SL 50mm f/2 ASPH. lens.
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With 35mm f/2 Lens
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Leica SL2-S Overview

By B&H Photo's

Bundling an advanced camera body with a versatile prime lens, the SL2-S Mirrorless Camera with 50mm f/2 Lens from Leica pairs the full-frame camera body with the fast, normal prime Summicron-SL 50mm f/2 ASPH. lens.

Leica SL2-S Mirrorless Camera

Mixing Leica's traditional aesthetic with contemporary, hybrid functionality, the SL2-S is a well-rounded full-frame mirrorless camera with apt photo and video capabilities. Revolving around Leica's first BSI CMOS sensor, the 24.6MP sensor offers DCI/UHD 4K 10-bit video recording, broad sensitivity from ISO 50-100,000, and vivid image quality with low noise.

The sensor is complemented by the refined Maestro III image processor, which avails high-speed performance and versatility throughout the camera system. Full-res DNG continuous shooting at up to 25 fps is possible along with 4K video at up to 60p or Full HD at up to 180 fps. And, emphasizing the hybrid ethos, Leica has also implemented separate Photo and Video menu systems for more intuitive navigation and settings control when working in either mode.

Complementing both photo and video applications, a 5-axis sensor-shift image stabilization system minimizes the appearance of camera shake for sharper handheld shooting. Also, the sensor's design incorporates a Leica Object Detection AF system, which uses 225 selectable AF areas for fast and accurate performance.

Beyond updated imaging, the SL2-S also features durable, weather-sealed body design that includes a 5.76m-dot EyeRes OLED EVF and a large 3.2" 2.1m-dot touchscreen LCD. A top status LCD is also featured for quick recognition of shooting settings and dual UHS-II-compatible SD memory card slots offer file-saving flexibility. Additionally, built-in Wi-Fi and Bluetooth work in conjunction with the Leica FOTOs app for wireless file transferring and remote camera control.

24.6MP Full-Frame BSI CMOS Sensor and Maestro III Processor
Featuring a highly versatile full-frame 24.6MP BSI CMOS sensor, the SL2-S has apt imaging capabilities for both stills and video applications. Coupled with the Maestro III image processor, fast performance is ensured along with a wide ISO 50-100,000 sensitivity range. The sensor's BSI design also promotes especially clean and smooth color and tonal rendering, along with reduced noise when working at higher ISO settings. The sensor's design also omits a low-pass filter in order to maintain the highest degree of sharpness and resolution. Additionally, beyond sheer image quality, the processing power affords quick continuous shooting, up to 25 fps with an electronic shutter or 9 fps with a mechanical shutter, and a 4GB buffer enables near limitless burst shooting of full-resolution DNG or JPEG files.
DCI/UHD 4K 10-Bit Video Recording
An immensely capable video camera, the SL2-S offers both DCI and UHD 4K recording at up to 60p using either the full-frame sensor area or an APS-C/Super 35mm crop. Internal 10-bit 4:2:2 recording is supported for frame rates up to 30p, and 60p is available at 8-bit 4:2:0. When recording externally via the full-size HDMI port, 10-bit output is available at all frame rates for DCI and UHD 4K. Full HD recording is also supported with high-speed frame rates up to 180 fps for slow-motion playback. Additionally, there is no imposed recording limit at any resolution or frame rate, allowing for extended recording times.

