Configured for advanced users in professional environments, the Sigma fp L Mirrorless Camera with 8K Raw Recording and Broadcast Kit from B&H bundles the high-resolution camera with the Atomos Ninja V+ 5.2" 8K HDMI H.265 Raw Recording Monitor. Also included is the Atomos AtomX CAST for Ninja V/Ninja V+, the Atomos CONNECT Network, Wireless & SDI Expansion for NINJA V/V+, and a Atomos 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors.
Sigma fp L Mirrorless Camera
A high-resolution update to the original fp, the Sigma fp L is a compact and modular mirrorless camera featuring a new 61MP full-frame sensor, improved autofocus performance, and a versatile feature-set catering to both photography and cinematography applications.
Identical in form to the first fp, and maintaining accessories compatibility, the fp L is small enough to disappear into a rig for filmmaking uses or serve as a highly portable option for travel photography. The improved sensor and focusing greatly benefits photography use while also maintaining the same impressive video recording capabilities for a professional cinema workflow.
The new 61MP full-frame BSI CMOS sensor suits high-resolution stills shooting and up to UHD 4K video recording with 12-bit raw output when recording externally. The BSI design of the sensor achieves low noise and offers a sensitivity range up to ISO 25600 for working in low-light conditions. The sensor's design also now includes on-chip phase-detection autofocus, which greatly improves focusing speed and accuracy, especially when tracking moving subjects.
Beyond sensor upgrades, the fp L also introduces the ability to receive continuous power via USB-C to benefit extended recording times, such as when shooting time-lapses, extended clips, or when using the camera as a webcam. The sleek and minimal design of the camera body incorporates a rear 3.15" 2.1m-dot touchscreen LCD and the fp L is also compatible with the EVF-11 Electronic Viewfinder; an optional auxiliary EVF for clear eye-level monitoring. A single SD card slot is available for internal file saving and the fp L also supports recording directly to USB-C-connected hard drives, benefitting raw video recording and other large file size recording applications.
61MP Full-Frame BSI CMOS Sensor
The standout feature of the fp L is the high-resolution, full-frame 61MP BSI CMOS sensor featuring a Bayer-style color filter array. The increased resolution greatly benefits photography applications that rely on fine details and it also benefits video recording by improving sharpness through down sampling. The BSI design helps to achieve accurate colors, smooth tones, and reduced noise when working in difficult lighting conditions. The sensitivity range from ISO 100-25600 suits working in a variety of lighting conditions and the dual base ISO configuration further ensures clean results.
- Despite the use of a more conventional Bayer array sensor, Sigma has used their experience working with Foveon sensors to inform their decision to include a low-pass filter in the sensor design to help to suppress moiré for accurate color rendering.
- Ultra-high resolution enables the Crop Zoom function, available for stills and video recording, which lets you crop into the image by up to 5x to simulate working with a longer focal length.
- Electronic shutter only design helps to achieve the compact camera size and reduces the number of moving mechanical parts. This design results in quiet and shake-free shooting with a top shutter speed of 1/8000 sec, however, only affords a top flash sync speed of 1/15 sec.
- Lossless compressed 14-bit raw stills are saved as DNG files for post-production flexibility.
- Continuous shooting at full resolution is supported at up to 10 fps.
- Various aspect ratios, ranging from the standard 3:2 to more unique 21:9, 7:6, and 2:1 ratios, can be used in-camera for help previsualize different output ratios.
Hybrid Autofocus System
In addition to the heightened resolution, the updated sensor also incorporates phase-detection autofocus support to enable an intelligent hybrid AF system. Using both contrast-detection and phase-detection focusing methods, the fp L has greatly improved focusing speeds and accuracy in various lighting conditions, and can also more efficiently track moving subjects. This focusing system is accurate down to -5 EV and has 42 selectable points that can be changed via the touchscreen interface.
