Arthur Lessac's Embodied Actor Training from Focal Press situates the work of the renowned voice and movement trainer Arthur Lessac in the context of contemporary actor training as a whole. Author Melissa Hurt uses Maurice Merleau-Ponty's theories of embodiment to frame Lessac's approach in terms of Embodied Acting, a key subject in contemporary performance. In doing so, she explains how the actor can come to experience both technique and expression as a subjective whole, through meditation and spatial attunement. As well as feeding this somatic approach into a wider discussion of embodiment, the author provides concrete examples of how the practice can be put into effect and studied at university level.
Melissa Hurt is a Lessac Certified Trainer and has taught acting and Lessac's voice, speech, and movement work at colleges across the United States. She has a PhD from the University of Oregon and an MFA from Virginia Commonwealth University.
- Contemporary Embodied Actor Training
- The Pedagogical Challenges of an Embodied Practice
- Methods
- Back to Basics: Body Wisdom
- Feeling the Process Within: Breath
- Body Esthetics
- Gestalt
- The Familiar Event Principle and Organic Instruction
- Attention
- Habitual Awareness Principle and De-Patterning Principle
- The Braiding of Perceptions Through Gestalt
- The Flow Between Body Esthetics, the Familiar Event Principle, and Organic
- Instruction
- The Actor's Inner Space
- The Actor Inhabits Space
- An Expressive Other
- Braiding of the Sentient and Sensible
- Subjectivity in Performance
- Accomplishing Dual Consciousness
- A Word on the Importance of Trust