Complementing the video quality, a dedicated Hybrid Log Gamma (HLG) mode and L-Log gamma profile can be used to for in-camera HDR output or for expand highlight and shadow detail and greater flexibility when color grading during post-production. There are also integrated viewing LUTs for improved color control and accuracy. Video recording can be split into 1-minute segments to avoid data loss, and a color bar provides reference for correct color grading and sound control in postproduction. Additionally, benefitting audio quality, support for an external microphone and headphones are also available via dedicated 3.5mm jacks. Video recording can be split into 1-minute segments to avoid data loss.
Body Design
  • Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
  • The impressive EyeRes EVF is a high-resolution 5.76m-dot OLED finder offering a clear 0.78x configurable viewing magnification along with a smooth 120 fps refresh rate and 0.005 sec lag.
  • Large 3.2" 2.1m-dot touchscreen LCD is a bright, clear means for live view shooting as well as playback and menu navigation. This screen also uses Gorilla Glass for a highly durable design.
  • Separate photo and video menu systems eliminate the need to readjust settings when switching from photo to video modes, resulting in a more intuitive workflow, especially when mixing content types in a single shoot.
  • In addition to the rear LCD, a 1.28" top status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off.
  • Durable, weather-sealed magnesium-alloy construction is splash, dust, and freezeproof (IP54-rated) to accommodate working in harsh weather conditions and trying environments.
  • Dual UHS-II-compatible SD memory card slots offer flexible image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
  • A USB Type-C port allows for fast file transferring; tethering, with full support for Capture One 21 and Adobe Photoshop Lightroom; and high-speed in-camera battery charging. Additionally, a full-size HDMI Type-A port benefits video applications, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
  • BP-SCL4 rechargeable lithium-ion battery is rated for approximately 510 shots per charge.
  • Built-in Wi-Fi, when used in conjunction with the Leica FOTOS app for iOS and Android, permits sharing imagery directly to a linked mobile device and also enables remote control over the camera and remote shooting via a live view image. Additionally, Bluetooth LE helps to maintain a permanent connection between the mobile device and the camera, enabling remote waking of the camera and automatic connection anytime within range.
Sensor-Shift Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, 5-axis sensor-shift image stabilization compensates for a broad range of movement types to render sharper, clearer imagery.

Using sensor-shift stabilization technology, the SL2-S also features a Multishot mode to capture and compile eight separate exposure to create a single 96MP file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
Object Detection Autofocus System
For accelerated autofocus performance, a Leica Object Detection AF system quickly calculates the distance to subjects and adjusts the focusing position with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications through the use of a Body Detection mode. It also features 225 selectable AF areas, which provide excellent control over where the camera will focus, and Automatic Follow Focus offers three focus points for automatic focus shift during video recording.
Leica Summicron-SL 50mm f/2 ASPH. Lens (L-Mount)

Pairing a favored focal length with a bright maximum aperture for flexible control, the black Summicron-SL 50mm f/2 ASPH. Lens from Leica is a wide-angle prime that puts image quality and refined optical design inside a compact, lightweight package. Designed for full-frame L-mount mirrorless cameras, the lens is comprised of nine elements in eight groups, and the three aspherical elements greatly reduce chromatic aberrations and distortions for notable image sharpness and clarity. The lens's f/2 maximum aperture benefits working in a variety of lighting conditions while offering precise control over focus position for working with shallow depth of field techniques, and a quiet and precise autofocus motor benefits both stills and video capture. Well-suited for nearly any photographic application, this compact, 14.2 oz workhorse is constructed with a metal body and weather-sealing for durability and protection in harsh environments and inclement weather conditions.

  • Wide-angle 50mm L-mount prime designed for full-frame mirrorless cameras
  • Fast internal focusing with inner direct drive
  • Consistent f/2 maximum aperture for working in difficult lighting conditions
  • Excellent sharpness across all f-stops and focus distances with creamy bokeh
  • Three aspherical elements reduce chromatic and spherical aberrations for increased image sharpness and clarity
  • Compact dimensions and lighter weight thanks to omission of OIS
  • Weather-sealed design protects against dust and moisture