UHD 4K Video, 12-Bit Raw Output
Maintaining the same impressive video performance from the original fp, the fp L is still a strong contender for cinematic use due to its versatility in recording methods and raw recording output. Offering UHD 4K up to 30p and FHD 1080 up to 120p internally, or DCI 4K 24p output if recording externally, the fp L can record 8-bit CinemaDNG files to an SD card or output 12-bit CinemaDNG over USB-C or 12-bit raw over HDMI.
- Camera body has an internal stereo microphone, suitable for scratch audio recording, and a 3.5mm microphone port for working with an external mic. If working with the EVF-11 Electronic Viewfinder, that accessory incorporates a 3.5mm headphone port for audio monitoring.
- Making the fp L a unique tool for filmmakers working with other cameras in production environments, the camera can be used with a Director's Viewfinder mode to simulate the shooting range, frame guide, and field of view of other cinema cameras. This feature has been updated with the fp L with wider camera compatibility, and now includes ARRI ARRICAM, ARRIFLEX, ALEXA LF, ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA65, ALEXA XT; Sony VENICE; and RED MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, and KOMODO 6K camera options.
- For in-camera adjustment over color and tone, Color Modes can be applied and adjusted directly to footage. Two new Color Modes have been added with the fp L: Powder Blue and Duotone.
- Electronic image stabilization helps to reduce camera shake when recording video.
- Camera movement control is compatible with select gimbal models.
- The fp L can be used as a webcam by simply plugging the camera into a computer via USB-C to send both video and audio signals to the computer.
- Integrated Cinemagraph function for producing unique hybrid images that blend the movement of video with a still image.
- Support for still capture during live view and movie shooting in Cine mode, as well as the ability to pull still frames from CinemaDNG and MOV movie files.
Modular Camera Design
One of the key features of the fp series of cameras is the compact and minimal design that contributes to its modular ethos. Intentionally designed without a grip, without a viewfinder, and even without a hot shoe, the fp L can be built up using accessories to fit into a variety of specific production needs.
- Compatible with accessory hand grips, viewfinders, plates, and a hot shoe unit to create a camera form factor that suits a variety of intended uses. The plain rectangular camera body shape also promotes easier compatibility with third-party cages and other rigging accessories.
- Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
- USB Type-C port supports continuous power, and in-camera battery charging, via an accessory power bank for extended shooting times, time-lapse recording, or other instances when longer battery life is required.
- Included BP-51 lithium-ion battery pack provides approximately 240 shots per charge.
- HDMI Type-D and 3.5mm microphone ports are also integrated in the body's design.
- Integrated 3.15" 2.1m-dot LCD has a touchscreen design for intuitive handling.
- Compatible with optional EVF-11 Electronic viewfinder, which attaches to the left side of the camera body, for eye-level monitoring.
- Intuitive top switch for changing between CINE and STILL menu and user interface modes to suit different recording methods.
- Benefitting working with multiple fp L cameras, custom settings can be saved and shared to other bodies via a QR code. Also, screenshots can be taken of the rear LCD and saved for review.
- The body features three 1/4"-20 threaded mounts—two on the sides and one on the bottom—for connecting accessory grips, viewfinders, and even the camera strap, as well as the bottom mount for attaching the camera to a tripod or other mount.
- Included HU-11 Hot Shoe Unit for external flash use or for working with other shoe-mounted accessories.
- Large heat sink between LCD and camera body helps to efficiently dissipate heat and promote longer continuous recording times.
- Dust- and splash-resistant body design promotes working in inclement weather conditions.
UPC: 085126939038
Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor
With an updated operating system, HDR monitoring, and RAW recording capabilities, the Atomos Ninja Ultra 5.2" 4K HDMI Recording Monitor is a 5.2" on-camera monitor and recorder ideal for use on your next set. This monitor supports DCI 4K HDMI footage and can even record ProRes RAW up to 8K with compatible cameras. The Ninja Ultra retains the same form factor as its predecessors to be compatible with most Atomos monitor accessories for easy integration with your preexisting equipment.
AtomOS 11 Operating System
Built for the new Ninja Ultra, the AtomOS 11 operating system equips your monitor with new features along with an improved icon interface for more intuitive operation. Focus Peaking, Zoom, Atomos and ARRI False Color, EL Zone colorized exposure, Safe Areas, RecordAssit, PlayBackAssist, SegmentPro, and Cine Guides are among the many monitor assist functions available. The AtomHDR processing engine allows for real-time Log to PQ/HLG previewing.
5.2" Touchscreen Display
The 5.2" IPS touchscreen of the Ninja Ultra offers a 1920 x 1080 resolution with 1000 cd/m² brightness for viewing in broad daylight. The 10-bit color processing, Rec.709 color gamut, and Calibrite ColorChecker Display Pro/Plus calibration support ensure color-accurate, high-quality monitoring of your footage.
Comprehensive Color
The Ninja Ultra supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.
HDMI Interface, ProRes RAW Recording
- The Ninja Ultra's HDMI input and output ports support up to DCI 4K video at 60 fps in monitoring, recording, and playback modes. 3.5K RAW at 60 fps footage is supported with select cameras.
- Over 55 different cameras support RAW recording over HDMI with the Ninja Ultra up to 8K at 30 fps.
Optional Atomos CONNECT Module
The Ninja Ultra is compatible with the separately available Atomos CONNECT module to access cloud workflows like C2C, Atomos Edit, and Atomos RemoteView via Atomos Cloud Studio. The CONNECT module adds 12G-SDI connectivity, AirGlu wireless timecode and control, Wi-Fi 6, and GigE Ethernet to your monitor interface. This allows you to send video signals to live streaming platforms, via NDI, and to custom RTMP/S destinations. Functions unlocked that are specific to the Ultra include SDICine, enhanced metadata support, RAW recording via SDI, dual 4K60 ProRes RAW and 1080p60 H.265 dual recording codecs, and 4K C2C mode for higher quality uploads. You can also convert HDMI to SDI and SDI to HDMI video using the CONNECT module.
AtomX Cast
Use the AtomX CAST to transform your Ninja Ultra into a compact, fully featured production studio. This component enables advanced multi-input switching from four 1080p HDMI sources, the application of graphic overlays, and the ability to use a USB UVC webcam output for enhanced web conferencing and live streaming.
SSD Recording
The Ninja Ultra is compatible with the Atomos Master Caddy II and Master Caddy III 2.5" hard drive units which support direct recording to the drives. You can also record onto compact AtomX SSDmini drives and CFAST II cards using a separately available adapter.
Power Options
An L-series battery plate on the back of the Ninja Ultra can support NP-F L-series batteries outputting 5.8 to 7.2V. A USB-C port supports 30W PD power delivery with the included cable. Use the included dummy eliminator to power the monitor via DC power sources.
Control Options
- Multifunction control buttons work in tandem with the touchscreen interface for intuitive onboard control.
- Auto HDMI camera trigger is supported by Canon and Sony cameras using Atomos Open Standard.
- Unlock Bluetooth and RF-driven remote control with the optional CONNECT module.
- LANC control and calibration can be accessed using a separately available USB-C to serial connection cable.
UPC: 814164022811
Atomos 5200mAh Battery for Atomos Monitors/Recorders
This NP-F750 L-Series-type 5200mAh Battery is compatible with all Atomos monitors and recorders except the Sumo. Use this 7.4V battery as a spare or replacement.
ript>UPC: 853815005841
Atomos 2A Fast Battery Charger 2 with Locking Cable
Quickly and securely charge a single L-series battery with the 2A Fast Battery Charger 2 from Atomos. This unit features a locking power cord connector, a 4-bar LED status display, and a charge time of approximately 3 hours for a 5200mAh battery.
This worldwide-compatible charger accepts 110 to 240V power input and includes a power supply with a 2-prong AC plug.
Features
Locking power connector prevents accidental unplugging
Charges a 5200mAh battery in about 3 hours
Accepts 110 to 240 VAC input
UPC: 814164022118
Atomos D-Tap to DC Barrel Coiled Cable
The D-Tap to DC Barrel Coiled Cable from Atomos is a power cable for the Eliminator battery and most recorders.