Leica SL2-S Mirrorless Camera Specs

Key Specs
Lens Mount
Leica L
Sensor Resolution
Effective: 24.6 Megapixel (6072 x 4056)
Image Sensor
Full-Frame CMOS
Image Stabilization
Sensor-Shift, 5-Axis
ISO Sensitivity
50 to 100,000 in Auto Mode
Continuous Shooting
Mechanical Shutter
Up to 9 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 5 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 2 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 25 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Internal Recording Modes
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 24.00/25/29.97 fps [400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [400 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 50/59.94 fps [150 Mb/s]
UHD 4K (3840 x 2160) at 50/59.94 fps [150 Mb/s]
1920 x 1080p at 100 fps [20 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 150 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/25/29.97/50/59.94 fps
4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/180 fps
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI 2.0b Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Display Type
Fixed Touchscreen LCD
Battery Type
1 x BP-SCL4 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh (Approx. 510 Shots)
Imaging
Lens Mount
Leica L
Sensor Resolution
Effective: 24.6 Megapixel (6072 x 4056)
Image Sensor
Full-Frame CMOS
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
None
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed
Mechanical Shutter
1/8000 to 500 Seconds
Electronic Shutter
1/16000 to 60 Seconds
ISO Sensitivity
50 to 100,000 in Auto Mode
Metering Method
Center-Weighted Average, Multi-Zone, Spot
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-3 to +3 EV (1/3 EV Steps)
White Balance
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Warm White), Halogen, Shade, Tungsten, White Balance Adjustment
Continuous Shooting
Mechanical Shutter
Up to 9 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 5 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Up to 2 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Electronic Shutter
Up to 25 fps at 24.6 MP for Unlimited Frames (Raw) / Unlimited Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/12-Second Delay
Still Image Capture
Image Sizes
3:2 DNG
6000 x 4000
3:2 JPEG
6000 x 4000
4272 x 2848
2976 x 1984
Aspect Ratio
3:2
Image File Format
DNG, JPEG
Bit Depth
14-Bit
Video Capture
Internal Recording Modes
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 24.00/25/29.97 fps [400 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97 fps [400 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 50/59.94 fps [150 Mb/s]
UHD 4K (3840 x 2160) at 50/59.94 fps [150 Mb/s]
1920 x 1080p at 100 fps [20 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [100 to 150 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/100 fps [20 to 150 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/25/29.97/50/59.94 fps
4:2:0 8-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
1920 x 1080p at 23.98/25/29.97/50/59.94/100/180 fps
Recording Limit
None
Broadcast Output
NTSC/PAL
IP Streaming
None
Built-In Microphone Type
Stereo
Audio Recording
AAC Audio
LPCM Audio
Interface
Media/Memory Card Slot
Dual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x HDMI 2.0b Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 1) Data Input/Output (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: Leica FOTOS
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
*As of September, 2023: Check with manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Size
3.2"
Resolution
2,100,000 Dot
Display Type
Fixed Touchscreen LCD
Secondary Display
Top: Status Display
Viewfinder
Type
Built-In Electronic (OLED)
Resolution
5,760,000 Dot
Eye Point
21 mm
Coverage
100%
Magnification
Approx. 0.78x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Contrast Detection: 225
Flash
Built-In Flash/Light
No
Maximum Sync Speed
1/250 Second
Flash Compensation
-2 to +2 EV (1/3 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
22 to 72°F / -10 to 40°C
General
Battery Type
1 x BP-SCL4 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh (Approx. 510 Shots)
Shoe Mount
1 x Hot Shoe
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Material of Construction
Aluminum, Magnesium Alloy
Dimensions (W x H x D)
5.7 x 4.2 x 3.3" / 146 x 107 x 83 mm
Weight
2 lb / 931 g (With Battery, Recording Media)
Packaging Info
Package Weight
3.715 lb
Box Dimensions (LxWxH)
8.6 x 8.6 x 6"