UPC: 814164022026
Atomos Sunhood for Ninja V, Shinobi, and Shinobi SDI (Black)
The Atomos Sunhood for Ninja V, Shinobi, and Shinobi SDI, in black, features a snap-on design that allows for easy attachment/removal. It quickly secures on using two clips on the bottom and two on top.
UPC: 814164021111
Atomos CONNECT Network, Wireless & SDI Expansion for NINJA V/V+
Expand the video and network capabilities of your Ninja V or Ninja V+ monitor with the Atomos CONNECT. Designed to fit flush to the back of your compatible monitor and secured via two screws, the CONNECT features a 12G-SDI input and antennas for Wi-Fi 6 capabilities. The CONNECT supports Bluetooth LE and Gigabit Ethernet with the integrated LAN input so you can stream to networked video switches, additional monitors, or destinations like YouTube, Facebook, and Twitch.
Camera to Cloud Interface
Utilize the CONNECT Camera to Cloud workflow to upload proxy files, capture full-resolution footage, and collaborate in real time via Frame.io, Dropbox, or Sony Ci media. Atomos Cloud Studio allows network-enabled devices to live stream to popular platforms and custom RTMP/S locations.
Wireless Control
Use the AtomRemote app with your iOS or macOS device and control your CONNECT unit remotely. Configure settings from up to 49.2' away using the device's Bluetooth LE technology. Define camera connections, select Gamma/EOTF, adjust Gamut settings, control playback, and utilize other input monitoring tools. Output control options include video resolution, LUT preview, and HDR output.
Wireless Timecode
Atomos AirGlu wireless timecodes work together to seamlessly sync your connected camera's timecode for improved system integration. Relay recording, battery status, and disk capacity information to the server unit, which can be any AirGlu-enabled device.
Dual Recording
Create a main Apple ProRes or Avid DNxHR/HD recording and an HEVC H.265 proxy recording with matching timecode and metadata using the CONNECT's dual recording feature. The clips are then uploaded to the cloud for real-time collaboration. Proxy clips can be reviewed using Frame.io by remote team members, and editors can begin cutting footage.
Compatible, Compact Form Factor
The slender profile of the CONNECT complements the compact form factor of the Ninja V and Ninja V+ monitors to avoid adding bulk to your preexisting gear configuration. An L-series battery slot can power the accessory.
UPC: 814164022712
Atomos AtomX CAST Switcher Module for Ninja V/Ninja V+
Convert your Ninja V or Ninja V+ 5" monitor into a full multi-camera broadcast studio switcher with the AtomX CAST from Atomos. The AtomX CAST takes its name from "broadcast", and it allows you to switch up to four HDMI video sources and output it to a variety of destinations such as an external monitor, a recorder, a separate switcher, or to a live streaming computer. Applications include corporate, house of worship, event, family, or studio production environments.
The CAST is specially designed to mount onto the back of the Ninja V/V+ monitor, and it provides four HDMI inputs that support a mix of different resolutions up to 1080p60. The touchscreen monitor can view a single image, Picture-in-Picture, or 4-Up modes, and you can also add logos and graphic overlays. It can send Program, Preview, Picture-in-Picture, and 4-Up displays to the HDMI output. You can select the source for monitor/output using the four source buttons, and you can also select the source using the monitor touchscreen. There are also four programmable function buttons to perform specific shortcuts.
The monitor allows you to preview your broadcast while simultaneously outputting to a recorder, a monitor, a projector, or when using the optional AtomX Connect for live streaming using a computer. It also supports recording output to ProRes and Avid DNx formats. It is compatible with most streaming platforms such as Skype, Zoom, Teams, and more using UVC with the included USB Type-C cable. The CAST is powered using the power adapter included with your Ninja V/V+, and it passes the power on to the monitor through the battery mount.
UPC: 814164022422