Leica Summicron-SL 50mm f/2 ASPH. Lens (L-Mount) Specs

Key Specs
Focal Length
50mm
Maximum Aperture
f/2
Lens Mount
Leica L
Lens Format Coverage
Full-Frame
Focus Type
Autofocus
Image Stabilization
No
Filter Size
67 mm (Front)
Maximum Aperture
f/2
Minimum Aperture
f/22
Lens Mount
Leica L
Lens Format Coverage
Full-Frame
Angle of View
47.4°
Minimum Focus Distance
17.7" / 45 cm
Optical Design
9 Elements in 8 Groups
Focus Type
Autofocus
Image Stabilization
No
Filter Size
67 mm (Front)
Dimensions (ø x L)
2.9 x 3.3" / 74.5 x 83 mm
Weight
14.2 oz / 402 g
Packaging Info
Package Weight
1.95 lb
Box Dimensions (LxWxH)
9.4 x 7 x 6.5"

Leica SL2-S Reviews

Very high quality, comfortable camera

By Maya
Rated 5 out of 5
Date: 2023-06-16

Very high quality, comfortable camera. Excellent ergonomic design, superb autofocus. Suitable for women.

not good sale cameras more money then official Leica!

By Vladimir
Rated 3 out of 5
Date: 2022-11-23

not good sale cameras more money then official Leica! Leica offer 1300 less price. Unfortunately after purchase I don't have a boxes to return to B&H!

An excellent tool and Solid Camera

By Jonathan
Rated 4 out of 5
Date: 2022-11-06

This camera is a tank. Everything is solid and amazing to the touch. I love using this way more than my Canons, it doesn't have the computer feel the sony and canon have... it feels like a pro camera without clutter. The other great thing about it and why I went with Leica, is the rendering or color science. It's incredible. Four stars as the AF should be a bit better for 2022, however, it wasn't that long ago my 5D MK3 or MK2 were not very AF impressive either to today's standards but photographers still managed to take amazing photos without 40 frames a second and 1000 AF points. Make sure you have the latest firmware, it's a big difference released in 2022. Video is also very cool and fantastic, many people are starting to shoot with it... but the battery life is poor. However, you can power your rig with USB-C external power just like the canon R5 etc.

It's a superb kit

By Attila
Rated 5 out of 5
Date: 2022-10-27

I switched from TL2 to SL2-S and have no regrets. Its simplicity, ease of use is excellent, and the image quality is fantastic (colours, skin tone, sharpness, etc.). A lot of people knock the autofocus, but I'm 99% happy with it for stills, and manual focus is the way to go for video anyway. I tried the Sigma 28-70, which is a super lens by default, but the Leica version is better. Not just because of the build quality, but also the image quality. Yes, the 24-90 is a hair better and noticeably heavier (I tried that too), I think the kit lens is somewhere between the Sigma 24-70 and the Leica 24-90. I give it 5 stars, but if it was a little lighter I would give it 6. :) After a full day of shooting, you can feel the weight, but it's lightened if you buy a good neck strap.

Spectacular build quality

By Carlos
Rated 5 out of 5
Date: 2022-08-07

I own several Sony cameras and lenses. Nothing compares to the Leica Color Science.

I liked it but still returned it back for multiple reasons.

By Arthur
Rated 3 out of 5
Date: 2022-01-01

I really wanted a Leica for my hybrid life, but ultimately few issues prevented me from keeping it for video work. 1) No tilted screen. Video is a lot about low-angle shots, and I don't always want to be dragging around an external monitor, mounting it, plugging the cable just to be able to comfortably shoot low-angle. Usability is important. Wasting time and effort every time I need to go down with the camera is just annoying. 2) I find the camera to be missing false color, and I love it on my C70. An extra button would also help to access additional features, like switching to slow-motion and back with one click. It also would be nice if slo-mo was not cropped. 3) The auto-focus is subpar. Yes, I use my Leica R lenses and DZO, but there are times where I need to use auto-focus on my gimbal. Sometimes tracking objects and people's faces as I move the camera by tapping on the screen. I can't do it with the Leica. 4) I found the video to be at times leaning towards the reds on the skin tones. 5) Lack of third-party cages made it very hard to rig the camera. I find paying 2k for Metal jacket to be ridiculous. 6) The battery life could be better, and each battery is like $300. I'd need 4 - 5 of them for my video work, and I find it to be a bit expensive. What I love is everything else people have said about it. The image quality, the simplicity of the camera, the quality, etc. So I stick to my Canons for now, with the hope that the SL3 will improve on some of the issues for me. As long as the screen tilts and the autofocus works, I can see myself looking at Leica seriously again.

My dream has come true!

By Sergio
Rated 5 out of 5
Date: 2023-06-01

I have been a photographer for many years and always dreamt of owning a Leica. Although I would have preferred the M-11, the price tag of body + lenses was unaffordable. I settled for the SL2-S, with a Vario-Elmarit-SL 24-70mm F/2.8 ASPH zoom. Great combination! I am enjoying both the camera and the lens. Image quality is great. My only concern is the cumulative weight of these two elements. I'm currently in the market for a couple of primes that will address my concern.

All my life I wanted a Leica

By Anthony
Rated 5 out of 5
Date: 2023-04-19

All my adult life I wanted a Leica. Finally pulled the trigger and bought a TL-2. Very handy, does great daytime pics, but low light performance is almost a joke. Then, Leica offered $1300 off on the SL2-S. Its a dream. As you'll read it IS a big, heavy Tank of an instrument. But...the picture quality is what will blow you away. Fairly simple to operate, no where NEAR as confusing of a menu as my Lumix GX-85... Took a week to the Chihuahuan Desert in far West Texas. To Big Bend national park, the darkest place in the lower 48 states. Took some sensational Moon shots and Sunsets. The color rendering is 2nd to none. Highly recommend, just be aware it is a chunk of a camera.

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Why isn’t the SL2-S included in the Digital Cine ...

Why isn’t the SL2-S included in the Digital Cine Camera section of your Pro Video category? Video looks to be good.
Asked by: Anonymous
It should definitely be added to the digital cinema camera category as it has in some ways better specs than other similar cameras, one example being having waveform not to mention shutter angle instead of shutter speed. It is a very video centric camera.
Answered by: Anonymous
Date published: 2021-04-03

Will this camera ever have light composite ...

Will this camera ever have light composite features like some of the other mirrorless brands?
Asked by: Edwin
Unfortunately, we have no prior knowledge concerning future firmware updates or features that may be compatible for use with the Leica SL2-S Mirrorless Digital Camera in the future. The best I can recommend would be to contact Leica USA with your inquiry directly by e-mailing them at [email protected].
Answered by: Manzell
Date published: 2021-05-06

Can you use the SL2-S as a webcam for ...

Can you use the SL2-S as a webcam for livestreaming? I've heard that when the screen times out the auto-focus stops working?
Asked by: Christopher
You can use the SL2/SL2-S for live streaming. You will need a switcher or dongle to convert the HDMI output to USB. We recommend manually focusing the lens and selecting an aperture that gives you sufficient depth of field to cover any subject movement.
Answered by: Richard
Date published: 2022-02-09

Is this a 4/3 sensor?

Is this a 4/3 sensor?
Asked by: Joshua
No, this is a full frame sensor.
Answered by: Dimitri
Date published: 2022-12-12

Can the Leica sl2s use the Panasonic DMW-XLR1 ...

Can the Leica sl2s use the Panasonic DMW-XLR1 microphone adapter?
Asked by: John
The Panasonic DMW-XLR1 is not compatible with the Leica SL2-S.
Answered by: Kirk
Date published: 2021-05-24

How many stop of dynamic range is the SL2-S ...

How many stop of dynamic range is the SL2-S capable of in video mode?
Asked by: Michael
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Date published: 2021-05-11

4k 60p crop?

4k 60p crop?
Asked by: Artur
Yes, you are correct. C4K and 4K @60fps are Super 35 or APS-C.
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Date published: 2020-12-14

How will this camera perform for startscape / ...

How will this camera perform for startscape / Milky Way photography? I have an SL2 for landscape work but am considering adding either this or the Sony A7III for astrophotography.
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does it have a log profile picture?
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Date published: 2020-12-13
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